Always wanted to write for a magazine...

The maestros over at Small Victory Clothing have done it again, with summer threatening to hang around a bit this year, the indie clothing brand extraordinaire has brought out some new merch for you all to drape across your nipples. Their signature style and wear quality is back in spades, with new designs equally drool inducing for men and women alike.

Alongside the (quickly becoming iconic) Small Victory bold crested designs (as seen in: coastal, swords, idols and anchors, etc) these new releases up the illustrative ante, with imagery that captures the imagination and benefits from extensive and prolonged regard.

As summer inches its way closer and has us opening up long battened down hatches, Small Victory’s lucky customers will be able to get their tats out and frolic in both short sleeved and vest options. Head to the website now and get yourself looking marvellous. While you’re at it, hit up the blog and the facebook page to join the community and maybe even model your purchases for the company.

Links:

 http://smallvictory.bigcartel.com/products

http://smallvictoryclothing.tumblr.com

https://www.facebook.com/smallvictoryclothing

http://instagram.com/smallvictoryclothing

Images for this piece were provided by Krys from Small Victory Clothing, cuz he’s nice like that.

My support for the almighty Small Victory Clothing continues today with a post about their new “Lord Victor Foxtrot” plugs.

As regular readers will know by now I’m a huge fan of Small Victory Clothing, and will promote their new wears whenever possible. After a heads-up from company maestro Krys, I’ve been moved to publish this little advert for a new item that’s available for pre-order.

This time SV has ventured into acrylic plugs and are looking to produce some incredible pieces of jewellery/accessories, indelibly etched with the now signature illustrations that have lit up their online catalogue (as well as the wardrobes of lucky customers all over). The pieces I am waxing lyrical about today stem from the success of their “Foxtrot” range of tees and crewneck sweatshirts, brought to us by Deer Hunter.

The Lord Victor Foxtrot character has sparked the imagination of many fans of the brand since it’s incarnation on other items of clothing last year. These plugs mark a new direction for Small Victory, and a creative avenue that will see other favourite SV designs transferred onto these very cool ear adornments in the near future (stay tuned for news on other designs coming soon).

Sizes are available from 6-30mm, with custom sizes that don’t appear easily catered for. So get pre-ordering now for your chance to be one of the first to own what is sure to be a sort after item. I urge you all to head to the links below for more information and access to Small Victory Clothing’s entire catalogue.

Happy shopping:

http://smallvictory.bigcartel.com

http://smallvictory.bigcartel.com/product/lord-victor-foxtrot-plugs-pre-order

https://www.facebook.com/smallvictoryclothing

https://twitter.com/_SmallVictory_

http://smallvictoryclothing.tumblr.com

Today it’s my distinct pleasure to be able to bring to you all, my interview with the irrepressible Felina Vie. It’s a piece we have been working on for many months, and I am thrilled that the stars have aligned, and schedules have finally allowed this article to see the light of day. When you work with Felina, it’s clear you’re working with a creative fountain of positivity and energy. She’s a woman who never stands still, and is always reaching for that next exciting project. Someone who embodies and celebrates the powerful woman, and looks for the exquisitely positive in life’s endeavours. Not only a stunning pin up model with an exotic and vastly interesting look, but also a very friendly and down to earth lady, eager to encourage creativity within herself and others. She’s someone I can’t hep but be inspired by, and every project she becomes a part of gets instantly lifted. It’s feels amazing to be able to present to you all… Felina Vie!

 

Hello Felina, and welcome to my blog. It’s a true delight to interview you. How are you doing?

I’m doing very well, thank you Rich. Woke up nice and sore from my workout yesterday. I’m excited to be beach-ready-sexy for summer of 2013! I just made some breakfast, and ready to start the day. Lots to get done before college starts up again!

When interviewing a modeling talent such as you Felina, I usually begin by asking how you started your career. But before I do I have to first ask about your extraordinary name. Felina Vie is very unusual, at least to this humble British fan. Is it happy coincidences that you have such a fabulous name, or did you come up with it as a modeling persona?

Growing up I always loved to listen to Marty Robbins and other classics with my grandpa, and El Paso was always one of my favorite songs. The idea just popped into my head one day, while contemplating the perfect pin-up persona… ‘pop!’ the ballad of the wicked Felina swam in my head, and so it was decided :) Here are some lyrics:
Out in the West Texas town of El Paso
I fell in love with a Mexican girl.
Night-time would find me in Rosa’s cantina;
Music would play and Felina would whirl.
Blacker than night were the eyes of Felina,
Wicked and evil while casting a spell.
My love was deep for this Mexican maiden;
I was in love but in vain, I could tell.

On to modeling Felina, if we may. Can I ask where and why you began your journey? Was modeling something you considered from an early age?

Well, I actually grew up quite jolly and chubby, fluctuating between thin and thick throughout puberty. I never even considered modeling, because my self-esteem would have never allowed that. On one of my chubbier fluctuations, when I was 16, I won a pageant! That whole year of events really shaped my ability to communicate with new people, to be more comfortable in my own skin, to speak comfortably to a group or crowd, to walk with poise (especially in heels), etc. About two years after the end of my ‘reign’, my aunt volunteered me to do a pin-up photo shoot for her photographer friend. I was in love with retro style and class from a young age, and even though I was nervous, I agreed to do the photo shoot, for fun. To my surprise, the photos came out very nicely, and so I decided to create a Model Mayhem account, and here we are today! It has been barely over a year since I did that first pin-up shoot, and I didn’t shoot again after that until about April of 2012. Now, in January of 2013, I am amazed and humbled by how many projects and amazing people I have had the pleasure of getting involved with. It still shocks me every day. I am beyond excited to see what 2013 brings!

I know you have a love of all things pin-up and retro, but I was first introduced to your work after seeing Harold Gonzales’ Steampunk pictures of you. I’ve also detected a few more Sci-fi references in your portfolio while researching this interview. Does Science Fiction play a big part in your life as well Felina? Harold’s Steampunk photos are amazing; you really complemented the costume well. Was that a fun shoot?

It’s so funny that you ask that, because I actually love science fiction. I grew up reading sci-fi classics like The Time Machine, Frankenstein, Brave New World, Nineteen Eighty-Four, and anything by Bradbury. These are still some of my favorites today. Sci-Fi was really a pivotal part of my imaginational development. As for my Steampunk shoot with Harold, that was awesome! The energy that Harold and I bounce off of each other is really a lot of fun. I am looking forward to more shoots with him at Wonderland Studios, especially in February! Keep your eyes peeled.

I’m always interested in the individual experiences models have in their careers. Before you got into the industry, did you have any idea of what to expect? Have those initial expectations been altered at all now you’ve participated in multiple shoots?

I had absolutely no idea what to expect when I first started out. I always thought that I would have to PAY every photographer to take my picture, and I was overjoyed to learn the meaning of ‘TFP’. I booked shoots with people on Model Mayhem, and then discovered meetup.com, where I ended up meeting some of my very favorite photographers, models, hair and makeup artists, and clothing designers. One person who has really always stood out to me, from the beginning, is a kind, silly man named Allen Freeman. We have worked together on many occasions, now, but it all started with his meet-up group. He was very sweet from the start, and we have always managed to create dynamite images together. Seriously, every time we shoot, we have to ‘ooh!’ and ‘ahh!’ at the results. I look forward to a lasting friendship with that amazing man! (he also produced the Dream Girls 2013 calendar that I am featured in… check the link at the bottom of the page)! Again, I am humbled by the whole experience so far. How could I have been lucky enough to meet so many selfless people? Of course in this industry, and every industry, it’s inevitable to run into a stinker every so often. You just have to remember to make the best of any situation. 

You have an extraordinary look if I may say Felina, and it’s very versatile. Your natural beauty seems to lend itself to a variety of shoots and styles. How much of your style do you put down to background and ethnic roots, and how much have you cultivated yourself? Do you have a beauty regime or a diet that you’re strict with?

I do feel that my mixed ethnicity makes me somewhat of a mystery to a lot of people, because they can rarely guess my roots! To clear the air of any confusion, I am Mexican, Irish and German. My Mom’s side of the family is the Mexican side, and this is how I grew up. Mexican heritage shaped me! On top of that, my style has always been very eclectic, since a very young age. I went through all sorts of phases through my development, and all of that has been mixed up, lending a small percentage to my overall fashion personality, accompanied by my adult need for a timeless style. As far as regimens, my only rule is to not deprive myself of good food! Mexican heritage is based around food and family, so indulgence is a quintessential belief of mine. I couple this idea with regular exercise and baby oil to remove makeup.

