Always wanted to write for a magazine...

ALYSHA NETT!! (again)

Miss Nett is a perennial feature of these pages. She’s been mentioned glowingly in so many posts and I always count my blessings that I was able to secure her involvement in my blog early on. Her work always leaps from strength to strength, and that’s not to mean that it wasn’t already stratospheric. There are so many moments of note from the past twelve months of Alysha, but freshest in many minds will be her appearance in issue 174 of FRONT magazine mere months ago. A set shot by the great Christian Saint whose use of sleek greys as a backdrop for Alysha’s elegant posing was inspired. I rhapsodised about the feature, as is my tendency whenever Alysha steps in front of a camera.

For someone whose work is so prevalent within the industry, I am always amazed how she keeps each shoot fresh and different. While models may be forgiven for having an off day and phoning in a shoot or two in a busy schedule, Alysha does nothing of the sort. I can say with certainty that I have never seen a poor Alysha Nett shoot in all the time I have been following her career. When you think about that it’s damn impressive. A model that can not only produce new and interesting images while naked, but also swathed in the latest fashions and clothing labels of note. She’s a designer’s dream, brining her own style and flavour to whatever adorns her svelte frame. Immediate cache is hard to find, but find it you will if you get Alysha Nett wearing your brand.

For all these reasons I am very happy to announce Alysha Nett as my winner of the “woman of the year” Alty for a second time in a row. When you consider the masses of instantly classic pictures she produces from a single multiple shot set, you can look no further. A model that knows how to use the sometimes unfathomable curves of her body in sublime ways. Her commitment to the work is inspiring, and her attitude to her supporters is genuine and humble. A worthy Alty winner yet again.

Q: I began this piece talking about your modelling, due to the fact that
it is how I was introduced to your creative world. Further
investigation though reveals quite the artist within. Have you always
been an artistic person Rachel? Do you have any idea where this side
of your personality comes from, or where it developed?
R: It definitely developed from my father. He was a hobbyist
photographer when he was younger. And I’ve always been into art. I
took it VERY seriously in High School. I was in AP art and pretty much
all I ever did was work on pieces and sleep. I didn’t even eat in the
cafeteria… I lived in the art room. I can give a super big shout
out to my AP teacher. She pushed me to develop my art into something
different and unique. She was straight up about weather something was
good, finished, unfinished, overworked, shitty; whatever. She would
tell us flat out if it was good or not. I LOVED that about her. No
other teachers have ever given me as “real” of a critique as she did.
I may stop modelling someday, but I will NEVER stop creating art. It’s
just part of my being.
Q: You have a particular passion for photography, and I think your self
portraits are very special indeed. You seem to treat yourself as a
resource expertly, again, it may be hard to answer, but how do you
view yourself as the model, when you are the photographer?
R: I just see myself as someone I can mould directly into what I’m
thinking of in my head. Or at least try. Sometimes they come out
great, sometimes not so much… but that’s the joy of self portraiture
- you never know. I like the gamble.
Q: May I ask what photographers have inspired you n the past, whose work
do you enjoy personally?
R: Anna Gaskell was a huge part of my initial inspiration as a
photographer. I got hooked on everything she produced. Her work is
mesmerizing and stirred something deep inside me. Especially because
her photos were in colour!! Ha-ha I had only worked with black and white
film at that point. Philip Warner is a close second. He portrays women
in such a way that is dark, but soft and sexy at the same time. Miss
Van, Jeremy Fish, Sylvia Ji and Stuntkid will forever be some of my
favourite artists as well…

