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This month the Alt Girl botherer blog celebrates its one year anniversary. That’s twelve months of interviewing and showcasing some of the best and brightest alternative talent in the industry today. Within that year, it has been my distinct pleasure to interview nearly 200 models, artists, performers and other industry professionals from all over the world. We’ve talked modelling, tattoos, latex, fetish, photography, body paint, vampirism… if it has a place in the alternative realm, then I’ve discussed it on these pages. Some of the personalities I’ve featured on this blog I am very proud to now call friends, an outcome I could have never expected when I started the project. It’s been enlightening and eye opening sharing in the life and work of aspiring professionals and successful industry leaders. There will always be characters and personas that I will be in awe of, but through my work on this blog I have seen the human side of these glamorous ladies. I’ve also grown to understand the job they do, or aspire to do, and the struggles and negativity that they battle against constantly. I went into this blog idea with respect, but that has been amplified exponentially through working with so many talented people.

I’ve also had the joyous experience of achieving a personal goal, that being writing for a few online magazines. Special thanks must go out to Carmin Conner, whose faith and support has led me to the role of fetish writer in her magazine SKIN. It’s a pleasure writing for such a passionately produced labour of love, and to have my work featured alongside such great creative talents is humbling. Snakebite magazine is another forum for my writing now, and a project that is totally driven by volunteers. It’s an ambitious undertaking, but one that is very exciting to be a part of. As well as magazine assignments, I’ve also been privileged to write biographies for a few previous guests, for their personal sites and print features. Writing has been a passion of mine for as long as I can remember, and it feels incredible when your talents are appreciated by people you personally admire.

I could never adequately thank everybody who has featured and contributed to this blog, I have had so many guests in this first year that I’m afraid of leaving people out if I try individual shout outs. I hope that at the time I interviewed each guest, they picked up my sense of gratitude for their time and effort. It is always genuine, and my only goal is to share my love of my guests’ work with a wider audience. There are a few people that I will mention here though, just because they have been constant inspirations and sources of support. Some of these women will never know how much they’ve helped this project, but I hope they’ll get an idea someday:

Stripey and Rachy: Two ladies from the FRONT magazine forum that I interviewed soon after setting up my blog. They were early guests that I was overjoyed to be able to feature, and two women whose work I will forever watch out for. I’d love to have these girls back for a follow up feature someday, I’m such a fan of their pictures, but also their personalities and outlook. They work hard for everything they get, and I hope they get everything they want from life and work.

Alysha Nett: A colossal star in my eyes, and someone I was dumbfounded to welcome to my blog. I speculatively got in touch with Alysha without any real anticipation of success. To my amazement she replied and we were able to work out an interview that I am still extremely proud of. It tells you so much about a person when they are willing to help out with a creative project. I’ll always be able to say that I once interviewed Alysha Nett, and that’s something I’ll cherish.

Bow: Now I’ve never actually featured this lady on my blog, but her work has gotten a mention on numerous occasions. She’s a fantastic model with an incredible look and approach to her work. Most importantly though, she’s a sweet person who is a great supporter of this project. I will feature her on this page in the near future, whenever she’s ready.

Yazz: Another FRONT forum favourite, and a lady who helped the blog celebrate Christmas last year. Someone whose modelling captivates, whose passion for photography and art blew me away, and whose polite and respectful demeanour made every interaction a joy! She’s one of those people who you wish nothing but success for, and with her plethora of talent, success is what I’m sure she’ll find. Whatever path she takes.

Ruby True, Whiplash, VioletEyes and Rubber Monkey Latex: Latex is something I love to see showcased well, and these individuals are the best around. It was a personal pleasure to feature their work, and bend their ear about such a wonderful material. While Ruby, Whiplash and VioletEyes are rightfully classed as latex modelling authorities, they are also accomplished models/performers full stop. Four very interesting women who helped create three outstanding articles in my opinion.

Tara Mackey: Singer, photographer, model, traveller, inspiration… Lots of words can be used to describe this woman. To me though, I think friend is the most potent. Having never had the opportunity to meet her or see her shows, that might seem a little strong. But her energy is so warm and welcoming that I really do feel that way. It’s always a pleasure to promote her shows, and I hope she’s happy in everything she does.

Elle Richie: A model whose work I followed from her first appearance in FRONT. Someone who I have featured twice on this blog and whose opinions and insights into the industry I could listen to all day. Someone who is passionate about her craft, and very skilled at it. Always very supportive and accommodating to requests from this blog, and another lady I’d always have an interest in working with.

THE ALT GIRLS: FRONT’s monthly featured girls who have worked wonders in the few pages they are granted. They were the inspiration for this blog, and a sisterhood of ladies that should all be rightfully proud. I’ve featured many previous Alt Girls on these pages, including Abbie Mac, Sophie Butcher, Edie, Chelsea, Tammy Cole… the list goes on. I want to thank them all for their work in the magazine, they’re help on this blog, and not running for the hills when this random person got in touch about an interview.

As I’ve said above, it’s very difficult to thank everyone involved and not leave people out. Every time I conduct an interview, it’s with 100% focus and commitment to the individual in question. I pride myself on research and promotion, and I hope the experiences have been positive for all involved. From the amateurs I have showcased, to the professional models earning a living from what they do. I wish everyone the best of luck with their future projects and goals.

The future for the Alt Girl botherer blog is hopefully much like it’s recent past. I will endeavour to find and feature talent from all over the world, and bring unknown artists as well as well known artists to this stage. I am as passionate about the project now as I was at it’s inception, and I thank every single person that follows this blog. As for unfulfilled ambitions, there is a list of ladies that I desperately want to feature in future months. I’ll put a few names below in case they are reading, or in case someone else reading can persuade them to accept my countless interview advances:

El Wood – Someone who has expressed an interest previously, but whose workload understandably keeps her very busy.

Mosh: A legend and inspiration to many, I’ve got something in the works with this most perfect of ladies that I really hope comes off. We’ll see.

Bow – I mentioned her above, and I will have her on this blog as soon as she gives me the green light for an interview.

Carrie – An artist who I regularly chat to about her creative projects (as well as zombies). I’d love to feature her in some form or another, If not an interview then a showcase of her artwork and the business ventures she’s got planned.

 Vikki Blows – Everyone knows about Vikki, I think it would  be so interesting to talk with her about her life and work. Maybe someday…

Suicide Girls – I’ve spoken to a few on this blog already, but Radeo and Rambo are two women I am in awe of.

Sister Sinister – Yet another latex clad lady who I admire and who I’d love to talk with about her work.

Leasha Jacques – I’ve tried before, but this lady has a LOT going on. Beautiful model, talented artists and tattooist, and just a very cool person in general.

Arabella Drummond – I’ve been close before, I’ve spoken to people that know her and they’ve promised to put me in touch, but it hasn’t happened yet. Trust me it will!

Michelle Rodriguez – A little out there perhaps, but if I ever got the opportunity I would jump at the chance. An incredible woman!

There are loads and loads of women I’d like to feature in the future, some I haven’t even heard of yet I’m sure. I hope to be able to bring you interviews with some of the above, but also women from other reaches of the industry and other backgrounds. I hope to move the blog forward in this second year, and continue to build on the incredible experiences I’ve had thus far. I hope you’ll all stick with me on the journey, and enjoy what I’ve got to share with you in the near future.

Thanks again for all your support, to all those people who read my work and get something out of it. I’d probably still write if nobody read, but to know likeminded people are enjoying what is produced on these pages is incredible.

The immediate future of the Alt Girl botherer blog though is all about celebrating a year of interviewing fascinating people. I had a goal as I approached this milestone, I wanted to get an industry big name on the blog to properly celebrate the achievement and thank everyone that reads my work. After numerous approaches to big name models, publishers and performers, I was beginning to lose hope. I thought the talents I was contacting would be too busy to help out with my blogs birthday bash. Then, from out of nowhere, I got a response. Someone was actually moved enough by my interest that they got back to me with a positive reply. And you’ll never guess who it was… Ok I’ll tell you. It was the editor of Bizarre magazine David McComb! David McComb, the man in charge of the most innovative and cutting edge alternative magazine in the industry. For those who don’t know, Bizarre is the market leader in alternative literature, publishing some of the most famous and beautiful women in the alternative field. It’s the pinnacle for many aspiring alternative artists, and it’s readership consists of some of the craziest and most creative people on the planet. I was thrilled at the news, and if that wasn’t enough, Mr McComb also granted me an audience with the magazine’s art director Dave Kelsall, in order to pick his brain about the kind of women the magazine looks for.