Your portfolio is very diverse indeed, but the one constant is the quality of your posing and expression work. You use your body very well, particularly in pin-up shoots. You also have an incredible smile that lights up every image. Where do you think you’ve developed these modeling skills? Is it all down to experience and constantly learning, or is it more improvisation when you get on set?

I definitely believe that these skills, which are now innate, came from my year of pageantry! It had to be a constant that you were always in the correct stance (pose!) at events and fundraisers of all kinds. Our director couldn’t have us looking sloppy, because crowns are supposed to have poise! The same is true with the smiling. On stage during the pageant, through interviews and dances, and then for the whole year of events, that smile is STUCK on your face, no questions asked. It all just feels so natural now. You can almost always find me smiling quietly to myself :) And as I move forward with my modeling career, my repertoire of poses and expressions grows on its own. It is a constant learning experience! And yes, I cheese out on myself in the mirror quite often. It sounds silly, but it’s important to make your face used to making expressions without looking foolish, because you can’t always be looking in the mirror during a shoot! 

What may I ask is your ideal way to shoot? Do you like a quiet set, or a more energetic set? Do you like photographers to direct you, or give you freedom for your own ideas? How do you prefer to work Felina?

I love a mixture of everything! When going into a shoot, especially with a new photographer, I usually like to have a sort of story-board of new poses I may want to try, a list of my outfits so I don’t forget elements, etc. I generally like to flow with poses, moving smoothly from one to another, but sometimes it’s also fun to have a photographer suggest new ideas. It’s all about the collaboration! Things get boring if all of the ideas are coming from one source.

You describe yourself as a “modern Pin-up model” and it’s clear to see that you’re in love with the Pin-up style. When did this love affair with all things retro begin? What is it about the period and its women that attracted you so?

I have always loved retro music… jazz, blues, rock n roll, country western… and of course I have always loved the style. And the thing that I’ve always loved most about this whole scene is the total acceptance to embrace yourself and flaunt what you’ve got! There is a great understanding with pin-up that it doesn’t matter what shape you are, or what size dress you wear… it’s all about the confidence that you present yourself with — the croon in your voice, the sway of your hips, the click-clack of heels on the sidewalk, the stain of your red lipstick on a man’s jaw, the bounce of your curly hair, the flutter of eyelashes… it’s all just so sexy! The power of women is immense, and women like Jayne Mansfield, Bettie Page, Liz Taylor, Marilyn, Rita Hayworth, and countless others are great reminders of a woman’s allure.  

Pin-up and 50s fashion is very popular at the moment; ladies are putting Kerchiefs in their hair and really running with polka dots and motifs of the period. Why do you think this is? I’ve always felt that the women of that era held a certain aura, a strength and independence if you will. Would you agree?

Yes I completely agree. It is exciting to see this explosion of 50’s inspiration, especially because of the smut and desensitization that is trying to swallow the world whole in this era. It is important for a woman to remember her worth, and to be alluring without being vulgar, whether it be with the flash of a garter and a silken stocking, a high-waisted polka dot bikini that shows JUST enough skin, or cat-eye glasses to cover up the devil in her eyes! Hopefully some old ideals will also re-appear with the re-emergence of style principles. 

The work of artists such as Gil Elvgren has long been recreated by models in photographs. There’s something magical about bringing those gorgeous illustrations to life. Do you take inspiration from that style of art at all Felina?

Oh, most certainly! I have attempted to re-create a couple different Elvgren pieces, my favorite being one of me sliding down the banister of a staircase! This classic cheesecake pin-up is really one of my favorite things to shoot, because it can be sexy, silly, and fun all at the same time.

Your Pin-up shoots produce really entertaining pictures, there’s a story being told in every image. Are the shoots themselves as fun to work on as they look? I loved that banister series you just mentioned (with Lee Sterling), what can you remember from that day?

I absolutely have fun at every shoot. The model’s energy really shines through in a photo. The day I slid down the banister was the first day I met Lee Sterling, and it was a blast! He had an Elvgren book and he really wanted to re-make the banister photo. SO, we went for it! That was a nice little thigh workout, to steady myself on the banister until we got a good shot. Many laughs were involved in the re-creation of that image

It seems to me that for you the Pin-up style is more of a lifestyle than a modeling genre. Do you take elements of the Pin-up look into your personal life Felina? Do you have props and period features in your home/wardrobe?

I have a very strong tendency to frequent antique malls, vintage clothing stores, estate sales… really anywhere that I could stumble upon a vintage treasure. The hunt is so exciting. My place is full of quite a variety of odds and ends, new and old. As far as wardrobe goes, I love vintage styles, and I like to get dressed up as often as possible, with gloves, silk stockings, and the whole nine yards.  But a usual week day for me is quite busy, so if I’m running around with school, work, gym, and errands, then it’s a jeans-and-a-t-shirt day; where I can throw my hair back with a barette, put Chucks on my feet, put on some lip balm and GO! 

I’d like ask about you more now Felina. Away from the modeling and photographs, what do you enjoy doing in your down time? What music are you listening to? What books are you reading etc…?

Down time? What is that? Hehe just kidding. Well I am an avid reader. Currently, I am reading Lullaby by Palahniuk, as well as re-reading one of my favorite novels, City of Thieves by David Benioff. Music-wise, I don’t know where to start, but at this exact moment, I am totally excited about the record I found when I was out, costing less than two dollars at Amvets… Gunfighter Ballads and Trail Songs by Marty Robbins! Earlier in the week, a different Amvets was having a sale on records, 5 for one dollar!!! Needless to say, I sat in front of those stacks of records for an hour, managing to spend $3.50 in the end on some jazz and blues gems. I am also about to start another semester of college, so that is always exciting. I am taking a couple less units this semester to allow myself a little more time for networking and business-tending, and hopefully also a little time to get back into sewing! I have been so busy these last months that I haven’t gotten to modify clothing or start anything new… I am itching to do so, let me tell you!

You have some fabulous art on your body Felina. Would you be so kind as to talk us through some of your tattoos? I particularly love the piece on your left calf, beautiful!

Thank you so much! On my left calf is my Mother Nature, a nude red-headed woman covered in leaves, surrounded by flowers and butterflies , the sky adorned with purple clouds and a rainbow! The whole piece is technically only halfway done, as I am going to wrap the extension around my whole calf. The rest of that tattoo will be a surprise.
My right forearm is my favorite piece, based around the Strawberry Fields lyric “Living is Easy with Eyes Closed”. It depicts a beautiful woman with a demon perched on her shoulder, covering her eyes with a silken scarf. This lyric has always meant to me “Follow your heart” and also to just remember that superficial things don’t matter in the grand scheme of things. These are my two largest pieces, both done by Eno at Guru Tattoo in San Diego. I also have a very naughty buterfly on the back of my neck, done by Adam Hathorn. There is also an assortment of small tattoos on all sorts of random body parts, including the side of my booty, behind my ear, on my foot, etc.

Do you have any immediate plans for further tattoo additions?

I have a tattoo appointment set up for the end of January with another awesome Guru Tattoo artist, Cooper. He is going to be starting my half-sleeve, which will be a memorial piece for my grandpa, my Tata. It’s going to be beautiful, I can’t wait! 

Finally, could we go back to your pictures briefly before I conclude the interview? I adore the Allen Freeman shot of you in a Western motif bathtub. It’s the kind of image I’d love to own and display in my home. Where can fans of your work get their hands on Felina Vie prints?

I think I can arrange for a poster-sized print of me in the bathtub with a sombrero, just for you, Rich ;) Would you like that ? I have actually been trying to figure out WHICH photos to get posters printed of! What do you think? I am actually thinking of starting up a website of some sort where I could sell merchandise? But perhaps it would just be easier to go through Facebook, where fans can simply send me a message with their orders, and we can work out the details from there! Once I get a stack of posters printed, I will certainly post about it on Facebook, so make sure to check in there every so often www.facebook.com/pinup.felina.vie

www.facebook.com/miss.felina.vie

Lastly, where might we be able to see you next Felina? What projects are you currently working on?

This year I have a few things going already, and in the process of booking lots more fun events and shoots! You can choose one (or all!) of these 2013 calendars. One for the garage, one for the kitchen, and one for the bedroom! 
Pinups for Patriots: 

http://www.pinupsforpatriots.com/#!shop/c13xf  (Proceeds go to the troops! ) 
Dream Girls: 

http://sweetdreamsmagazine.storenvy.com/  (I’m on the cove!) 

