Always wanted to write for a magazine...

As regular readers of this blog will attest, my contribution to SKIN magazine is something I am very proud of. Ever since I was first approached about working for the magazine following an interview with the publication’s fearless leader Carmin Conner, it’s been a thrill ride of epic proportions. Being charged with creating fetish pieces for SKIN was a massive compliment, and a task I relished during the ensuing months. I’ve had the pleasure to write some fascinating pieces on everything from sex dolls to choking and suspension. Plus I’ve had the honour of interviewing some interesting (as well as inspiring) characters. Chief amongst these is Ed Fox, a fetish and erotica photographer from LA whom I have interviewed for the most recent incarnation of SKIN, issue five. But more on that in a moment; I thought it fitting to begin this promotional review by quoting the words of Carmin Conner from page one of our newest book…

“It seems like only yesterday we were starting out, squirreling away on our first ever issue but now over a year has passed and we’ve had dozens of completely marvellous contributors! So a big thank you to everyone who has been part of our success, let’s move onwards and upwards with valour!”

Reading this first passage at the very outset of issue five immediately took me back to those early days of SKIN, where our antics and stories were confined to a computer screen. Right up until the release of this latest chapter in the SKIN story, it has been a labour of love for me and all my fellow contributors. However, special mention will always go to Carmin Conner, who brought together a rag tag bunch of writers, artists, musicians, models, photographers and reviewers, to help realise her vision of a new magazine.

No we’ve arrived at issue five, the magazine has come on leaps and bounds from its first few offerings. The biggest leap is this issue’s leap from the computer screen into print, an achievement that is solely down to Carmin’s efforts and persistence. For the first time you can now own your very own tangible copy of SKIN, to have and to hold and to dog-ear as you see fit. I’m very proud to have my work showcased alongside such a stellar collection of professionals, and to echo Carmin’s words once more… “The issue is an absolute beast!”

So what can you expect from issue five of SKIN? Well, as this is a simple promotional review, I’m going to give you all a taste of what to expect within its sumptuous pages, but it’s up to each and every one of you to find out more for yourself. I will of course be giving out contact details along the way, and let you know where you can read SKIN as well as get involved and follow the day to day antics of the team and the readers we serve.

Here’s a little taster of what’s in the newest issue. As you would expect from SKIN by now, photography and photographers are very well represented. Our collection of current and past photographers is a smorgasbord of visual delight that will both enthral and inspire further research from readers. My own piece with erotic photographer Ed Fox is a highlight for me personally, I was thrilled to meet a hero of mine and someone whose work I have enjoyed for years. However, Danish Photographer Stamatis is a very affecting photographer who I shall be following from here on out. Larry Bradby’s work is always stellar, and a joy to behold.

As well as photographical material, there are a number of articles from the SKIN team that benefit from thorough indulgence, and studied reading. Carmin Conner’s piece Man Ray and the Black Dahlia Is a thoroughly researched account, and a fresh take from a lady who knows her killers. A gripping read! I was also taken aback by The Hanging Club an article depicting the erotic hanging of four girls for an audience’s entertainment. Unlike anything else I’ve read, beautifully written and observed, it’ll move you.

For me, The Diary of Mistress Hayden is one of the standout pieces from the current issue. Brought to us by SKIN newcomer Brittany Ann Selditch, it’s a masterful memoir from a woman who has lived such an incredible life already. I’ve had the pleasure of speaking with Brittany personally, and she oozes charisma. The kind of person that you want to know everything about, and whose secrets and stories you crave. Now thanks to a recurring feature in SKIN, we get to learn a lot more about this fascinating lady. I tell you what, as a fetish writer, I better watch my back!

Now as explained, I’ve only skimmed over the content in this mammoth issue five of SKIN. I’ve merely grazed the surface of what you can expect when you check out the magazine. There are countless other treats within the covers; Martin Van Maele, Vincent Crowley, Julz Ramos, film and music reviews, and even an interview with a snuff director, to name but a few. Masterfully put together by design director JG and editor Carmin Conner, this issue represents a real milestone for SKIN as a publication. I’m always thrilled to have my work featured in the magazine, but with the book taking off and moving into print, I feel even more proud and excited about the future.

Here are all the links you need to get your hands on SKIN and get involved with the community online:

LIKE SKIN: www.facebook.com/skin.mag

FOLLOW SKIN: www.skin-mag.tumblr.com

BUY SKIN: www.blurb.com/user/SKINmagazine

READ SKIN: http://issuu.com/skin./docs/skin_issue_5_final?mode=window

It’s with great pleasure that I return to interview form tonight, with a piece extolling the virtues of yet another alternative female and her stunning work. This week sees a feature all about a fabulous independent model called Emma J Black. Emma is someone I’ve been wanting to collaborate for a while now, but as you might expect, her busy shooting schedule keeps her very occupied. I’m delighted to say that she was able to find time to answer a few questions for the Alt Girl botherer blog; and give a little insight into her world and work. I hope you’ll enjoy reading as much as I enjoyed asking. I envy readers their first introduction to Emma’s work, and hope I’ve opened some eyes to this fabulously creative individual.

 

Welcome Emma, it’s great to be able to feature you and your work on this blog. How are you doing today?

I’m very well thanks, It’s my day off so I’m sat in bed networking.

You’re a self employed and very self motivated model. It’s a big step getting into modelling, especially under your own steam, finding shoots etc yourself. What gave you that first push into working in front of the camera?

Well, I actually started out modelling just as a hobby. I was interested in photography and studying it at college; whenever I wanted to shoot a person I’d just shoot myself, I then started modelling for the other students and built up a small portfolio. I joined an online portfolio site when I turned 18 and it snowballed from there.

How did you find the modelling world when you first started participating in shoots? Was it a welcoming industry, or was there a certain amount of struggle involved?

When I first started doing shoots I mainly did it for myself; to build a portfolio and gain experience. I never expected to do this as a career so I didn’t pay too much attention to the industry to be honest.

For someone that is self employed and without the might of an agency behind them, you have still managed to feature in a lot of high quality shoots. How do you go about picking a project, or choosing a photographer to work with?

I am agency signed with spirit models but I haven’t actually done any work via them yet. When it comes to paid shoots I’ll shoot with anyone who has references and the brief is within my levels. When it comes to shoots for my portfolio I’m a lot more picky, I’ll only shoot with people I feel can add to my portfolio, so it varies who I choose depending on which genre I’m after. I would love to do some more work with designers and magazines.

Your work exhibits a multitude of styles, from fetish and fashion to glamour and concept photography. Did you get into modelling with a certain style in mind, for instance did you start out wanting to be a fetish model, fashion model etc? Or did you just leap into alternative modelling and investigate all aspects of it?

I started off doing more glamour work as I had less tattoos (about 4 I think) and “normal” hair, but I had quite a gothic style so got booked for quite a few fetish, gothic and alt shoots.

Before we talk about your work in greater detail Emma, I wondered if I could ask you about your own sense of style. How would you describe your clothing choices away from the lens in your personal life? Would you say you enjoy alternative fashion?

I love all sorts of aesthetics so my style changes on almost a daily basis depending on my mood. I used to be very gothic wearing new rocks, velvet, corsets and heavy black make-up; whereas nowadays I’m a bit more casual, I still love black but I think I’m more grunge and metal now. I like to look good and I’m always striving to be unique but it seems so hard to be totally individual these days.

You also experiment with your hair a lot Emma, and go for very vibrant shades. May I ask what colour your hair is at the moment, and if there are any plans for a change in the near future?

It’s currently blue; the exact tones of blue changes each time I dye it. I’m planning on adding purple and possibly pink to it in the New Year.

Alternative modelling is a vast field, with people from all walks of life getting involved and doing well on their own. Did you have a specific inspiration modelling wise?

I’ve always loved the work of Nina Kate; she’s probably my biggest inspiration.

Moving on to your work; it’s hard to know where to start with the multitude of shoots you’ve been involved in. I’ll begin with one of my favourites though, that being your set with CCB Photography with your bluey hair. In one shot you’re on a black leather sofa, a shot you’re using as your Facebook cover picture actually. What do you remember from that shoot Emma? Your cover shot in particular is awesome, well posed with the arched back and pointed toes. It’s glorious!

Thanks. That was my first shoot when I got back from travelling for three and a half weeks over the summer and my first shoot with blue hair. I always get great shots working with Chris and I love his studio.

Speaking of techniques like arching your back and pointing your toes, where would you say you learned these tricks of the trade? Is modelling a skill that you must learn as you go along, or have you studied others in the industry and picked up your craft in other ways?

