Always wanted to write for a magazine... |
Call this my audition piece. I've been a writer for as long as i can remember. I am someone that is not often self motivated, so i have to run with any creative idea that pops into my head and stays there. This blog is hopefully an entertaining one, and a showcase of some sort of talent. The magazine industry is hard to break into, i had to do something to get noticed. Fingers crossed... |
ALYSHA NETT!! (again)

Miss Nett is a perennial feature of these pages. She’s been mentioned glowingly in so many posts and I always count my blessings that I was able to secure her involvement in my blog early on. Her work always leaps from strength to strength, and that’s not to mean that it wasn’t already stratospheric. There are so many moments of note from the past twelve months of Alysha, but freshest in many minds will be her appearance in issue 174 of FRONT magazine mere months ago. A set shot by the great Christian Saint whose use of sleek greys as a backdrop for Alysha’s elegant posing was inspired. I rhapsodised about the feature, as is my tendency whenever Alysha steps in front of a camera.
For someone whose work is so prevalent within the industry, I am always amazed how she keeps each shoot fresh and different. While models may be forgiven for having an off day and phoning in a shoot or two in a busy schedule, Alysha does nothing of the sort. I can say with certainty that I have never seen a poor Alysha Nett shoot in all the time I have been following her career. When you think about that it’s damn impressive. A model that can not only produce new and interesting images while naked, but also swathed in the latest fashions and clothing labels of note. She’s a designer’s dream, brining her own style and flavour to whatever adorns her svelte frame. Immediate cache is hard to find, but find it you will if you get Alysha Nett wearing your brand.
For all these reasons I am very happy to announce Alysha Nett as my winner of the “woman of the year” Alty for a second time in a row. When you consider the masses of instantly classic pictures she produces from a single multiple shot set, you can look no further. A model that knows how to use the sometimes unfathomable curves of her body in sublime ways. Her commitment to the work is inspiring, and her attitude to her supporters is genuine and humble. A worthy Alty winner yet again.


It’s FRONT review time on the Alt Girl botherer blog, and it seems like an age since I’ve done one. This month sees a Halloween special featuring Danielle on a hypnotic green cover. Here goes…
At first glance, I thought Seren was back for a second cover in a row when I saw this month’s FRONT out of the corner of my eye. As soon as I properly looked, I could see it wasn’t, but for a second there… Anyway, I was intrigued by Danielle’s appearance on this month’s issue, but not excited if I’m honest. Don’t get me wrong, I’ve really liked Danielle’s work with the magazine in the past, but there was no “wow” or “I’ve gotta check out this shoot” at first. A playful pose fills the cover, Danielle coyly playing with her hair and wearing Beetlejiuce inspired leggings (the merest hint of a lower-lip bite). It’s a cute image, but that’s about it. I’m pleased there was no model interaction with illustrations this month (a pet peeve of mine), and the colour scheme was different, but I still reserve judgement as to if its good different or bad different. I moved inside with hope rather than expectation I must admit.
As I delved beneath the surface of this month’s FRONT, my hopefulness turned to joy and bafflement. The joy came with the realisation that Alysha Nett was featuring in this month’s issue, the bafflement was with the fact that there was no mention of it on the cover (or online in the lead up to the mag’s release). I’m not sure if FRONT wants it’s “Full Frontal” feature to be a surprise for readers or what, but I can’t help but think sales figures would have been given a boost if they plugged the hell out of Alysha’s involvement. But on to her shoot, which starts on 16 with a double page spread featuring four Alyshas in a row! This procession of Netts is incredible. In this shoot the distractions are kept to a minimum and I love it. Alysha is shot against a bland backdrop, bathed in light with her body art really popping in contrast to her pale complexion. These first four images of this amazing model are a nice introduction to a great set, her work in each of the four pictures is subtly different, but fit wonderfully as a collective.
The first on the far left of page 16 feigns shyness; covering her mouth and breasts, seemingly shocked at being snapped. I love the turned inward feet, which only adds to the innocence Alysha is going for here. It’s a subtle aspect of body position, but very necessary for a great shot. The next image along in the line-up of Alyshas is one of my favourites. A casual hand on the hip is perfect, and the playful pinkie in the mouth weakens my knees. We move then to a sot of Alysha slipping down her undies, eyes fixed on the camera and on us as an audience. Alysha always uses her eyes superbly when modelling, she brings viewers in and gets them involved with the shoot. I love the little dimple in her right hip, caused by the way she’s twisting. Lastly, and hands on the head shot, elongating the body, and leaving Alysha’s gorgeous physique and ink to be fully appreciated. I have to say, that it’s so funny that her Marylin Monroe foot tattoo is so visible, because there’s a real Marylin-ness to Alysha’s styling/colouring in the shots. It’s a nice juxtaposition to dwell on.
Pages 18 and 19 continue the glorious Nett-fest. Again the background is not intrusive, so we’re focussed on Alysha’s stunning work. On 18 we have a full page shot, with Alysha licking her shoulder. The position of her body is such that her tattoos are pronounced, and turned to camera, some obscured, but all displayed wonderfully. The lick of the shoulder is an interesting touch, a spur of the moment idea perhaps, but a really quirky and different shot that is great to see. The use of so much light is a master stroke, Alysha’s fantastic features are highlighted, and even with her impressive ink being shown off, her beauty is by far the star of the show!
On 19 we have a triumvirate of Alyshas, from top to bottom. At the top of 19 Alysha’s wonderful back piece is in the spotlight. When I interviewed Alysha at the start of this blog adventure, she mentioned an intention to fill her frame tattoo eventually. I’m sure she’ll choose an incredible design when she settles on one, but for now I really love the empty frame. It’s so unique! Of course, her perfect bottom is also in the shot, and shame on me for not mentioning it sooner. Seriously though, the look over the shoulder is ace, and the images that follow on 19 are sculptural wonders. I love how dextrous Alysha’s body can be, there’s a beautiful contortion to the middle image on 19 and the bottom picture is classic Alysha. By that I don’t mean she does this particular pose all the time, but she does have a knack of showing off the amazing “S” shapes she can make with her unbelievable body. Check out the arch of her back at the bottom of 19, perfection, I could shelter from the rain under there or crying out loud!