(Here you can also buy an implied-nudie poster of me, and the proceeds go to the troops!)
The Female Canvas: 

http://thefemalecanvas.com/female-canvas-calendars/
Lots of exciting events coming up with Pinups for Patriots, and I will be shooting some photos for a few different coffee-table books. I am so excited to see what 2013 has to offer me! 
Also, my retro cooking show, Comet Lounge:

https://www.facebook.com/CometLounge is on a short hiatus. Feel free to go there and show some love, and hopefully we will be filming again within a few months. 

Can we please end with Bernard Pivot’s questionnaire?

What is your favourite word? Exquisite

What is your least favourite word? Spew

What turns you on? Restraint, honesty, Freudian slips, lace, muscles, the smell of old records, fingers, confidence, spanking, adventure, hair grease, citrus fruit, teeth, salt and pepper hair, beer with a perfect head

What turns you off? Stagnation!

What is your favourite curse word? Mother of Pearl!

What sound or noise do you love? Gasps and laughter, needle on vinyl, cat coos, silence

What sound or noise do you hate? Fighting

What profession other than your own would you like to attempt? Being a chef!

What profession would you not like to do? Telemarketing

If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates? I would want him to say “Yeah, I’m as surprised as you are”, and then give me a high-five and a beer. 

 

I’m sure my appreciation for Felina’s work is not lost in this piece. Ever since I first contacted her and suggested this collaboration she’s been nothing but positive. Time restraints (as well as the million-and-one things she’s got going on) did delay things sometimes. But the article we’ve produced more than makes up for any of that. I’m proud to feature this lady’s work on my page, and encourage everyone to experience Felina’s creativity for themselves by heading to the links above. I’m very grateful to this extraordinary woman.

 

All images used within this piece were sourced with Felina’s permission, and are the creative property of various photographers including: Adam Engle, CosmicFrogs, Lee Sterling, Manny Llanura, Kendra Dunn, Robert Chalfant, Sherman De Priest… 

Today’s interview features a model I’ve been wanting to showcase on this page for a long time. She’s produced some electrifying images already in her career, and her assault on our senses shows no sign of stopping in 2013. Jessica Kittredge is an American based model and professional cosmetologist. Her work first caught my eye in a promo for Diamond Dolls Ink, where both her exquisite tattoos and beauty grabbed my attention. Upon further research I discovered an artist with a talent for inventive, emotive pictures that tell their own unique story. Jessica is wonderful at portraying not only rampant sex appeal, but also artfully constructed poses and well thought out photographical themes. She was hard to track down in the beginning due to her hectic shooting schedule, but I’m delighted she was able to fit in an interview and share her sublime work with us all.

 

I’ve delighted in the images you’ve produced from your modelling work Jessica, may I ask how you got into the business, and what were your first few shoots like? My mom spent a short time modeling and I always admired her portfolio. You could say I started modeling as a kid with the typical mall fashion show and beauty pageant scene. I’ve always wanted to be in the entertainment industry and modeling has always been a big desire of mine. In high school I attended a couple model searches and took modeling classes from an agency where I also did my first professional photoshoots. I was soooo nervous but it was the most fun I’d ever had and I was hooked!
Did you know what to expect when you started out? Would you say the industry is welcoming to new talents? Fortunately, because of the training I did know what to expect. I think the industry is welcoming to a point. I think there are so many girls now trying to get into this industry, and because of social networking it is fairly easy to do so. However, it’s also easier to receive criticism and negativity because of it. If you don’t have the backbone, it’s easy to get discouraged.

You’re an extremely varied model, working within multiple styles and types of shoot. Is it important for an alternative model like yourself to be open and able to adapt to a changing industry? I think that’s important no matter what industry you’re in. If you want to stay popular you have to stay relevant, and that means changing with the times. For me it’s always important to push myself further and think bigger. I don’t want to look at a million of the same photos of myself and I don’t expect others to either. I think my work speaks for itself on this one. If you looked at a timeline of my photos, you’ll see that not only the modelling/photography styles vary, but also my personal style. I have a very eclectic personality which helps my modeling a lot, but I know exactly who I am inside and that never changes.
How do you go about finding these incredible working partnerships? Is there a lot of networking involved, or are you in the wonderful position of having photographers contacting you? Definitely both. Lots and lots of computer networking time goes into being a model. Reaching out to photographers in the genre that you’re interested in (and can help boost your career) is a constant. When a photographer contacts you it is definitely flattering. Once you establish a relationship/connection with a photographer, and you can continually put out work, that’s ideal.
Let’s talk in more detail about your work. There’s a lovely contrast in two shoots you’ve done with Erwin photography and Andry S photography. Your images with Erwin are wonderful, and full of attitude and passion, while shoots with Andry S are so elegant and beautifully executed. I know these shoots weren’t undertaken at the same time, but how do you change your mindset from shoot to shoot? Do you go into a job aiming for a certain outcome, or is it more improvisational? I definitely study the photographer’s work that I’m about to shoot with, learning what they do and deciding how to put my flair into it. Sometimes you have an exact directive; sometimes you see where the mood takes you. Ultimately, the feel of the photo hugely resembles the editing style of the photographer. I do prefer to go into a shoot with a purpose. I want my photos to say something or tell a story, not just to work my posing skills and look pretty.

You’re involved with the Diamond Dolls ink, and it really seems like a family over there. Is it a positive and creative place to be? What is your relationship with the other artists in the company? Diamond Dolls Ink has been an incredible group to be a part of. The girls are beautiful, strong, independent, and inspirational. We have grown so much since I joined in January 2012. I haven’t had the opportunity to meet everyone, but we constantly network and bounce ideas off each other. I enjoy working with the others girls so much and can’t wait to continue to build friendships.

As I’ve mentioned, you’ve worked in various different genres of alternative modelling, from lingerie and fetish to more fashion and glamour based work. What may I ask is your favourite style in which you have shot? Honestly I tend to lean towards a more natural style. I’m a bit of a hippie at heart and I like to portray more raw emotion than just strictly sex appeal. I do however enjoy the art of high fashion and would love to do more of that style.
You have a very artistic eye, and have expressed an interest in the work of Robert Alvarado and other very talented individuals. How would you like to add to your portfolio in the future Jessica? Is there a particular shoot idea or theme you would love to be involved with? Alvarado’s work is stunning; any model shot by him is bound to look flawless. I guess I kind of answered that in the question above. I actually really enjoy keeping my clothes on for shoots; I’m very open to concepts, anything new, different, and weird. I’m usually down for anything as long as it doesn’t compromise my values.
Speaking of artistic, you have some exquisite artwork on your body. I know you must get asked all the time, but I’d love to talk tattoos with you now Jessica. When did you get your first design, and what was it of? My first tattoo is a small heart with the word love on the front of my right hip that I drew myself. It’s simple but something I knew I’d always believe in.
You’ve described yourself as addicted to tattoos, what would you say is the most addictive aspect? Is it getting a new beautiful design, or is it the pain factor that you find addictive? Both; I kinda hate jewellery so it’s a great way to permanently accessorize! Realistically, the pain is extremely therapeutic for me, as well as the release of being able to tell my story through my artwork.
You have some very interesting images on your body, I love your wonderfully pretty right sleeve, and your left hand tattoo is very cool indeed. I would love to ask about every piece you’ve had done, but I understand that could take a long time. Could you talk a little about your left hand tattoo please Jessica, and what was behind the decision to get it? Ha that is one of the only tattoos that I got for no other reason than I liked the way it looked and thought it would be great on my hand! She’s cute with the hoops and rockabilly style. My right sleeve however has a lot more meaning and represents my family.
You’ve also got some script on your forearm, would you mind telling us what that says Jessica, and the meaning behind such a phrase? That is the first larger, more visible piece I got. It says “Dance to live, live to die.” I was a dancer for 21 years, tap, ballet, hip hop, contemporary, jazz, you name it. I also taught dance for about 10 years and even owned my own dance studio for 2. Dance and music are in my soul, they’re who I am. Ask anyone who knows me well; if I ruled the world, everyday would be a musical!