I’ve always looked at others work but I’m not one of these models that practise’s in the mirror. I’ve learnt my poses and facial expression etc from doing so many shoots and working with so many great people.

You’ve worked with CCB Photography a few times in the past; you must really enjoy shooting with them. They do have a great knack for capturing you, and using floods of light in pictures to highlight your incredible features and figure.

I’ve worked with Chris 3 times now I think; He’s definitely one of the photographers on my TF list.

A feature of your work with CCB is that you do a lot of your own make-up. Is that a side of your work you enjoy? I have noticed that you do experiment with make-up styles and techniques; can you tell us about that side of your creativity please Emma?

I do my own make-up on all my shoots; I’ve actually done most of my make-up work with Quane Photography. I usually just come up with my designs on the spot, sometimes I’ll use others work as a reference. I’m a painter and drawer in my free time so I think that helps a lot.

There are also a few collaborations with the lovely Lucretia Levana in your portfolio. What are those shoots like to be a part of? Was there any awkwardness at first, or have you always been comfortable with Lucretia?

Lucretia is great to work with, we got on like a house on fire straight away. I’ve only managed to work with her twice but will hopefully work with her again in the future.

They’re pretty steamy sets, with a fair amount of drama and contact in your eyes. Would you agree that there is much more technique involved with one of those style shoots? It’s not as simple as putting two gorgeous ladies in bed together.

I think because we get on so well it’s quite natural the only difficulty with g/g shoots is how much there is to think about; You have to make sure you look good, don’t block out the other model or the light from the other model whilst making sure you’re fully lit and being aware of where the camera is.

Away from modelling for a moment Emma, may I ask what else keeps you busy? I know you’re also into photography, is that a side of yourself that you’d like to explore and maybe move behind the camera in the near or distant future?

As I’ve said further up I started out behind the camera and studied it at A level. Art is a passion of mine; I paint as much as I can in my free time and occasionally draw too. Unfortunately I don’t have much time for my hobbies currently as I’m studying a HND in business which takes up a huge chunk of my time. I’m actually going to do coursework after this interview.

Before we finish Emma, I have to ask you about your ink. You’ve got a very eclectic array of tattoos around your body. How many exactly do you have?

I have 13 currently; they are mainly based on art and fantasy. Some have personal reasons; some are just about the art. As I said before I love lots of different aesthetics so they do vary a little but I try to keep the style of tattooing similar so they don’t look odd together.

Could you tell us about some of your favourites? Also, a favourite of mine is the green devilish pin-up girl on your forearm, what inspired that design?

I think my favourite currently is my dia de los muertos side piece, it’s an adaptation of a painting by an artist called Sylvia Ji. When my back piece is finished that may take the top spot though because it’s based on the Labyrinth my all-time favourite film.

The green creature on my arm was drawn by an acquaintance of mine, it was a sketch she did that I added colour into for my tattoo design, she’s pink and green because they are colours I like together.

Lastly, before the questionnaire. What projects are you working on at the moment? Where can fans expect to see your work next?

I have a make-up and concept shoot coming up next month which I’m looking forward too. I’m also hoping to buy some wigs and latex in the New Year to shoot, so keep your eyes peeled for that.

Finally, would you be so kind as to give answer Bernard Pivot’s questionnaire please Emma?

What is your favourite word?

Adore

What is your least favourite word?

Stupid

What turns you on?

Biting and scratching

What turns you off?

Farts

What is your favourite curse word?

Fuck

What sound or noise do you love?

The engine of a great motorbike or car

What sound or noise do you hate?

Fire alarms

What profession other than your own would you like to attempt?

I want to be (and shall be) an archaeologist (and/or teacher)

What profession would you not like to do?

Police officer

If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?

You are now entitled to angel wings (I want wings when I die)

Once again I can’t thank Emma enough for all her help in putting this piece together. I wish her every success in the future, and urge everyone to head over to the link below for more info. Keep your eyes open for Emma’s exciting projects in the New Year, and more news from a real talent:

https://www.facebook.com/emmajblackuk

All images used were provided by Emma. They feature work by CCB Photography and Quane Photography.

The word legend is used all too often in many walks of life. But my next guest on the Alt Girl botherer blog is someone I describe as a latex legend for more than reasons of alliteration. Bianca Beauchamp has been leading the way in latex modelling for many years. Her work is adored all over the world, and she has been involved in some of the most innovative uses of latex ever seen. Such a dedication to one material is unheard of, and while she is also very adept at glamour modelling, it is her latex work that grabs this interviewer’s attention. A Stunning Canadian beauty, who is muse to not only her photographer husband Martin Perreault, but countless other aspiring artists and designers. I’m delighted to be able to feature her words and work on my blog, and highlight a stellar career that is going from strength to strength. Please enjoy my interview with the magnificent Bianca Beauchamp.

 

Q: Welcome to the Alt Girl botherer blog Bianca; celebrating over a year of interviewing the most incredible women from the alternative world. I am thrilled to feature you and your work, how are you doing today?

Bianca: Very good and thank you for having me here.

Q: You had a very interesting start in the modelling industry, with hard choices and decisions having to be made. With teaching and modelling both viable options, can you talk us through what pushed you into modelling, and how your magnificent career began?

Bianca: When I was 18 years old, I went to a local sex shop and bought myself a black mini latex dress with my thin budget (I was working at McDonald’s). I first wore it on Halloween night paired up with cat ears. Dressed up as a cute Catwoman, I wanted to surprise my boyfriend (Martin Perreault, the photographer) and I sure left a positive mark! After that night, Martin asked me to pose for his camera. He used to go to Art school and he was no stranger to photography, although he was not into that field professionally back then. I first didn’t enjoy modelling very much because I was too self-conscious and I had that fear of looking ridiculous. What kept me going was actually seeing how much Martin liked taking photos of me; he called me his muse. The results weren’t bad either, not great but not bad. So I kept going and worked on my fears but never ever did I think back then this would actually become a career. And I don’t think Martin thought he would become a professional photographer either.

Back then I was studying at college, then I completed a French grammar certificate at the University of Quebec in Montreal. Then I started my studies at another University I don’t want to name, to become a teacher of French in high school. So here I was both studying and modelling for my boyfriend, until he got this crazy idea (so I thought back then) of opening a website dedicated to me and latex photography, with a members zone. The idea was also to help me pay for my studies, and help us pay for latex outfits to continue having fun with our photos. My Latex Lair website was born in 1998 in the infancy of the internet, and since then it’s been a huge success and pleasure to me. The success was so big that the University where I was studying found out about it and they threatened to fail me if I didn’t close it. Back then, my Latex Lair had no nudity or hoods and heavier rubber outfits. It was pretty tame, so I do believe they overreacted. With my studies in direct conflict with my modelling, it became obvious I had to make a choice. On one hand, I was holding a sure stable teaching career, on the other a promisingly wild and crazy, but not so stable modelling career. Guess which hand I picked?! And here I am now still happily modelling. It’s not a career I planned as a kid. It kind of almost happened without me realising it, and I’m very glad it did. And no, if you’re wonder, I wouldn’t go back studying to become a teacher. That belongs to a past I don’t want to go back to.

Q: Whenever I ask alternative models or performers to list their inspirations, your name comes up a lot. Are you aware of the number of people your work has inspired, and how does it feel to be so loved by fans? Do you feel any pressure from it?

Bianca: It’s always very flattering hearing and reading emails and messages on how I can be a source of inspiration for someone. I truly feel very touched and honoured to hear that, and it sure puts a nice smile on my face. I don’t feel any pressure from it though. I always set my goals very high for my photo shoots. I’m my own toughest critic.

Q: As I’ve said already, you’ve influenced thousands of aspiring artists and models with your work, but can I ask who inspires you? Do you have any personal icons or people you looked up to when you started modelling?

Bianca: When I started wearing latex, the Internet was totally new and I couldn’t find much about latex fetish. If by any chance I did find photos, they would mostly be of poor quality or very porn oriented. That was another reason why I started my own website – to bring something different to the scene, something with class and sexiness and passion. One person was already on a similar path before Martin and I. His name is Peter Czernich, the creator of high quality fetish photography magazines Marquis and Heavy Rubber, and a talented photographer himself. Back then he didn’t have a website yet, and was operating his fetish magazines at full throttle. Scans of his photos would appear online here and there. His latex fetish photography has always been amongst the best, and I got so impressed by his talent that I even contacted him to go model for him and his magazine in Germany. I was 20 years old with punky fuchsia hair, flat boobies and an empty bank account. Fun times! That Euro-Trip was one of the best ever! I visited four countries in 20 days. When I got back home, I was sleepwalking thinking I was lost in a Paris subway. I was exhausted from the trip but so happy I had met Peter in Germany. Since that trip, I’ve modelled for Peter a few more times and always enjoyed the results very much. I still consider him a leader today, and definitely a pioneer of classy latex fetish photography.

