Always wanted to write for a magazine... |
Call this my audition piece. I've been a writer for as long as i can remember. I am someone that is not often self motivated, so i have to run with any creative idea that pops into my head and stays there. This blog is hopefully an entertaining one, and a showcase of some sort of talent. The magazine industry is hard to break into, i had to do something to get noticed. Fingers crossed... |

Today’s guest is of course a beautiful and talented model, but as well as her stunning pictures, which I am honoured to display alongside her words, I’ve also been blown away by how down to earth and accommodating she is. The lady in question is the wonderful Sophia Wilde, FRONT model (Bella) and coincidentally the third participant in FRONT’s Alt Girl party special of 2012 to appear on this blog. It was one of FRONT’s greatest issues (and concepts) in my opinion, and in this interview we touch on what it was like to be a part of. As well as all that we discover Sophia’s changing approach to her modelling, exciting upcoming projects, her musical outlet, and obsession with getting pierced…
Welcome Sophia. It’s a great to have you on the Alt Girl Botherer blog today, how are you doing?
Hey! Thanks, it’s pretty exciting, I’m awesome thank you!
For many, the first introduction to your work came in issue 166 of FRONT magazine, with your involvement as the headline Alt Girl DIY. Is this where your modelling adventure begin?
Yeah pretty much. I’d never done anything like that before and was stupidly happy to be accepted into the FRONT world, everyone was so nice!
What was your initial reaction to seeing yourself on the pages of FRONT? Were you a fan of the magazine for long before appearing?
I’ve always been a fan of FRONT, I’m forever drooling over the website. It was a little cringey seeing myself on the pages, especially having friends see it! I had amazing feedback though which then gave me the confidence to do more shoots like this.
The Alt Girl section of the magazine regularly excels all others in my opinion. What are your thoughts on FRONT in general?
I think I’d have to agree with you on that, the Alt Girl section has always been my favourite and is a great place to find out about up and coming models. It’s also quite edgy and features girls with attitude such as Rebecca Crow who absolutely kills it every time! FRONT magazine is a definite must have for me every month!

You were one of the youngest contributors to FRONT when you made your debut, how does such exposure influence such a fledgling career?
I think for my first ever shoot to be published was amazing and such a confidence boost it made me want to do more and excel. Compared to a few of the other girls I am relatively young and so for FRONT to want me when I was so young and had so little experience was awesome!
As well as FRONT, you’ve also been seen in the likes of Zoo and Bizarre. Were these titles you aimed for when you started stepping in front of cameras? Did you hold any particular ambition to work specifically in glamour at the outset of your career?
Obviously Bizarre is an iconic magazine and I’d always wanted to be featured in it, so when I was, I was completely over the moon; especially considering I’m not heavily tattooed, I was honoured to still have them want me. I’d never really set myself any major aims when starting out, I just wanted to do well and have people appreciate my work and the fact that I achieved that from the very beginning was amazing. I’ve always wanted to do glamour but I feel that it’s maybe time to take another career path modelling-wise at the minute.
How have you found the modelling industry personally? Would you say it’s a welcoming world to new talent?
People say a lot about the modelling industry - especially glamour - and I have heard a lot. However I have found the modelling industry to be fun and friendly. A lot of the girls I’ve met have helped me out and it’s like we’re a little family. We’re always recommending each other and helping one another to do their best and have fun!
To those on the outside looking in, modelling can seemed like a charmed life. Have your own ideas about the business changed at all from before you started? What do you think are the most common misconceptions about the work?
Glamour modelling can be tough and unless you’re in demand then it’s pretty hard to make a living from it. I have a lot of respect for girls like Melissa Clarke and Lucy V who work hard and give modelling their all. They are both so successful and have both achieved the page 3 idol of the year, which is amazing considering Mel is alternative and Lucy has a gorgeous curvy figure that wouldn’t have been accepted previously. People who don’t know the industry tend to think it’s easy and that the girls ‘know’ people and that’s how they do well. However, the people I have met are determined and hard working ladies that deserve all the success in the world!

Modelling isn’t currently your full time occupation of course Sophia, but is it something you could see yourself devoting a proper career to? Or are you of the opinion that it’s just a hobby for now and you’re enjoying the ride?
I’ve never wanted modelling to be a full time thing, it’s simply just a hobby and I’ve loved every second!
Away from your work with FRONT etc, you also seem to enjoy fashion shoots, and have worked with some great indie clothing brands. Are these the kind of gigs that keep you going and the magazine stuff is just an awesome bonus? Do you get any perks from working fashion shoots? Many freebies floating around?
I love shooting for up and coming clothing brands such as Paris & Cuffs and Grim! I think they’re the sort of shoots that I enjoy the most, purely because I’ve met some amazing people through them and they’ve always been a good laugh! Ha-ha there’s always a few freebies which is awesome, I love helping out the clothing brands by repping their items and in return they help promote my modelling.

You’ve got a terrific look if you don’t mind me saying, petit with a rocking figure. Do you have to dedicate much time to gym work etc to stay in model trim? Or are you one of the lucky ones who can eat whatever and still maintain a fantastic physique?
That’s so kind of you, thank you! I did attempt to start going to the gym but I’m way too lazy and love food too much! I think I must be one of the lucky ones.
Another important feature of your look is your piercings. You’ve made some superbly bold choices in body furniture Sophia, can you tell us a little about your fascination with getting pierced?
I love getting pierced as it gives me such an adrenaline rush!! It’s like going on a roller coaster. I’m just a massive fan of surface piercings and think that they look super hot, so I got them all!
You’ve got piercings in places I didn’t even know could be pierced. Where do you get your inspiration from?
I honestly do not know. I got most of my piercings around 3 years ago and it was just a case of ‘Right, what can I get pierced this week?’ it became a little bit of an addiction, and any patch of skin that looked like it could be pierced had to be done!
I particularly love the bars you have at the small of your back and on your hips. Those are notorious places to get pierced; did they heal and take without any compliant? Have you had any negative experiences with your piercings?
Thank you. Yeah all of my piercings have been fine and until now I’ve had zero negative experiences which is pretty lucky considering the amount of piercings I have.
You’ve favoured the piercing gun over the tattooist’s, have you got any interest in adding more ink in the future at all Sophia?
I’ve always been a fan of tattoos and apart from the tiny one I have I’m still unsure about getting any more! I change my mind too easily which isn’t good when deciding on a tattoo!
What other artistic outlets do you have Sophia? What are some of your creative pastimes?
I’ve played the guitar since I was 11 and there’s nothing I love more than chilling out and teaching myself a new song. However I fail at singing which sucks a little ha-ha. I’d love to say that I’m a good dancer but the only dancing I can do is the cha cha slide!!
I have to take it back to FRONT now Sophia, and your involvement with one of the best issues to date in my opinion. In issue 176 FRONT dedicated an unprecedented six pages to its Alt Girl section, and christened the feature “The Alt Girl Party”. You were involved alongside Abbie Mac, Rebecca Crow, Keshia and Chelsea. What was that experience like?
I loved that day!! I got to meet some amazing girls and still speak to every single one of them now; they were all so cute and lovely! We had a laugh shooting and filming the scenes with the amazingly talented Gemma Edwards and the finished pages showed how much of an awesome day we had!