We end Alysha’s shoot with two more great pictures. On 20 there’s a really intimate moment captured, with Alysha pressed up against a mirror. I’m a big fan of new ideas in shoots, and while I’m sure this shot isn’t reinventing the wheel, I think it was a great idea to include it. We don’t see Alysha’s eyes at all here, but the purse of her mouth and the hand to hand positioning at the mirror is just lovely. The last image on 21 is something Alysha always seems to master. By that I mean in every Alysha Nett shoot there’s at least one image that would make an excellent poster, calendar page, print etc… Again the sleekness of Alysha’s body is a wonderful feature, and her ink is a voyage of discovery as you look around the image. But that pert bottom… that’s a great way to leave a set.
I’ve probably talked about Alysha’s set more than I will the main feature here, but I couldn’t help it. Photographer Christian Saint is a real favourite of mine, and in the past I’ve enjoyed his use of metallic or grey backgrounds to make a model pop. Here model and photographer were in perfect sync, and while I’m not privy to what went on on-set, I’m sure it was a lot of fun and quite experimental.
In other news from the mag (between the shoots): Good tidings are sung out in a short article heralding the return of “The Walking Dead” to our screens. I seriously love this show, and while I’ll miss episode one of season three showing on the 19th, I’ll be series linking that bad boy and watching the whole lot in one gore-filled go. A really good interview with Tim Burton was a surprise. Not that it was good, but that FRONT got Burton involved. He’s plugging his own Halloween film, but having the interview as part of FRONT’s seasonal special is a nice touch. The Crap Jokes “Tested” portion doesn’t do much for me I must say. I was really interested by Hattie Stewarts’s piece though, something I’d like to see expanded upon… Who knows, maybe on this blog someday?

Back to the shoots, and it’s Alt Girl time! I’m really pleased that Gemma Edwards seems to be getting the job as Alt Girl photographer more often these days. She does great work within the section, and it’s good that FRONT are making efforts to regularly include a real rising star in the game. This issue sees “Emma” step into the Alt Girl frame. I really liked the energy and personality Emma brought to her FRONT debut. Her raven hair and pale skin is a combination that has worked well many times in FRONT previously, and you can’t beat long socks in an Alt Girl shoot right? Pages 56 and 57 begin the customary Alt Girl strip-down, and two shots in particular grabbed my attention. Both on page 57, the first one being in the top right corner, Emma removes her undies with a real flourish. Now I know this might not be rocket science, but all the important factors are there. An arched back, turn to camera, lovely bum and smile. I like the splayed fingers also. The second shot on 57 that caught my eye is at the bottom. Again showcasing a fantastically pert bottom, the twist to Emma’s body is great, and there’s an ease to her expression that maybe hints that it’s not too much of an effort to assume the position?
That’s the one thing I’d tweak about the shoot if I’m honest. I think Emma stayed a little within herself while working with Gemma. She shows a similar smile in a few shots that could be misconstrued as complacency. Also, as I’ve mentioned, I think she could have gone for some more diverse poses. She shows on 57 that she has the dexterity, but instead she seemed to stay in the comfort zone. If she returns to the magazine, or gets more exposure on the FRONT site, I just hope she goes for it a little bit more.
Emma’s Alt Girl set finishes strong though, she’s decided to not go completely topless and I don’t think that’s an issue at all. It’s good that FRONT doesn’t insist on fully topless shoots, I like the implied stuff just as much (even more sometimes). I also believe that implied work really gives an amateur model more longevity, as well as a chance to return and maybe show a little more, or come up with different ways of working implied. My favourite shot is at the bottom of page 58, Emma kicking her feet up and arching her back wonderfully. I like the playful expression and the gaze to camera. All in all a solid debut for Emma, if a little restrained. I’d love to see what else this lady has to offer in the magazine, or on the website.
The Alt Girl DIY section is an improvement in my opinion this month. Lately it’s seemed to be very hit and miss, with no real thought to audience (or the FRONT ethos) when choosing content. This month there are some interesting participants though. Lilly-Kate sent in some great shots, and her mini interview hinted at what could be an interesting Alt Girl piece proper. She might have an issue with the fact that FRONT has used a lot of her images; from what I’ve noticed, that usually means they want to squeeze every drop out of someone without having to give them a full feature. But I hope that’s just me being suspicious, I’d like to see what she could do with a full shoot. Issy is another DIY entrant that I think has a great chance of being chosen for a return, or at least an online profile. A very vibrant set that focuses on her face and the props she’s using (gum, laces, lollipop) something not often done in the DIY section.
On to the main feature finally, which begins on page 82. I have a little problem with FRONT when they do this. Advertise Danielle on the cover, but then actually showcase three models in the main feature. There’s nothing wrong with multiple model features in FRONT, but I’d like it if they acknowledged the others taking part with at least a mention on the cover… but I digress. The three models that make up the feature are Danielle, Gabriella and Bryony. The group shot that introduces the feature is like a topless episode of “Charmed.” The three girls bathed in light from behind, Bryony and Danielle looking to camera, Gabriella (the rebel) looking away. It’s a great start, and introduces the participants very well.
The first picture that grabbed my attention was of Gabriella n page 85. She’s a stunning woman of course, and the continuation of the lighting technique from the introductory page works wonders here. Turning her sun coloured top see-through, coupled with her sexy half smile is great, and an inventive way of showing her figure off. On page 86 is one of my favourite shots of Danielle. Just wearing jogging bottoms and tousling her hair, it’s a very real image, and extremely sexy. 86 and 87 are a good juxtaposition actually. On 87 the three girls are n bed together naked, yet I find Danielle’s jogging bottom’s shot supremely sexier.