Q: It’s clear that location and scenery play an important part in a Bianca Beauchamp shoot. Your work has taken you all over the world, where have been some of your favourite places to shoot and why? As fans we all have our favourite Bianca Beauchamp shoots, but could you tell us what have been some of your personal career highlights thus far?

Bianca: I admit that my tribute photo shoot in the Fiji islands to Lara Croft (the world renowned video game character from Tomb Raider) features amongst my favourites. The photo shoot was done in two parts actually. The first shoot took place at sunset on top of a hill in wild Fiji. I had to climb 177 steps dressed up with my latex top, shorts and holsters under a sizzling sun and burning hot temperatures. I thought I was gonna die of heat stroke throughout the shoot, but it didn’t show and the photo shoot turned out awesome. The second part was done in front of a blue lagoon. This time, I was dressed up with the silver wetsuit Lara wears to go swim (the one Angelina Jolie wears in the second movie, but a latex version for me). We only had 20 minutes of light left so we had to shoot so quick I almost don’t even recall doing the shoot at all! I now look at the shots and I’m like, did we really do this?! It feels so strange you know; you travel so far, days of travelling by car, plane, boat, scout the locations, spend so much time for prep, and in the end it took 20 minutes to shoot an entire shoot which means only a few seconds per photo. I think this all makes each shot even more special.

Another great location was In New Zealand at a wild waterfalls, but boy it was damn cold, this time I thought I was gonna die of hypothermia. Another fond memory I keep about my past photo shoots is the one I did on a black sand beach in Maui, Hawaii. We flew to Hawaii with the purpose of finding a black sand beach. But that beach’s location in particular was hidden from tourists in tourist books because the island’s inhabitants wanted to preserve its beauty. Thanks to a friendly local that we encountered by chance, we found the most beautiful black sand beach, and shot there. But wait! To get down there, I had to climb down a dusty, sandy, rocky, steep 50 meter cliff by holding on to a suspiciously old rope attached to a tree! I was not equipped for this, and wearing only sandals. That descent was so tough! I swear I thought I was gonna break my neck and die! But once I got on the beach, I forgot my scares. I was alone on this beautiful volcanic black sand beach with the gentle waves kissing it. A pure delight! Then, I saw this humongous wild monk seal relaxing on the beach just a few steps away from me. I was told later that only 2,000 monk seals are still living, and to me to be so close to one of them was truly a fantastic and unique experience!

Hawaii teaser trailer can be seen here: https://vimeo.com/50989870

Last but not least, recently I’ve enjoyed modelling at a naturist resort called Desire Resort & Spa, in Mexico. Over there, I can dress up as kinky as I want and nobody cares. Actually, it’s even encouraged! It makes my photo shoot go much smoother as I don’t have to hide from possible tourists. I think it’s the only location I didn’t think I was gonna die while modelling ha-ha! But there was one time that was scary though. Because it rained so much the month before, the water level of the swamps and sea next to the hotel rose significantly enough for a crocodile to escape from the swamp and go surfing in the sea near the beach! A clueless guy was doing his morning crawl two meters away from the crocodile! I saw it all happen while doing yoga on the beach! Oh, the croc didn’t attack anyone but let’s just say during that trip, I preferred to soak my cute latexed butt in the pool. I certainly didn’t wanna end up as croc food thank you very much!

Q: Your body of work with latex is astounding, and of the highest quality. After all these years modelling the stuff, could I take you back to your first piece of latex clothing? How did it feel pulling it on for the first time?

Bianca: Well, my very first piece was the mini-dress I mentioned earlier. That dress was in fact made by Montreal based latex designer Polymorphe. Soon after my purchase, we became pals and Polymorphe supported my latex career a lot by making me crazy custom outfits. In exchange, I always gave them a lot of exposure on the web, helping to popularise their brand. But latex was financially out of reach for a girl that was working at McDonald’s, so Martin tried to actually make me a few pieces himself. Most of them ended up just like that gorgeous purple latex gown he made me at the very beginning… ripped.

 

To be continued…

Regular readers of this blog will know that I’m a latex junkie. I love to feature models that specialise in sporting the majestic material, and do so with aplomb. I’m not sure what it is about the stuff that captivates me so, but I know it always catches my attention, and some of my favourite imagery involves latex clad models.

Previously on this page I have featured such latex lovelies as Ruby True, Pandora Deluxe, VioletEyes, Whiplash, Rubber Monkey latex, etc… I am indeed a fan of their work within the latex field, and while I also bow to their talents in other genres of modelling, it’s a special thing when these ladies are wrapped in shiny rubber.

The next guest in my latex odyssey is a lady with a massive following world wide. Someone who has appeared on the cover of Bizarre magazine many times, and is synonymous with the art and skill of latex exhibition. Her name is Bianca Beauchamp, and she is rightfully seen as a legend within her industry.

It’s an interview that I could have never envisaged conducting when I began this blog project over a year ago. During that year however, I am delighted to say that my blog has gathered momentum. Through experience and hard work I have been able to secure interviews with impressive females from every level of the alternative modelling and performance realms.

After lengthy discussions with Bianca’s representatives, I was granted an interview with the amazing lady herself; the results of which are due for publication later tonight. I was humbled to know that my previous interviews and work on this blog were enjoyed by such a gigantic presence within an industry it is my passion to write about. I was also blown away that Bianca would set aside time to answer my questions and talk about her work with me. When a model has been at the top of her industry for as long as Bianca has, there’s a risk that any interview might have a blasé feel to it. However, having witnessed her contribution I have to say that Bianca brought a freshness and enthusiasm that really impresses. It’s a very interesting piece indeed, with sublime visuals provided by Bianca’s photographer husband Martin Perreault. I hope everyone will check it out and enjoy.

The article will be published this evening (UK time), and I can’t wait to see what everyone thinks.

September marks this blog’s one year anniversary, and to celebrate I’ve managed to ensnare an industry big cheese. As this venture is my ode to magazine writing, and indeed my audition piece for a future career in journalism, who better to mark twelve months of interview and review than Bizarre supremo and editor David McComb. David was kind enough to give up his time to answer some questions about his publication, and what goes in to producing the monthly assault on our senses that is Bizarre magazine. Thanks to David’s candour, the Alt Girl botherer blog celebrates its first birthday with an exclusive look behind the scenes of an alternative magazine that has spearheaded the industry for many years. I hope fans and aspiring contributors alike will enjoy reading the interview, and if you’ve ever wondered what goes into an issue of Bizarre, look no further. Thanks to everybody for your support this past year, and I hope this is adequate reward for following this blog… 

 

Welcome David, it’s a real thrill being able to feature Bizarre magazine’s head honcho to help celebrate my blog’s one year anniversary. How are you doing?

I’m good, thanks. I’ve just finished editing the text for the first instalment of our two-part interview with HR Giger; a feature I’ve been working on for three years, gently negotiating an exclusive audience with the master of dark art. It’s a thrill that the Giger interview has finally come through.

Would you be so kind as to tell us a little about yourself and your role within the magazine? What would you say are “must have” qualities for a Bizarre editor?

I’ve been editor of Bizarre for five years. Before that I was managing editor of the magazine – which is all about setting schedules and paying invoices – and prior to going full-time on Bizarre I was a freelance journalist working for Empire, Chat, FHM, Zoo, Top Of The Pops, Smash Hits and dozens of other mags.