Finally on tattoos, you have quite a lot of coverage already, but I’m sure you’d like more and more. What comes first for you when getting inked; is it the design, or is it placement? What have you got planned for other parts of your body? Mostly design. I have a folder full of ideas for pretty much my whole body! I’m hoping to start my back piece finally, which is a very personal design. It’s going to include a lot of elements: trees, dancing, flying and some script. I’m very excited to start working on it.
Back to modelling if we could now Jessica. In your images I see that you can be deadly serious about your work and produce really deep imagery, but you also are able to lighten up and have fun on a set. Is modelling fun, or are there many stresses and strains that outsiders may not realise? Of course its fun! You get to dress up and be someone new with every outfit. But there is definitely more to it than people not in the industry may not realize. Constantly reinventing yourself to keep up takes a lot of work, and the act of modeling is quite straining on the body.
As well as modelling you are also a stylist and work with hair. Did you go to school to learn this talent? Is there a style or “era of hair” that you most appreciate? I am a licensed, professional cosmetologist which you absolutely have to go to school for! Legally, someone is not supposed to do hair in any form if they have not gone to school and received a license. I have studied a lot of vintage hairstyling which I love to do, anything 20s-50s inspired, love it! When it comes to my personal style, like I said before I have a very eclectic personality; constantly changing and trying new things with my hair and clothes. I go from pin up to hippie to rock… I don’t fit in any particular box.

Could you share with us what projects you have coming up in the near future Jessica? Where can fans of your work see you next, and who might you be working with in 2013? I’m hoping to be seen a lot more in 2013. I already have some big publications coming out soon, and a couple shoots planned that are also promised to publications. Bigger and better is always the goal! I’m lucky enough to have the opportunity to work with some well established and respected photographers whose work is widely seen, but I would also love to work with some new ones.

Finally Jessica, could we please end with Bernard Pivot’s questionnaire?
What is your favourite word? Obscure (it’s tattooed in Chinese characters on my back)
What is your least favourite word? Can’t
What turns you on? Someone who has the urge and drive to be better and do more; always growing, always searching
What turns you off? Neediness, dependency
What sound or noise do you love? Florence Welch’s voice
What sound or noise do you hate? Whining
What is your favourite curse word? Cunt (see the Vagina Monologues)
What profession other than your own would you like to attempt? Singing
What profession would you not like to do? Anything that keeps me from being my own boss and independent
If heaven exists, what would you like to hear God say when you arrive at the pearly gates? I forgive you

Jessica was a joy to work with on this project and I thank her most sincerely for the effort she put into the piece. I loved learning more about her beginnings in the industry, and giving her terrific work a little more background for new fans. I will continue to enjoy following her career as I have over the past many months, and I know she’s going to have wonderful treats in store for us all in 2013.

 

The pictures featured in this piece were provided by Jessica and are the product of collaborations with the following photographers (in order of appearance): Keith Selle, Gary Roberts, Andrey S, To Huynh, Keith Selle.

It’s that time of year again fellow Small Victory fans, the time when new releases and items for pre-order become available in store! Long time readers of this blog will know that I’m not only a Small Victory customer, but I also promote the company and its products whenever possible. Upon hearing of the imminent unleashing of new Small Victory products on the world, I sprang into action and put this piece together to get the word out.

For those of you who may not know, Small Victory is an independent UK based unisex clothing brand. They specialise in taking contemporary style and infusing it with the Small Victory signature. That signature consists of one of a kind visuals, coupled with unrivalled comfort and cut in-wear. Classic designs such as their “new breed” tees and sweatshirts are repeat re-orders, and customers fall over themselves to model and rhapsodise about their purchases. That’s another unique aspect of the Small Victory brand; they encourage a community dynamic with fans and clients, keeping them in touch with the needs of their core audience.

Those needs are being met big style in the form of Small Victory’s newest additions to their catalogue. The “feathers” design puts “the classic Small Victory style on the current pocket tee trend” says Small Victory kingpin Krys, and it’s easy to see why pre-orders for this design in particular are coming in thick and fast. The customary attention to detail is evident in Small Victory’s latest release, with a gorgeous illustration of crossed feather adorning the back of the t-shirt. A custom made hand sewn pocket is added to the front, with a section of the feather design depicted upon it. It’s a garment with all the call signs of a Small Victory original, simple yet elegant design, with innovative execution of fit as well as fashion.

I always get excited when new Small Victory products are released, it’s a buzz to see what Krys and his superb team come up with. After stellar representation at Heavy Festival this year, the company is going from strength to strength. For someone who remembers buying his first Small Victory t-shirt all too well, I am thrilled at the growth of the company, and look forward to seeing that continue. Head on over to the online store to place your orders today, and stick around on the numerous social networking sites to become a member of the community and maybe even model your purchases.

Hit these links for more info and to check out all the Small Victory products:

http://www.smallvictoryclothing.co.uk/

http://ww.facebook.com/smallvictoryclothing

http://smallvictoryclothing.tumblr.com/

http://twitter.com/_SmallVictory_

http://www.youtube.com/user/SmallVictoryClothing

Instagram = smallvictoryclothing

It’s no secret that I’m a fan of a lady in latex. There’s something about someone clad in that shiny stuff that speaks to me, and a certain empowerment always accompanies latex images in my view. Before setting up this blog I was aware of Rubber Monkey latex and the stellar work they were doing in the industry. After talking with numerous models that had experience working with latex outfits, I realised that Rubber Monkey was fast becoming the premier latex provider in the UK. Of course I had to get in touch and try and get an interview. To my delight I was able to snare “head monkey” Em for an interview about a company that from humble beginnings has become a latex leviathan! I know Rubber Monkey has thousands of fans and loyal customers, and I hope they appreciate this piece.

 

It’s a genuine thrill to welcome the Rubber Monkey latex ring leader to my blog, how the devil are you, and what have you been getting up to recently?

At the moment I am super busy putting my new collection together. It’s a little bit darker and more vampish than my recent costumes and fun character work.

Rubber Monkey latex was only founded in July 2011 so has been in existence for just over a year. With that in mind, it seems that the majority of people shooting with latex in the UK are using your product. How have you achieved this? It must say a lot for the quality of your product and service.

I’m not really sure; I guess I have just been lucky. I like to think I’m quite honest in my approach to my latex. I am the first to admit I make mistakes and I am still learning. I’m not sure as a designer in any genre that you ever stop learning; you need to continually evolve and make something new. I work closely with a select number of models and photographers and I have become quite firm friends with several of them. I think this allows me the luxury of shaping shoots and they also understand what it is I am looking for in a picture and model.

Rubber Monkey may have only been around since last year, but could I ask how long you personally have been involved with latex production? It’s certainly not a skill you can develop in under a year. How did you get into working with latex? 

I bought a length of latex with the intention of trying to help a friend who is a burlesque performer. I did some research online and locked myself away for a weekend. After a lot of pulling my hair out, many a cup of tea and lots of referencing to my research, I emerged with my first pair of high-waisted pants. They were far from perfect but I was proud… It also gave me the bug to want improve and do more.

No matter how many times it’s explained to me, I can never get my head around how such stunning and intricate pieces can be made from a material like latex. Is it unpredictable to work with at all, or has your experience meant you can treat it like any other fabric?

In truth, sometimes it can be an absolute pain in the arse! It curls when you add the adhesive and doesn’t always hang in the way you might expect it to. You can easily adapt a standard pattern to work with and there is a degree of trial and error to get the perfect finish, shape and product.

I love the slogan I read on one of your pages “where fashion meets fetish and fantasy meet reality”. It’s such a perfect phrase and one hell of a mission statement. Is it your opinion or goal that latex should be worn day to day, rather that being only seen as fetish clothing?

I think there is room for latex is everyday clothing though it’s practically is limited by the fact it’s not always the most comfortable thing to wear. Predominant media icons such as Gaga and Katie Perry etc have helped to push the idea of wearing latex, but only so much as in a “dress up” nature. In 2010, Topshop launched a small range made from latex which compromised leggings and skirts so it is slowly making inroads.

Until I discovered Rubber Monkey latex, I had no idea there were so many different garments that could be fashioned from latex. Bras, knickers, tops, skirts, even socks! How do you realise you can make something like a sock out of latex? Are you constantly trialling new ideas and applications of latex?

I try and treat like a ”normal” fabric, so I think you are only limited by your imagination. 

On that same theme; I was wondering if you could explain how an idea for a piece of clothing goes from your mind and into reality. Is it a long process when a new piece is being created?