Racing ahead to 92 and 93, where two of my favourite images can be seen. First on 92, Gabriella shows off her flexibility, with a pose that accentuates the angles of her marvellous physique, with her angelic face sporting a sultry gaze to camera. On the opposite page, Danielle is snapped through the legs of Bryony. It’s a joyous image, the expression on her face is priceless, there’s innocence and an inevitability to what would happen in the scene after the shot is taken. Great work from Danielle and photographer Jay Mawson.
I’ve bumbled through this feature quickly for a few reasons. Mainly due to the fact that I lingered on Alysha Nett’s section at the beginning of this review, but also because I wasn’t pulled in to this feature at all. The ladies involved are gorgeous don’t get me wrong, but I have issues with the piece as a whole. As is inevitable with threesome shoots, one model get’s overlooked. This time it’s Bryony, who barely appears on her own, is out of focus in one group shot, and never really imposes herself on the shoot in my opinion. There also needs to be more to a shoot than attractive women… That may seem like a stupid thing to say when reviewing a “lads mag” but it’s true. Hopefully in these reviews it’s clear that I applaud technique and intrigue from a model and a shoot. While after seeing this feature I am interested in seeing more from Bryony and Gabriella next time, next time shouldn’t even be a factor. It’s all about the here and now for these big shoots, and when they don’t work, there can’t be a reliance on “next time.” Because there may not be one.
All in all though, this month’s FRONT was a nice issue. The major highlight was Alysha Nett’s appearance for sure! It was a nice surprise to find out she was featuring, but I think FRONT should have shouted that from the rooftops a little more. I didn’t have the personal interest in the main feature that I did with Seren’s shoot last month, which didn’t give me much reason to extenuate the positives (as you could probably tell). But what did everyone else think???
As always, thanks for reading if you did.
This month the Alt Girl botherer blog celebrates its one year anniversary. That’s twelve months of interviewing and showcasing some of the best and brightest alternative talent in the industry today. Within that year, it has been my distinct pleasure to interview nearly 200 models, artists, performers and other industry professionals from all over the world. We’ve talked modelling, tattoos, latex, fetish, photography, body paint, vampirism… if it has a place in the alternative realm, then I’ve discussed it on these pages. Some of the personalities I’ve featured on this blog I am very proud to now call friends, an outcome I could have never expected when I started the project. It’s been enlightening and eye opening sharing in the life and work of aspiring professionals and successful industry leaders. There will always be characters and personas that I will be in awe of, but through my work on this blog I have seen the human side of these glamorous ladies. I’ve also grown to understand the job they do, or aspire to do, and the struggles and negativity that they battle against constantly. I went into this blog idea with respect, but that has been amplified exponentially through working with so many talented people.
I’ve also had the joyous experience of achieving a personal goal, that being writing for a few online magazines. Special thanks must go out to Carmin Conner, whose faith and support has led me to the role of fetish writer in her magazine SKIN. It’s a pleasure writing for such a passionately produced labour of love, and to have my work featured alongside such great creative talents is humbling. Snakebite magazine is another forum for my writing now, and a project that is totally driven by volunteers. It’s an ambitious undertaking, but one that is very exciting to be a part of. As well as magazine assignments, I’ve also been privileged to write biographies for a few previous guests, for their personal sites and print features. Writing has been a passion of mine for as long as I can remember, and it feels incredible when your talents are appreciated by people you personally admire.
I could never adequately thank everybody who has featured and contributed to this blog, I have had so many guests in this first year that I’m afraid of leaving people out if I try individual shout outs. I hope that at the time I interviewed each guest, they picked up my sense of gratitude for their time and effort. It is always genuine, and my only goal is to share my love of my guests’ work with a wider audience. There are a few people that I will mention here though, just because they have been constant inspirations and sources of support. Some of these women will never know how much they’ve helped this project, but I hope they’ll get an idea someday:
Stripey and Rachy: Two ladies from the FRONT magazine forum that I interviewed soon after setting up my blog. They were early guests that I was overjoyed to be able to feature, and two women whose work I will forever watch out for. I’d love to have these girls back for a follow up feature someday, I’m such a fan of their pictures, but also their personalities and outlook. They work hard for everything they get, and I hope they get everything they want from life and work.
Alysha Nett: A colossal star in my eyes, and someone I was dumbfounded to welcome to my blog. I speculatively got in touch with Alysha without any real anticipation of success. To my amazement she replied and we were able to work out an interview that I am still extremely proud of. It tells you so much about a person when they are willing to help out with a creative project. I’ll always be able to say that I once interviewed Alysha Nett, and that’s something I’ll cherish.
Bow: Now I’ve never actually featured this lady on my blog, but her work has gotten a mention on numerous occasions. She’s a fantastic model with an incredible look and approach to her work. Most importantly though, she’s a sweet person who is a great supporter of this project. I will feature her on this page in the near future, whenever she’s ready.
Yazz: Another FRONT forum favourite, and a lady who helped the blog celebrate Christmas last year. Someone whose modelling captivates, whose passion for photography and art blew me away, and whose polite and respectful demeanour made every interaction a joy! She’s one of those people who you wish nothing but success for, and with her plethora of talent, success is what I’m sure she’ll find. Whatever path she takes.
Ruby True, Whiplash, VioletEyes and Rubber Monkey Latex: Latex is something I love to see showcased well, and these individuals are the best around. It was a personal pleasure to feature their work, and bend their ear about such a wonderful material. While Ruby, Whiplash and VioletEyes are rightfully classed as latex modelling authorities, they are also accomplished models/performers full stop. Four very interesting women who helped create three outstanding articles in my opinion.
Tara Mackey: Singer, photographer, model, traveller, inspiration… Lots of words can be used to describe this woman. To me though, I think friend is the most potent. Having never had the opportunity to meet her or see her shows, that might seem a little strong. But her energy is so warm and welcoming that I really do feel that way. It’s always a pleasure to promote her shows, and I hope she’s happy in everything she does.