For Bizarre fans, alternative fans, fetish fans, aspiring models and Bizarre contributors… It’s going to be a must read piece, and I do hope as many people as possible will read it. There will be great insights behind the scenes at Bizarre, their policies and mission statement, as well as tips and advice for following and getting involved in the premier publication. I hope everyone is as excited as I am, and I can’t wait to share the piece with everyone. More news will follow, but for now I’m delighted to say that both the Bizarre editor and art director will feature on this blog soon, to help celebrate a year of interview and review.

Thanks for reading this hefty announcement if you did, I’ll be posting further updates very soon.

This month’s FRONT was an interesting one. It’s kind of gone under the radar in my opinion, with not a lot of “bigging up” or even discussion. With this piece I hope to highlight some of the good things about this month’s issue, as well as maybe mentioning possible reasons why it’s not been lavished with praise. Let’s get straight into it…

As we always do, let’s begin with the front cover. Sabine adorns the cover of this Easter issue, and I think this may possibly be the first reason why the issue hasn’t taken off. There are some people who just don’t seem to like Sabine for whatever reason. When she made her debut it was greeted with a range of emotions, largely ranging from indifference to dislike. I must admit, I wrote that her first appearance in the mag was not spectacular. However I changed my tune when she reappeared in issue 164 with an amazing showing in what has been one of the best issues of FRONT in years! But people did have a problem with her originally, and it has stuck for some. I personally am on board with Sabine in FRONT, and was looking forward to seeing what she had for us this time. Having said that though, I was only sure it was Sabine when I read the accompanying circle of text just below her right knee. I didn’t recognise her from just looking, and it’s become a feature of her work with FRONT. Looking back from issue 161 to issue 164 and now issue 167, every time Sabine has appeared, she looks different. It definitely denotes a versatility and reinvention, but you also want to be memorable don’t you? As for Sabine’s cover shot, it’s 100% FRONT, and reminiscent of the work Rosie Jones did in her early years with the magazine. Girls in trainers was what brought FRONT to the dance, so to speak, and it’s perpetuated here. The shot itself is gorgeous of course, but that’s down to Sabine’s physique and beauty solely. There’s nothing really earth-shatteringly original about it, and there’s quite a disservice done to the other girls that appear in the main feature. Alice and Courtnie aren’t even mentioned on the cover, let alone seen. Unless I just picked up the Sabine version of a three cover special (which I didn’t), I think Alice and Courtnie should have had a presence on the cover, especially seeing as there seems to be more shots of Courtnie than Sabine in the main feature!   

Moving inside and straight to the “Readers’ Shit” page, just a quick mention for the picture of Alysha Nett in the bottom left hand corner; Anthony’s drawing isn’t perfect, but it’s good, and it reminded me of Alysha being in the mag, which was also good.

On page 16 we are greeted with one of the massive positives about issue 167, that being the return of Cala at the beginning of the “Full Frontal” section. I had just interviewed her last time she appeared in the mag, and that just added to the praise I heaped upon her then. This time her feature starts with a four window page, in which she sports some unfeasibly sexy thigh-high socks/tights. I love the photo in the bottom left of the four panel page, the coy hand in front of her face, and gorgeous underwear with that pink shirt just works! Page 17 shows off Cala’s amazing bottom, clad again in some incredible black lacy undies. The arch of her back helps to emphasise her beautiful tattoo, and the light coming through the window onto her face leaves an angelic haze that is pure pretty.

The images are sharper on pages 18 and 19 as Cala moves away from the light source. Still resplendent in those socks, these pages are all about Cala’s face and of course her wonderful bosom. Her hands on head pose at the top of 18 is playful yet sultry, and her gaze into the distance at the bottom of 18 is equally emotive. These two photographs show off Cala’s excellent use of her features when posing, and while she is topless, you consider each picture as a whole, it’s not just boobs!

The next three pages are straight out of a calendar, or definitely should be. FRONT has spoilt us with three full page photos, the first of which on page 19. Here Cala’s bright eyes and full pouting lips draw you in, and you follow her tussled hair down her shoulder to take in yet another example of this wonderful model’s body. Page 20 and 21 are my favourites from the set I think, although there is a lot of competition. The fairy lights and butterflies in the background of 20 echo the free spirited stance and pose of Cala, there’s a lightness and elegance here, with her arms stretched up almost in a balletic manoeuvre. I also love the touch of the belly button jewellery, it’s very Cala, fun and feminine. Page 21 finished the set perfectly. I’d love this image blown up as a poster, it’s such a sweet image, full of contemplation and intrigue. There’s nothing detracting from the grace being show, Cala’s nose ring hints at a stylish flair, and it’s just a terrific picture.

Moving on to page 28, and I must flag up Stef Nurding’s interview. I didn’t know who Stef was if I’m honest, but this little interview definitely grabbed my attention, and I’d love to interview her in more detail sometime. Fingers crossed. She is of course a gorgeous lady, but very interesting also, and I’d love to know more about her passion for boarding, both skate and snow.

My next stop is page 30, and unusually for me, I want to dwell on the “illustrator profile”. It’s a section of the mag I have not been moved by in previous issues. It’s an issue of personal taste, but I haven’t liked the style of a lot of the guys that have featured. This month is the turn of Kate Prior though, and I really enjoyed her interview. Her work reminded me of some classic cartoons and illustrated adverts from the 50s, but with a very modern twist on the comical elements. There is also a unique spark in her use of colour to achieve vibrancy and a more demure understatement. I’m no art expert, but I really love the examples of her work, and it’s moved me to check out her website. The most impressive things is her interview though, and the humour that jumps off the page. Kate seems like a very cool lady indeed, and yet another discovery from this issue that I would love to talk with someday.

 

To be continued…

 

Image taken from FRONT’s tumblr, you should go check it out.

The latest issue of FRONT has divided opinion in many areas of its readership. Not least of all in my own thoughts. It’s been described as the long awaited redhead issue, which I must disagree with wholeheartedly. Granted there are two redheads on the cover, and the surrounding cover space is largely crimson. But that’s where the red haired bonanza stops. Surly if and when FRONT eventually do a redhead special, they’ll feature ladies with rouge locks in every area of the magazine. This month we only see “copper tops” on the cover, and one of those is newly so in Hannah Martin.

Lets get started and talk about the cover shall we. With the redhead special always on my mind, I was extremely excited when I first glimpsed the cover of issue 166. Not only due to the abundance of red hair and backdrop, but because at a quick glance, Hannah had the look of a certain Jessica Weekley. On closer inspection I was a little disappointed, as I’m seriously craving the return to modelling of the wonderful Weekley. However I was very pleased to see Hannah back, and against popular opinion, I actually thought her red hair looked pretty fantastic. Now some FRONT aficionados and people I respect a whole lot say her dye job is pretty poor and the look doesn’t suit. For me though it gave her a dynamism and a fresh appeal. Unfortunately for me, Hannah’s new red do and her positioning in the foreground slightly, made me kind of overlook the stunning Lucy on the right. Utilising the quickly becoming “classic” FRONT twosome pose of one model’s hand on the others bottom, there wasn’t much that was memorable about this cover shot I must say. The surroundings and typography were reminiscent of FRONT’s previous dabbling in the occult, and the 80’s psychedelia that is currently everywhere at the moment. I wasn’t drawn in at all by it.

But you know I bought it because it’s FRONT, and I couldn’t miss an issue. Plus it’s rarely just about the cover girl, or girls in this instance. So turning the page I was hopefully of a stand out Alt Girl or Full Frontal feature. The first thing that caught my eye was in the top right hand corner of the welcome pages. I had no idea they actually made “Duff” beer, and that FRONT got sent a case was awesome. I know you can buy it at firebox.com now, but I’m hoping after this plug they’ll send me a case for free as well :) The letters pages disappointingly still featured that Peter Mueller bloke. I don’t see why FRONT are wasting the ink. Just put him somewhere meaningless on the cuntdown and be done with it! I liked the “comics special” to the right of the letters, but I felt it would have been better as a few pages, if FRONT could have generated the material to fill them that is. The readers’ shit page was nothing to write hope about really. I’m not one to criticise as I couldn’t match the skills on show, but I will say the Rosie Jones drawing looked very Asian to me.