It looked like one of FRONT’s more insane shoots; could you give us some insight into what it was like running around with those girls?
I had the most fun! All of the girls were different but so much fun in their own little way. I was unfortunately late to the shoot but all I remember as soon as I got there, was Chelsea running around in her knickers wearing a Bruce Forsyth mask and instantly I thought I was in for a hilarious day. There wasn’t really an order to anything; it was the best kind of chaos ever with beer, naked ladies and Doritos!!
Featuring alongside such an incredible selection of Alt Girls must have been wicked. Which one made you laugh the most and do you keep in contact with the other girls regularly?
I’ve kept in touch with Keshia the most simply because we’ve worked at events together like the FRONT valentines party at uprawr, which was a mental night! I think I’d have to say that Chelsea made me laugh the most though. She’s so cute and funny with her little Scottish accent, that girl is crazy! However I loved every single one of the girls to bits!
You mentioned Gemma Edwards, the photographer behind The Alt Girl Party. She’s an artist whose work I really admire. What was she like to work with?
Words cannot express how amazing Gemma Edwards is! Every single one of her shoots is amazing. I did my first ever shoot with Gemma and she made me feel so relaxed and at ease! She seriously is amazing and I’d definitely class her as a good friend!
I can only imagine what your reaction was when the feature was released. Did you buy multiple copies of the issue? Have you got any of the commemorative material (posters, special covers, etc)?
I bought multiple copies for me and my Mum ha-ha, and got given funny looks by the guy serving me. I bought the special cover edition of the mag purely because me and my little Alt Girl family are on the front!
Like I mentioned, for me it was one of the best issues of FRONT in a long time and since. With Girls like Rebecca Crow and Keshia getting main features in the magazine following the Alt Girl special, do you feel proud that FRONT chose you to take part in the piece?
I felt completely honoured that they wanted me to feature with the best Alt Girls of 2012, as soon as I got the call asking me to do the shoot with the other girls there was no doubt in my mind that I wanted in!
Having mentioned others that have gone on to reappear in FRONT since the shoot, are you hoping to collaborate with the team in the future? Girls like you Abbie and Chelsea should have a standing invitation from FRONT, do you think making The Alt Girl Party a regular occurrence would be a winning idea?
I think that’s an awesome idea! I’d definitely be up for working with FRONT in the future, they’re an amazing bunch of guys and have helped me out a lot.
Away from your involvement with FRONT, what other projects have you got coming up in the future Sophia? Where might followers of your work be able to check out your imagery?
I’ve got something lined up with Suicide Girls which is all pretty hush hush at the minute, but apart from that I’m just going to be aiming towards the fashion side of modelling. I’m going for a more natural look now and have ditched the red/black hair, so hopefully this will open a few more pathways.

When thinking about your career, have you got a list of photographers or inspirations that you’d like to work with in the future someday?
I’ve always wanted to work with Rob Jamieson and Stuart Mitchell (WALNUTWAX) they both capture creative and edgy images and to shoot with them would be an honour!
Before I let you go Sophia. Would you please be so kind as to answer Bernard Pivot’s questionnaire?
What is your favourite word? Moist ha-ha!
What is your least favourite word? Snatch!!
What turns you on? Glasses all the way!
What turns you off? Cockiness.
What is your favourite curse word? Bollocks, it’s the best!
What sound or noise do you love? Birds in the morning.
What sound or noise do you hate? The bin men in the morning!!
What profession other than your own would you like to attempt? I would love to be a vet for a day.
What profession would you not like to do? I’d hate to be a teacher, I can’t stand screaming children!
If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates? Come on in, I’ll put the kettle on ha-ha.
I had so much fun putting this piece together. Sophia is a thoroughly professional worker and so kind with her time and zesty energy. She’s someone that has achieved so much in a short space of time, and a model whom I really feel is finding her niche. I wish her every success in whatever she turns her mind to in the future.
I strongly urge you all to check out Sophia’s links below. They’re filled with beautiful things: http://sophiaewilde.tumblr.com
Instagram – sohpiaewilde
The images used in this piece were mostly provided by Sophia, with the Alt Girl party pictures sourced by me from my previous blog posts. The photographers represented include: Gemma Edwards, Ben Bell and Alan Lee.

In recent times (the last two issues) I’ve been very critical of FRONT magazine and it’s content. It’s something I don’t enjoy when I’m reviewing a magazine I buy religiously, but I feel it necessary to pull them up when I think output is shoddy. Equally, I feel it’s very important to sing the magazine’s praises when they do something awesome. Issue 176 is that something awesome, and goes some way to restoring my faith in the publication.
There’s a lot to cheer about in this Christmas issue, so I’m gonna jump straight in. First of all the cover, featuring Nicole Neal. I love, love, love the pristine white background and masthead chosen for this particular issue, echoed in Nicole’s white shoes, socks and hat. It’s Christmassy, it evokes thoughts of a white Christmas, and it works! The gold highlights play on the Christmas theme as well, and the whole cover bludgeons you with festive cheer. Nicole’s positional choice is inspired also. It’s never advisable to turn your back on the audience in a cover shot, but this half turn and peer over the shoulder works great. Curled in a ball with her knees under the chin suggests someone sheltering from the winter cold (and with not much clothing on, someone poorly attired for the season). There isn’t a flattering way of typing this, but it’s meant with positivity… The splay of her buttocks against the hard surface she’s sitting on is wonderful. Nicole is such a breath of fresh air with this breezy colour scheme and underlying Christmasness, I don’t even mind the ma-hoosive hat she’s got on (usually a pet peeve of mine with FRONT features). I wasn’t that aware of Nicole’s work prior to this issue, but there’s something about her cover shot that excited me, and drew me in. Which hasn’t been the case in many recent FRONT first pages.
Moving inside, and I have to mention the limited edition Alt Girl cover that FRONT are selling in their shop. It’s advertised on the welcome page, and looks immense! Featuring all the ladies from the Alt Girl party special (which I’ll spend the majority of this review drooling over later) wearing not a stitch. They say there’s only 200 available, which I would assume means they’re all gone by now. I hope FRONT gets some more done though, I don’t see why they wouldn’t, I’ll definitely be getting one when I get my arse in gear. It’s the perfect gift for Christmas and there’s going to be a clamour for them… why limit the extra revenue stream to just 200? They’ve probably already thought about this, but get that image on a poster and they’d fly off the virtual shelves. Sort it out FRONT bean counters (by that I mean money men, to avoid filthy confusion).
This month’s Full Frontal has been used to flog a new Suicide Girls book. I’m usually all over FRONT when they use one of the three shoots to sell something, but I can forgive them for this, seeing as the Suicide Girls are fantastic. To advertise the book they’ve chosen well, picking the very elegant Leon Suicide. Her image on page 16 is my absolute favourite. Leon is ravishing in heels and knee high socks, clasping her hands in an innocent praying position, next to an angelic face. We get a glimpse of the artwork on the back of her thigh, and the whole image is serenely sensual. On that same page there’s a tiny interview with Missy, the Suicide Girls co-founder. I’ve been trying to get this lady on my blog for ever, and from the minute interview FRONT managed, it seems tough to get this busy bee involved with anything non-SG. On SG and FRONT though, I think a union between the two is long overdue. Many FRONT models are already Suicide Girls, or that route is a natural progression from FRONT. Surely a relationship between the two houses of hornyness could be created, to share models and mayhem between two companies bound by Alt appreciation. But that’s another conversation for another time…
Forgive my rush to get to the Alt Girl party feature, but surely you can’t blame me if you’ve seen it. Things of note along the way though are: 1) The Todd McFarlane comic feature 2) The Harry Potter boxset bit. Not for the Potterness, but purely because I love the look of the case it comes in. I want that for my pens and envelopes etc 3) Olly Moss’ silhouette art book looks fun 4) Zach Shuta’s artist profile 5) I also like the ZombiU “she’s got a body to die for” double ad.
Page 54 = the Alt Girl party special feature! Double the length and five times the awesomeness of a regular Alt Girl shoot. My head didn’t actually explode when I came across this, but it was bloody close. Starring: Rebecca, Bella, Abbie Mac, Chelsea and Keshia, this is inspired work form the decision makers at FRONT, and an awesome Christmas gift for loyal readers. It’s hard to know where to start when talking about this shoot, but I’m gonna dive right in. First of all, special mention as always to photographer Gemma Edwards. I always praise this ladies work, and with good reason. FRONT seems to be settled with Gemma as the Alt Girl photog now, and that’s a terrific decision. She captures the girls wonderfully well, with a tone and spirit that is quintessentially FRONT. That’s what you get when you hire a FRONT fan to work on FRONT magazine. Hint, hint FRONT HR department, come get me in 2013…