Elle Richie: A model whose work I followed from her first appearance in FRONT. Someone who I have featured twice on this blog and whose opinions and insights into the industry I could listen to all day. Someone who is passionate about her craft, and very skilled at it. Always very supportive and accommodating to requests from this blog, and another lady I’d always have an interest in working with.
THE ALT GIRLS: FRONT’s monthly featured girls who have worked wonders in the few pages they are granted. They were the inspiration for this blog, and a sisterhood of ladies that should all be rightfully proud. I’ve featured many previous Alt Girls on these pages, including Abbie Mac, Sophie Butcher, Edie, Chelsea, Tammy Cole… the list goes on. I want to thank them all for their work in the magazine, they’re help on this blog, and not running for the hills when this random person got in touch about an interview.
As I’ve said above, it’s very difficult to thank everyone involved and not leave people out. Every time I conduct an interview, it’s with 100% focus and commitment to the individual in question. I pride myself on research and promotion, and I hope the experiences have been positive for all involved. From the amateurs I have showcased, to the professional models earning a living from what they do. I wish everyone the best of luck with their future projects and goals.
The future for the Alt Girl botherer blog is hopefully much like it’s recent past. I will endeavour to find and feature talent from all over the world, and bring unknown artists as well as well known artists to this stage. I am as passionate about the project now as I was at it’s inception, and I thank every single person that follows this blog. As for unfulfilled ambitions, there is a list of ladies that I desperately want to feature in future months. I’ll put a few names below in case they are reading, or in case someone else reading can persuade them to accept my countless interview advances:
El Wood – Someone who has expressed an interest previously, but whose workload understandably keeps her very busy.
Mosh: A legend and inspiration to many, I’ve got something in the works with this most perfect of ladies that I really hope comes off. We’ll see.
Bow – I mentioned her above, and I will have her on this blog as soon as she gives me the green light for an interview.
Carrie – An artist who I regularly chat to about her creative projects (as well as zombies). I’d love to feature her in some form or another, If not an interview then a showcase of her artwork and the business ventures she’s got planned.
Vikki Blows – Everyone knows about Vikki, I think it would be so interesting to talk with her about her life and work. Maybe someday…
Suicide Girls – I’ve spoken to a few on this blog already, but Radeo and Rambo are two women I am in awe of.
Sister Sinister – Yet another latex clad lady who I admire and who I’d love to talk with about her work.
Leasha Jacques – I’ve tried before, but this lady has a LOT going on. Beautiful model, talented artists and tattooist, and just a very cool person in general.
Arabella Drummond – I’ve been close before, I’ve spoken to people that know her and they’ve promised to put me in touch, but it hasn’t happened yet. Trust me it will!
Michelle Rodriguez – A little out there perhaps, but if I ever got the opportunity I would jump at the chance. An incredible woman!
There are loads and loads of women I’d like to feature in the future, some I haven’t even heard of yet I’m sure. I hope to be able to bring you interviews with some of the above, but also women from other reaches of the industry and other backgrounds. I hope to move the blog forward in this second year, and continue to build on the incredible experiences I’ve had thus far. I hope you’ll all stick with me on the journey, and enjoy what I’ve got to share with you in the near future.
Thanks again for all your support, to all those people who read my work and get something out of it. I’d probably still write if nobody read, but to know likeminded people are enjoying what is produced on these pages is incredible.
The immediate future of the Alt Girl botherer blog though is all about celebrating a year of interviewing fascinating people. I had a goal as I approached this milestone, I wanted to get an industry big name on the blog to properly celebrate the achievement and thank everyone that reads my work. After numerous approaches to big name models, publishers and performers, I was beginning to lose hope. I thought the talents I was contacting would be too busy to help out with my blogs birthday bash. Then, from out of nowhere, I got a response. Someone was actually moved enough by my interest that they got back to me with a positive reply. And you’ll never guess who it was… Ok I’ll tell you. It was the editor of Bizarre magazine David McComb! David McComb, the man in charge of the most innovative and cutting edge alternative magazine in the industry. For those who don’t know, Bizarre is the market leader in alternative literature, publishing some of the most famous and beautiful women in the alternative field. It’s the pinnacle for many aspiring alternative artists, and it’s readership consists of some of the craziest and most creative people on the planet. I was thrilled at the news, and if that wasn’t enough, Mr McComb also granted me an audience with the magazine’s art director Dave Kelsall, in order to pick his brain about the kind of women the magazine looks for.
For Bizarre fans, alternative fans, fetish fans, aspiring models and Bizarre contributors… It’s going to be a must read piece, and I do hope as many people as possible will read it. There will be great insights behind the scenes at Bizarre, their policies and mission statement, as well as tips and advice for following and getting involved in the premier publication. I hope everyone is as excited as I am, and I can’t wait to share the piece with everyone. More news will follow, but for now I’m delighted to say that both the Bizarre editor and art director will feature on this blog soon, to help celebrate a year of interview and review.
Thanks for reading this hefty announcement if you did, I’ll be posting further updates very soon.