On to page 14 and the start of the Full Frontal feature. This month it is with the double-entendre inducing Rebecca Bone, a lady I was not aware of previously, but FRONT always amaze me with their unknown starlets. Rebecca’s first shot on 14 is fantastic. It’s got socks and tattoos, which are two things I love, but more than that, the body positioning is pretty special, her hand on her left hip is perfect and her expression would be at home in any fashion magazine in my opinion. On page 15 we have a upright Rebecca, showing off the tattoo under her left breast wonderfully. Throwing in a cardboard cut out from the film “Despicable Me” made no sense to me, and seemed like it was just chucked in for a laugh. We’ve seen psychedelic leggings a few times in FRONT recently, and the chains and anchor designed ones on Rebecca in this issue were too reminiscent. I was hoping they wouldn’t feature prominently, I was happy to see they didn’t.

Pages 16 and 17 were a triumph for Rebecca, whose eyes and features demand the reader’s attention. Her coy look over the right shoulder on 16 is delightful, and the kissing motion she’s doing is a lovely touch. I also have to say how terrific Rebecca looks in the suspenders influenced undies. As much as I don’t appreciate the repetition of the style of legging on the previous page, these type of “suspenders” are a new garment on me, and I love how Miss Bone looks in them. There is a classy quality to the photographs on pages 16 and 17, but Rebecca’s playful side comes out on 18. The injection of colour with the turquoise beads helps, but the smile and dimples on display ooze enjoyment. It’s always nice to see a model having fun on camera, and the introduction of Rebecca’s ink is very welcome. Page 19 is the final shot, and a classic FRONT photo featuring model on her back looking up into camera. Rebecca makes it her own with the crossed legs though, and it’s this ingenuity that may be subtle, but makes the images shine. It’s a true test of FRONT contributors when the nudity on show takes a back seat to the craft of posing and producing pictures. This is a marvellous first FRONT showing for Rebecca, her personality jumps off the page, and she expertly creates a mood that echoes what must have been a great atmosphere on set.       

Page 26 is our next stop and the news that Kevin Smith is due to appear in his very own reality TV show. Normally I don’t endorse reality TV as the majority of such programming is tosh, but a show with Smith, set in a comic book store can’t lose can it? Swiftly I must move on to pages 32 and 33. The feature with “Lights” was very cool indeed, mainly due to the beauty of the lady in question. I’ve never heard of her to be honest, and I’m no authority on Metal or Electro, but I was drawn in by the visuals and stayed for the entertaining answers. She’s a very attractive woman of course, and the paint party theme is a winner for me. But the answers given and the personality shown in doing so really endeared the artist to me.

Page 37 is another place I had to stop and pay homage to awesomeness. Alysha Nett appears in an advert for “Creep Street” clothing. Alysha has been in FRONT many many times over the last few months, and it’s always fantastic. There’s no fear of getting tired of seeing this wonderful model, and even though FRONT doesn’t have any input on adverts, they must be happy to see Alysha every time. In this image of Miss Nett, we see her resplendent in the sun. Fantastic hair and massive sunglasses creating such a cute visage. The “Creep Street” clothing also plays its part in making this advert notable. The cropped t-shirt allows Alysha’s midriff ink to be seen poking above her underwear. The underwear itself is memorable for a different reason all together. As I’m sure it is intended, the placement of the words “eat me” are quite provocative, but at the same time humorous.

Alt Girl time, and this month I was excited to see it was the lovely Ally Tindsley. Ally is a lady who is a bit of an enigma amongst fans of FRONT and the whole ethos of the magazine. She’s got quite a following of salivating support on tumblr and the like, and with good reason. Those who do follow her blog will find a magnificent collection of bare breasted photographs, along with humorous insights and personality laden comment. So there was quite a back catalogue of individuality to draw upon while enjoying these pictures provided by the immense Scarlett Studios. Pages 52 and 53 are a triumph right off the bat, peppered with images of Ally in various stages of undress. Working the green bottoms she’s sporting wonderfully, there’s a story being told in Ally’s expressions as well as the shedding of clothing. It’s a very personal shoot, set in a bedroom, but the communication between model and audience perpetuates this, and that’s largely down to Ally’s talents. Her exquisite figure is featured on page 53, as well as a peek at her wonderful foot tattoo. It’s a beautiful image set against the light filtering through the window behind.

On the final pages the playful nature of the shoot continues, as well as a smouldering picture that graces both pages, page 55 has some engaging pictures of Ally wrinkling her nose and drinking (sort of). These last two pages really tell the tail of a talented individual. Able to convey sex appeal as well as entertainment and humour in the same set of photographs. I always want more from the Alt Girl section of the magazine, but this month I really wanted more, an extra page at least just to enjoy Ally’s work for longer. But alas it wasn’t to be.

I was pleased that FRONT continued the three pages of Alt Girl DIY pictures. A welcome addition to last months issue, and I hope this means it’s going to be a regular thing. A much better integration between the first two pages and the last one this month, a better chosen advert worked perfectly, and the last page didn’t feel as separated as it did in issue 165. As for the ladies featured, it was yet another good offering. Having said that, after reviewing the three pages I was left feeling a little bombarded with so many images and characters to take in. I know I may be expecting too much from the DIY section, but I didn’t connect with any of the girls this month, and they kind of washed over me. I had my favourites for sure, but there didn’t seem to be much care and attention paid to the delivery. Too much of a good thing maybe? I think it’s evident that FRONT get a lot of applications, and if they were to spend more time on the DIY section, it would benefit the reader vastly (rather than the struggle to fit in as many as possible). Maybe even theme the section from month to month? Surly they have enough imagery to satisfy a monthly theme at FRONT, something like socks one month, or “rock chicks” the next? Just a thought. As mentioned, my favourites from this months offering were; Roxanne Ambrose, who worked wonders with her camera, and created real intrigue and appeal entirely with implied nude shots. Sophie Coady was another lady who rocked the implied nude, and I think she’d be fantastic in a full shoot, or at least more than two pictures. A little mention for Portia who has been on the forum since her appearance, and Cozmic from Essex who looked wonderful and I think could offer the magazine more in the future. I have to congratulate all the women who got featured though, truly terrific.

Finally on to the fiery haired twosome of Hannah and Lucy. Their feature started on page 84, and had a lot to live up to following sterling efforts from Ally and Rebecca. It’s funny, but I was not moved to check this shoot out based on the participants alone. Don’t get me wrong, they are both stunning models, but the partnership didn’t excite me really. The main hype for me about the feature was Hannah’s new hair colour, which I had not seen previously. Someone I won’t name, just in case she doesn’t want me to, made a good point about Hannah. She is largely used as part of a double act for FRONT, and it’s becoming her “thing” now. There’s a danger of her not being seen as an adequate solitary cover girl, and that can’t be good for the future no matter how much she enjoys the duo role.  

The first image from this shoot sees Hannah and Lucy embracing with Lucy looking into camera. It’s a expertly done “come hither” look from Lucy, and it invites the reader to turn the page. Hannah being arguably the more established girl is left with her face obscured by hair, and largely gets ignored. On 86 and 87 we have a “line-up” or sorts, which FRONT utilises from time to time. At a quick scan both models aren’t easily differentiated between, which isn’t good for either of them. The images on their own are up to the great standards set previously by FRONT features, and Hannah does what she does best, and her much seen cherry tattoo is extrapolated with cherries adorning the pages around the pictures. Lucy is radiant in her predictably red Dr Martins, and counteracts Hannah’s more flirtatious pictures with sultry glares and looks.

Pages 88 and 89 continues the playful and sultry juxtaposition with Hannah on 88 and Lucy on 89. Hannah is in a grid of four, working with hats and t-shirts and smiling out to camera. It’s pretty much what we’ve come to expect from Hannah after so many appearances in FRONT. One particular picture in the bottom left of page 88 I’m sure I’ve seen her do before. Lucy conversely on page 89 sits completely naked apart from her DMs, sucking a strawberry so seductively. It’s the best picture of the bunch as far as I’m concerned, and Lucy looks ravishing!