We begin the set with Chelsea, one of my personal highlights from the Alt Girl section this year. I had the pleasure of interviewing her for this blog a few months ago, and she’s such a cool lady. Her picture is a fantastic way to kick off this feature, after her beautiful eyes my attention was drawn to her perfect bottom, and just above that her splendidly curved lower back. There are some great choices in this shot; the look over the shoulder, the thumb pulling down her undies to reveal a perfect posterior. Epic!
Page 55 sees Rebecca and Keshia playing a bit of hide and seek under the bed, and beginning their respective stripteases. It’s wonderful to see Keshia back in the mag; I remember her feature with Mel Clarke a few issues back, where I commented on what seemed like a passing of the torch between the two models. If this feature is a glimpse into the kind of girls that will lead FRONT forward, then I’m excited about the future. I hope the insanely positive reaction to this Alt Girl special will finally give FRONT the courage to put more faith in their Alt Girls as featured models.
Page 57 sees Abbie Mac’s introduction to the piece. I’m a massive Abbie fan; she’s made some incredible choices in her modelling life, and has produced some awesome shots along the way. I rhapsodise about every FRONT appearance she makes, and it’s always yet another example of her versatility as a model. Pairing her with Chelsea on this page was another master stroke. The two play off one another very well, and the final image of 57 is immense, with the two mirroring each another in both pose and gaze. Sublime symmetry, and a shot I’d hang on my wall any day of the week.
On 58 Bella gets to show off. As with most ensemble shoots, there are some models that might not get as much coverage. Bella seemed to be in that position slightly, with the shots she’s in not always showing her face. However, in the shots where she is the focus, she rocks it. I like the picture with Keshia on 58 where Bella gets a heart drawn on her bottom. It those kind of pictures that highlight the fun that must have been had on set. Another example of on set camaraderie is visible on 59, with the gang together on the sofa chatting, while Keshia sneaks a peek over her shoulder to camera. I love the voyeuristic feel to this shot, like we’re privy to the most awesome secret society meeting ever!
On 60 and 61 the set comes to a close with a line up of buttocks. The girls stand side by side, revealing their bums in unison. I would have liked them all to be looking over their shoulders to camera, just a final show of unity from what was a stellar set. But it’s still a great picture; with Abbie’s sultry stare, Rebecca’s nonchalant bottle of booze, and Keshia seemingly checking out Abbie’s arse, all quaint and positive notes on which to leave the party.
It’s very hard for the DIY section to follow such an epic Alt Girl feature, but it starts very well with Zoe Sutherland getting top billing in the section. I mentioned that I was a little embarrassed for FRONT last month, as having Zoe only in the DIY section represented a massive oversight on their part. She should be featuring regularly in the mag as an Alt Girl or in the Full Frontal section. But it seems others had a similar reaction, and “back by popular demand” is a good thing to read. I really hope I get to see her working with FRONT in a more official capacity in 2013.
Other ladies of note form the DIY section include; the magnificent Bon Bon on page 63, she looks so effortlessly cool, and I’d love to see what she might do given a proper shoot. I’d also love to know more about this lady, and will endeavour to do so. If anyone reading this can help, then I implore you to do so. Georgia Elizabeth and Izzy McKenzie definitely fit the FRONT bill, petit and very pretty. I’d also like to have seen bigger shots of Manuela, another very interesting looking contributor.
As mentioned, this month’s featured shoot with Nicole Neal is the first main shoot I’ve been interested in for a few issues. If the Alt Girl feature hadn’t been so incredible, it may have had a chance at overshadowing that most divine of sections. Still, Nicole really impressed in her solo feature debut. Her first shot on 83 is wonderful for many reasons. I love that she’s on tippy-toes, I love the skirty/tutu-ish thing she’s wearing, and I love the outline of her breast against the light through the door. But I particularly love the look she’s giving to camera over her shoulder. A crooked smile that seems to say “you’re going to enjoy what’s coming. “ And she’s right about that.
Pages 84 and 85 bring an array of wonderful pictures that range from the sheer beauty on 84, to the sublime artistry on 85. I’m not sure who the photographer is on this set, but she or he has worked wonders on 85. Nothing overtly sexual, the abstract nature of the images just sings, and the light and angles are perfection.
On 86 we get a glimpse of the ballet and dance background that the piece keeps harking back to. A stretch in front of the mirror is utilised very well to showcase Nicole’s elegant figure, as well as the poise her dancing has given her. On 87 a light emblazoned Nicole reclines against the wall, her perfect bottom and breasts a feature, but not detracting from a very well thought through expression and look to camera. A double page spread on 88 ad 89 hints again at an arty penchant from the photographer. One breast depicted in dappled lace is a unique image, and one that is a welcome change from FRONT’s propensity for a gratuitous and anonymous boob shot.
The great shots continue, as do the demonstrations of Nicole’s flexibility. On 90 we see a quite unfathomable pose being adopted, with Nicole extending her legs vertically and balancing on one spot. The wide grin on her face does let slip the effort it must have taken to adopt the pose, but it’s impressive none the less. 91 sees a very different Nicole, with her hair pulled back against white light from behind, her pouty lips and slender neck are highlighted. It’s a very soft and beauteous picture.
The double page spread on 92 and 93 heralds the customary FRONT “model on the floor” shot. Again Nicole’s luscious lips are a focus as the sun casts shadows about them; it’s a stock FRONT style picture I must admit. The final two images also embody the FRONT style, but in a much more pleasant way. Nicole on the counter with cereal is the very epitome of FRONT petit cuteness. One eye covered with her hair, legs together, with one coyly raised to cover her v-jayjay. I really like the placement of the hand on the counter here, it’s a solid picture. Lastly, page 95 gives us Nicole’s best impression of Cameron Diaz. Just my opinion, but I thought there was a striking resemblance. Either way, you can’t beat an over the shoulder look to camera coupled with a double handed self-arse-grab.

This review is a bit of an essay I must admit, but with good reason. Thankfully I haven’t been complaining about FRONT’s decisions this month, instead I’ve been extolling the virtues of an issue I thoroughly enjoyed. Hopefully for anyone that thinks I’m just down on FRONT, this review will demonstrate how much I long for the magazine to be awesome again. When they do it right, I’m gonna praise them to the hilt, so that they may learn what I and many other readers love about the publication. It’s been one of the best issues in a while in my opinion, and as always, these are just my views. It’s marvellous to leave 2012 with a bang in terms of FRONT output. It’s been a rocky twelve months, but I hope my reviews have been entertaining to readers, but also helpful to similarly frustrated voiceless FRONT readers. As well as giving anyone that reads my blog over at FRONT towers, a constructive view of what their customers are looking for/wanting. Essay over.

This month sees the return of Sabine to the cover of FRONT. She’s somewhat of a marmite model within the magazine’s readership, it seems fans either love her or hate her. Hate may be a strong word, but a lot of folks seem to disagree with Sabine’s suitability when considered alongside other regulars/Alt Girls. I had my own issues with her debut appearance in the mag way back when. FRONT has stuck with Sabine, giving her lots of exposure in the wake of models like Rosie Jones and Mel Clarke leaving for regular FHM work. I eventually got over my issues with Sabine as a FRONT model, and since her debut she’s put in some stunning performances on a par with India Reynolds and the like. Having said all that, I’m never jazzed about seeing Sabine on the cover of FRONT. She’s a gorgeous model of course, but in my humble opinion, there’s a lack of dynamism in a lot of her shoots. After all, it’s not all about pretty pictures.
Her cover shot is a solid image; this time of year FRONT always excels at pairing beautiful women with woolly clothing. I’ve seen Seren Gibson in countless woollen hats and jumpers over the years. This cover isn’t reinventing the wheel by any stretch; it’s a stunning model in woolly clothing. I personally could have done without the computer generated strand of wool spelling out “Sabine.” Stuff like that has to be seamless, and for me it was just something SLIGHTLY shoddy to fixate on.
My first stop upon venturing inward is on page 16, with this month’s “Full Frontal.” It features a “new girl” named Jess. The six page feature with Jess has a baking theme, and I immediately broke out the big book of baking puns in order to review her work. Phrases like “half baked” and “cookie cutter” hint at my indifference to the set. However, amongst the very samey, nondescript FRONT-esque images, pages 18 and 19 highlight some great work. The motives behind FRONT’s natural boob policy are displayed for all to see on page 18. Jess has incredible breasts, and they are highlighted by her incorporation of cake batter in this shot. The hat she’s wearing doesn’t really do anything for me, I have no idea why it’s there, and she looks like a cat burglar. However, her hair cascading down over one eye, coupled with the expressive, adequately depicts the mischievous mood Jess is in.
On page 19 we’re treated to a shot of Jess’ bottom. Everything about the image works wonderfully. The high socks are classic FRONT, and of course the heart shaped posterior on display is perfection! Jess on her tippy toes is a great touch, there’s an innocence and vulnerability to someone on tip toes operating equipment (in this case the oven). A dusting of flour about Jess’ body maintains the theme, but also highlights her sublime figure. The hat again is needless, and detracts ever so slightly.
On pages 18 and 19 Jess gives us some terrific pictures, either side however it’s typical FRONT stuff. I’ve described the shoot as “cookie cutter,” by that I meant some of the images seemed to just be going through the motions. You could replace Jess with other FRONT contributors and not miss a step. Not a good thing…