It’s been heading that way for a few months now granted. With terrific issues of late, the guys over at FRONT towers seem to have gotten over the departure of former editor Joe Barnes to FHM, and are now getting back to what made the magazine so great in the first place. What is the reason behind this resurgence? I think it has a lot to do with FRONT giving more and more page time to models like Alysha Nett and Kitty Lea, as well as finding fantastic “alt girls” and smattering in FRONT regulars. They’ve also returned to what I call “trainers and toons”, which was the backbone of quality FRONT issues of the past. Girls in kick-ass trainers and brilliant illustrations from up coming and established artists have made a welcome return. All in all, it’s been a steady journey back to form for FRONT. From the backlash of a few months ago, that lead to many people (misguidedly and prematurely) jumping ship, to this current and quite magnificent issue. It’s been one hell of a ride with FRONT of late, but issue 164 is an imperious way to begin 2012. You’ve done it again this month FRONT, and got me very excited for another tantalizing twelve. This is what I thought of the issue anyway…
The cover. I heard through the grapevine of tumblr that Alysha Nett would be on the cover this month, something that surprised me seeing as she was featured in last months “full frontal”. Surprised but delighted I have to say, as I’ve been screaming at FRONT to include this lady more for ages. In fact, Alysha has had a bit of a monopoly of the magazine recently. Appearing in multiple issues and on the website in various ways. Just when I was jumping for joy at that piece of news, I got a sneaky peak at the cover, and to my amazement saw that Arabella was co-covering this months offering as well! A dynamic modelling duo for sure, and the cover composition is really impressive. With their feature centring around tattoos; banners with text, and roses dotted around, is an excellent precursor. There’s a bit of “angel and devil” to Alysha and Arabella’s poses on the cover. Alysha, the paler of the two, has hands aloft, daintily assuming a statuesque elegance. Juxtapose this with Arabella’s mischievous expression and cheeky (pardon the pun) hand position, and it creates a lovely balance visually. A wry smile crept across my face when I saw Cala looking out from the top right corner of the cover. I thought to myself (rather smugly I admit) “beat you to it FRONT” referring to my interview with Cala released last month. However, in all seriousness, Cala’s involvement was yet another reason be to excited about this issue. This cover does what covers are supposed to do. Excites the reader to first buy, and then read on. What a terrific start to a wonderful issue, and once again, what an awesome start to another year of FRONT!
The welcome page to any FRONT issue is always a nice inside look at what it’s like to work with FRONT. I’m glad they implemented it, and god it makes me want a job there! Highlights on these pages are a shot of Mel Clarke signing something (she looks wonderful), the crazy Nurf gun weapon the guys constructed, and fantastic behind the scenes shots of Alysha and Arabella in nothing but aprons and socks!
A little mention for the amazing Yaz next. She popped up on the letters page with funny results. Always nice to see Yaz in the mag in any capacity, and any excuse to revisit her awesome work in previous issues. My thinking is the closer she stays to the team, the more chance there is of getting her in FRONT again! Moving on to page ten and one of the best “reader’s shit” sections in ages. Kudos indeed to Rich Hewitt for his “arch of perfection” submission. Also, I was wowed by James Church’s drawing of Mellisa, good enough to deserve a break for spelling her name wrong I felt (but that’s FRONT for ya).
“Full frontal” this month was a pleasure and a treat. Not that is isn’t usually. But for me, this appearance by Sabine is far more in-keeping with the FRONT ethos, than her feature was in issue 161. Back then she seemed a little too tan-tastic, and didn’t seem like a FRONT-style model at all. Lots of people agreed, and went off the deep end about her inclusion. Here though, on pages 14 to 19, is the reason she was used by FRONT in the first place. The whole shoot has a much more FRONT-ish feel, and Sabine’s work, styling, and use of her surroundings just screams FRONT model! “Back by popular demand” may be a bit of a stretch following Sabine’s last appearance, but in this month’s “full frontal” she really excels, and proved me totally wrong for questioning FRONT’s decision to feature this lady. I‘m sure she doesn’t give two hoots what I think, but there was a lot of unease after issue 161’s cover shoot. I hope people now understand, and can appreciate Sabine’s talents and appeal. Page 15 is my favourite image from the set. Sabine’s expression, pose, hair, everything… Just says “what the fuck do you want? I’m busy being awesome!” Turn the page though and WOW, the flexibility! On what looks like a bad 80’s sofa no less. Getting into that position (seen in a double page spread) and still looking fabulous, has to be applauded. There’s a serenity in her eyes, and an allure in the purse of her lips that betrays the strain and effort she must surly be putting in. We close with a few pictures that hint at a retro vibe to me. The dated looking set, and old school-ish skirt and suspenders don’t seem to fit with the previous images. However, Sabine does look stunning, and her make-up against the blue wall on page 18 is dazzling. In every image her eyes really work for the shot, and there’s no expression gone to waste. In my humble opinion that is.
This month’s illustrator profile is Jack Teagle. I’m not a massive fan of the style if I’m honest, but am very conscious that it’s a brand of illustration that’s sweeping the country right now. I’ve seen something similar appear in a car ad on the TV of late, can’t think of the make of automobile, but it immediately made me think of FRONT, so I guess Jack is in the right place. He’s responsible for the images that go with the “good shit/bad shit” regular feature, and has been utilised by FRONT a lot in the past. I can see the relationship continuing, and I hope the style grows on me if it’s to be used more expansively. No negativity towards Jack here what so ever, I wish him all the best. Who am I to talk anyway, loads of folks are loving what he’s doing. Good luck to him.
Page 30 and 31 is a trainer fest, and an interesting look at a “trainer con”, which I had no idea even existed. Something about the whole piece seemed to scream New York for some reason. Before you say it, I know it was held in New York. But the characters seen, the shoes, the hats… It all summed up New York style at present for me. In a very good way.
“There she is” I said to myself when I turned to page 54. In a (not meaning to be) very creepy way. I smiled all the way through this piece. I was so chuffed that Cala was featuring, and very proud that I managed to interview her for this blog last month. Another truly impressive thing about Cala’s shoot, is that it was all her own work. It doesn’t happen that often that a featuring alt girl shoots her own set, but this is all Cala’s photography, and it’s tremendous! I’m not surprised at all at the quality of both the photographs and the modelling in these pictures. I’ve been a massive fan of Cala’s blog ever since I was first introduced to it. I practically lived on there while constructing our interview (for research purposes only I promise). She’s a very talented photog on top of everything else, and the quality she produces is the same if it’s for her own blog, or here in FRONT. That’s why she has such a fan base. Her FRONT showing is a little different from the norm granted, that’s to be expected seeing as Cala shot it herself. But the “alt girl” quality is totally there, and she’s made some really wonderful choices in the shots. My favourite picture, and a definite front runner for the next alt girl calendar, is on page 57. It’s all in this picture. Cala’s terrific figure, a pout to make anyone weak at the knees, and her fiery hair echoing and enhancing her phoenix tattoo. A wonderful performance from a special lady.