The double page spread on 90 and 91 picks up on a subtly from the shoot. The fact that both models have very interesting nail polish on. It’s a facet of the shoot that is an interest, but not enough to hold me unfortunately. Here we see Lucy’s fingernails above her breasts in a picture that does little except showcase a sublime pair of boobs. Which might be enough for many :) On 92 and 93 there seems to be a lull in the motivation behind the pictures. Both Hannah and Lucy don’t do much in these shots, and both pages are pretty flat.

94 and 95 brings my favourite Hannah Martin shot from the set. She’s engaged in a tug of war with Lucy over some red laces, using only their teeth. It’s a good idea from photographer or models, whoever implemented it. Hannah’s face carries the fun happy expression she sports regularly. You can tell both ladies are enjoying this pictures and it looks a lot of fun. 96 is a little bit of a shame as far as I’m concerned. Both models lie on their backs surrounded by sweets. I’ve seen Jessica Weekley do this same pose numerous times with various partners as well as solo. In fact it is this image that reminds me of Jessica and Hannah’s shoot from ages ago, a reminder that tarnishes this set a little actually.

The last picture finishes as a double page spread on 98 and 99. We don’t get to see either model’s face, but the idea is new, fresh and ends the set on a high note. Long socks and pert buttocks are (pardon the pun) cheeky, but the tone of their backs, especially Lucy’s shoulder blades, are unique. I’m sure you can tell from my words that I wasn’t enamoured with this shoot at all. I love both models individually, and have enjoyed their work previously. But together there didn’t seem the spark, excluding a few pictures here and there. It was a miss for me unfortunately, but I hope others out there had a different view.

Yet another offering from FRONT that I’ve shared a few views on. I hope these thoughts are appreciated, but I do stress they are only my opinions.

 

 

Picture was pinched from FRONT’s tumblr.

It’s been heading that way for a few months now granted. With terrific issues of late, the guys over at FRONT towers seem to have gotten over the departure of former editor Joe Barnes to FHM, and are now getting back to what made the magazine so great in the first place. What is the reason behind this resurgence? I think it has a lot to do with FRONT giving more and more page time to models like Alysha Nett and Kitty Lea, as well as finding fantastic “alt girls” and smattering in FRONT regulars. They’ve also returned to what I call “trainers and toons”, which was the backbone of quality FRONT issues of the past. Girls in kick-ass trainers and brilliant illustrations from up coming and established artists have made a welcome return. All in all, it’s been a steady journey back to form for FRONT. From the backlash of a few months ago, that lead to many people (misguidedly and prematurely) jumping ship, to this current and quite magnificent issue. It’s been one hell of a ride with FRONT of late, but issue 164 is an imperious way to begin 2012. You’ve done it again this month FRONT, and got me very excited for another tantalizing twelve. This is what I thought of the issue anyway…

The cover. I heard through the grapevine of tumblr that Alysha Nett would be on the cover this month, something that surprised me seeing as she was featured in last months “full frontal”. Surprised but delighted I have to say, as I’ve been screaming at FRONT to include this lady more for ages. In fact, Alysha has had a bit of a monopoly of the magazine recently. Appearing in multiple issues and on the website in various ways. Just when I was jumping for joy at that piece of news, I got a sneaky peak at the cover, and to my amazement saw that Arabella was co-covering this months offering as well! A dynamic modelling duo for sure, and the cover composition is really impressive. With their feature centring around tattoos; banners with text, and roses dotted around, is an excellent precursor. There’s a bit of “angel and devil” to Alysha and Arabella’s poses on the cover. Alysha, the paler of the two, has hands aloft, daintily assuming a statuesque elegance. Juxtapose this with Arabella’s mischievous expression and cheeky (pardon the pun) hand position, and it creates a lovely balance visually. A wry smile crept across my face when I saw Cala looking out from the top right corner of the cover. I thought to myself (rather smugly I admit) “beat you to it FRONT” referring to my interview with Cala released last month. However, in all seriousness, Cala’s involvement was yet another reason be to excited about this issue. This cover does what covers are supposed to do. Excites the reader to first buy, and then read on. What a terrific start to a wonderful issue, and once again, what an awesome start to another year of FRONT!

The welcome page to any FRONT issue is always a nice inside look at what it’s like to work with FRONT. I’m glad they implemented it, and god it makes me want a job there! Highlights on these pages are a shot of Mel Clarke signing something (she looks wonderful), the crazy Nurf gun weapon the guys constructed, and fantastic behind the scenes shots of Alysha and Arabella in nothing but aprons and socks!

A little mention for the amazing Yaz next. She popped up on the letters page with funny results. Always nice to see Yaz in the mag in any capacity, and any excuse to revisit her awesome work in previous issues. My thinking is the closer she stays to the team, the more chance there is of getting her in FRONT again! Moving on to page ten and one of the best “reader’s shit” sections in ages. Kudos indeed to Rich Hewitt for his “arch of perfection” submission. Also, I was wowed by James Church’s drawing of Mellisa, good enough to deserve a break for spelling her name wrong I felt (but that’s FRONT for ya).

“Full frontal” this month was a pleasure and a treat. Not that is isn’t usually. But for me, this appearance by Sabine is far more in-keeping with the FRONT ethos, than her feature was in issue 161. Back then she seemed a little too tan-tastic, and didn’t seem like a FRONT-style model at all. Lots of people agreed, and went off the deep end about her inclusion. Here though, on pages 14 to 19, is the reason she was used by FRONT in the first place. The whole shoot has a much more FRONT-ish feel, and Sabine’s work, styling, and use of her surroundings just screams FRONT model! “Back by popular demand” may be a bit of a stretch following Sabine’s last appearance, but in this month’s “full frontal” she really excels, and proved me totally wrong for questioning FRONT’s decision to feature this lady. I‘m sure she doesn’t give two hoots what I think, but there was a lot of unease after issue 161’s cover shoot. I hope people now understand, and can appreciate Sabine’s talents and appeal. Page 15 is my favourite image from the set. Sabine’s expression, pose, hair, everything… Just says “what the fuck do you want? I’m busy being awesome!” Turn the page though and WOW, the flexibility! On what looks like a bad 80’s sofa no less. Getting into that position (seen in a double page spread) and still looking fabulous, has to be applauded. There’s a serenity in her eyes, and an allure in the purse of her lips that betrays the strain and effort she must surly be putting in. We close with a few pictures that hint at a retro vibe to me. The dated looking set, and old school-ish skirt and suspenders don’t seem to fit with the previous images. However, Sabine does look stunning, and her make-up against the blue wall on page 18 is dazzling. In every image her eyes really work for the shot, and there’s no expression gone to waste. In my humble opinion that is.

This month’s illustrator profile is Jack Teagle. I’m not a massive fan of the style if I’m honest, but am very conscious that it’s a brand of illustration that’s sweeping the country right now. I’ve seen something similar appear in a car ad on the TV of late, can’t think of the make of automobile, but it immediately made me think of FRONT, so I guess Jack is in the right place. He’s responsible for the images that go with the “good shit/bad shit” regular feature, and has been utilised by FRONT a lot in the past. I can see the relationship continuing, and I hope the style grows on me if it’s to be used more expansively. No negativity towards Jack here what so ever, I wish him all the best. Who am I to talk anyway, loads of folks are loving what he’s doing. Good luck to him.

Page 30 and 31 is a trainer fest, and an interesting look at a “trainer con”, which I had no idea even existed. Something about the whole piece seemed to scream New York for some reason. Before you say it, I know it was held in New York. But the characters seen, the shoes, the hats… It all summed up New York style at present for me. In a very good way.