Giving an overview in the middle of a review might be unconventional, but this month’s Alt Girl shoot is by far the saving grace of this issue. On page 58 Lass makes her triumphant return to FRONT magazine. I had the pleasure of interviewing Lass at the very outset of this blog, way back before her Suicide Girls involvement skyrocketed her into the limelight. Since her Suicide Girls success Lass has been very active within the SG community. Her tales of adventure with that wonderful sisterhood are compelling, and her candid pictures from trips make her blog a must visit and follow. It’s fantastic to see Lass back in the magazine, but its way overdue in my opinion. As mentioned in this and previous reviews, the void left by girls like Mel and Rosie needed to be filled with new talent. I think girls like Lass should have been given that opportunity. She has a look that is unmistakable, and creates pictures that always demand attention and admiration.
Juxtaposing this month’s Alt Girl feature against the other featured models in the issue is eye opening. The sublime set, shot beautifully by Gemma Edwards, screams unique personality laden work, as appose to the interchangeable model shoots seen elsewhere. Lass’ return to FRONT begins on page 58 and 59, the customary Alt Girl strip down consist simply of a swimsuit and plumb hot pants. But it’s all about Lass’ skills in front of camera, not the clothing she removes. The first shots at the top of 58 showcase Lass’ incredible body, as well as her perfect alabaster skin. It’s something of a trademark of Lass’, her pale complexion makes her body art leap out from the page, and highlight the marvellous tattoo choices she’s made. On 59 another Lass trademark stands out, that being her gorgeously big eyes. Easily lost in and totally enchanting. It’s hard to take in the rest of the picture when you look into her eyes, but when you do focus out, you see a wonderful visage. Almost a classic pin up pose, as she kicks her legs over the arm of a chair and ruffles her fiery red hair. All pictures of Lass are a bit of a voyage of discovery, a story that plays out as you take in her petit figure and the myriad of tattoos.
On pages 60 and 61 the expanse of pale skin furthers the impact of Lass’ artwork; her tattoos are so crisp against the backdrop of skin that almost glows it’s so light. At the top of page 60 Lass lets out a giggle as she removes the swim suit down at her feet. It’s a nice contrast to the sultry looks we see in the other shots. I always envisage a Gemma Edwards shoot to be a fun experience, and the number of models that seem to be having great fun in the imagery only strengthens that. At the bottom of page 60 we have two of my very favourite images. To the left, Lass places a hand in her hair, while grasping her foot with the other. Her eyes say everything about the lady, smouldering into the camera, with arm placement that hints at shyness. To the right is a delightful image, we see a naked Lass, looking over her shoulder to camera, eyes are drawn to her perfect pert bottom, and dazzlingly detailed back piece. Every picture in this set would grace any calendar, a fact that I hope is not lost on the powers that be over at FRONT.
Lass’ final image on 61 is a great sign-off to a wonderfully exciting shoot. Her elongated upper torso is sheer elegance, with hands in her hair and a coy look to the ground screaming angelic beauty. I also love her sitting on her heels in a well known position. However, even the recognisable poses are given new life with the additions of Lass’ tattoos. Her sewing machine piece is something I remember from our previous interview, and while there are many other new additions to her collection, this piece is given centre stage in the final shot, and it’s sings out.
You may have gathered that I liked this shoot. I unapologetically rave about this set with good reason. I don’t see why FRONT doesn’t take more of a chance and utilise girls like Lass in featured shoots. They seem to want to placate an alt audience as well as a glamour one. I can think of a number of issues this year where having someone like Lass as the main featured model would have vastly improved the reception they got. Not for the first time, the Alt Girl shoot in this month’s FRONT stood out as the saving grace. Surely I can only say that so many times before action is taken? Or maybe it takes more people to speak up…
The Alt Girl D.I.Y set is a wonderfully mixed bag this month. There have been previous D.I.Y additions that have been disappointing and seemingly rushed. This month there are some positive inclusions I’m happy to say. On page 62, Anastasiya Ty has the petit and pert figure FRONT seeks, and I’d love to see her working with someone like Gemma Edwards. A beautiful girl, whose picture at the top of 62 outshines some of the professional shots in the mag in terms of interest and desire to see more work. Other notable pictures form the section include Daziee Johnson’s contribution; some ace shots that not only highlight a beautiful lady, but also a sense of style and a sense of personality. I love the shot of her laughing at the top of 63. Finally, I have to mention Zoe Sutherland. How this lady is not used in the mag proper is beyond me. The incredible work she’s done in her short career already renders her appearance in the D.I.Y section a little embarrassing for FRONT I think. Utilise this lady better guys. You will not be sorry you did.
Just briefly, a double page ad on pages 72 and 73 reminded me of a model that stole the show in a previous issue of FRONT. She was in a single page ad a few issues back, and I couldn’t stop flicking back to the page. It was the same image as in this double page ad, and I’m still as enthralled. A follower of mine gave me her blog information a while back, and I shamefully haven’t acted upon that. I will now for sure, and fingers crossed you may see her feature here soon…
All that’s left now (and as I type this I am aware it sounds defeatist already) is to give my thoughts on the main shoot featuring Sabine. I know based on the rest of this review that negativity must be expected. However, I’m not going to trash the set just for the sake of it, but sadly, the highlight of the issue has already been covered in Lass’ Alt Girl feature.

Sabine is a gloriously beautiful woman, and that is highlighted in her first shot on page 81. I n many ways this is the pick of the bunch, I love her in the hood, and her features are so fresh and elegant. The colouring of the graphics on the page is spot on, and there’s a light hazy feeling to everyone except the sharp focus of her stunning face. Then on page 82 we change to a picture I feel 99% sure I’ve seen before. I can’t recall the exact issue, but Sabine with a high ponytail, lifting one arm in the air, even wearing a similar skirt is so reminiscent. Almost like a ballet shot, and I know Sabine has dance roots that have been exhibited in previous shoots. It’s not a good thing that it’s so much like a previous shot that I can recall well. Page 83 brought a bit of a double take from me, I thought it was India Reynolds at first glance. Again, the lack of identity in the shoots of this issue is a problem. That’s why Lass’ work shone out so much. She owned her work and it showed.
The rest of Sabine’s shoot fades from memory quickly, tired shots of an undoubted beauty wearing woolly leggings and hats. We’ve seen it all before with Seren, Rosie, Mel etc. It comes across as very lazy I must say. I’ve bought and read FRONT for many, many years, I know what they do at certain times of year, and I’ve come to know when ideas and themes are being recycled. Is repeating a shoot concept just because new products are available enough justification? I don’t happen to think so. But I’ve said all this before. There is one shot that stood out, it’s an odd little picture that looks like a Polaroid stuck in amongst the other shots. It’s a glimmer of something different, and it’s interesting. But in the end there’s a wash of familiar pictures, from familiar angles, using very familiar ideas. It’s another wasted feature shoot. It may seem as though I’m totally against Sabine in FRONT, but as I’ve said previously, I’m really not. I would take issue with any model taking part in such an obviously rehashed shoot. I sympathise with Sabine, she’s not had the best reception from FRONT readers, and with shoots like this it’s unlikely to change.
I’ve said it many times, but Lass saved this issue for me. She’s an example of what FRONT does very right, in terms of model selection and content. Unfortunately, the rest of the model shoots are examples of what FRONT gets wrong from time to time. These are only my opinions, and I’m by no means an authority on the industry. As a loyal FRONT customer though, I think I have a right to voice my concerns. I hope these comments come across as constructive to all who read them, and I welcome debate from anyone who has similar or apposing views.