Before hawking my wares as a freelancer I worked in videogame magazine publishing – editor of Nintendo Official Magazine, launch editor of the Pokémon Master Guide series – and I also spent two years of soul-crushing misery in business-to-business publishing after leaving the magazine journalism postgraduate course at City University, London.
While people might think editing Bizarre is a bacchanalian orgy of perverse parties and wild cover shoots, being a magazine editor is all about running a business. In order for the magazine to survive I need to balance budgets, manage schedules, engage freelance contributors, make sure all invoices are paid and watch deadlines like a hawk, so that the good ship Bizarre can sail onwards on smooth waters.
I do get to make a final decision on content and steer the direction of the magazine, but most creative ideas come from my contributors, and these days I don’t actually write much for Bizarre. My role is more of a curator than a creator.
Now it’s more important than ever for me to keep my business head screwed on as Bizarre is produced independently of Dennis Publishing. Dennis still owns and publishes Bizarre, but since last December my little company – Blackthorn Communications (www.blackthorncommunications.com) – has produced all the magazine content, run Bizarremag.com, and managed Bizarre’s Facebook, Tumblr and Twitter feeds. There’s no big company to protect me any longer, so I need to be sure the business is running efficiently, and ensure I have enough money to pay my contributors and make sure my taxes are taken care of. But as I get to work from home, in my own office, and surrounded by my own stuff, I’m happier than when I was commuting into London every morning and getting enraged by dumbass strangers on London Underground.

Your magazine richly deserves its tag line “The World’s #1 Alternative mag” following years of innovative and exciting content. Is there a Bizarre mission statement or credo that you could share with us? What are the publications main goals and objectives?

Our goal is to stay one step ahead of the pack, and showcase the best in alternative culture before anyone else.

Sometimes I forget how ahead of the curve Bizarre is; but you only have to look at the steampunk theme and special appearance from Viktoria Moskalova at the Paralympic Games closing ceremony to realise how Bizarre has consistently spotted trends and stars before anyone else. We first featured Viktoria on the cover in June 2008, and have been celebrating steampunk culture for over six years, and it was great to be reminded how innovative Bizarre is, and how our grotty little magazine helps set the agenda.

Unlike most magazines, Bizarre isn’t driven by release schedules or celebrity misdemeanours, and we have free reign to publish whatever the hell we like. We don’t always get it right, and there are some issues I’m pretty ashamed of as we didn’t achieve what we’d set out to do. But, overall, I’m proud of the fact that Bizarre consistency showcases intriguing subjects from the darker side of life, makes people think, and shows anyone who thinks they’re weird that there are plenty of other folk out there who are into the same things as them.

The last issue of Bizarre featured latex legend Bianca Beauchamp, and the current issue (released September 25^th) features the incredible Masuimi Max. How do you go about recruiting such industry greats every month? Is the mag’s reputation such that these women come to you, or is there a certain amount of grovelling and negotiation involved?

Bizarre has a fantastic relationship with Bianca and Masuimi – they’re my favourite models of all time, and are delightful to work with, professional when it comes to supplying images, and always look stunning in their cover shoots. Bizarre treats all its models with respect, and we always do our best to give our cover girls a voice in the magazine, rather than simply printing their sexiest pictures – so there isn’t much grovelling and negotiation involved. We do the right thing by our models, and what goes around comes around.

May I ask what goes into an issue of Bizarre? How far in advance is content produced, are you looking ahead to Halloween and Christmas issues way ahead of time?

We’re currently planning our first issue of 2013! Because so much work goes into features – briefing writers, gathering images, editing copy, designing layouts, editing pages and so on – the bigger articles have to be planned months in advance. Our reviews and news content come in a little later, so that we can be as up-to-date as possible when we hits newsstands, but the magazine features are now prepared months in advance of publication.

Each issue of Bizarre begins with your “Photo Assault”, a feature that has made me turn the page quickly and peek back gingerly at times. That must be an interesting decision process for the guys involved; are there limits or parameters to what can actually be printed?

If you’re freaked out by the images in Photo Assault, you should see the pics we choose not to print! Because Bizarre is distributed via newsagents and supermarkets, we need to be careful not to print images that could be considered obscene, or images that are gratuitous and have no journalistic value. It’s a tough balancing act as our readers want shocking content, but we need to self-censor ourselves because, if the magazine is withdrawn from sale and subsequently banned from supermarkets, that would be the end of Bizarre. But it’s always a dubious thrill to look at the hideous images our intrepid picture editor, Tom Broadbent, dredges up each month, and poring over pictures the rest of the world (thankfully!) doesn’t get to see.

This blog is all about alternative women, and celebrating individuality and expression. “Alt” is an ideal that a lot of publications are buying into these days, but Bizarre is the original and best. When considering women to feature within your hallowed pages, what characteristics or traits are you looking for?

To be honest, I tend to stand back and let Bizarre’s art director, Dave Kelsall, make a decision on the girls we use, as he has an infallible eye for spotting models who are perfect for the cover of Bizarre.

But being a Bizarre model is about more than sexy good looks – it’s all about attitude. A great example is Radeo, who we featured on the cover of Bizarre in June. For visual impact she’s a fantastic cover model as she’s hot as hell, has great body art, and has idiosyncratic stars tattooed on her nipples. But what made Radeo a great Bizarre cover girl was the spunky interview she gave us, where she raved about science-fiction, action movies and her insane ramblings on Twitter. She’s not just a pretty face – Radeo’s fun, sexy, exciting, and the sort of person you’d want to party with until dawn.

Fetish is an important element in Bizarre, and in particular latex. Is it a happy coincidence that you feature lots of latex lovers, or do the higher ups at Bizarre towers have a particular penchant for the squeaky stuff?

You may not believe this, but we don’t actively look for latex shoots! It just so happens that some of the most exciting girls are shot in latex outfits, and so we end up bouncing back to the rubber theme time and time again.

Latex is a sensual material with strong connotations of kink, so you get a lot of imaginative, outsider designers creating clothes that look like they were tailor made for the cover of Bizarre. From Ruby True’s slinky latex fox outfit, complete with inflatable tail, in August 2011, to Bianca’s kinky pink number she’s wearing on the cover of our current issue, latex is a material that’s inspired innovative designers to create unique costumes, which become mind-blowing when one of our cover stars slips into them.

Another key element in an issue of Bizarre is artwork. Be that celebrating new artists from various mediums, or body art from readers and practitioners alike. Would you say art is as integral as any other facet of the magazine?

Outsider art has always been a part of Bizarre’s DNA, and it’s becoming more important all the time. With the mainstream success of shows such as Miami Ink, more and more people are looking at tattoos as a valid form of art, as well as a means of self-expression. And as Bizarre has always celebrated the best ink from around the world, it makes sense for us to devote a lot of space to our inked readers, and unique designs that you wouldn’t see in mainstream magazines.
Recently we decided to expand our Readers’ Art section in the magazine, because we were overwhelmed by the volume of contributions we receive each month. I don’t know if it’s because we’re in recession and people have more time to be creative, or simply because the internet allows artists to share their work more easily and build a portfolio, but we’re receiving more art from readers than ever before. We didn’t have enough space to print the best submissions, so we expanded the section to create a published gallery and celebrate new talent.

An innovation that has brought Bizarre great rewards is the Ultra Vixens and the cover girl search. It’s always a well entered competition and a very coveted prize. Are you excited by the new raft of entries that will undoubtedly come your way for the next cover girl opportunity?

We are staggered by the incredible contributions we receive for Ultra Vixens each month, and our community editor, Amanda Cobain (AKA Mandatron), has a tough time selecting the readers to put in the magazine.

We’re currently keeping an eye on models as they sign up for the Ultra Vixens website (www.ultravixens.net), and will look to arrange a London shoot sometime in future when we’ve selected 10 girls we think could be a cover star. Some of these shortlisted girls might appear on the cover of Bizarre, or maybe none of them will make the grade – but what we want to do is create an environment for new stars to shine, and hopefully discover the next big players in alternative modelling.

It’s clear that the readers are vital to Bizarre’s success, and a large portion of the mag is dedicated to reader involvement. I don’t know of a magazine that is as in touch with its readership, and knows what is desired from month to month. There’s a real sense of co-ownership and strong online community. Would you agree with those observations?

Reader contributions are the lifeblood of Bizarre. In my career I’ve worked on much bigger and more successful titles, but no other newsstand publication gets as much feedback from its readers as Bizarre, and so it’s the best magazine in the world to work on. I’d love to fill the entire magazine with reader content as it’s wildly exciting and innovative, but we also need to be careful to give readers plenty of the other sick stuff they’re interested in!

Bizarre couldn’t exist without contributions from the community we’ve fostered in the magazine and online, and I salute anyone who takes the time to get in touch with us. (And, on that point, don’t get upset if you send Bizarre something and it doesn’t get featured – we get more post than our small team can handle, so don’t be afraid to send stuff again if we don’t get back to you immediately!)

Bizarre is a pinnacle for many within the industry, fetish and alternative models/photographers hold the publication in the highest esteem. Have you got a message for those aspiring to appear in your pages, and for all those faithful fans that read every month?