It normally starts for me with an idea for a photo shoot. I then progress that to a sketch which I use as my reference for making a pattern and then the final item. The length of time it takes to make something varies depending on the detailing or how creative I am feeling at the time. Sometimes I feel entirely devoid of skill and creativity and so have to step away to regroup and refocus.

What also impresses me about Rubber Monkey is that the emphasis is on made to order clothing. I love that you tailor your work for the individual, and I think that must only add to the affect latex has on the wearer. Maybe a silly question, but do you wear latex in your personal life? Would you agree that the right piece of tailor made latex does something to the wearer and almost empowers them?

It sounds terrible… but no I don’t. I’m not really sure why… I think it’s probably because I’m not a big fan of my own self image. I get so much more out of seeing it on someone who is really enjoying wearing it. I think anyone can wear latex and it can make you feel amazing. It’s no reflection on the quality of my work that I don’t wear it… I’m just an odd one.

Are there any designs or trends in latex that are more popular at the moment? Would you say you make more garments as costume pieces, fashion pieces, or fetish pieces?

Comic book characters and cult film icons are most definitely in vogue at the moment. Costumes for this genre have made up about 80% of my order book of late.

All my admiration for latex comes from seeing women wearing the outfits. How do you feel when you see your work being displayed by some of the most sought after ladies in the modelling industry? I love seeing VioletEyes in your clothing for example, do you keep track of whose wearing your stuff in what shoot etc…?

Violet Eyes is one of my absolute favourite people to work with. She is a genuine professional and has become a really good friend. Whenever she models my clothing I know I don’t need to worry about the result as she always makes it look amazing. This is also true of Ruby True, Salleh Sparrow, Kaykay Sakura and Ruby Jewel. Sometimes it’s hard to keep note of who is wearing what as often photographers will buy an outfit for use with a specific model. It’s only when I see it pop up online somewhere, or I am tagged in something that I realise who is wearing it.

I’ve asked many latex models this question, but who better to ask than someone so attuned to the material as you undoubtedly are. Seeing as your motto is “latex is for life” can you give us some advice for; putting on, wearing, taking off and storing latex clothing?

Treat your latex with precious care and mind your talons. I recommend using talc and lube to get your latex on, washing in tepid water with mild detergent, drip drying and storing it out of direct light at a not too hot or too cold temperature. I would also recommend using something like a Vivishine treatment on it. It will keep it soft and make it slightly easier when putting on, as well as giving it a mirror shine finish.

Another astonishing thing about Rubber Monkey latex is the prices. For such quality and well represented products, the cost is extremely reasonable. Playsuits for example are normally a big expenditure for ladies, but you produce stunning wears for amazing value. Was it important when you started out that your pieces were affordable? Is it key to getting more people wearing latex?

I like to think I offer my products at a price that makes it accessible to a variety of people. Buying latex is an investment but it doesn’t need to break the bank. I cover my costs and draw a minimal profit which allows me to further research and develop my skills, patterns and ranges.

Could I ask if there are any developing trends in latex that we should keep an eye out for? Is there anything new in latex production and application that will mean the material can be used in different ways when it comes to garment manufacture?

Hand painted and printed latex has been around for a while but I think it will be making a surge forward again soon, especially due to the big love there is for animal print right now.

Finally before we end the interview, can I please ask about your recent Carebear collection? When did you get the idea for such a selection of superb outfits?

The Carebear shoot was the result of maybe one too many glasses of wine, and me scribbling down a design and deciding that it needed to be done. I love doing characters and kitsch things, but I am also conscious of the massive influx there has currently been for this type of product. I thought “If I’m going to do it, I’m going to do it big - not just 1 Carebear but 8 of them, in a rainbow of colours!” Which is what I did. I also wanted the pictures to go forward to be used in a charity calendar that would benefit MIND. The whole idea and concept of the shoot was to be light hearted and fun.  I decided to use the ever talented Twisted Pix as the quality of there photography is outstanding. Although they usually favour the more dark and fetish based themes, they totally embraced my crazy Technicolor notion. I cast the bears from a collection of models I had worked with before and who didn’t mind giving up there time in return for being in the charity calendar. In total, it took about a week to make the 8 costumes which consisted of braced knickers with tail and appliqué detailing, pasties, heart paw mitts and bob wigs with integral ears. After the shoot I sold them off and donated 20% of the proceeds to MIND.

Finally could we please conclude with Bernard Pivot’s questionnaire?

What is your favourite word? Poppet - I use it continually!

What is your least favourite word? I don’t really have one… I suppose it depends on its intent.

What turns you on? I like a well kept Mohawk on a cute chap.

What turns you off? Bad personal hygiene.

What sound or noise do you love? My little dude giggling.

What sound or noise do you hate? My little dude crying.

What is your favourite curse word? Bollox. 

What profession other than your own would you like to attempt? Architect.

What profession would you not like to do? Bin Man.

If heaven exists, what would you like to hear God say when you arrive at the pearly gates? Shine me up monkey, I’m ready to go!

 

Massive thanks to Rubber Monkey for taking the time to answer my questions. It was a real joy being able to feature the company and the incredible product it puts out. For more information please head to the links below, and keep up to date with the wonderful creations coming from the mind of a truly talented designer.

http://www.rubbermonkeylatex.co.uk

http://rubbermonkeylatex.tumblr.com

 

All images used in this piece were taken from Rubber Monkey’s websites. They feature the modelling talents of: Ruby True, KayKay Sakura, VioletEyes, Collette Von Tora, Sophie Gwyn-Smith. As well as the photography talents of: Joseph O’Brien, KayKay Sakura, and Twisted Pix. I think I covered everyone, if I’ve missed a name out, let me know and it will be gladly added.

Conducting interviews for this blog is always a pleasurable experience. I get to talk with some of the nicest, most intelligent and talented women around, sharing their terrific work with my audience. This next interview is no exception to that, in fact I would go further and say this next interview was a dream come true for me. I say dream come true firstly because I got to work with the wonderful Becki, aka Whiplash; an alternative model whose images I have admired for a while now and whose work in the latex and fetish field is some of the most enjoyable around. I describe it as a “dream” also because of the personality and enthusiasm of my interviewee; she made the entire process a pure joy, with constructive and inspired contributions that were out of this world. The wonder of Whiplash is not only held within her modelling portfolio however, this lady is a powerhouse of ambition and creativity, with interests in producing her own jewellery and music journalism occupying her time. But my first introduction to this remarkable woman was via her photographs, where I beheld a truly unique beauty, with the talent and knowhow to best showcase a distinctive look and produce truly more-ish visuals. Getting to talk and work with such a model has been a privilege, and I could have written page after page with her incredible contributions. I hope this two-part special will suffice.   

 

Q: Greetings Becki, aka Whiplash, welcome to my blog. Whiplash is a fantastic model moniker, how did you come up with/decide on it?

Becki: Hi there, thanks for having me – it’s an honour! It’s a strange story really – it started out in school when I was about 15 and I used to really be into art and had decided I wanted to be a tattoo artist, so I started “tattooing” some of my friends with a pen during class. It soon spread to the point where a lot of kids wanted me to “tattoo” them, until the school got wind of it and told me I wasn’t allowed to do it anymore! Then one of my mates suggested that I should have a tattoo artist name and started calling me Lady Whiplash. So when I got into modelling that was the first name that came to mind, and years later I dropped the Lady, and here we are!

Q: There are so many areas of interest when talking about you and your work Becki, but can we start with your magnificent modelling. Can I ask where it all began for you in the modelling industry? Where did you get your start in the business, and what do you remember from those first few shoots?

Becki: I honestly never thought I’d get into modelling, but somehow I did and am still clinging on – even though there are days where I want to give up because it’s so stressful! I think I started about 4 or 5 years ago because I had a friend who was an alt model and she suggested I give it a go, and after a few shoots I soon found that I actually really liked it. But I think my first proper shoot was a disaster because when I was first getting into it I was rather naïve, I only managed to get about 3 photos back from the photographer after waiting for 3 months! Obviously since then I’ve learned how to seek out much more professional people, and I don’t stand for as much rubbish as I used to! It’s so weird to look back on where I began because that was so many years ago and I’ve learned so much since then.

Q: With modelling being such a vast industry, did you have a specific area you wanted to work within? Were you an alternative model from day one, or were the early days spent finding your niche?