The D.I.Y section is a very diverse and busy collection of beauty this month. Highlights for me were the inclusion of Miss AnnaCat on the right margin, Weez’s great set, Hannah’s unfathomably large bosoms, and Francesca’s versatile trio of photos. It was a terrific section for sure, really enjoyable.
This brings us gleefully on to the main event of the month. Alysha and Arabella’s feature shoot. The idea of dedicating the whole feature to explaining both girls’ tattoos was a bit of a brave one maybe. It was a terrific idea don’t get me wrong, and I loved learning about them. But I think there was a danger of perhaps defining these two very creative and intriguing individuals purely by their ink. There is a lot more to them of course, and I hope people didn’t forget that while enjoying the words and pictures.
The first shot of the set on page 83 is a great way to kick things off. There’s a sense of collaboration with the two girls together, mirroring nipple piercings and hands on one another’s bottoms. The look over the shoulder to camera is wonderful, and there’s a dimension or angle to Alysha’s face in particular that I haven’t regularly seen. It’s a really excellent picture, and in a feature about tattoos, it highlights each lady’s most talk about piece, Alysha’s frame, and Arabella’s pirate. Page 84 gives us an image that FRONT has already turned into a poster I believe, or a special Arabella only one off cover or something. It cries out attitude, not only by the massive “fuck you” on the balloon, but Arabella’s open chested stance and expression. A very beautiful but powerful shot. Page 85 is all about Alysha for me. Her marvellous stomach tattoo is a feature at the top of the page, and her snarling yet gorgeous visage at the bottom of the page just jumps out at me. She also always looks good in a cap and shirt buttoned at the neck.
The double spread on pages 86 and 87 works very well in the context of the set. There’s a unity and a separation that is beautiful. Joined hand in hand, above and below their faces, there’s a heart like symmetry to the set up of the picture. There’s something of the siren about both women in this shot. Alysha looks out at camera with such persuasion, while Arabella touches Alysha’s lipstick to her mouth. Tell me you wouldn’t do whatever these ladies asked of you after seeing this.
Fun and perfect posteriors are the themes for the remaining pages. On 88 and 89 we see winter socks introduced, and a collection of Polaroid-esque pictures telling the story of the shoot. Both models look like they really enjoyed the work, and there was a comfortability with each other that shone through. An image in the centre towards the top of page 89 really speaks to me. It’s just Alysha’a naked feet next to Arabella’s socked feet. But there’s a cuteness about it, and the Marilyn Tattoo really pops. At the bottom of page 89 Arabella again grabs Alysha’s butt, which leads us nicely on to the perfect posterior portion of the shoot. Page 90 displays Arabella’s delightful derrière in all it’s glory. With a massive wedgie it has to be said. Opposite on page 91 is my favourite image from the feature by far. There’s something about this picture of Alysha that is just masterful. The posture, the arch of her back (which Alysha is an expert at), the look down and the hair. They all work together to make a really amazing photograph. One I’d LOVE blown up, framed and hung on my wall.
The final image I had to mention, and is yet another exponent of the perfect posterior on pages 94 and 95. Both girls back to camera, sitting on the floor. Again, there is an angel and devil thing going on here, echoing the front cover. The page divide only goes to enhance this, with Arabella’s golden skin and duelling pistols, playing exquisitely against Alysha’s pale elegance and ornate frame tattoo. I’m exhausted with all my pronouncements of wonderfulness within this review, but I could never put into words how impressive this feature is. Arabella and Alysha are two very interesting models to look at and learn from. They are highly skilled at what they do, and every image in the set goes to prove this. A masterstroke in uniting these two models by FRONT, and it’s why I proclaim FRONT is back to its best. But as I always say, who am I to be making such proclamations? Go check out the issue for yourself, it’s in the shops now.
ALYSHA NETT!

It’s funny that my “woman of the year” is having somewhat of a boom in the UK of late. Recently featuring in multiple issues of FRONT, and gracing the cover of the current issue. When I look at the work Alysha has done this year I can’t help but be amazed she agreed to feature on my blog a few months ago. I guess that tells you something about the lady herself, and her willingness to help out people trying to pursue their own creative aspirations. Before contacting her about an interview I was very well aware of Alysha and already admired her work ethic and approach to what she does. I wasn’t exactly intimidated by Alysha when I interviewed her, she was much too charming and kind when I enquired about an interview. But when you’re dealing with a larger than life character that you respect a whole lot, it’s hard to stay focussed and not just fawn all over them. On reflection I was immensely proud of the interview we produced together, and it will always be a badge of honour having Miss Nett feature on my blog. I learnt a lot from talking with Alysha, and I feel I have taken those lessons forward with me into my subsequent interviews. That’s one of many things I’ll always be grateful to this wonderful lady for.
Alysha has made terrific strides in her career this year, and while I’m sure she doesn’t give much credence to my “woman of the year” accolade, her work has made a profound impact on my life. The main trait Alysha has that I am always in awe of, is her chameleonic nature in front of the camera. The time and effort that goes into making sure no two shots are the same must be highlighted and applauded. It’s not easy to stay so fresh and dynamic with so many photo shoots in a calendar year, but Alysha manages it with some aplomb. Her very recent command of FRONT magazine shows how much she is appreciated, and how much people are realising what a mercurial talent she is.
Alysha is a woman that wears her creativity on her sleeve, both figuratively and literally. I am a regular exponent of her virtues, however she does not need one. Her photographs speak for themselves, and if anyone is in any doubt, she can herself vocalise so very eloquently about modelling and her passions. She impresses and inspires me a lot with her standards and general demeanour. Her work continues to shine, and the momentum she’s building seems to be leading towards a fantastic 2012 to follow a fantastic 2011. A deserving woman of the year in anyone’s estimations.