To photographers and models… be innovative, work hard and be nice! There’s a lot of competition out there, so you need to keep evolving your work, embracing new ideas, and looking for an opportunity to shine. And, if you do get a break, don’t be a twat – nothing’s more likely to turn us off than somebody who’s difficult to work with, so treat us with respect and we’ll do the same for you.

To readers… keep buying the magazine and help Bizarre to survive! In these dark times of recession, magazine sales across the board are plummeting – and if you don’t support Bizarre, it will eventually disappear, just like all those other great magazines that have died in recent years. My team and I will always bust a gut to bring you amazing stories from around the world, and give our readers a platform to showcase their talents… so don’t forget to buy the magazine now and again, and don’t just borrow your mate’s dog-eared copy!

Thanks very much for your time and helping me to celebrate a year interviewing alternative artists on my blog. Good luck with the future of Bizarre, and thanks for the hard work of the entire team. Could you give us any hints at possible future content/features we may see in Bizarre in the future?

Some forthcoming attractions include… the second part of our HR Giger interview, Bizarre spends the night in a cursed mansion (and just about survives), more world-class body art, exciting HP Lovecraft news and much, much more!

I can not thank David enough for all the time and effort he put into this article. With deadlines and issue releases looming, he managed to fit in a detailed and very informative interview with the Alt Girl botherer blog. He came across as a very endearing character, and someone who impressed me with his dedication to helping out a creative project. I wish him and his magazine all the success in the world, and I for one will be supporting Bizarre a lot more from now on. A great publication, with a massive heart behind it. They care about their readers, and I hope if nothing else, that fact shines through in this piece. 

Today I have an interview with a very interesting lady indeed, she’s a semi professional modelling Mum whose work first caught my eye thanks to the wonders of Facebook. Her name is Miss Teri, and soon after I liked her modelling page (link to follow) I began noticing something… Whenever Teri would post a picture, or add work to a portfolio, that image would take over my wall/timeline. Her fun and colourful work never fails to brighten my Facebook experience, and it’s clear to see she’s serious about her work. Teri is a personality lead model, who is opinionated about her work and particular about her projects. I am delighted to welcome such a character to the altgirlbotherer blog, and happy to share her work and words in this piece.  

 

Q: Welcome to the altgirlbotherer blog Miss Teri, how are you doing? 

Teri: I’m great thank you

Q: You’re a semi professional model; can I ask how you first got interested in working in front of a camera?

Teri: I’ve always wanted to be a model since I was about 13 because I used to get picked on at school. People used to call me ugly; I was determined to prove them wrong.

Q: Even with your semi pro status, you’ve still managed to participate in a number of excellent shoots in your career to date. How have you found the modelling industry, is it a welcoming world? What have been some of the positives and negatives about the work?

Teri: It can be great; I really enjoy shoots and seeing the pictures afterwards. Also the nice comments are great but as with everything, you have to take the rough with the smooth. I’ve had my fair share of nasty comments but I try to let them just go over my head. Also it’s such a difficult industry to crack. 

Q: Your “look” is a very distinctive one Miss Teri, I love your pink hair, and you have gorgeous bronzed skin. Would it be correct to say that pink is a favourite colour of yours? How long have you been rocking your current look? Have you ever considered any future changes?

T: Ha-ha, yep pink is defo my fave colour. I’ve had the short pink hair for about a year now but I’ve always had a different kind of look, the makeup has stayed more or less the same over the years. I haven’t got any plans to change the hair colour though.

Q: Modelling is a very broad field indeed, with many different styles and genres. How would you describe your modelling? Glamour, alternative, fashion, or is it just Teri?

T: I think ‘Just Teri’ is a great way of describing it because I’m not alternative enough for some alt work, I’m not mainstream enough for glamour and I’m not slim enough for fashion. I’m a bit of a mixture really, which I’m quite happy with as it has made me stand out so far.

Q: Are there any models whose work you particularly enjoy and that have influenced you or the kind of jobs you are attracted to?

T: Oh yeah Leanne James is from Northamptonshire same as me and I absolutely idolise everything about her. She’s an amazing model. Becki Holt is another one, I just love the pierced, tattooed bad bitch look.

Q: You use your eyes very well in photographs, utilising dazzlingly long lashes. Are there any other tools or methods you like to employ when being photographed?

T: My dazzling long lashes cost me a lot of money lol. I am so particular when it comes to my pictures, I don’t mean to sound like a diva but I have to be photographed from the left side, I prefer to be shot from awkward angles because they flatter, and I hate smiling with my teeth because they are wonky lol.

Q: There are various elements to your portfolio I’d like to focus on Teri. Firstly, your work with Paul R is really well done. There is a mixture of catalogue style shots and some fantastic glamour shots. What do you remember from working with Paul? There’s a cheeky one with a high-heel caught in your underwear that’s just so much fun! 

T: Well I remember it all well as it was only last week lol, I really enjoyed that shoot because Paul really listened to me and we got some great pictures from it. Yeah I really liked that picture, although I had a lovely comment left on it on my page yesterday, which said ‘ugly c**t’ how charming! lol

Q: You’ve also done your share of Pin-up shoots as well, you’re series with Foto Retro in particular is great. What attracted you to the shoot in the first place? Why do you think the Pin-up/retro style is so popular right now?

T: I am obsessed with anything 1940’s/50’s I was brought up listening to rock and roll music and my Dad’s love of ‘Grease’ was passed on to me. I think it’s so popular because it’s so glamorous and in a way where you don’t have to show anything to be sexy as hell.

Q: Your alternative appeal can be seen in your shoots with J project photography and Mike Riot to name a few. Those shoots had a real attitude to them and a sense of the modern alternative style you seen in magazines like FRONT etc. Do they reflect your own sense of style at all Teri? Are you a fan of magazines like FRONT, who try to give glamour a different spin?

T: Oh god yes, the way I look in them and the poses I pull are just me, I love Front style pics, although the girls are usually quite young in FRONT mag so I don’t think id stand much of a chance of them publishing me. 

Q: Your work has gained you quite a few fans Teri and your photos have influenced one or two pieces of fan art. How does it feel to know your work is so appreciated? It must be flattering knowing there are folks out there just waiting to see your next set of pictures.

T: it is weird lol, because these people, who follow me on twitter, some of them use me as their screensavers and even have me on t-shirts. It’s so surreal because I am just a normal Mum who just happens to be a model.

Q: As well as modelling, you also do your own make-up for shoots, is that an area of the industry you’d like to explore further? Do you currently offer MUA services to others?

T: I love doing makeup, I have never had any training or been to college or anything, but I do make-up for people round my area. I’m cheap as chips as well as I can’t afford professional stuff, but I’ve never had anyone complain yet.

Q: During the research of this piece I’ve also discovered that you’re a budding photographer. Are you looking to take your modelling experience and start working behind the camera Teri? Or is it more of a hobby right now? What are some of your favourite things to shoot?

T: I do a bit of photography as well yes, I love taking photos, always have, that’s another love I get from my Dad. I offer makeover photo shoots in my area as well, I find it helps that I know what to do behind the camera and all the girls that come to me are always really chuffed. I prefer to shoot women and children. 

Q: Away from modelling for now Teri, what else is interesting you? With a busy schedule and home life I’m not sure how much time you get to yourself, but when you do are you into anything in particular? Gigs, movies, books etc… 

T: I don’t get much time to myself to be honest, as I do my modelling, makeup and photo shoots, also I’m a single mum of a 2 year old which takes up most of my time. But I get 1 day a week to myself (wooo) where I’ll chill out with my fella, eat good food and watch films.

Q: Tattoos are something I love to talk about on this blog and I know you have quite the collection that’s growing all the time. Could I ask where and when you got your first tattoo and what was it of?

T: Yeah I love tattoos, I’m obsessed. My first tat is a heart with wings on my boob and I got it when I was 17, it needs a little bringing up to date but I don’t regret it.

Q: Looking at different pictures of your ink, would I be right in thinking you have a soft spot for anchor tattoos? If so, where does that come from?

T: Yes, I have an obsession with anything nautical, I have no idea where it comes from I just love anchors. I went on holiday to Devon a few years back and saw a 6 ft anchor sitting in someone’s garden and I just stood and admired it for about 15 minutes, my mates thought I was weird, I wanted to take it home lol. 

Q: How many pieces do you have on your body currently? You’ve mentioned before about having plans for quarter sleeves and a back design, but what are you immediate ideas in terms of tattoos?