Becki: Without a doubt I knew that I wanted to be an alt model. I would’ve never fit in with commercial models, and I didn’t want to. It’s nothing against them, but there is so much more that is expected of you in that part of the industry. As tough as it is to be an alt model, you still have so much more freedom and artistic creativity that you’re encouraged to express and I wouldn’t want it any other way. Although, I’d definitely say that I did spend some time finding an alt niche – in the early days I did a lot of shoots in my day-to-day clothes or big dresses and corsets, and it was really only last August that I started doing more latex and fetish shoots, and I honestly haven’t looked back since!

Q: Did you have any preconceptions about what being a model was all about, and what the job would entail? Or were you jumping in headfirst? If you did have any preconceptions starting out, how have they changed later on in your career, or have they changed?

B: When I first started out I was just doing it for the fun really – I NEVER expected anyone to pay me for what I was doing and I NEVER thought I’d get published. I was really just doing it for me to be honest, because I loved the fun of being someone else for a few hours – it felt almost like playing an adult version of dress up! I would never have thought that I could be a legitimate model, as I was never very confident when I was younger and (cliché alert) I was really chubby and quite ugly. And I mean it, trust me - braces, glasses and hair bordering on an afro are not a good combination when you’re 13! I had really bad self confidence issues, a lot of which I still carry around today, so if someone had told me back then that I’d be modelling one day I would’ve laughed in their face. I think another thing that hindered me when I started out was that I barely knew any other models or designers and I hate to think about how much money I spent on getting to shoots and paying for outfits haha! But in the past year or so I’ve become far more focused and far more serious about it – don’t get me wrong, it’s still so much fun but now I actually want to get somewhere and have my work recognised. I just wish I could go back all those years and tell 17 year old Becki to pull her bloody socks up – could’ve saved myself a lot of time!

Q: Modelling to me is always underestimated. It’s a job that involves far more than just looking good. What drew you to the work in the first place, and how did you learn your craft starting out? Do you practice posing and expression in your own time, or is all your learning done on the job, from shoot to shoot?

B: It’s very weird because it’s not something that I’ll practice really – I think it’s just something that I’ve picked up. The best way to do it is when you get photos back from a shoot look at all the horrible ones, take note of what doesn’t work and figure out different angles or facial expressions that do so you don’t make the same mistakes. It’s all about angles and lighting and if you can work within that, you start to get better. I still think that I have a lot left to learn and I doubt I’ll ever be satisfied with every shoot I do, but that’s just the process of learning. And I’m glad that you see how underestimated the profession is! Everyone seems to think you just stand around twiddling your hair and “looking cute”, but for some reason after every shoot I’m SHATTERED! And for any model who isn’t shattered after a shoot – you’re not working hard enough!

Q: You have a very unique look if I may say Becki. I always find myself lost in your pictures. You have such intense eyes, sometimes accentuated with eye make-up, but always naturally interesting and beautiful. Are your eyes a weapon you consciously use when engaging with a camera? Are you picturing connecting with the photograph’s audience when you shoot looking into camera? Or is it the photographer you look to, or some other inspiration in your own process/mind?

B: Aww, shucks! That’s very sweet of you! Out of all my features I do like my eyes best, but don’t be fooled – they can be a pain in the arse! My eyes are quite deep set so from the wrong angle or with the wrong makeup they can look really narrow, or sometimes slightly cross eyed hahaha. I have a bit of an odd heritage which is probably what I can thank for my eyes – my dad is Dutch and my mum is from the Caribbean, so I think that’s why my features aren’t what you’d see conventionally in an alt model. A lot of alt models (at least when I started out) have pale skin and light eyes, and I have darker skin and dark eyes, which is fine for me because I like standing out. I’ve always been proud of my background and wouldn’t ever change it – it just means that I have to work a little harder sometimes. I don’t normally think about what I’m doing when I use my eyes, and when I look into a lens I’m not thinking about anyone in particular or about the photographer. But I do think a big part of getting inspiration from a shoot is feeding off the energy of the photographer. Some of the best shoots I’ve had have been when I’ve worked with a photographer who knows how to bring out a side of me (or even an alter ego) that I don’t normally have. One photographer I’ve worked with a few times is Biskography, I have no idea how he does it, but he is the one photographer who somehow captures something in my eyes where they look like they’re lit up. And it’s definitely nothing to do with me because I’m not adjusting the light or focus - he just has an amazing way of lighting up the whites of my eyes, and I think it looks ace!

Q: You are one of my latex icons, and model the material superbly. I have a real soft spot for work with latex and love to see it shown off well. What is it about the material that has drawn you to work with it so often? What do you think it does to those who wear it?

B: Oh wow, that’s one of the loveliest things anyone has ever said about my modelling – that has just made my week!! I absolutely love latex – I’m so glad that I started modelling it because, as much as it can be difficult to put on, it’s such a versatile material. There’s something very sexy about the way it looks when it’s on and I think that’s what draws people to it. It used to be a form of clothing that was once considered sleazy, but is now gathering more of a following and becoming more sleek and sophisticated, and I know of more and more people who are buying latex garments and wearing them out to club nights/fetish nights etc. It sounds strange, but when I’m wearing it at a shoot it really does make me feel like a different person, and it can look amazing with the right creative team. Saying that, it does mean that I have to be a bit more careful with my body and it really keeps me on my toes when it comes to diet and exercise. As I said before, I come from a Caribbean background, and I was raised in a family where food was a big deal, so I love to eat! But now instead of just eating everything in sight and then having seconds (which I still do occasionally!) I just make sure I eat healthy and keep fit, because latex is unforgiving!

Q: I always ask this when talking about latex. Do you have any tips about working with the stuff? How to get it on seems to be a question that many people struggle with. Could you give us some guidance based on your own experience please Becki?

B: My top tip would be: Use lots of talcum powder! What I normally do is make sure I get a lot of the powder on the inside of the dress/skirt/etc, get my legs in and then slowly roll it up until it’s on. Don’t pull too hard or be too hasty as latex can be very temperamental, so patience is definitely handy when working with it. Also, I’m an excessive nail biter (literally) and have been biting my nails since I can remember – which is surprisingly helpful when it comes to modelling latex. I’d hate to have to worry about getting my nails caught on the material, and hear that awful ripping sound!

Q: You’ve worked with some impressive photographers already in your career, I especially love your sets with Terry Mendoza, Adam Saunders and James Ellis. What do you look for in a photographer ideally? Do you like to be directed, or left to be more improvisational on a shoot?

B: Yeah, I’ve been really lucky that such amazing people have wanted to work with me! It was great working with all of them as they know exactly what they’re doing and are really friendly, which is why they’ve made such a name for themselves. Now when I look for photographers I generally look for people who I know are going to be reliable, professional and yet are going to be a laugh to work with. There’s nothing worse than showing up to a shoot and finding out that you have no chemistry with the photographer or that they’re going to be in a sulk the entire day. Lately I’ve been lucky enough to have worked with some really lovely, talented people and have gotten on with all the photographers – which is really easy to do, so long as you’re friendly and outgoing, and you show up on time and work hard. The alt modelling industry is such a small world that if you piss everyone off that you work with, word spreads fast and you soon find that no one will want to work with you – so I always show up to a shoot with a positive attitude and so far I haven’t had any negative feedback!

 

To be continued…

 

Photos used were provided by Becki, and are the products of the following talents in order of appearance:

1^st Immortaleye Photograph

2^nd Chris Ruggio Photographer, Jean Fernand MUA

3^rd Biskography

4^th Laura Hince Photographer, Pandora Deluxe latex

Keen and long term followers of this blog will be aware of my admiration of the work being done by independent unisex clothing company Small Victory Clothing. It is a brand that has featured on this tumblr in the past, and has been lauded over for producing innovative, creative and most of all interesting clothing options for the great and good. I’m a proud owner of many pieces personally, and spread the word whenever I can about the terrific work being done by dedicated ringleader Krys.

Today I am here to bring you the latest offering from Small Victory, their “New Breed” t-shirt and vest design. It is a new item being launched, the first of three new releases in the very near future. Fans of the brand will want to get their orders in sharpish, for the chance to drape the new Small Victory offering over their nips as soon as possible.

The “New Breed” garment continues Small Victory’s stellar work in the field of fashion and design. Fusing dynamic and emotive artwork with cutting edge style and the latest trends. Fostering a close bond with their consumers, Small Victory is more than a company, it’s a community. With customers given the chance to not only model their Small Victory purchases on the company’s tumblr and other online presences, but also regularly getting the opportunity to win items from their impressive range.

So take a look at the new pieces from SV. I don’t plug much on this blog, but I am happy to promote these guys to the hilt. I love the product, and I love that they have new stuff coming out right now!      