“There she is” I said to myself when I turned to page 54. In a (not meaning to be) very creepy way. I smiled all the way through this piece. I was so chuffed that Cala was featuring, and very proud that I managed to interview her for this blog last month. Another truly impressive thing about Cala’s shoot, is that it was all her own work. It doesn’t happen that often that a featuring alt girl shoots her own set, but this is all Cala’s photography, and it’s tremendous! I’m not surprised at all at the quality of both the photographs and the modelling in these pictures. I’ve been a massive fan of Cala’s blog ever since I was first introduced to it. I practically lived on there while constructing our interview (for research purposes only I promise). She’s a very talented photog on top of everything else, and the quality she produces is the same if it’s for her own blog, or here in FRONT. That’s why she has such a fan base. Her FRONT showing is a little different from the norm granted, that’s to be expected seeing as Cala shot it herself. But the “alt girl” quality is totally there, and she’s made some really wonderful choices in the shots. My favourite picture, and a definite front runner for the next alt girl calendar, is on page 57. It’s all in this picture. Cala’s terrific figure, a pout to make anyone weak at the knees, and her fiery hair echoing and enhancing her phoenix tattoo. A wonderful performance from a special lady.

The D.I.Y section is a very diverse and busy collection of beauty this month. Highlights for me were the inclusion of Miss AnnaCat on the right margin, Weez’s great set, Hannah’s unfathomably large bosoms, and Francesca’s versatile trio of photos. It was a terrific section for sure, really enjoyable.

This brings us gleefully on to the main event of the month. Alysha and Arabella’s feature shoot. The idea of dedicating the whole feature to explaining both girls’ tattoos was a bit of a brave one maybe. It was a terrific idea don’t get me wrong, and I loved learning about them. But I think there was a danger of perhaps defining these two very creative and intriguing individuals purely by their ink. There is a lot more to them of course, and I hope people didn’t forget that while enjoying the words and pictures.

The first shot of the set on page 83 is a great way to kick things off. There’s a sense of collaboration with the two girls together, mirroring nipple piercings and hands on one another’s bottoms. The look over the shoulder to camera is wonderful, and there’s a dimension or angle to Alysha’s face in particular that I haven’t regularly seen. It’s a really excellent picture, and in a feature about tattoos, it highlights each lady’s most talk about piece, Alysha’s frame, and Arabella’s pirate. Page 84 gives us an image that FRONT has already turned into a poster I believe, or a special Arabella only one off cover or something. It cries out attitude, not only by the massive “fuck you” on the balloon, but Arabella’s open chested stance and expression. A very beautiful but powerful shot. Page 85 is all about Alysha for me. Her marvellous stomach tattoo is a feature at the top of the page, and her snarling yet gorgeous visage at the bottom of the page just jumps out at me. She also always looks good in a cap and shirt buttoned at the neck.

The double spread on pages 86 and 87 works very well in the context of the set. There’s a unity and a separation that is beautiful. Joined hand in hand, above and below their faces, there’s a heart like symmetry to the set up of the picture. There’s something of the siren about both women in this shot. Alysha looks out at camera with such persuasion, while Arabella touches Alysha’s lipstick to her mouth. Tell me you wouldn’t do whatever these ladies asked of you after seeing this.

Fun and perfect posteriors are the themes for the remaining pages. On 88 and 89 we see winter socks introduced, and a collection of Polaroid-esque pictures telling the story of the shoot. Both models look like they really enjoyed the work, and there was a comfortability with each other that shone through. An image in the centre towards the top of page 89 really speaks to me. It’s just Alysha’a naked feet next to Arabella’s socked feet. But there’s a cuteness about it, and the Marilyn Tattoo really pops. At the bottom of page 89 Arabella again grabs Alysha’s butt, which leads us nicely on to the perfect posterior portion of the shoot. Page 90 displays Arabella’s delightful derrière in all it’s glory. With a massive wedgie it has to be said. Opposite on page 91 is my favourite image from the feature by far. There’s something about this picture of Alysha that is just masterful. The posture, the arch of her back (which Alysha is an expert at), the look down and the hair. They all work together to make a really amazing photograph. One I’d LOVE blown up, framed and hung on my wall.

The final image I had to mention, and is yet another exponent of the perfect posterior on pages 94 and 95. Both girls back to camera, sitting on the floor. Again, there is an angel and devil thing going on here, echoing the front cover. The page divide only goes to enhance this, with Arabella’s golden skin and duelling pistols, playing exquisitely against Alysha’s pale elegance and ornate frame tattoo. I’m exhausted with all my pronouncements of wonderfulness within this review, but I could never put into words how impressive this feature is. Arabella and Alysha are two very interesting models to look at and learn from. They are highly skilled at what they do, and every image in the set goes to prove this. A masterstroke in uniting these two models by FRONT, and it’s why I proclaim FRONT is back to its best. But as I always say, who am I to be making such proclamations? Go check out the issue for yourself, it’s in the shops now.

Q: What is your favourite subject matter to photograph?

K: People. I love Sally Mann style photos, and if I could spend my life taking photos like that I’d be a very happy girly indeed.

Q: Maybe a difficult question, but what do you think makes a photographer a photographer? Do you think it’s all about how you look through the viewfinder, and your mindset, rather than the physical act of holding the camera and clicking?

K: It’s a mindset. Anyone can take a picture, and with the way cameras are now, you can take amazing photos with just the auto settings. But it takes a creative mind to come up with an exciting concept, or to really strive to capture the subject’s beauty - whether the subject is a model or a landscape.

Q: What equipment do you use the most? What are your specific tools of the trade? Is there a piece of kit out there you’d love to get your hands on?

K: I’d love a better camera, a Canon 5D MK2 is the ultimate piece of kit right now, but there’s no way I can afford it. I only have a Canon 400d but she is my baby, and I got a new 50mm lens a couple of weeks ago, and it’s my favourite thing to use. I’d obviously love a ton more lenses but I feel like I need to learn how to use each to their full potential before moving onto another. And of course I’d love a studio and some lighting, as well as my own darkroom, but I think I’ll have to wait til I’m working before I can get them.

Q: I always feel that photographers that also model have a unique perspective on the craft of taking someone’s picture. Would you agree with this at all?

K: I would completely. You can take amazing pictures technically but you need to be able to direct a model. If you model too, you know how important direction is, and you learn how to explain what you want the model to do.

Q: What would you ideal shoot consist of in terms of relationship with model and photographer. When you’re taking the pictures, do you like a model to improvise? Also, as a model, do you like having direction and feedback from a photographer, or working from your own ideas and instincts?

K: The relationship has to be friendly - if you’re not comfortable with the photographer or the model, it’s tough to get the model to open up and really let loose. Once the model is relaxed, you can start making good images. Otherwise, they can be forced, awkward, embarrassed - not good. If I’m photographing I’ll usually have a reasonably set idea of what I want them to do, but I’ll explain that to them and usually do some kind of sketches to give an idea of what I’m going for. I don’t mind improvisation at all though, it’s always good to hear what they think will be good. If it’s not, then at least we’ve tried it.

Q: How do you feel when you see photographs of yourself? Do you look at them from a modelling standpoint, or a photographer’s perspective? Or do you just enjoy seeing the work you produce?

K: Both, I scrutinise myself but also like that I’ve come across the way I wanted to. Depending on the person who’s taken the photos I won’t always look as a photographer. If it’s a friend of mine who appreciates the feedback I’ll let them know what I think they could do. But then again, it’s all personal style. Everyone shoots in a different way.

Q: An odd question maybe, but please indulge me… With the digital age seemingly infiltrating every aspect of life, what are your feelings on its impact on the photography industry? There must be an ease of use thanks to advancements in digital photography and equipment. But is there a sense that photographs lose a “quality” when not taken with film? I’m no expert, but is it anything like comparing the sound of a CD to that of vinyl?

K: The thing with digital is how easy it is. You take a photo, it appears before your eyes. You change all the settings until you have it right. Then once you have the image, you can connect it to your computer and edit it digitally too. It’s just so accessible and quick. Film is a much slower process, and unless you’re really good you’ll rarely get the perfect shot on film. There’s no denying the quality of film images though. And there’s nothing quite like spending a day in the darkroom and seeing your photos appear before your eyes in the developer.

Q: You’re only just beginning your career as a photographer granted, but where are you hoping your camera might take you? Is there a particular facet of the industry that interests you, or are you waiting to be inspired or moved in a particular direction?

K: I’m waiting. Half of the reason I’m at uni is because I’m not sure how I’m going to make photography a career. I’m a term in now and starting to think that modelling could be a realistic option for what I want to do. If I was known as a photographer/model I could get a lot more work. The problem being I don’t know what I want to photograph. I just like photographing people. I guess I’ll learn what I do best over time.