T: Well I’ve just had some more done in the last 2 weeks, I’ve had a tattoo on each of 6 fingers and an anchor on my collar bone, but I’m planning on having a ship helm the other side to match with “Hello Sailor” wrote underneath each. I want swallows, one on each foot, and my half sleeve will have lots of my favourite things: cupcakes, the Barbie logo lol.

Q: Finally Miss T, can I ask what projects you’re working on at the moment? Are there any shoot ideas you have that you’d love to do sometime in the future?

T: I always have different ideas going on in my head for shoots, but sometimes they don’t turn out as id like, so I would love to get a fab photographer, show him all my ideas and just get him to shoot me exactly as I want.

As always I’d love to end this interview with the Bernard Pivot questionnaire if possible?

What is your favourite word? Wha’gwaan

What is your least favourite word? Quench

What turns you on? Tattoos

What turns you off? Long nails on men

What is your favourite curse word?  Twat

What sound or noise do you love? Dancehall music

What sound or noise do you hate?  My little girl screaming

What profession other than your own would you like to attempt?  Dancer

What profession would you not like to do? Prostitution

If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?  “Wha’gwaan Teri”

I’m really pleased I was able to share this piece today. Teri does have a habit of brightening my day when I see her work. But I also hope that this interview paid the appropriate respect to a single Mum whose passion was modelling, and she’s pursuing that passion. I wish her all the very best for the future, and for anyone wanting to check out more of Teri’s work, head to the Facebook link below:

http://www.facebook.com/Terimodelling

All images were taken and used with Teri’s permission; they are the products of (amongst others): Foto Retro, BJM Photography and Royce studios.

I pride myself on the fact that the Alt Girl botherer blog is filled with unique women from all over the world, with talents and traits from many different fields and art forms. I am thrilled once again to be able to bring you my latest interview with a lady that is as unique and fascinating as it gets. Sarah Vamp is an alterative pin-up model and entertainer from Las Vegas. I first came across her work through “the alt collective” where she was listed as part of a duo called The Vamp Girls. Since that first introduction and contact I have been trying to get her on this blog. From the very beginning I have enjoyed corresponding with Sarah, and investigating her constantly evolving portfolio. Now, many months after our initial contact, I feel privileged to have seen this truly talented model branch out into new exciting areas. Sarah has a passion and dedication to her work that is staggering. Putting all her efforts into every project she works on. The fruits of that labour are evident in her pictorial results, and a body of work that is very impressive. Sit back, relax and enjoy what we chatted about in this interview.

 

Q: Hello Sarah, it’s wonderful having you on my blog. It’s been a while in the making, but I’m delighted to feature you finally. How have you been recently?

Sarah: Thank you! I have been good, busy, but good!       

Q: You are a performer and model with so many different talents and skills in your repertoire. If I may I’d like to start by talking about The Vamp Girls. It’s how I was first introduced to your superb work, and it’s an intriguing act. You and Kacy Vamp met when you joined a heavy metal band in 2008 right? Can you tell us how the partnership grew from there, and how it shaped what The Vamp Girls are today?

Sarah: It definitely was a starting point to where we are now. When we were in the band we focused on performing, practicing, shows, tours, events, etc. Modeling was kind of something extra. We were really involved in the music scene and hadn’t discovered the amazing art scene yet. Once the band parted ways we could really start focusing on being Sarah and Kacy, The Vamp Girls. Not Sarah and Kacy “The Vamp Girls from the band”. We started working with and meeting local artists, designers, models, and photographers. We were able to do more photo shoots, work with designers, hosting, events, and made ourselves known within the local creative community. Our fan base grew and more opportunities were presented to us. I am amazed at how much we have grown since stepping out on the stage for the first time!

Q: You must love horror, and take influences from old movies and monsters etc. Can you talk a little about your appreciation of horror, and what it was about Vampires that drew you to perform in that guise?

Sarah: I have always loved horror! It’s different, creative, and very complex. I’ve always been drawn to vampires. They are mysterious, sexy, and powerful. People want to be them, be with them, and are afraid of them all at the same time. I also love the different takes on vampire history/culture. There are so many interpretations. From Twilight to True Blood there is something for everyone.

Q: Who do you think produced the best Vampire performance ever? Apart from you of course Sarah.

Sarah: That is a tough one! I will always love Brad Pitt and Tom Cruise’s portrayal of Louis and Lestat. It’s the first Vampire movie I can remember seeing. I am also a really big fan of period movies and costumes so I love it for that reason as well.

Q: With so many Vampire shows and movies around these days, do you think the image of the Vampire has been tarnished at all? I’d love to get your opinion on modern day versions like Twilight etc.

S: I love that there are so many takes on the Vampire. Some are amazing, some not so much. Twilight is just one interpretation. I know people have a lot of opinions, but I think that is more because of the movies. I have never read the books, but it’s amazing how the author created this whole world of characters. My favorite is True Blood. If Vampires and Supernatural beings really existed I think it would be close. I love how they show Vampires are blood drinking monsters when it comes down to it. One thing I do not like is when movies, stories, books, television shows etc water it down. I want to see the blood, the fangs, and the gore! Vampire books, movies and shows will always be around. I am excited to see what’s to come.

Q: Can you remember your first performance as a Vamp Girl Sarah, and how that first show went?

S: Ha-ha, yes! I was very nervous and insecure. I had never done anything like that before. There were a good amount of people in the crowd. When I think about it now I realize how much we have grown and it’s really awesome!

Q: Your use of make-up, props and prosthetics is impressive on stage and in photos. Do you do all your own costuming and FX make-up? Also, what’s the fake blood like to work with? At least I hope its fake…

S: We only use the blood of virgins! Ha-ha, just kidding. We use professional stage blood. It’s amazing at giving that real blood look. But it’s also sticky, gooey, itchy, and unappetizing. But it’s so worth it! When we were in the band we did all of our own makeup. It took some practice to get it where we wanted, and we were big on looking similar. The last year or so that we were in the band I was really happy with our look and style. For photos we always have professionals do our makeup. We have worked with some amazing make up and hair artists! They just take everything to the next level.  

Q: I understand The Vamp Girls are on hiatus while you both pursue separate ventures, but will you be getting back together in the future to amaze and captivate live audiences again?

S: Unfortunately we can not be The Vamp Girls full time. We both have full time jobs, families, boyfriends, etc. So we did take a bit of a break to kind of focus on other priorities and kind of regroup. It’s good to step back for awhile and then re-examine things. We will always be together as The Vamp Girls. I may model individually but I am still Sarah Vamp from The Vamp Girls. We try and tie everything together. We haven’t performed since the summer of 2011. We tried and wanted to get back into it without a band. Kind of create our own bloody burlesque. But that also takes a lot of time. Hopefully there will be a time when we can focus on that. We are however going to start modeling together again soon. We have done a couple events and are auditioning for a movie together. Our next shoot will be for Cherry Pop Latex’s new fall line!

Q: Moving away from The Vamp Girls now Sarah, I’d love to talk about your other projects at the moment. Following your career as I do, I’ve noticed that recently you’ve moved away from the more alternative/horror based work and are branching out. Was it a conscious move to go for something completely different, or is it just where the offers have taken you?

S: It was absolutely a conscious move. I love a lot of different styles from horror to pinup. I also wanted to take a break from horror and give my portfolio more diversity. I do not want people to think I am just a horror model. When people hear my name I want them to think of versatility. That I would be perfect for a bloody, gory Vampire scene or a classic pinup shoot.

Q: I adore your work with Ama Lea photography; in particular the pictures of you in a La Muerte Apparel corseted flared dress. You must be so proud of them; can you remember what it was like during that shoot and working with Ama Lea? Did you get to keep that dress?

S: That is one of my favorite photos! It gets a great response from my fans as well. It was one of my best shoots. The shoot was in 2010 when I was still focusing on the band/the vamp girls but started to get into pinup modeling. I booked the shoot when she came to Viva Las Vegas that year. She is an amazing photographer, very professional, nice and fun to shoot with. I did get to keep the dress. I still have only worn it for the shoot but I cherish it. It’s one of a kind and very unique!

 

All images used in this piece were provided by Sarah herself, and are the products of these artists in order of appearance: 1) Photographer: Ama Lea, Hair and Make up: Kat Kartel, Dress: La Muerte Apparel 2) Photographer: Radiant Inc, Hair and Make up: Lisa Robinson 3) Photographer: Tay Voss, Hair and Make up: Dottie Vee

She’s a friend of this blog, and never fails to make me smile. But don’t click the link based on that alone, click the link if you like unique pictures that feature an alt model with a fresh look and attitude. A hard worker who takes pride in every shoot and is constantly looking for the next interesting project. A lady who is going places and amassing a stellar portfolio in my opinion. I’m a fan by the way… It’s Abbie Mac’s new modelling Facebook everybody!!! Thanks for any support that comes from this post.