To see my interview with Alysha please follow the link below. It was a pleasure, an experience, and is a source of great pride for me.
http://altgirlbotherer.tumblr.com/post/12418021884/alysha-nett
The image atop this post was used in my original interview with Alysha, and was taken from her tumblr at the time, with her permission.

It’s a bit late I must admit, but I thought I’d share my thoughts on the current issue of FRONT. Once again I have to add, who am I to comment on the mag? They’re just opinions, and an excuse to flex my critical muscle within my own slice of the internet.
So issue 163 crept up on me a little I have to say. A culmination of leaving for Australia for Christmas, and working very hard on many projects added to my loss of track with regard to the magazine’s release. My memory was jogged through tumblr actually. I noticed someone (forgive me I don’t remember who) posted a picture of the new cover emblazoned with Mel Clarke’s perky bottom, “oh yeah” I thought, and picked up my copy while out and about.
After my realisation that there was a new issue out, my immediate thoughts turned to who was on the cover. Now I’ve noticed since the issue came out, a lot of people mentioning that Mel has graced the cover of FRONT waaaaaaay too many times this year. While I’m not in the business of piling negativity on anybody, I must admit I felt a sense of “again?” when I saw Mel smiling back at me from the cover. I’ve got nothing against Mel Clarke in the slightest, in fact, when she first burst onto the pages of FRONT I cried out for her to be in every issue, so much was the impact she made on me. But I have to say (disappointment isn’t the word) I was a little deflated that we ended the year with Mel instead of someone who may be seen more of a new “one to watch” in 2012. There’s intense praise for Mel coming up, but I had to be honest with my initial reaction to her cover.
Once I picked up my issue and could inspect the cover in more detail, the second most prominent image that met my eye was Seth Rogen’s mug in the top left corner. To be honest I was pretty shocked he was involved this close to the release of 50 50. I figured Empire or Total Film would have snapped him up for a feature to push what looks like a cracking film. But bravo FRONT, a real coup! Getting a star like Rogen onboard flies in the face of rumours and admissions from FRONT themselves that they’re not very profitable at the moment. It must have taken some financial clout to get Seth sitting down with them. Either that or he’s as much of a dude as he seems, and he doesn’t cost the world to talk to.
Moving past the cover, you don’t have to go far before you meet the most awesome portion of issue 163. It’s the very reason I started this piece with “opportunity missed” and a lady that just took over the magazine with her involvement. Alysha Nett jumped from the “full frontal” section from page 14 onward, and the smile raced across my face. From photo one, Alysha’s unique style and aura smack you about the face and demand your attention. I don’t know what to wax lyrical about first. Her body, her face, her tattoos, the poses, the composition, the story being told in the set, THE WOMAN! She never fails to take my breath away and stun. Never before have I seen a set in FRONT where nearly every picture is a poster, or would work as a standalone piece. There are eight photos in the set, that’s only four away from a calendar, and that’s a calendar I’d buy for sure. Hey, I’d buy it with only eight months on it! I can’t stress how much a liked the series of shots. Top right on page 14 is so engaging. There’s sexuality, confidence and elegance all in one (I may be guilty of reading too much into a photograph, but the medium is all about opinions right?). Page 15 is an epic image as well. The arc of Alysha’s body is splendid, and mirrors the tattoo under her left breast in curve and sultry-ness (I know that’s not a word, but I tried loads of others and none said what I wanted them to). The double page spread on pages 16 and 17 is wonderful. Coy, playful, sexy, cool… there aren’t enough adjectives. The final pages continue the quality. Page 18 is another full page shot, and one that excellently showcases Alysha’s marvellous ink. A plethora of her tattoos are visible in shot and the pose and finger to lips is genius. Now I’m no modelling authority, but its pictures like this that tell me a model knows what she’s doing. I know that sounds incredibly stuck up of me, but I’m sure people know by now that that’s not me. Top of page 19 is my favourite picture amongst all the terrific choices. I love the look on Alysha’s face, and her body position and that foot in the air are perfect to me.
Upon turning the page and being greeted by a two page advert for something or other I was gutted. Alysha’s is a feature and shoot I wanted to go on and on, and it could have filled the magazine entirely and I’d be happy. Everything I’ve said in this very long description of Alysha’s piece just goes to emphasise why I said “opportunity missed” at the beginning of this post. When I came to the end of the entire issue I felt it was such a shame that FRONT didn’t utilise Alysha on the cover. I know Alysha has worked with FRONT before, and if they know what they’re doing they have to be aware of how awesome she is. So why would they not jump at the chance to have Alysha on the cover, and look towards the future with some new decisions and ideas for 2012. I guess that’s the power and affect this particular model has on me. Alysha was the highlight of the issue for me personally. It’s a shame for FRONT that it came on page 14, and I kept flicking back to the feature as I read through the remaining pages. But let’s at least discuss what else was in the mag…
Next stop is page 24. There is a feature on caps and artists creations of said headwear. The blurb of text doesn’t start well for me when it reads New Era is all Fred Durst likes more than pies. But for me the attraction was the caps themselves, and the array of artist’s renditions on the pages. An interesting piece and funny to boot. Luke Dixon’s interview on page 30 in fantastic. Dixon’s words are very entertaining, and the examples of his work made me want everything on display. I got the Home Alone t-shirt on my Christmas list sharpish, I’m not sure anyone will get it for me though… On the page directly opposite Luke Dixon’s feature at the top left was a vision of Mel Clarke. Echoing her appearance later in the issue, it was the perfect photo of Mel, bathed in light and simple as can be. She’s a beautiful lady. Hello to Miss Martin as well, haven’t seen her in a while (please tell me it was Hannah Martin, there is a lot of sun involved in the advert).
Turn the page and there’s a bit on Comic Con MCM Expo in London. An event I would have loved to have attended, but money was the issue. It looked like an awesome time from the images shared on pages 32 and 33. Some amazing costumes and what looked like a bunch of crazy awesome geeks. For some reason the next thing that caught my eye was the massive flying shark on page 39. I don’t know why but I immediately saw it and thought “Sophie Butcher would live that”. Please don’t freak out Sophie, I know that sounds crazy stalker-ish, but it was just that we were sorting an interview around the same time I was looking through the mag.