Q: I had to mention your tremendous output on YouTube, and your singing. I know you’ve recently had to start again after being hacked, but before that, how chuffed were you with your video audience/following?

K: It was incredible. I didn’t realise how much it really meant to me until I had it taken away. I’d managed to get 3000 subscribers and had 40,000 views on some videos. It was just amazing. But once it was taken and no one was responding as they were before it really made me felt like there was no point and I wanted to quit it and never post a video again. But I have some true fans who stuck by me on my facebook fan page and the support was just really touching. It sucks so much that I can’t tell all my previous subscribers what happened though. I’m on around 400 subs now, slowly but surely getting there I guess, only 2600 to go!

Q: It’s plain to see from the videos that music plays an important part in your life. Did you grow up in a musical household? Where did this musicality stem from do you think?

K: No one in my family can play an instrument, nor can any of them sing, so I’m not sure where it came from. But I grew up listening to Queen and Michael Jackson, so was obviously strutting up and down the house thinking I was a born performer. Singing was always just something I enjoyed doing, and I find it such a release; so when people started responding on YouTube and thought I was good, I got into it a lot more. By 11 or 12 I was turning into a little rock chick and Nirvana took over my life, which got me so into guitar and expressing myself through music. Although I don’t write well at all, unfortunately.

Q: The music you perform is very varied indeed. Who are some of your musical inspirations, or just acts you enjoy?

K: Nirvana, Nirvana, Nirvana. If I could write and express emotion as well as Kurt Cobain could I’d be very happy. But I’d love to be really Ed Sheeran -esque at the same time; although I can’t play guitar as well as he can. I just love anything I can sing along to and can feel an emotion from.

Q: Is the music something you’d like to pursue on a professional level? Have you performed on stage at all? Would you like to?

K: I don’t know really. It’s always been ‘just a hobby’, like YouTube is a hobby, but the people who watch me assume my life is music, and it’s not that at all. It’s like I have so many directions I could go in life, depending on what takes off and what doesn’t. With my old channel, I was actually contacted by a producer from Britain’s Got Talent. Granted, it’s not something I would’ve thought of before, but he asked specifically for me to audition with Nirvana songs as they’ve never had anyone like me before. So I did. I find out in February if I’ve got through to the TV auditions. Saying that though, I’ll be petrified if I do - half the reason I do videos is because I’m too scared to perform on a stage. My nerves just take over.

Q: You have written some of your own songs also. What is your process when it comes to writing? Once you have the idea, can you quickly turn it into a song?

K: I’ve written a couple. I actually have a lot more that I haven’t worked on at all. The problem with writing is that I can do the lyrics, but I can’t do the music. Lyrics come reasonably easy to me when I have something on my mind, but creating the music is where I struggle. That’s why I only have 2 songs which are close to finished. I wish I could write better, I feel like it’d give me a bigger fan base on YouTube.

Q: It’s clear to me that you are a very intriguing and multitalented individual; you have a range of talents that most would envy. This is a hard question to phrase, but what do you find yourself thinking about the most? Is it singing, writing, photography, modelling…? When you get inspired, what is the first medium you funnel that thought through?

K: That’s a toughie! It really depends on the situation. I have a constant craving to sing. At uni I don’t get a chance to sing much and it drives me crazy; it’s just such a release for me. I find that more of an outlet than writing, as I tend to bottle most things up at the moment. If I’m in a creative mood it goes mostly to photography. I’ll draw out little sketches of a photo I could do. Or I’ll make lists of ideas I have. It does really vary on how I’m feeling though. Sometimes I just write what’s going through my head on twitter, haha.

Q: So with all these sides of your persona to placate, what projects are you working on at the moment? What guise will your creative output come in next? A song, a video, a set of pictures, a modelling shoot? Where next for Miss Katt Wade?

K: I’m working on my uni projects currently, which will be on the internet in the next few weeks I suspect. But other than that, I have a vlog planned, a couple of songs I’d like to do, and some modelling stuff planned with Kezia, who you should know by now!

 

Q: Could we please finish with a questionnaire first made famous by Bernard Pivot?

 

What is your favourite word? Babbling.

What is your least favourite word? Sophie (It’s just a horrible sounding name, nothing to do with any girls of that name).

What turns you on? A strong jaw.

What turns you off? Dirty unkempt feet.

What sound or noise do you love? James Mercer’s voice. He’s the singer of The Shins. Just wow.

What sound or noise do you hate? The hoover, ugh!

What is your favourite curse word? Fockin’

What profession other than your own would you like to attempt? Oh gosh, errr. A chef!

What profession would you not like to do? A bin man. hahaha.

If heaven exists, what would you like to hear God say when you arrive at the pearly gates? You did good, kid.

 

I must admit I was blown away by the depth of creativity coming out of Miss Katt Wade. From seeing a very accomplished feature debut as a FRONT Alt girl, to learning all about Katt’s interest in photography, and her thoroughly entertaining performances via YouTube. This young lady is one surprise after the other. I wish her nothing but success in which ever field or medium she decides to specialise. I’m looking forward to monitoring her career and output into 2012, and thank her kindly for her involvement with this blog.

 

You can catch the many talents of Katt Wade at one of her social networking sites. I advise you all to go follow, add, like and enjoy:

Tumblr: http://katt-wade.tumblr.com

fb Fan page: http://www.facebook.com/theresamooseloose

YouTube: http://www.youtube.com/kattwade

Twitter: @KattW_

 

Photo index:

1)       Katt’s FRONT feature (Scarlett studios)

2)       Katt’s FRONT feature (Scarlett studios)

3)       Katt by Raluca

4)       Katt by Dave Baldelli

5)       Katt by Rob Golding

6)       Katt’s photography – Occupy St Pauls

7)       Katt’s photography – Leah Hewer

 

All images used here were provided by Katt, or otherwise used with her consent.

 

It’s a bit late I must admit, but I thought I’d share my thoughts on the current issue of FRONT. Once again I have to add, who am I to comment on the mag? They’re just opinions, and an excuse to flex my critical muscle within my own slice of the internet.

So issue 163 crept up on me a little I have to say. A culmination of leaving for Australia for Christmas, and working very hard on many projects added to my loss of track with regard to the magazine’s release. My memory was jogged through tumblr actually. I noticed someone (forgive me I don’t remember who) posted a picture of the new cover emblazoned with Mel Clarke’s perky bottom, “oh yeah” I thought, and picked up my copy while out and about.

After my realisation that there was a new issue out, my immediate thoughts turned to who was on the cover. Now I’ve noticed since the issue came out, a lot of people mentioning that Mel has graced the cover of FRONT waaaaaaay too many times this year. While I’m not in the business of piling negativity on anybody, I must admit I felt a sense of “again?” when I saw Mel smiling back at me from the cover. I’ve got nothing against Mel Clarke in the slightest, in fact, when she first burst onto the pages of FRONT I cried out for her to be in every issue, so much was the impact she made on me. But I have to say (disappointment isn’t the word) I was a little deflated that we ended the year with Mel instead of someone who may be seen more of a new “one to watch” in 2012. There’s intense praise for Mel coming up, but I had to be honest with my initial reaction to her cover.

Once I picked up my issue and could inspect the cover in more detail, the second most prominent image that met my eye was Seth Rogen’s mug in the top left corner. To be honest I was pretty shocked he was involved this close to the release of 50 50. I figured Empire or Total Film would have snapped him up for a feature to push what looks like a cracking film. But bravo FRONT, a real coup! Getting a star like Rogen onboard flies in the face of rumours and admissions from FRONT themselves that they’re not very profitable at the moment. It must have taken some financial clout to get Seth sitting down with them. Either that or he’s as much of a dude as he seems, and he doesn’t cost the world to talk to.