Q: As well as your fetish work, I adore your artistic nudes. You strike such statuesque poses when working nude, it’s really a vision of female power as well as soft beauty. What are your thoughts and preparation processes when working naked? Have you ever had any hang ups about disrobing for your craft?

P: Thank you so much!  I have always been very comfortable in my own skin and because I know others enjoy it too I haven’t hesitated to disrobe for shoots.  As far as preparing for a nude shoot, I like to do a few sit ups to get my abdomen into “work mode” and doing that also warms me up a bit.  I always bring a robe with me since some photographers, MUAs, hair stylists, assistants, etc can have a modesty level that is much higher than mine.  It’s a sign of respect and professionalism when you don’t run around naked in front of strangers.  Another thing about preparing for nude shoots is the clothing I wear about 3 or 4 hours before.  Things like socks, jeans, bras and tight underwear are a no-no before a nude shoot.  All of these things leave lines on your body and can take a while to go away.  They will end up being a nuisance for your photographer when he/she is editing the photos.  Again, it’s a sign of respect and professionalism if you are aware of this issue and you choose to work around it accordingly.

Q: Yet another element I must mention about your “look” are your elegant emerald eyes, and expressive face. Where did you learn the talent of utilising expression in your shots? Does it come from experience, or do you practice in the mirror?

P: It’s funny how a lot of people think practicing in the mirror is a great thing to do and maybe it is for some people.  I personally find that I look different (or I guess I see myself differently) in the mirror than I do in photos.  Sometimes a look in a photo isn’t that great in the mirror.  Other times, a look comes off super sexy in the mirror but when I try to take a cell phone photo to send to my boyfriend, I get frustrated because it doesn’t translate as well!  So after a year or two I abandoned the mirror.  Instead, I study women like Mosh and Dita Von Teese and I try to absorb the attitude they give off with certain facial expressions.  Instead of trying to mimic what they’re doing, I try to pick up on what they’re portraying, feeling, and expressing.  Once I’ve picked up on that, I can recall it in shoots and the looks that come with that emotion just happen on their own.  I like that process much better than trying stuff in the mirror.  Once I get the photos from the photographers, then I decide if a certain expression is worth keeping or not.

Q: You’re a bit of a dream artist for me as you model fetish, work with latex and perform the art of burlesque. As an art form burlesque is so versatile and enthralling for an audience member, can I ask how you got involved?

P: You’re going to laugh when I say this, but I got started with Craigslist.  A local burlesque show wanted to book a few more performers.  The first thought that went through my head was, “Hm…  I could do that.”  So I sent them a video of a quickly choreographed piece in my living room and I was hired!  I figured nothing could go wrong and in fact, everything went completely right.  I fell in love with the art that night and now there is no turning back.

Q: I think there is definitely something of the theatrical about your personality Pandora and it’s clear from your portfolio that you love to imbibe life and vigour into everything you do. Burlesque must have been a natural outlet for this exhibitionism, but where do you think this love of performance comes from personally?

P: Well, I have been a performer since childhood.  I was always in plays in elementary and middle school and in high school I became serious about becoming a dancer.  I performed a lot in high school and had the opportunity to train, choreograph and perform on a professional level in my junior year of high school when I went to UNCSA.  I was mentally ready for a profession as a modern dancer and choreographer but my body wasn’t.  My hips were giving me the most grief but on occasion I would have ankle and foot problems as well.  But from there, I turned to photography which then turned me to modelling.  Dance found its own way back around into my life so I’m really happy with my decision to stop pursuing it.  Besides, the possibility of my getting permanently injured would have increased had I chosen to stick with it and that’s one of my biggest fears!

Q: You’re a very lithe woman and it translates to some athletic displays on stage. Do you have to work hard on your fitness and physique, or does burlesque and your extensive dance background help with keeping trim?

P: I will be completely honest and many will hate me for it but the body I have now is the body I had when I was fifteen (except maybe my hips are wider).  I have always been a long-legged, skinny, A-cup girl without ever trying.  Because this is how my body naturally is, I didn’t have any incentive to work out or eat healthy in order to stay fit.  I always worked out because I liked to dance and I’ll be honest, I wasn’t the healthiest eater either.  But in the past year or so I’ve become attracted to the idea of cardio, adding kale and spinach to my smoothies and eating more fruits and veggies for the sake of my health.  I start to feel anxious when I don’t get exercise so I jump rope or go swimming.  I hate weights and I hate running but a few laps around the mall or doing chores around the house are good enough for me to get my blood flowing.

Q: Do you have any Burlesque icons that you look up to, or people involved with the scene whose work you particularly enjoy?

 P: I look up to Dita Von Teese not because she’s a burlesque performer but because she is such a smart woman.  I am constantly reblogging/saving quotes of hers from interviews and whatnot because she sees the world in much the same way I do and I really love that about her.  As far as icons whose work I enjoy - Midnite Martini, Nikki Le Villain and Porcelain.  Midnite has choreography that will knock your socks off.  She is very inventive and that’s something I really respond to and look up to because of my own choreography background.  Nikki has this presence that could silence a room and she carries herself in such a glorious way.  And Porcelain is nothing but sex on a set of heels.  Her aura onstage is very erotic and I secretly want her hair.  Well, I guess it’s not so secret anymore.

Q: I understand you have some Burlesque festivals that you’re involved with, I’d love to know more about the scene. What’s happening in the world of tassels and tantalisation?

P: Well, I just performed at my first one in Boston, The Great Burlesque Exposition in April.  That was such an amazing experience and I am really excited to perform at a few others I have coming up.  There’s the Carolina Burlesque Festival in Charleston, SC in June and the most exciting one yet, The Toronto Burlesque Festival in July.  I’ve never been to Canada and once I perform there I can technically say I’m an international performer!  It’s not burlesque, but I will also be at Fetishcon in August with my performance troop, Succubus Sorority.  We put on shows with not only burlesque but a variety of talents including shibari, pole dancing, grinder acts, fire breathing/eating, poi, hoops and singing!

Q: Something else I had to ask you about are your wonderful tattoos. You have made some amazing choices in your art work, and they are so complimentary to your body. Can you talk a little about your pieces, and the decisions behind getting them? I especially love your lower midriff design, I’d love to know about that, and what is was like having it done.

P: Thank you!  My pelvic design was customized for me by Jeremy at Pygmalion’s in Greenfield, MA.  I’ve always had an affinity for steampunk and I met with him to discuss a design that would compliment my pubic bone and my hips without being “too much.”  I’m in love with the design he created.  It was hard to have it done because he had to pull the skin taut over my hip bones.  But he’s a great artist in general because he makes you feel at home and at ease even when he is working so close to private places.  :-)
As for the rest of my tattoos, I don’t want to go into each one too much but I’ll give a basic rundown:  A matching tattoo with my father (my first one), matching tattoo with my best friend, matching tattoo with my current boyfriend (don’t give me grief, it’s easy to cover), an homage to my childhood imagination, an homage to the belief and idea of soulmates and how they exist in this world, and a slightly altered design of a book cover of my number one favourite book, The Raw Shark Texts by Steven Hall.

Q: What projects have you got coming up in the near future that you can tell us about? Are you planning any photo shoots at all, or are you looking forward to a specific collaboration?

P: I JUST got back from a shoot with Viva Van Story and it was a dream come true!  I admired her work even before I was a model and I’ve been wanting to work with her for years.  As for upcoming work, I’m hoping to get together with local photographers to create images I can submit to various publications.  It’s my goal in 2012 to get published!  Also, I’m the owner and designer of MissPandorasBox, my costume line that I started this year.  It’s been on Etsy for a few months and my spike bra design has been selling very well!  I have about 8 more designs that I’m going to post hopefully next week.  My hopes and expectations for this project are very high so we’ll see how it goes…

Q: Finally can we end with Bernard Pivot’s questionnaire?

What is your favourite word? Balls, said as an expletive.  “Balls!  I can’t find my G string!”

What is your least favourite word? Panties.  Ironic, right?

What turns you on? Kisses, especially on my ears, neck, back and the backs of my thighs.

What turns you off? Bad breath and a big ego.