Issue 169 of FRONT has definitely been an inspiration for me. I’ve discovered some wonderful women within this month’s magazine, but my next interviewee is included in that group quite by chance. The interviewee in question is the lovely Lola, who I began talking to about featuring on this blog last month. Again by chance, she told me she had a Suicide Girls set about to be published at the start of May, so we decided to hold off on the interview and coincide posting this piece with the release of her SG set. While I was planning the piece, and waiting to conduct Lola’s interview, she was told she would be in FRONT issue 169. Amazing timing or what! During the completion of this article, I found Lola to be a bubbly and very gracious person indeed. She was so excited about being published in two bastions of alternative beauty, and completely down to earth. It is a joy and a privilege to feature this lady at the start of what I know will be a very fun and very fruitful future career.
Q: Welcome Miss Lola. It’s brilliant to have you on my blog. How have you been of late, busy I take it?
Lola: Hi Rich, thank you for having me! I’m a massive fan so I’m really excited to be doing this interview. Yeah, I’ve been super busy trying to reply to all the lovely messages and photo shoot offers I’ve had recently!
Q: You are just starting out on your modelling adventure, but already have some exciting projects you’re involved with. We’ll talk about your Suicide Girls set and your FRONT inclusion later in the interview, but for now could you tell us how you got into modelling, and why?
Lola: I first started modelling in my first year of college, I had loads of friends doing photography in college and uni who asked me to model for them. From then on I had friends of friends asking me and people began to tell me I should start modelling more, and that I should apply for Front/SG. So the second I turned eighteen I set up an online portfolio and the offers starting rolling in, I was so shocked!
Q: The modelling industry is many different things to many different people, but what is your personal view of the business? Did you know what to expect going in? Or has being part time meant you can keep some distance and not get sucked in to the more stressful/negative aspects?
Lola: Being part time has definitely helped me; I haven’t found it stressful at all. I think it’s the best way to get started rather than jumping into the deep end and trying to arrange a ton of shoots in one go. To me modelling is all about having fun, I haven’t had a single photo shoot that I haven’t loved!

Q: Would you say modelling is a hobby right now with the hopes of turning it into a career, or are you just enjoying your time and seeing where the work takes you?
L: At the moment I’m just seeing where the work takes me, I’m really loving having it as a hobby for now. I think that maybe in the future I’ll look into doing it more full time but that won’t be for a while.
Q: Do you have any women in the industry that you particularly admire? Is there anyone that inspires your desire to model, or even influences you in terms of approach?
L: I have a massive girl crush on both Bridget Blonde and Alysha Nett, they are both so gorgeous! I love how they can both pull off so many styles and that’s what I want to aim for with my modelling, so I would definitely say they’re inspirations!
Q: Your images to date have been splendid; there is always a flood of light and an airy quality to the pictures. It’s a brave style to shoot in, as any imperfection is out there to be seen, but you pull it off wonderfully! Have you had much input into the way you’ve been photographed so far? Or is it all about finding the right collaborations that work for you?
L: I’ve had a bit of input, I’ve put out casting calls for different styles I want to shoot in and I’ve had loads of responses. It’s nice that I can put forward an idea for a shoot and find a photographer willing to shoot me, but I also love new ideas. My favourite shoots have been ones where photographers have approached me with an idea I would never have thought of.
Q: By the way, you don’t have any imperfections in my eyes, you are a stunning individual. I love the energy and changing emotion you can bring to a shoot as well, one minute you can portray intimately beautiful soulful gazes, the next its brassy sassy attitude laden glamour. Do you enjoy the challenge of creating different looks from frame to frame, and how do you do it so well?
L: Ha-ha, thank you. You’re making me blush! I love creating different looks, I’m a terrible actress but pulling faces seems to be my forte which works to my advantage!

Q: I really like the more fashion based stuff you’ve done with the likes of Ollie Bell; you’re incredibly photogenic in many different styles of photography, but what would you say is your favourite? Would you like to get into more glamour modelling, more alternative and fetish modelling, or more fashion stuff? Or are you happy mixing things up right now?
L: Ollie Bell is a great friend of mine, he was one of the people who got me into modelling, I love working with him! I’m enjoying trying out the different styles for now, seeing which get the best responses. Ideally I’d love to do alternative fashion, maybe do some modelling for clothing lines too. But for now I’m happy to try a bit of everything.
Q: How do you most like to work on a set Lola? Do you like direction from a photographer, or are you more comfortable being improvisational? What’s the perfect atmosphere for you when shooting do you think?
L: I like some direction from the photographer so that I can give them the shots they want, but I do love to improvise. The perfect atmosphere for me is laid back, chatting and having a laugh. I personally think I perform better when I get on really well with the photographer.
Q: We’ve got to talk about your tremendous recent debut as a Suicide Girl. Congratulations first of all, it’s very impressive to have shot with such a well known group of glamorous gals. What does it feel like having a set on their website?
L: Thank you! At first it was a bit daunting having my photos up on a site with hundreds of beautiful girls. But the feedback I got from both members and SG girls was amazing. Everyone had such lovely things so say and were so supportive. It’s encouraged me to submit a new set soon!
Q: I loved your work for the SGs, and really think you fit into what they’re trying to do over there. Could you talk us outsiders through the process a little please Lola, how did it all come about for you and what was the shoot like?
L: It’s really straightforward; to apply all you have to do is submit a few DIY shots of yourself and a scanned copy of your ID. If they get back to you and they like what they see they’ll ask you to submit a set to them. They have photographers you can get in contact with on the site but you can also submit a DIY set or one that a friend has done for you. I actually did a DIY set as I was having a lazy day at home when I got their email, so thought it would give me something to do! I would recommend any girl to apply; everyone on the site is so supportive and friendly.
Q: You’ve had rave reviews for your pictures already, it must be a tremendous boost for you this early in your career. You’ve already reached a pretty impressive milestone shooting with the Suicide Girls, but what are your further ambitions with regards to modelling? Where would you like to see your career go in the next few years?
L: Hopefully my SG set will get me some more shoots, a big ambition is to do some alternative modelling for magazines. I think it’s every girls dream to see their face in a magazine really. I’m hoping my career will pick up in the next few years and I’ll begin to make a name for myself!

Q: Yet another achievement you reached recently was inclusion in FRONT issue 169 how did that feel when you heard the news? Have you been a FRONT fan for long?
L: I was amazed, I really didn’t think I would get chosen! Although it’s only the DIY alt section, to me it’s a massive deal! I’ve bee a FRONT fan for ages now, it’s definitely my favourite magazine, so it was so exciting to find out I was going to be published.
Q: Much like the Suicide Girls, FRONT Alt Girls are an impressive bunch. You’re in the DIY section this month, but what would it mean to get a full feature in the magazine?
L: It would be the highlight of my modelling career! I think if I was offered a full feature I could die happy ha-ha!
Q: Finally on FRONT, how many copies of the issue you’re in will you be buying?
L: Just the one, but I have told everyone I know to go buy a copy too!
Q: Another topic I really wanted to talk to you about in this interview Lola is your lovely tattoos. You have very vibrant and eye-catching pieces on your right thigh and left shoulder in particular. I know you must get asked this a lot but could you please talk us through those two designs in particular, and the decisions behind the imagery and the style of tattoo.
L: Thank you my lovely boyfriend, Akira Newland, has done all of my tattoos. The one on my thigh is my all time favourite! The inspiration came from a painting I found floating about on the internet of a woman with a deer in her hair; I loved it so I asked my boyfriend if he could design me a tattoo in his style using that painting. It took about 9/10 hours all together and it was worth every minute of it! My rose on my shoulder wasn’t as well thought out as my thigh, my boyfriend is well known for his amazing roses and I thought my shoulder would be a nice placement!