Moving past the cover, you don’t have to go far before you meet the most awesome portion of issue 163. It’s the very reason I started this piece with “opportunity missed” and a lady that just took over the magazine with her involvement. Alysha Nett jumped from the “full frontal” section from page 14 onward, and the smile raced across my face. From photo one, Alysha’s unique style and aura smack you about the face and demand your attention. I don’t know what to wax lyrical about first. Her body, her face, her tattoos, the poses, the composition, the story being told in the set, THE WOMAN! She never fails to take my breath away and stun. Never before have I seen a set in FRONT where nearly every picture is a poster, or would work as a standalone piece. There are eight photos in the set, that’s only four away from a calendar, and that’s a calendar I’d buy for sure. Hey, I’d buy it with only eight months on it! I can’t stress how much a liked the series of shots. Top right on page 14 is so engaging. There’s sexuality, confidence and elegance all in one (I may be guilty of reading too much into a photograph, but the medium is all about opinions right?). Page 15 is an epic image as well. The arc of Alysha’s body is splendid, and mirrors the tattoo under her left breast in curve and sultry-ness (I know that’s not a word, but I tried loads of others and none said what I wanted them to). The double page spread on pages 16 and 17 is wonderful. Coy, playful, sexy, cool… there aren’t enough adjectives. The final pages continue the quality. Page 18 is another full page shot, and one that excellently showcases Alysha’s marvellous ink. A plethora of her tattoos are visible in shot and the pose and finger to lips is genius. Now I’m no modelling authority, but its pictures like this that tell me a model knows what she’s doing. I know that sounds incredibly stuck up of me, but I’m sure people know by now that that’s not me. Top of page 19 is my favourite picture amongst all the terrific choices. I love the look on Alysha’s face, and her body position and that foot in the air are perfect to me.

Upon turning the page and being greeted by a two page advert for something or other I was gutted. Alysha’s is a feature and shoot I wanted to go on and on, and it could have filled the magazine entirely and I’d be happy. Everything I’ve said in this very long description of Alysha’s piece just goes to emphasise why I said “opportunity missed” at the beginning of this post. When I came to the end of the entire issue I felt it was such a shame that FRONT didn’t utilise Alysha on the cover. I know Alysha has worked with FRONT before, and if they know what they’re doing they have to be aware of how awesome she is. So why would they not jump at the chance to have Alysha on the cover, and look towards the future with some new decisions and ideas for 2012. I guess that’s the power and affect this particular model has on me. Alysha was the highlight of the issue for me personally. It’s a shame for FRONT that it came on page 14, and I kept flicking back to the feature as I read through the remaining pages. But let’s at least discuss what else was in the mag…

Next stop is page 24. There is a feature on caps and artists creations of said headwear. The blurb of text doesn’t start well for me when it reads New Era is all Fred Durst likes more than pies. But for me the attraction was the caps themselves, and the array of artist’s renditions on the pages. An interesting piece and funny to boot. Luke Dixon’s interview on page 30 in fantastic. Dixon’s words are very entertaining, and the examples of his work made me want everything on display. I got the Home Alone t-shirt on my Christmas list sharpish, I’m not sure anyone will get it for me though… On the page directly opposite Luke Dixon’s feature at the top left was a vision of Mel Clarke. Echoing her appearance later in the issue, it was the perfect photo of Mel, bathed in light and simple as can be. She’s a beautiful lady. Hello to Miss Martin as well, haven’t seen her in a while (please tell me it was Hannah Martin, there is a lot of sun involved in the advert).

Turn the page and there’s a bit on Comic Con MCM Expo in London. An event I would have loved to have attended, but money was the issue. It looked like an awesome time from the images shared on pages 32 and 33. Some amazing costumes and what looked like a bunch of crazy awesome geeks. For some reason the next thing that caught my eye was the massive flying shark on page 39. I don’t know why but I immediately saw it and thought “Sophie Butcher would live that”. Please don’t freak out Sophie, I know that sounds crazy stalker-ish, but it was just that we were sorting an interview around the same time I was looking through the mag.

Next came Seth Rogen’s interview. It was a good read, but it seemed to me as if it was done a while ago. There’s wasn’t a whole lot about his new film 50 50, which was a shame as I really want to know more about it. A good interview, some funny insights, and I like Seth Rogen, so it was good to see him in FRONT. Surprising, but good.

Alt Girl Katt Wade puts in a brilliant showing from page 58. She looks as though she had a good time during the shoot, and she’s got some terrific pictures in her set. Middle picture of the three on page 58 is one of my favourites, the look on her face is wonderful as it moves into the third photo in the bottom left. Top picture on page 60 is another favourite, showing off Katt’s lovely tattoo on her right shoulder blade and of course her incredible figure. She’s another hidden gem that FRONT has unearthed. I didn’t know a lot about her before this feature, and I’d like to know more. Surely that’s a good sign.

Bizarrely enough I was taken aback by the John Morrison interview on pages 64 and 65. Didn’t see where a wrestler fitted in to be honest. Maybe it was John Morrison in particular. From what I know of the character, he’s a mock rock god/pretty boy right? Correct me if I’m wrong. Nothing really “alt” about his shtick as far as I’m aware. I know the whole “alt” issue is a grey area nowadays, but it was a surprise to see him never the less.

Now it’s Mel time. Her feature comes along at page 82 with a double page photo of the mischievous model mogul. I’ve got to gloss over my first opinions of her recurring too often on the front page of FRONT, and just marvel in what is a top model at her peak. Mel knows what she’s doing in front of camera, and you can’t help but love the work she continues to put out. But she’s such a gem at what she does, I think if she were used more sparingly she’d be appreciated on a wider spectrum. Don’t get me wrong, she’s has an army of loyal followers, of which I count myself as one. But let’s give her a chance to change and develop away from the cover maybe. On the other hand though, if FRONT doesn’t use her when she’s available, I’m sure there are any number of publications that would snap her up in a heartbeat. But on to her shoot…

I learnt a lot about Mel in this shoot, which is a very positive thing in my eyes. I’ve seen nearly everything Mel has done in her career thus far, and gleaning anything new from her work is always a thrill. First lesson learnt is Mel looks as fantastic as ever. Her body is rocking, and a new sharper hair cut is a slight change but a fantastic one. Page 86 and 87 is a jaw dropping set of beautiful pictures. The black and white of her outfit is mirrored by her pale skin and jet black locks. The Eskimo fringe of her hat is pure winter, and the first picture on page 87 is playful perfection. I’ve seen Mel in a big jumper before, and a hood/hoody. I even think I’ve seen her in a remarkably similar black and white striped number seen on page 86. But she shines out from both her wardrobe and the surroundings. 88 is a good page of glitter play. It reminded me of Jessica Weekley in the bath with Hannah way back when. They were all sparkly and this shot of Mel was reminiscent. Not in a bad way, but it was the memory that made me smile the most. Pages 90 and 91 are by far my favourite images in the set. I know I seem to be comparing Mel to others a lot here, but there is a touch of the Seren Gibsons about her picture on p90. Atop page 91 though is such a sweet image. Mel’s feet crossed over one another showing off the tattoo on her right foot in a pose of extreme innocence. I need this image in my life somehow. It would make me feel better every time I looked at it.

All in all it was yet another solid performance from this FRONT stalwart. Mel seems to be amassing an endless array of fantastic photography, and while I whinge about her being in FRONT too often, I always enjoy her work. Though a note to the powers that be over at FRONT towers (as if they would listen to me), the “tips” format of feature does seem to be wearing thin of late. I can remember Vikki doing a “tips for something or other” not so long ago, and it’s all I seem to see when the main girls come out to play. Let’s hope the New Year brings new ideas and talents out of FRONT. Issue 163 was a success, but I feel as though I skimmed over a lot of content this month. You’ve found new faces this year FRONT, and ladies have returned to rave reviews (from me in particular). Let’s see 2012 focus on models like Kate Lynch, Sophie Butcher, the mighty Yaz, STRIPEY!, Alysha Nett, Julie Kennedy… Tell you what, just check out my blog and get all those girlies involved! Good news that AnnaCat is in December’s issue though. Something tells me FRONT is heading in a good direction.         

Not that I’m any authority, but I got the new issue of FRONT last night, so thought I’d share my opinion. First of all, I was properly excited to get my hands on this particular issue. I knew quite early in the month that Kate Lynch was going to feature as the Alt girl, and the news that the lovely Natasha (bobasha) had a place in the d.i.y section just added to my excitement. I couldn’t get the issue till just after 7pm, so it was a pretty long day in work for me. Checking tumblr every now and then, seeing someone else raving over the issue before I’d even seen the cover. But I finally grabbed it from Tesco, and rushed back home with it. Funnily enough, and quite weirdly, I didn’t read it straight away. The desire was there, but for some reason, I wanted to wait till it felt right. Don’t know what that says about anything, but it was strange really. I finally lifted the front cover of FRONT, and dove in just before bed.