What sound or noise do you love? Good music, thunderstorms and the beach.

What sound or noise do you hate? Stupid people talking.  No, I take that back, that can be amusing sometimes.

What is your favourite curse word? Besides “balls”?  Fuck.

What profession other than your own would you like to attempt? Acting, which I’m starting to segue into.  Also, working with animals like lions and dolphins.

What profession would you not like to do? Janitor.

If heaven exists, what would you like to hear God say when you arrive at the pearly gates? “Your husband is waiting for you over there.  Feel free to do with him what you will.  Then, once you’re done the all-you-can-eat pasta buffet is to the left and all of Dita Von Teese’s costumes are to the right.  Enjoy.”

 

Once again, I was humbled by this interview. First of all having the opportunity to work on it with Pandora Von Kit, and secondly, at the quality of the finished piece (thanks to Pandora’s wonderful input). It’s an interview I will be eternally proud of, and I hope there are some readers that are as taken with this lady as I was that first time I witnessed her work. Please check out the links I’ll put below, and enjoy exploring Pandora’s world.

www.facebook.com/pandoravonkit 

www.succubussorority.com

http://pandoravonkit.tumblr.com

Image credits in order of appearance:

1)      Edward A Pinto

2)      Ron Tencati photography

3)      Lesley Arak

4)      Lesley Arak

Q: You mentioned getting a wide range of shots for your portfolio, and away from FRONT you’ve made some really good choices of who to work with so far in your fledgling career. One of your first none FRONT shoots I saw was a “day of the dead” set you did. It looked like a lot of fun to be involved with, what do you remember from that job?

Abbie Mac: Ah that was such a fun day! Nicole Burke, the makeup artist, booked us in for a couple of hours at Pumpkin Studios in Manchester. She did the makeup at her place which took about an hour and we got to where the satnav told us the studio was to meet Ashleigh Simpson, the photographer. Pumpkin Studios has no sign or any trace that it exists on the outside so we ended up wandering around the middle of Manchester for a good 20 minutes getting a lot of strange looks from passers-by before we found the place! The shoot itself was good fun, we got to play with a smoke machine and some beautiful candelabras. It took forever to get the makeup off! I’m in love with the shots I got back from it, Ashleigh is a great photographer and Nicole’s makeup work was fabulous.

Q: It really is terrific work, and there’s a sense of drama about the images. With being so new to modelling, can I ask where you “learnt” how to do it? Or are you working from instinct a lot and learning from experience? Do you practice at all in your own time?

Abbie Mac: A lot of it is instinct, definitely more so in earlier shoots, but direction from photographers helps a lot. I do practice poses at home before shoots because what you think your body looks like and what it actually looks like can be frighteningly different and it’s always best to find that out in front of the mirror, not when you’re getting the images back! I’m learning a lot as I go and I feel like I’ve gotten better even in the few months I’ve been actively modelling, and I’m looking forward to learning more with every shoot I’m a part of

Q: Another aspect of your modelling that you’ve kind of explored is the fetish market. In particular I’m talking about a shot from a set you did with Nik Bryant where you’re holding a whip. The fetish community seems to love it judging by the responses. Is that an avenue you’d like to explore with your modelling work? You’ve mentioned latex before, have you got any specific styles or ideas you’d like to investigate?

Abbie Mac: It’s definitely something I’m interested in doing more of, I’ve actually got another shoot with Nik coming up where we’ll be doing more of that ilk. I’ve always been interested in the fetish side of things and it produces some beautiful and intriguing imagery. I’m a fan of light bondage and I’d absolutely love to get into latex modelling, some of the outfits I’ve been seeing recently are amazing and I’d love to squeeze into a few of them! I’m going to be going to Manchester Alt Fair at the end of the month so I’m hoping to pick up a few items for shoots while I’m there.

Q: Awesome, I’ll definitely be keeping an eye out for those shoot developments. We come now to the latest set of pictures you’ve shared on your portfolio blog, that being the shoot you did with Paul Webster. I really liked this set, and think the myriad of different images you came out with was wonderful. There’s a sci-fi flavour to some, with the cold blues and even what you’re wearing in some instances. What was this shoot like for you, and who was in charge of the wardrobe for it? I only ask because I think the leggings/tights/suspenders (whatever they were) look stunning!

 Abbie Mac: I absolutely LOVED my shoot with Paul, he was a really nice guy and extremely helpful with direction, he also pretty much saved my life when I nearly fell into a giant hole outside the warehouse! The colours in the images are so good, I was amazed when he sent me the copies back. I was mesmerised by his infra-red camera too, it gives some really interesting results. He asked me to bring a corset and something black, so we both organised the wardrobe I’d say - though he did mention I was a “lot more gothy in person!” Haha thank you - I love those tights! Yeah I’m bowled over by the images he sent back, I really enjoyed myself and I learned a lot from Paul. I can’t sing his praises highly enough.

Q: The infra-red camera gave you some magnificent flaming hair. Did it tempt you back to the colourful locks look at all?

Abbie Mac: I’d been toying with going auburn a few weeks earlier so yeah, I really want to now! But I’m sticking to my guns and I’m waiting until I have mermaid hair before I get the bleach out again. It’s… agony! Thanks Paul. Haha.

Q: What does the future hold for you in terms of shoots and projects Abbie? Where might we be able to see your work next?

Abbie Mac: This month I’m going to be shooting for Beneath The Eye’s summer campaign, it’s an up and coming clothing brand from Manchester. They’ve got a few items left at the moment here http://beneaththeeye.bigcartel.com/ and on Facebook they’re giving previews to the designs for the Summer collection http://www.facebook.com/Beneaththeeye - I can’t wait to start shooting, the designs are looking awesome and it’s something I haven’t done yet.

Q: Away from modelling, what is occupying your time at the moment? I know you’re a devoted gamer, so what’s got your thumbs a-twitching, and what have you been watching/listening to in your down time?

Abbie Mac: I’ve been playing a lot of Fallout: New Vegas lately and I’m still waiting to get my hands on Mass Effect 3 which I’ve been chomping at the bit for; the bank balance hasn’t allowed it yet though. I’ll be abandoning my Xbox for a while soon though because Diablo 3 is out this week so I’ll be back to the ole PC, I used to be obsessed with Diablo 2 so this is a long time coming! Other than that I’ve been listening to a lot of Teenage Bottlerocket which is spot on for the few sunny days we’ve been blessed with lately, their new album is out in the not too distant future so I’m very excited for that. I don’t watch a great deal of TV but I’ve been glued to Game of Thrones - I read all the books throughout my teens so it’s amazing seeing it come to life so well on screen. I’ve also been enjoying Preacher by Garth Ennis and Chew by John Layman, a couple of comics I could read 100 times over and not get bored of.

Q: Just before we end the interview with the questionnaire. I have to ask about your tortoise. You mentioned him in your FRONT interview. How’s he doing, and what’s his name? I’m guessing something like Yoda or Coopa Troopa… Close?

Abbie Mac: He is an awesome little dude! I’ve just re-landscaped his house and he’s currently digging a massive hole under a log and burying his strawberry in it. He’s called Ian! He’s a main feature on my instagram account, haha.

Q: I was way off! Right then Abbie, could we end with Bernard Pivot’s questionnaire?

 What is your favourite word? Curvaceous.

 What is your least favourite word? Regretfully.

 What turns you on? Tattoos, dimples and stubble.

 What turns you off? Fake tan, rosary beads, deep v neck t-shirts.

What sounds or noise do you love? Dirty punk rock.

What sound or noise do you hate? Children singing.

What is your favourite curse word? Shitwolf.

What profession other than your own would you like to attempt? I have an interview tomorrow to be a Crematorium Attendant, which would be awesome to get!

What profession would you not like to do? Sales. Again.

Finally, if heaven exists, what would you like to hear God say when you arrive at the pearly gates? Here, you can take over now.

As you can hopefully tell from this piece, I had a lot of fun conducting the interview. Abbie was a pleasure to work with, and we went of on tangents throughout. I hope she won’t be too embarrassed by my exaltation during the writing of this article, it was a surprising experience talking to Abbie over the past few weeks, and I hope I have highlighted what a genuine and terrific personality she is. I wish her all the very best in her future endeavours, and am very excited with what she shared during the interview. Thanks as always to you all for reading, Abbie’s links are below:

http://abbiemacuk.tumblr.com

http://abbieonwheels.tumblr.com

http://www.modelmayhem.com/2546802

Images in both parts of this piece were provided by Abbie and used with her consent.