Q: Do you have any desire to get more artwork done on your body in the future? If so, is there a particular placement where you’d most like to get something?
L: I have so many ideas for new tattoos I wouldn’t know where to start! I would really love to get a chest piece at some point in my life. My plan is to save up some money and get it done by a big name.
Q: What other creative influences do you have/enjoy? What have you been watching and listening to of late, and have you got any plans for gigs or festivals this summer?
L: Recently I’ve loved listening to James Blake, I go through phases of genres but currently I am in love with his voice! I haven’t planned any festivals as of yet as I’m going on holiday with my best girls. But most likely I will be going to Hevy Fest! But I really hate camping!
Q: Back to your modelling finally if we could Lola. Have you got any projects coming up that you’re particularly looking forward to? Where can people that admire your work see it next?
L: I have a really exciting shoot lined up with a photographer called Raj Chitnavis (rajphotography.co.uk) which I’m really looking forward to!
Q: Can we please finish with Bernard Pivot’s questionnaire?
What is your favourite word? Sequin
What is your least favourite word? Snog
What turns you on? Men with facial hair
What turns you off? Feet!
What sound or noise do you love? Dripping taps
What sound or noise do you hate? Cotton wool being pulled apart
What is your favourite curse word? SHIT!
What profession other than your own would you like to attempt? Animal care! Something like RSPCA
What profession would you not like to do? Bin man, bins make me feel sick. Yuk.
If heaven exists, what would you like to hear God say when you arrive at the pearly gates? Smoke?
I found it very interesting talking with Lola at this early stage in her career. She’s done magnificently already to achieve acceptance with both FRONT and the Suicide Girls. I am so intrigued to follow her career from this point, and really wish her all the very best. If you haven’t seen her SG set yet then I’d suggest you head over there asap, or hit up her tumblr at the link below for Lola’s posts and thoughts.
All images were sourced by me, and used with Lola’s permission.

It is my pleasure to bring you yet another offering from Europe with my next interviewee. I had the opportunity of late to speak with the incredible Gosia, a part time model and self proclaimed “tattoo addict” from Poland. Gosia is a wonderfully interesting woman, with matter of fact views about her modelling work, and the industry itself. She openly says her work in front of the camera is just a hobby, but yet she has produced some delightful and daring photography and been welcomed into the esteemed Suicide Girls ranks. This humble and modest lady was fantastic to collaborate with, and it was her efforts (even overcoming a slight language barrier) that have made this such an entertaining read. Please do check out her work, and enjoy her words.
Q: Greetings Gosia, thanks so much for contributing to my blog. How are you doing today? That’s a very unusual name if I may say. Do you mind if I ask about its origins?
Gosia: I’m very good thank you. Gosia its short for Malgorzata and please don’t ask me how, I don’t know. My mum usually calls me by my full name when she’s angry at me, Gosia is easier to remember and to pronounce, the name is polish by the way. Yes I’m made in Poland.
Q: Thanks to the wonders of tumblr, I have recently been introduced to your work, and love looking through your portfolio and images you share. I would love to talk about your tattoos, but first wanted to touch on modelling. How did you begin modelling?
Gosia: When I was a little girl I was always saying to my mum “I will be a model mum”, but yeah that was just a kid’s dream, then I carried on with normal teenage stuff, school, parties etc. My model “carrier” just started really recently. Was usually modelling for my friends photographers, a lot of my friends were telling me that I look amazing on photos and that I should really go further with that… So I thought why not, but I wouldn’t really call myself a MODEL, I’m just a part time model, doing this mostly as my hobby.

Q: You say it’s more of a hobby than anything else, why is this? Do you actively pursue modelling jobs, or just get asked by people in the industry?
Gosia: I never really pursue anything in my life, everything comes to me itself. I believe more you chase something in your life more you actually pushing it away… so it’s better to be more relaxed about what you want to achieve in your life.
Well I wouldn’t call it as my job so yes its more of a hobby, I love photography, all kinds of art and it’s really a way for expressing myself, to create something unique and new.
Q: You do produce stunning pictures, and can work the camera very well. Do you practice poses and expression at all, or is it purely learning from shoot to shoot?
Gosia: It does sound silly but yes, sometimes I try different face impressions in front of the mirror (but who doesn’t do that when you are alone with your mirror) or different poses just to really see in what way my body looks the best. Also I learn from shoots with help of photographers, some of them are very helpful.
Q: What do you think of the modelling industry personally? Do you view it from your perspective as a desired career path, or is it just fun to dabble and get a confidence boost when you see your gorgeous pictures?
G: To be honest it looks like literally everyone can be a model these days, what is not always cool is the market in model industry is huge and the rivalry is massive, some models seem like they would do anything just to get noticed… but it’s not for me really. I don’t see my life career as a model, still I very much enjoy modelling and yes its an amazing boost of confidence, I feel more confident after every great shoot.
Q: For someone who sees it as just a hobby, you’ve worked with some interesting photographers. I loved your work with Dariusz Boron that I’ve recently been introduced to. How did that collaboration come about, and what was he like to work with?
G: I don’t work with just any photographer that will ask me for collaboration, I’m quite fussy like that… I need to see something interesting in photographs they do, something unique… I also don’t like normal glamour work, but with Dariusz it was actually quite an interesting experience, he had some great ideas, some of them where a bit abstract (pictures still to come) and different, and personally very lovely guy, very imaginative and I think we found a common tongue.

Q: Another very interesting photographer and shoot you were involved with was your cellophane or “plastic wrap” set you did with Dan Corbett. It was a very intriguing shoot, could you tell us where the idea came from, and how it was pitched to you?
G: The idea with cling film was actually mine, I introduced it to Dan and he loved it. I have a lot of different ideas, all in my head but Dan has helped me with this perfectly, with different poses and ways of wrapping cling film around my body… That was a really cool shoot and the final effect came out great, so I think this collaboration ended up very good. I still have some more of my ideas to carry through with Dan, so hopefully you will see more of our work soon.
Q: What was it like working with the plastic? Was it difficult to utilise while posing, or did the photographer have specific ideas for what he wanted to capture?
G: Cling film is quite soft, so no it wasn’t difficult at all. It did actually look like an outfit, but kind of a see through outfit, not sure if anyone would like to wear for a night out though :) Dan had specific ideas of how to wrap cling film around my body but poses came out very spontaneously.
Q: It’s clear from many of your shoots that the location is very varied indeed. You’ve shot in a wide range of locals, from impressive apartments to what looked like an abandoned factory. What’s it like working in these changing environments, and what have been some of the most memorable?
G: I think it’s quite important to shoot in different locations, shoots done only in basic studio sometimes look a bit dull. Different background gives more character to the photographs. Most memorable? I think milk bath so far, I spent like 2 hours shooting in a bath and my skin was all wrinkled afterwards.
Q: For a part time model, you’ve also impressively shot with the suicide girls. It’s a very prestigious group to have your images associated with. How do you feel about being a part of that sisterhood, and what do you remember about shooting for them?
G: Suicide Girls is a really cool website, there is sooo many gorgeous girls. I was actually very surprised when I received an offer to shoot, but it came out really good, people loved my photos and got loads of lovely comments.
Shoot was done by a lovely photographer of theirs; she knew exactly how to pose to express a woman’s body in the best way.

Q: Moving on to your impressive tattoos if we can Gosia. You’ve described yourself as a tattoo addict, what is it about the art form that you find so addictive? Some are drawn to the pain of the process, is that the case for you?
G: Tattoo addict is also a pain addict in my case, I really enjoy the whole process of tattooing and my tattooist are usually impressed at how much pain I can take :) I think its like with everything you actually can get addicted to, and it’s an art that will always stay yours, totally unique.
Q: When did you get your first tattoo, and can I ask what it was?
G: It was about 6 years ago, I was 19 and got done small Manga type of cat on my lower belly, looks a bit tacky now but I still like it.
Q: You say your tattoos don’t have any particular meaning, so may I ask what drives you to get designs done? Is it purely to see what the human body can be turned into with beautiful artwork?
G: It bores me to death when I hear some life stories hidden behind tattoos, although I have two small tattoos that actually mean something for me: It’s ‘believe’ written on my wrist and an ‘om’ sign on my back. Rest of my tattoos are really just an art, I’ve seen design somewhere, mostly during researching stuff on Internet, fell in love with them and got them tattooed, simple as that.
Q: What is the process you go through when thinking about and getting a tattoo done? Do you design your own work, or bring your ideas to your artist?
G: I don’t over think tattoos I’m about to get done, it’s more like a love from first sight. Sometimes though if I’m not sure about some detail I’ll ask for the help of the tattoo artists. Anyway final effect always comes out awesome.
Q: You have a lot of really beautiful pieces on your body, I love the design on your left arm where you have a woman with half her regular face, and half what looks like a very Mexican inspired decorative skull. Could you tell us a little more about that tattoo, where did the image come from, and who did it for you?
G: Again, it was love from first sight, seen picture somewhere ages ago I though it may look great as a tattoo. Some people actually try to assign some meaning to it; that everyone has a good and evil side of their souls… makes sense, also loads of people ask me if its me :) maybe …
It was done by my friend Nick at Far Beyond Tattoo.
Q: Two other pieces that I just adore are the bows around your ankles. I’ve never seen anything like it before, but they look lovely. Can I ask where you got them done, what went into the decision behind the designs?
G: Yeah I love my bows, these I had done in Poland also quite a while ago. I think they look very cute and feminine but still it’s a tattoo.
Q: Do you have a particular style of tattoo that your artwork conforms to? How would you describe the style of tattoos you have?
G: I love traditional tattooing; realistic tattoos are not really my thing. Of course, some of the artists are tattooing in incredible ways, but for me simpler is better. Even if it’s a portrait I prefer it done in more old school style.