I of course flicked through to find the ladies I knew were featuring, Kate first and then Natasha. But I’ll give you my thoughts on everything as it appears in the mag. First thing that grabbed me was on the “readers shit” page. A terrific picture of Yazmin Thornber, sent in by a guy called Rhod. Not sure why this grabbed me so much, there are always some cracking pictures on this particular page. I guess maybe it was seeing Miss Yazza in the mag again, in any guise. She’s done some awesome work with the FRONT team, and I think it just brought up those good memories. Bitter sweet though, as they never print my bloody pictures!

Next up of course was Charlotte’s spread for “full frontal”. What can I say about it? You know what I’m thinking. It was a marvellous collection of pictures by Jay Mawson. Charlotte was a vision in what seemed to be velour, or some kind of space aged crimson leggings. Her art work of course attracts the eye, but that face and those eyes keep your attention. There was something a bit Cabaret about page 18 (I liked it), but that just might have been the hat.  What follows is a remarkable set of shots, showing off Charlotte’s fabulous figure, not to mention her dexterity. Lovely tattoos on her foot in particular, but all around astounding beauty. It all culminated in a wonderful shot on page 23 (that should be a poster!).

A particularly good “where am them?” feature this month. I rarely linger on this section, but I did this time, and only failed to find the Stanley knife. Right after the “where am them?” bit, next to Andrew W.K’s column was a very striking an affective advert indeed. Mainly due to the fact that it had maybe the coolest looking lady I’ve ever seen in such an ad. Bottom left, blue-ish hair. She knows she’s a cool motherfucker, and she doesn’t give a shit. What an attractive lady, and no idea why this picture stopped me in my tracks (who is she!?).

I’m skipping a lot of content I know, but really just wanted to big up the ladies featuring to be honest. Awesome body shaped sleeping bag on page 58 though.

So now we come to the Alt Girl. Kate Lynch. Now Alt Girl is by far my favourite section. There have been some crackers down the years. Kate’s showing in this months four pages of heaven was out of this world. Now I could be biased, as I’ve recently worked on an interview with Kate, and hope to again in the very near future. But nobody can deny she makes a brilliant Alt Girl, and the piece is a triumph. She had me at hello. From picture one Kate is mesmerising in the shoot. That first image with her hair over her left eye… pure beauty! By the way, psychedelic leggings or what Kate!? From then on, picture after picture is a delight. Love the one, middle top of page 61, looking over her shoulder. Turn the page, and the joy continues. We get a sneak peak at the lesser seen tiny heart on her bikini line, and are left tongues a wagging, with a sublimely cheeky shot on page 63. I urge people to go buy the mag for this shoot alone. Really top rate work, from a diamond of a lady.

The d.i.y section of course is next, and the mighty Natasha! I only got wind of her involvement a few days before the mag’s release. But there she was. A lovely single shot, red lips and huge gorgeous eyes. Of course I would have loved to see her featured more, but seeing her on the page at all was just amazing. I’m hoping this is the springboard for Miss Bobasha, and will be bombarding FRONT towers for more! It was a real treat to see Natasha in the mag. I don’t know her personally, but have followed her (in a none stalker-ish fashion) as she’s tried to get in those hallowed pages. I was just psyched to see her achieve that, and am excited to see where her journey goes.

It was a strong d.i.y section this month also. Paige Joanna is someone that burst onto the forum a few months back (if I remember rightly), and her pictures we very nice, and highlighted a fantastic tattoo she’s got on her right hip. A girl called Amie nearly gave us the full Monty. Her pictures were pure sex appeal, and she managed to show quite a bit of personality in her tiny tiny interview blurb.

The main featured with Kitty Lea was excellent to finish. There’s something about Kitty that I find irresistible, and I have no idea what. I know she’s gorgeous and all that, but there’s a character to her face that’s pretty special. Her shoot was jolly good FRONT feature stuff. Trainers and gorgeousness, with a few close-up double pages to mix things up. Ma-hoosive boobs on page 88, some pretty witty answers in the wordy bits. A solid feature performance from the lady.

I think you’ll guess my favourite parts of the mag. Shout out to Small Victory clothing as well. The independent clothing company I had a word with recently, are featured in the essentials section, and I couldn’t be happier for them!

All in all, I think it’s clear I enjoyed myself. Have to re-read all the other articles and features, but the ladies were stonking this month, credit where it’s due. Go buy it, and check it all out for yourself.

I’m still scratching my head about the latest issue of Bizarre. On the cover I was greeted with what I thought were two very different and very attractive features. One titled “Red-hot Ink” and a different piece with “the Bizarre search for a cover star runners-up”. I took my copy with the understanding that I would a) be in store for some terrific shots of the world’s foremost tattooed models and b) a separate piece about the runners up for the 2011 cover comp. Upon reading through the mag this was not the case. Is it just me? Was my issue missing pages? I thought. There is a lengthy 9 or so page piece about the cover competition runners-up, but no stand alone inked girls feature. Granted the runners-up are all tattooed ladies, but are clearly in the mag for their runners-up status right? I know I’m getting a bit “points of view” on this issue, but I feel a little slighted at the fact two features (in my understanding) were promised, and only one delivered.

The runners-up feature by the way is terrific, and there are some outstanding shots of the girls. Masubi and Rayne are visions in latex, and there’s even a lower lip bite thrown in by Shelly on page 55 (close followers will know that’s a favourite pose for me). The feature did show that whomever won the competition must be pretty special, and I look forward to the unveiling next month. I’m sorry though, I can’t shake the feeling I’m missing something. I think it’s all to do with layout. Now I’m no expert, but from the above image, doesn’t it look like we’re getting two female feature pieces? Upon frantic assessment of the content, it’s clear that both strap lines on the cover, refer to the same piece, and all encompasses the runners up for the cover girl competition. It’s a shame that my misunderstanding marred this months issue a little. My fault I will admit, but it wasn’t made very clear from the outset.

After the wonder that was El Wood’s appearance in last month’s issue, this month’s offering would have to be sublime. Unfortunately I didn’t think it was, and while it was nearly impossible to live up to El’s performance, I thought they would at least try a little harder. I like they didn’t go heavy on the “injury” pictures this month (my least favourite part of the mag). There is some terrific content for Halloween, with wizards, voodoo and exorcism on the menu. Awe-inspiring photography in the “photo assault” portion, and the introduction of Annabelle Lee are extreme highpoints in this issue. Colin Christian’s work is amazing, and I wanted to learn more after reading the piece. The 2011 runners-up feature was excellent for the girls featured, but left a bad taste for previously mentioned reasons. Could have done without the Bukkake party piece though. Didn’t enjoy it at all I’m afraid.

But that’s just my opinion. I would love it if people went out and bought a copy for themselves and gave their opinion on what’s inside. All in all this month’s Bizarre was indeed Bizarre. I didn’t feel as though the cover accurately depicted what was inside (main feature-wise). I felt mislead and confused, and that’s not a good start. El’s issue last month was world-beating, I can still remember it vividly. I would have preferred to read that again, than issue 182. It was always going to be hard to top Miss Wood, but I think they could have given it a better go than  they did. Eager to see what January brings.

She’s a woman that I’ve been fascinated with for ages. Always admired from afar, but never really grasping the ample opportunity to interact with her. She’s called Rachy, and she is one of the most stunning models out there right now. I first became aware of Rachy through the FRONT forum. She is one of the mods, and is always on there sharing photographs and banter and keeping the place in check. I would always linger on the threads she was involved with, and just soak up her personality laden posts. Then I got talking to her, and through this interview have amazingly discovered that she is even more fantastic then I could ever have imagined! From north of the border, she’s a lass with class, and one of the most open and sweet people I’ve talked to. A quiet soul away from the camera’s lens, but a vivacious and emotive tigress during a shoot. It is my pleasure to bring this interview with Rachy to everyone’s attention. She made the whole experience a joy, and was more than accommodating in everything we talked about and planned during the interview process. It’s very hard not to fall for the lady once you’ve heard her thoughts and seen her pictures. But try your best. Here is the wonderful Rachy, and this is what she had to say…

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