SV links:
http://smallvictoryclothing.co.uk
http://smallvictory.bigcartel.com/

http://facebook.com/smallvictoryclothing
http://smallvictoryclothing.tumblr.com
http://twitter.com/_SmallVictory_

 

All images used were provided by Small Victory, or taken with consent.

Recently I completed an interview with stunning British ex-pat Kato, who owns and operates Steampunk Couture, a company that as you would expect, deals in everything steampunk, and produces amazing items of unrivalled quality. Interest in the steampunk style is skyrocketing at the moment, and it is easy to see why when you come across true high quality authentic examples of the fashion. It’s also easy to see the attraction when the creator of such pieces is a beautiful model in her own right, who talks so eloquently about her craft. I was so enthralled by Kato’s answers that I immediately became a steampunk convert, and wanted to know as much as I could about the style and it’s origins. Kato is an impassioned and immensely talented designer, whose forays into modelling are as captivating as the clothes she produces. For all fans of the steampunk style, and of creativity and beautiful productions, I bring you my interview with the unstoppable Kato. She’s a lady that gave so generously of her time amidst a busy schedule, providing me and us with a really gripping and entertaining interview. She’s also a fellow native of Wales, a fact that I just had to ask her about at the start of our interview. Enjoy…

 

 

You’ll have to forgive my self-indulgence, but I like you, was born and bred in Wales and love talking about the place. You only emigrated to the US in 2007. Can you briefly talk about growing up in Wales, and your thoughts and feelings about the country?

As a young child, I loved it. My family lived way out in the sticks so I had tons of room to play and roam. Once I hit my teens, I felt too removed from the world so wanted to get away and move to the City.  I emigrated to Los Angeles, California, and quickly realized that I’m a total country bumpkin at heart and not an urbanite in the slightest. I love everything about Wales and am super proud of my country. I miss it a lot.
 
What’s it like being a Welsh girl in Hollywood? Do you still have the accent, and how does it go down over there?

It’s a sad fact, but most Californians don’t seem to know where Wales is. I get these puzzled looks when I tell them where I’m from, and then they shyly ask where it is. So I gave up saying “Wales” and just use “I’m from the UK/I’m from England.” Sometimes you’ll get someone who knows and they just shriek something about Catherine Zeta Jones and “do I know her?” etc. Lol

Being Welsh in Hollywood is cool…because no one else is Welsh. I have something special about me now that I don’t back home. Ha-ha. Yep. I still have the accent. Though apparently I sound like an odd English/American hybrid to my family.

You started off making couture clothing from your kitchen table. What was it that made you begin this incredible journey in the first place?

I’d been designing in this certain style that I had no set name for, for many years, until I was introduced to the term “steampunk” by the only other steampunk-sporting people at the time (Abney Park). Then when I emigrated to the US, I had steady work that allowed me the freedom and time to pursue my career in fashion design, so I learned to sew and focussed on starting the world’s first steampunk clothing company.

 
After reading about you it seems as though “steampunk” wasn’t a style you chose to work within. Rather a friend branded your style as such. Where do you think your inspirations came from in those early years?

Mad Max and Tank girl. I watched the films over and over and collected the comics. I was a little goth at heart and obsessed with customizing and creating new garments in this weird Post Apocalyptic meets Harajuku style. But I lived in and around Victoriana and was heavily influenced by its beauty. That’s the best thing about the UK in my opinion. SO much history and 1900s style that we preserve. I grew up in this gorgeous, 350-year-old house that my folks still live in today, and they decorated it traditionally and encouraged my love for this charming style.
 
What does the phrase “steampunk” mean to you?

I immediately see fashion before I think of everything else steampunk encompasses, so to me It’s basically taking the Victorian style and dumping it in the modern day. Wearing your beautiful bustle dress with some raggedy, fingerless leather gloves and spraying your hair up into a mohawk. That’s the punk part.
 
Are there any “steampunk” guidelines or conventions you think about when making a garment?

Nope. I’m known for pushing the boundaries, crossing the lines and breaking the steampunk rules set by people that now hate me for it. Ha-ha. I have recently (this year) attempted to design according to seasons, but I still end up making some weird thing that came to me in the middle of the night.
 
It seems important to you that your clothing is not only seen as costume, but every-day wear. Does this make your process, materials or the kind of pieces you can produce, differ at all?
Yes. I try to steer clear of an outfit or garment becoming too theatrical and costumie in the fabrics I use and its complexity. I want people to be comfortable and cool if they’re going to wear it out to a Steampunk club night or trapes around ComiCon all day. You need to be able to put it on and take it off without needing someone to help you and to be able to throw it in the washing machine at the end of the day.

You have definitely moved on from working out of your kitchen. What is your workspace like now, and how many people work with you?

I turned the master bedroom in my house into my studio and decorated it all shabby chic style. Lots of lace and cream but beat-up, worn out furniture and second-hand rugs. Everything serves a purpose as storage etc as well as looking lovely and also doubling as a photo shoot backdrop. I have three members of staff working for me now. I have an assistant, another seamstress and a photographer/prop-builder/videographer.
 
There is a real sense of drama in the clothes you produce. Have you ever been approached to work in the film and TV industry?

Project Runway bug me every year. It’s very flattering, but I’m quite anti-television show. I have not watched TV for over 6 years. I have been approached to work on costumes for films but nothing major and it’s not really of interest to me because I’m not excited about working to someone else’s brief.
 
You utilise very different materials in fantastic ways within your work. Is it a trial and error process when it comes to finding the perfect material for an outfit or accessory?

It was at the beginning, but you learn fabric contents, what works, what shrinks, what will and won’t dye and you begin to know exactly what fabric you’re going to make a new garment out of before you’ve gone hunting for it. But sometimes the fabric will inspire the design. I’ll stumble across something beautiful in the fabric store and it sparks a ton of ideas.
 
You are an exquisitely beautiful model as well as a talented artist and designer. Would you say you are an extrovert, or has the modelling side of things just been a necessity?

Thank you! I never considered myself a model, but worked with a couple of great photographers back in 2004 and 05 , then modelled my own designs early on in order to save some money not having to hire other models. Those photos got around and I suddenly had a lot of modelling gigs booked. I juggled Steampunk Couture and modelling until about two years ago when I had to choose one or the other. I focussed on Steampunk Couture up until last week, when I began modelling again and shooting photo sets for a re-launch of my modelling portfolio thisiskato.com and a very special new site called SteamGirl.com set for launch in the New Year. Now that I have some help with Steampunk Couture, I’m able to juggle both again.

 
It’s important to realise you not only produce steampunk clothing, but a wide range of Victorian, period, sci fi, and more traditional everyday garments. Everything has the signature Kato quality and individuality, and the clothing is simply gorgeous and offers something that isn’t out there anywhere else. Are there any styles or particular genres of fashion you would like to branch out into, or do you feel you can explore all elements within your current style?

I felt that I’d pigeon-holed myself with the name Steampunk Couture and that I had to keep to a steampunk style regardless of which direction my tastes moved, so this is why you see some of my work looking very traditional or sci-fi. I would like to move more in to the futuristic, sleeker side of fashion and bring out some show-stopping, utterly unique in every stitch, designs but keep it wearable. Stay tuned! 
 

The make-up your models wear is very bold and marries extremely well with your pieces. Who does the make-up when you shoot?

I do. Except for Cassie Meder. She knows my signature style and is made up and ready before the shoot begins. Gotta love models that do their own makeup! But yes, makeup was something I just got thrown head-first into doing as I had no other choice. I was asked to take care of the styling for the Dr.Steel cast and performers when I first moved to the US, so got some real practice there and makeup is a piece of cake for me now. I’m in the process of filming some hair and makeup tutorials at the moment by popular demand.
 
Do the stylistic choices and flair present in all your clothes infiltrate into other elements of your life? For instance, what is the décor like in your home?

I’m renting the house I live in right now, but I pay an extra $50 a month in order to do whatever the hell I want with it! So every room is a live-in set from a grand Victorian-style, from open living room/dining room and tea room to a Pirate cabin to a laboratory. I used to build sets for TV and film so am a dab hand with a power tool and also know how to make something look a million bucks on a shoe string budget. I gave myself three months to complete my house when I moved in this year, but it ended up taking over five. Thankfully it’s finished now and I’ve been able to utilize each room as a backdrop for my work and still have rooms and corners to shoot in.
 