Q: Having so much ink must mean you’ve spent many hours in tattoo shops. What is that experience like? Do you find it difficult to sit still for so long?
G: It’s more like fun I think, and there is nothing difficult in sitting still. Usually its more chatting with tattooist so you don’t think that much about pain, pain does get worse with every hour though. The longest session I’ve done so far was about 4 hours. But to be honest it does pain more after tattoo is done, it’s really sore and swollen sometimes.
Q: How would you describe the sensation of getting a tattoo done for those who may not have any ink?
G: Sometimes while tattooing I ask myself ‘why am I doing it to myself again’ ;) some parts of a body are horribly painful but for me it’s worth it. It’s like with everything, you try once you don’t wanna stop, so if you are bad with saying no to yourself, don’t start :)
Q: Is there a specific body part you haven’t had tattooed that you really would like to? Have you seen any pieces you really admire recently?
G: Yes, fingers! I’d love to tattoo my hands and fingers, but will have to withhold on that for now, simply because of my workplace, but one day definitely. Also palms, but I’m getting a small design done soon.
Q: Lastly, could we talk about your wonderful back piece. It’s a fantastic contrast between the beauty of the butterfly and a vivid bold design. Is it a work in progress that you’ll add to in the future?
G: You see many small butterflies tattooed especially on girls arms or backs, but my butterfly is a hell of a butterfly :) the other side of my back is just a simple tribal, but I think it goes along with the butterfly, however would love to fill it up more, add something to it but not sure what yet exactly.
Q: Finally, have you got any immediate plans for more tattoos? If so, are there any designs you’ve been thinking about?
G: Yes, I have already booked a session to tattoo my left hip. It’s an awesome design I found, it’s Virgin Mary but she’s standing in a Marilyn Monroe pose. Can’t wait when it will be finished, will look totally amazing, my tattooist fell in love with the design too.
To be honest I have loads more ideas of how to cover my body so slowly will be getting more great art.
Q: Lastly, back to modelling. Can I ask if you have any shoots set up for the near future? Will we be seeing your wonderful pictures again any time soon?
Definitely! I’m getting loads of offers for shoots. One planned for the near future is a vampires theme. I love vampires so came up with an idea for a shoot as well, one with me as a sexy vampire with my victim and another one as a vampire’s bride, really looking forward for that one. Should be a good fun too.
Q: Can we end on Bernard Pivot’s questionnaire please Gosia?
What is your favourite word? Whatever!
What is your least favourite word? No.
What turns you on? Tattoos, beard and moustache, creative mind.
What turns you off? Cruelty, ignorance.
What sound or noise do you love? Children laughs, cat’s purring.
What sound or noise do you hate? Teeth drilling.
What is your favourite curse word? Fuck off.
What profession other than your own would you like to attempt? Piercer, or burlesque dancer, if I could only dance.
What profession would you not like to do? Working at chicken & chips shop.
If heaven exists, what would you like to hear God say when you arrive at the pearly gates? Damn girl! Finally here you are!
As always I am extremely grateful for Gosia’s involvement with my blog. I’m always pleased when I get to talk with passionate people, and Gosia’s appreciation for art and photography was a real inspiration. She has marvellous insights into tattoos, and I am thrilled we were able to get her opinion on the art form. I’ll place a link to Gosia’s tumblr below, and I advise people get to know her work, and stay tuned for more of her images being published.
All images used were provided by Gosia and are the products of the following photographers in order of appearance: Dariusz Boron, Soultrader, Dan Corbett, Andrea Lavezzaro, Soultrader.

I’m always pleased when I get to interview someone who is both a model and a photographer. It’s an interesting dual existence in two very creative and very demanding professions. The next interview to feature on my blog is with a lady by the name of Kezia, one such dual purpose alternative artist. I was first introduced to Kezia’s work through the magic of tumblr, and after feverishly perusing her involvement, she kindly agreed to be interviewed. So allow me to introduce my next subject in this exploration of the alternative. Kezia is a photography student, who showed promise behind the camera from an early age. Her work today shows a distinct fruition to those early signs, and her continued evolution is something I intend to follow closely. As a model she’s produced some very interesting images, tapping into raw emotion and beauty in a plethora of incarnations. She’s a hopefully Suicide Girl, and a chameleon in front of the camera. I hope you’ll join me in my praise of Kezia, and enjoy what she had to share.
So Kezia. Photographer and alternative model. Which came first? Or is that a bit of a chicken and the egg question?
Actually not a chicken/egg thing at all, I was most definitely trying to be a photographer first, I started that about a year before I started modelling. It was in college, where my photography class couldn’t find any models. Most of my first few months were spent shooting with one girl, Lens Vanity Photography.
Which discipline do you enjoy the most, and which would you say you have the most experience of?
I have learned more about photography in the past two months than I ever thought possible, I’m hoping that with more practice my modelling will improve to the same standard. But modelling is so much more fun!

Having been in front and behind the camera, do you think you have a unique perspective on the process and relationship between the two art forms?
Yes! I can tell what angles a photographer shouldn’t be shooting me from, so I can save a few dud shots here and there, I also know how hard it can be as a model not getting any feedback from a photographer while shooting, while I don’t always need direction, I like to know what the tog is thinking. I’d love to see more blends of models and photographers; I love being able to help out new photographers with lighting set-ups, just imagine if every girl you shot could help you set up, rather than just stand there looking pretty.
Has your time behind the camera influenced your performance and understanding as a model and visa versa?
I’ve definitely learned more about modelling from being on the other side of it, I know how to make a pose go from 90% awesome to 1000000% awesome just by curving my back a slight bit more, or tilting my chin a fraction of an inch. As a model I’ve learnt how to deal with other models, when shooting, it’s weird swapping roles!
Do you remember when you really started taking photographs? When you began thinking about the process rather than pointing and shooting as the rest of us do.
I was about 16, a late bloomer considering the age of some of the people in my class. But I’ve been an artist since I was about 6, or at least that’s when my first work was exhibited. I’ve always had an eye for composition, I just didn’t know the technical aspects of photography back then.
Growing up, do you remember an image or photograph that affected you the most? Was there a photographer that inspired you in your formative years?
Funnily enough I’ve only recently started looking at photographers. What influenced me most as a younger person was Miss Mosh, I remember how badly I wanted to shoot with her, I wanted my very own images of her. I think I have a small girl crush on that woman!
What camera equipment do you use the most to capture your images?
Sorry Cannon fans, but I’m a Nikon gal. I started off with a Nikon D40x, and just got myself a lovely D3100, which is basically the same camera. I work with Cannons in class though, and the EOS 5D Mark 2 is a lovely bit of kit, but I can never get my head around the set-up!