Next came Seth Rogen’s interview. It was a good read, but it seemed to me as if it was done a while ago. There’s wasn’t a whole lot about his new film 50 50, which was a shame as I really want to know more about it. A good interview, some funny insights, and I like Seth Rogen, so it was good to see him in FRONT. Surprising, but good.
Alt Girl Katt Wade puts in a brilliant showing from page 58. She looks as though she had a good time during the shoot, and she’s got some terrific pictures in her set. Middle picture of the three on page 58 is one of my favourites, the look on her face is wonderful as it moves into the third photo in the bottom left. Top picture on page 60 is another favourite, showing off Katt’s lovely tattoo on her right shoulder blade and of course her incredible figure. She’s another hidden gem that FRONT has unearthed. I didn’t know a lot about her before this feature, and I’d like to know more. Surely that’s a good sign.
Bizarrely enough I was taken aback by the John Morrison interview on pages 64 and 65. Didn’t see where a wrestler fitted in to be honest. Maybe it was John Morrison in particular. From what I know of the character, he’s a mock rock god/pretty boy right? Correct me if I’m wrong. Nothing really “alt” about his shtick as far as I’m aware. I know the whole “alt” issue is a grey area nowadays, but it was a surprise to see him never the less.
Now it’s Mel time. Her feature comes along at page 82 with a double page photo of the mischievous model mogul. I’ve got to gloss over my first opinions of her recurring too often on the front page of FRONT, and just marvel in what is a top model at her peak. Mel knows what she’s doing in front of camera, and you can’t help but love the work she continues to put out. But she’s such a gem at what she does, I think if she were used more sparingly she’d be appreciated on a wider spectrum. Don’t get me wrong, she’s has an army of loyal followers, of which I count myself as one. But let’s give her a chance to change and develop away from the cover maybe. On the other hand though, if FRONT doesn’t use her when she’s available, I’m sure there are any number of publications that would snap her up in a heartbeat. But on to her shoot…
I learnt a lot about Mel in this shoot, which is a very positive thing in my eyes. I’ve seen nearly everything Mel has done in her career thus far, and gleaning anything new from her work is always a thrill. First lesson learnt is Mel looks as fantastic as ever. Her body is rocking, and a new sharper hair cut is a slight change but a fantastic one. Page 86 and 87 is a jaw dropping set of beautiful pictures. The black and white of her outfit is mirrored by her pale skin and jet black locks. The Eskimo fringe of her hat is pure winter, and the first picture on page 87 is playful perfection. I’ve seen Mel in a big jumper before, and a hood/hoody. I even think I’ve seen her in a remarkably similar black and white striped number seen on page 86. But she shines out from both her wardrobe and the surroundings. 88 is a good page of glitter play. It reminded me of Jessica Weekley in the bath with Hannah way back when. They were all sparkly and this shot of Mel was reminiscent. Not in a bad way, but it was the memory that made me smile the most. Pages 90 and 91 are by far my favourite images in the set. I know I seem to be comparing Mel to others a lot here, but there is a touch of the Seren Gibsons about her picture on p90. Atop page 91 though is such a sweet image. Mel’s feet crossed over one another showing off the tattoo on her right foot in a pose of extreme innocence. I need this image in my life somehow. It would make me feel better every time I looked at it.
All in all it was yet another solid performance from this FRONT stalwart. Mel seems to be amassing an endless array of fantastic photography, and while I whinge about her being in FRONT too often, I always enjoy her work. Though a note to the powers that be over at FRONT towers (as if they would listen to me), the “tips” format of feature does seem to be wearing thin of late. I can remember Vikki doing a “tips for something or other” not so long ago, and it’s all I seem to see when the main girls come out to play. Let’s hope the New Year brings new ideas and talents out of FRONT. Issue 163 was a success, but I feel as though I skimmed over a lot of content this month. You’ve found new faces this year FRONT, and ladies have returned to rave reviews (from me in particular). Let’s see 2012 focus on models like Kate Lynch, Sophie Butcher, the mighty Yaz, STRIPEY!, Alysha Nett, Julie Kennedy… Tell you what, just check out my blog and get all those girlies involved! Good news that AnnaCat is in December’s issue though. Something tells me FRONT is heading in a good direction.

There’s one way, in my humble opinion, to describe my next interviewee on here. That would be cool as fuck! But she’s not a person that courts “cooldom” mind you. She doesn’t go out of her way to try and be seen as cool in anyone else’s eyes, she’s just a natural. Correct me if I’m wrong, doesn’t that make her even cooler!? Seriously though, it’s a real thrill to have the opportunity to feature this lady on my blog. I was blown away when she agreed to be interviewed, but again that just shows the kindness and awesomeocity she possesses. The lady in questions of course, is the sublimely talented, the gorgeous, the creative, Miss Alysha Nett! She’s an Aphrodite from America, who was gracious enough to take time out to answer a few questions for me. If you’re not aware of Alysha’s work, first of all shame on you, you’ve been missing out big time. She’s appeared in some of the most influential and cutting edge publications in both the mainstream and alternative realms. She is a highly lauded but extremely hard working model. I think you’ll all be able to detect her passion and work ethic for what she does, in the following interview. As well as a snippet of her delightful personality.
Q: You don’t ever seem to be beholden to a photographer in order take a
stunning picture. Do you have a method or mind set you get into while
you’re being photographed?
Alysha: I try to go inside myself, in my mind. I try to have appropriate music
playing to get me in whichever mood they’d like to convey. Pop music for
something fun, soul music for something sexy, etc. etc. I like to just
move around as it comes naturally and make the occasional eye contact. I
think being playful and staying as natural as possible always makes for
great shots.
BlackLotus, coming soon to @zivity by me, Pirate Photography
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Dwam in “Woad”
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