Where would you like to take your work in the future?

I actually ask myself this all the time. Do I want to grow it to an enormous stage where I’m making enough money to grow it in whatever direction I want but am miserable with stress and responsibility for years in the process? Or do I take it to a place where it keeps me financially comfortable and gives me the weekends off? All I know is that things have progressed in a wonderful direction since I began simply listening to my gut and so I’ll just keep doing what I love - creating - and see where it takes me.
 

Are there any pieces or lines coming up that you can tell us about?

The Fall/Winter collection is a month late this year due to personal health reasons and so I’m going to extend its release and keep unleashing new designs every week for the next 7 months. It’s a huge undertaking, but a really fun one. I think I might release a 2012 collection next year as opposed to 4 seasonals. It’s going to be my biggest, weirdest collection yet.

I would like to thank Kato massively for her time and efforts. I understand she didn’t feel 100% during the lead up to our interview, and I wish her a speedy recovery, and hope she’s feeling a lot better now. I think you’ll all agree that this is a true exponent of the steampunk ethos, and it’s plain to see that her focus and determination is serving her very well. I hope you’ll all visit Kato’s many sites and media outlets, and support this remarkable woman. Thanks.

http://www.steampunkcouture.com

http://www.facebook.com/steampunkcouture

All pictures for this piece were provided or sanctioned my Kato herself, and they are outstanding!

My newest interview is with a very special lady indeed. Ever since I was introduced to her work, I have been in awe of her dramatic and evocative pictures. I am not ashamed to say she did intimidate me at first, due to the power and authority of her imagery. However, very early on in the interview process, I was quickly proven wrong. Greeted with a happy to help attitude and a sunny disposition, I could have not asked for a more helpful and eager interviewee. The name of said interviewee is Chelsea Belflower, alternative fashion and fetish model, latex designer and force of nature. I was lucky enough to get the chance to talk with Chelsea about her outstanding work in front of the camera, as well as touching on the person away from the lens. From our brief interaction, I can say that Chelsea came across as a grounded individual, who works hard in every aspect of her work. She is a lady with an immense amount of creativity within her, and someone eager to unleash that creativity however she can. This has lead to her dipping a toe into latex garment design and production, as well as working tirelessly on hair and style options for all her shoots. I hope people that have not had the pleasure, go check out her sites and previous work. I think you’ll be very pleased that you did.

 

 

Q: How did you get your start in the industry?
Chelsea: I kinda fell into the industry. I tagged along as support to a shoot back in 2008 and got asked to take some photos and did. The shoot wasn’t really good but it was something I had never tried before and I thought it was a lot of fun, so I signed up for Model Mayhem and started setting up shoots, trying to grow and get better from each one.

 
Q: Did you have any preconceptions about the business, and if so did they ring true?
Chelsea: At first I thought it would be really easy, but its not, it takes a lot of work and practicing all the time.

 

 
Q: You’re such a dominant character in your photographs, what are you like away from the camera?
Chelsea: I’m a goofball really lol, I’m sensitive, even though I may look like the most confident person in the world I’m not. I have my insecurities but I know they make me who I am. I’m also caring, at least I like to think I am lol. I try to inspire girls to be happy with who they are no matter what they look like, I’m a normal nerdy girl who geeks out on anything to do with magic and fantasy lol. I am a huge horror film fan and love watching TV or doing arts and crafts. I pretty much lead a double life and if you walked into my house on a random day you’d find me in some PJ pants with bright coloured characters all over them, with my hair pulled back on the top of my head, drinking tea smoking a cig, and doing some sort of art. 

 

Q: Do you have any style icons, or people that inspire you?
C: I’m inspired by the people I meet, and the fans that talk to me. My style is very random, I go thrift store hunting and shop online at major stores. I’ve always beaten to my own drum and wear what looks good on me, which might not be what’s super hot and cool right now, but it’s what looks hot and cool on me.

 

Q: You have some truly striking artwork on your body. How do you decide on a tattoo, and who has tattooed you?
C: My brother Joe Zeigler is my tattoo artist, and my tattoos are all random, they are small glimpces into moments in my life, they are like reminders of where I have come from the and the woman I’m growing into.

 

Q: Have you got plans for any more, or a place on your body you’d like to get something?
C: After my right sleeve is finished up I’m going to get the side of my thigh done, a gypsy woman with tarot cards.

 

Q: A lot of photographs of you are mesmerising. Your postures, expressions, raw magnetism. Do you plan what you’re going to do ahead of time, work with the photographer, or improvise while shooting?
C: I fly by the seat of my pants, I bring a ton of wardrobe and let the photog go through it and pick what they like then ill ask what they were thinking for hair and makeup. When I’m in front of the camera I just get into it and try to give different looks and expressions, and after each shoot I try to see what I can do to make myself better

 

 

Q: You also design and create garments in latex. What does that process entail, and is latex a hard material to work with?
C: I started making latex because it was too expensive to pay for what I wanted to wear for shoots from major designers, so started the continuous frustration. It’s extremely difficult to work with because it’s not sewn its glued, and you have to make sure you get the best sheeting out there or tears and blow outs can happen. I can only do extremely basic things right now and am always experimenting trying to figure out how to make other things. There isn’t a large pool of open information on how to make latex so you have to figure it out your self.

 

 
Q: You have shot nude in the past. What influences a decision to pose naked? Does it depend on the concept or theme of a shoot, or on your relationship with the photographer?
C: It depends on who I’m working with if I will shoot nude and how nude I will shoot, I have a lot of good friends that are photogs and I know they aren’t going to take pornographic photos so those are the only people I get full nude for. I love posing nude I feel much more comfortable posing and can really rock a shoot but it all comes down to who I’m working with.

 

Q: I think it’s so unique that you’re able to convey such emotion in a photograph. Do you have any acting or performance background?

C: Well my mom would tell you I’ve always been a drama queen lol. I’ve always wanted to act but never thought I would be able to break into the industry because my tattoos, I would say I’m quite the character away from the camera and thats probably where it comes from.

 

 
Q: You are regularly called “alternative” what does this word mean to you?
C: It’s because I have a good amount of tattoos I’m not “mainstream” or commercial. I don’t mind it because I like the edgy stuff I do and the tattoos I have. Hopefully one day alternative will be mainstream.

 

Q: What other elements of your industry interest you (styling, hair and make up, photography etc)?
C: I do hair and makeup and dabble in photography. But I don’t feel like my photography work is very good, but it does help that I understand the frustrations of a photog and what looks good through the lens.

 

Q: How do you stay in such terrific shape?
C: I don’t really do anything, I need to go to the gym but I’m lazy. I eat what I want when I want, but I don’t over eat when I’m full I stop eating and I snack throughout the day. My portion sizes are small when I go out to eat any where, as I normally order off the kids menu. I’m planning to hit the gym during this winter break and come back in Jan with ripped abs :D

 

 
Q: Who would you love to work with in the industry?
C: Oh geez there are so many people I would die to work with that it would take me forever to name them all, I finally feel like my portfolio is good enough to start contacting the people I admire.

 

Q: What projects have you got coming up in the future?
C: After winter a lot of travelling. Ill be travelling every other month so 2012 should be an awesome year full of sexy new photos.

 

Could we please finish with Bernard Pivot’s famous questionnaire:
 
What is your favourite word? Fuck
What is your least favourite word? No
What turns you on? Tattoos
What turns you off? Hair gel
What sound or noise do you love? Heartbeat
What sound or noise do you hate? Construction
What is your favourite curse word? Ha-ha other then my fav word? Cunt
What profession other than your own would you like to attempt?  Acting is my dream job
What profession would you not like to do? Sewer person ewww
If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates? If heaven exist I would go straight to hell, I’m a ”sinner” and I’m damn proud of the way I live my life.

I am so pleased that Chelsea agreed to be featured on my blog, and that she was able to put up with my nagging and sycophantic badgering. I hope she appreciates that it was just eagerness on my part to share her talents and a bit of her personality with as many people as I could. She was a terrific sport, and one of the nicest people to contact. I do hope you all enjoyed her words, and are compelled to checkout her tumblr and other sites. You can get started here (http://chelseabelflower.tumblr.com), and delve ever deeper into the wonderful world of Chelsea. Thank you Miss Belflower, you were a joy.

The pictures featured in this piece were sourced my me, with Chelsea’s consent. Most images have photographers details pictured. But please checkout Chelsea’s tumblr for full credits.