What are you looking for when working with a model?
Open minds, personality, and facial expression. When I’m shooting a girl, she can’t get shy, I WILL ask you to get at least semi-naked. I’m not a pervert (well I am, but that’s another story) I just have an aversion to clothes. I like people who can take the piss out of themselves.
Do you have a favourite subject matter to photograph?
Naked Ladies? No, portraits are my thing, as long as there’s people in the shot I’m happy. I recently shot a documentary project about Jolie Papillon, a burlesque performer in London. I’ve never done documentary before, but it was absolutely incredible. I have to admit, I’ve never shot a wedding or a band, but to be honest, there’s enough “photographers” making a hash of those two subjects for me not to get in there just yet.
The female form is an exquisite muse. Do you enjoy photographing female models, and is there a particular situation/theme that you feel best exhibits all the wonders of women?
Good god I love the female form. As I mentioned earlier, I have a strong disliking for clothing when I shoot, a girl just looks so much better without anything on! I love mixing pin-up, nude and fashion together. I want my pictures to be pieces of art, something that can compliment the model and her body, rather than some gorgeous girl with a killer body being shot with built-in flash. It makes me sad seeing all these pretty girls being shot by GWCs. (Guys With Cameras).
You’ve done some exquisite work to date in your career as a model. Your look is sublime, and very unique in my opinion. When you’re being photographed, where does your inspiration come from? Is it a dramatic skill do you think, or instinct?
Why thank you! My look, although unique to me, changes regularly. I like that I can change my look on a whim, so when theme shoots arise, I’m ready, whether you want me as a blonde bombshell pin-up or a dark-haired femme fatale. I have always loved dressing up. My early inspirations came from Dita Von Teese, I love her look, and she’s the reason I started corset training! I think it’s more instinct, something deeper than acting, being a model I feel like a blank canvas, all I need is a photographer with an idea, and we can make something beautiful.
How do you come up with your photo sets when modelling? Does it depend on whose taking the pictures, or do you enter into a shoot with an outcome and final product in mind?
It really does depend on the photographer, some guys (not any I’d recommend shooting with) have had every pose planned out for me. Poses from other peoples work that he just wanted to recreate. I prefer photographers who have a look in mind, but let ME do the posing! Photographers are normally the ones who have to do all the planning, the model is theirs to create with at the end of the day. Of course when you become known for a particular look you do end up influencing a set, but I don’t want to do that. Not yet anyway!
You’ve worked in a myriad of styles, which has been the most fun to shoot, and is there a shoot you remember most fondly?
My last shoot was actually the most fun I’ve had in a long time. It was only shooting with a class mate from university, but it was so fun. It was taking inspiration from 50s pin-ups and coca cola ads. He was shooting on his DSLR and his wonderful new Hasselblad, which made me feel honoured, as those cameras are gorgeous! He was ridiculously enthusiastic about each shot, which is really nice for a model.
I miss the good old days of shooting with Lens Vanity Photography, she took me to some amazing locations, and she’s a great friend which made the whole experience better. I can’t wait to get back to the Midlands for Christmas so we can shoot again!
Your submissions to Suicide Girls are both varied and spectacular. You dabble in fetish and heavily narrative driven pictures. Is your association with Suicide Girls a fun experience, and what are you hoping comes from it?
I’d like to think Suicide Girls will get me somewhere, so far I haven’t had a set bought, so I’m still only a hopeful. One day I’d like to earn some cash from the site, hopefully get slightly better known. I love the contacts I’ve been in touch with because of that site. You’ve reminded me I need to start looking for a photographer to shoot my next set!
You seem to have an on again off again relationship with modelling of late. Recently you’ve decided to give up the pursuit only to begin planning shoots again soon after. Why are you so undecided about your work in front of the lens?
I’ve taken a break from professional modelling since the 19th of November, at the moment I’m only doing shoots with classmates, which is why it still looks like I’m going. The reason for my break is actually due to my own self-esteem and the fact that I’ve been unhappy with my body for a long time. I’m currently in the process of losing weight and toning up, as I feel guilty when photographers are paying for my body and I don’t think it’s up to standard. Hopefully I’ll be modelling again professionally by the end of the year.

What are your style preferences when you’re away from the camera? What influences your everyday fashion choices?
I wouldn’t call what I wear everyday “fashion”, I wear whatever the mood dictates. Sometimes I’ll be girly and wear dresses and ballet pumps, sometimes I can’t be bothered to dress properly and whatever happens to be comfy and clean is my outfit for the day. I wish I took more interest in what I wear, but I have so many different styles I like to be able to change between, ranging from sporty to gothic to preppy, sometimes all in one day!
Also away from the camera, what are you listening to and watching of late?
I’m watching a lot of horror these days, I feel I was deprived as a teenager and am now getting my fix. One of the last films I watched was Suicide Club, a j-horror, it was wonderful, terrible graphics, but wonderful. My music tastes are like my style of clothing, mixed and awesome. I listen to so many different types these days I can’t really say what my genre of choice is.
What are your thoughts on the industry at the moment? What is it like making your way in your profession?
As a model it’s tough, there are so many gorgeous people out there to compete with. Although most of them are lovely creatures there are a few who’ve got further than others and are just horrible. Hopefully one day I’ll be up there with the big names, but for now I’m happy being at the bottom! As a photographer, it’s slightly depressing knowing that after I’ve finished my degree I’ll probably end up an assistant to a photographer if I’m lucky, or a proud owner of a crappy studio taking family portraits all day. I’m hoping there’ll just be one big break for me, but I’m not relying on it.

Who would be your two dream collaborators in the following circumstances? Firstly, who would be your perfect model to photograph? Secondly, who would you love to be photographed by?
I’ve always been in love with Miss Mosh, but nowadays the girl I want to shoot the most is Amie Conradine, the recent Bizarre magazine Cover girl. She’s utterly gorgeous, a lovely girl, and I want her in my portfolio bad! If we’re speaking in real terms, knowing that Mert and Marcus will never know my name, the photographer I most want to shoot with is Dastardly Dave, he is fantastic at what he does, and his photos are always stunning.
What does the future hold for Kezia? What projects are you working on right now?
I’m in the process of organising shoots for what I hope will become a photo book, Alternative girls in London, original right? But it’s something I’ve wanted to do for a long time. It may or may not become Alt Girls in the UK. As for my modelling, although it’s on hold now, I’m going to be taking bookings from everyone in the new year, maybe sooner. I encourage anyone and everyone to get in touch.
Can we please end with Bernard Pivot’s classic questionnaire?
What is your favourite word?
Antidisestablishmentarianism.
What is your least favourite word?
Essay.
What turns you on?
A good photograph, musical skill and dreadlocks!
What turns you off?
Bad grammar.
What sound or noise do you love?
A shutter.
What sound or noise do you hate?
Laughing children.
What is your favourite curse word?
Bugger!
What profession other than your own would you like to attempt?
Pole dancer.
What profession would you not like to do?
Accountant.
If heaven exists, what would you like to hear God say when you arrive at the pearly gates?
Goddamn I did good with this one!
It was my pleasure to bring you the special talent that Kezia truly is. I am humbled to be involved with such a creative force so early in her career. Please check out tumblr for all Kezia’s sites and online profiles, and keep your eyes open for more of her stunning work behind and in front of the Nikon.
http://suicidegirls.com/members/KeziaRai
Massive thanks to Kezia for providing the images used, here is a run down of what I included in the piece:
1) Photo of Kezia by Lens Vanity Photography
2) Photo of Kezia by Aaron Storry
3) Photo of Kezia by Carl smith
4) Photo by Kezia of Jolie Papillon and Teresa Callan
5) Photo by Kezia of Tasha Doughty

She’s one of a special group of ladies in this world. Not only featured on frontarmy.com as an Alt Girl, but also the newest inductee into the Suicide Girls sisterhood. I think it goes without saying that Miss Kennedy has something awesome about her. Fresh from her first shoot as a Suicide Girl Julie was kind enough to answer a few questions about her experience on the shoot, and what it feels like to be one of those famous girls. I think you’ll enjoy what she has to say, and be suitably impressed with this Scotty hotty! Have a read…
Q: You are part of a very special sisterhood being a suicide girl, how does it feel?
Julie: It’s really exciting! It’s awesome to be part of the community and getting comments from members on my first set was pretty sweet, it’s always good to see what other people think of it and what I can improve for my next set.
Q: What was the shoot like?
Julie: It was so much fun! I was super nervous first of all but Gogo and Sean, who photographed me, totally put me at ease and I loved it.
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