Q: What sort of a photographer are you when working with other models? Do
you like to give direction if you have a strong idea in mind? Or do
you like models to bring their own ideas and improvise?
R: Both. If they are new to modelling, I try and work them into just
being themselves. Movement is a HUGE passion of mine. A lot of models
just stand still, but I love it when girls just let themselves go…
throw some music on and let them sing and dance. I’ve gotten some of my
favourite shots just from that alone. I also love to hear any ideas
from anyone else as well. I have so many going through my head constantly
that I really try and take a break from them whenever I can and just
let the model come up with something. I did that recently with a
model. We were going to wrap her in wire and she had this giant pine
cone in her car! She said we should put it on her head. I fell in love
with her after that.
Q: Have you got any projects in mind that you are particularly looking
forward to indulging in? Is having this artistic streak running
through you a good outlet for ideas or themes that you might not
necessarily want to feature in yourself, but create from behind the
scenes?
R: YES! I would love to create a series of some kind. I have many ideas
but I’m trying to really dig deep and make it worth something, as well
as be unique. I’m probably going to be using more film than digital as
the year goes on. I’m so tired of digital. Plus I’m not good at photo
shop so I just like to capture and image and leave it. With digital
there’s always that idea (for me anyways), that, “oh, that would look
better if I just did __”. With film, I’m usually much more satisfied
with the initial result.
Q: Speaking of art, I couldn’t interview you without mentioning your
unique and ever so interesting tattoos. Please forgive me, and I won’t
dwell on them as I’m sure you always get asked to explain etc. But
your pieces are extraordinary, and some of the most intriguing designs
I’ve come across. Could I ask who your chest and your key in
particular?
R: Oh it’s fine. If a day went by without someone asking about my
tattoos it meant I didn’t go into public that day. The key was done
when I was 18 - it’s from a Lamb song, “Cotton Wool”. The lyric says,
“If the key fits, just open the door”. It’s kind of an inspirational
thing for me to remember to keep going if it feels right and to follow
your heart. My chest piece is my favourite. Tom Yosenick at Fine Line
Tattoo in Garland, TX is the artist. I became obsessed with Phi when I
was in high school and ended up getting a nautilus with the Fibonacci
Sequence (or Golden Ratio) permanently on my skin! Weee! There’s a
really cool video on youtube called “Nature by Numbers” that sort of
explains it in a nutshell. There’s much more to it than just that…
but it’s a start.

Q: I’m forever fascinated with different people’s relationship to tattoos
and in particular getting them done. You have very distinctive
placement of your pieces, is there a certain reason for that? Would
you briefly tell us a little about what the experience of sitting in
the tattooist’s chair is like for you Rachel?
R: I do enjoy getting tattooed but I got all of the ones I have before I
was even 20. Honestly, I’m probably going to be covering my back
tattoo of the lotus. It will have to be a special day before I’m ready
to go into that project… But honestly, I didn’t even know
where I was going to get the key. Just kinda happened and I’m very
pleased with the result. And my chest piece - I didn’t feel like it
fit anywhere else on my body besides on my chest… I dunno. They
kinda just pick their own places. Its subconscious I think too.
Q: Do you have any plans for more art work being added to your body?
R: I am going to get the back tattoo covered. Other than that, I really
don’t know. I’m really for thinking through my tattoos and as much as
I want to get something goofy I just can’t bring myself to do it…
which is kind of strange considering how goofy I am… I have been
kicking around the idea of getting the planet that was bullied out of
our solar system, Pluto, with RIP under it. I realize they still
call it a dwarf planet, but it’s still kinda funny to me.
Q: I was wondering if you could shed a little light on some of your other
creative influences also. For instance what music are you enjoying at
the moment, or is there a particular book, movie or anything else that
is grabbing your attention right now?
R: Music is my life line. I really don’t think I could have survived
this long in my life without it… I listen to LOTS of different music.
Right now I’m really into Sea Wolf, Yeah Yeah Yeahs, Pinback, Dandy
Warhols (because I’m about to see them soon!), PANTyRAiD, Depeche Mode
(always ha-ha), Primus, John Lee Hooker… there’s so many more too. I
can’t just stay on one thing for long…
Q: It’s only my opinion, but I think the standard of work you produce is
inspirational and aspirational for others in the industry. I know it’s
very different from person to person, but have you got any advice for
aspiring models today? What do you wish someone had told you starting
out, or what advice has served you the best in your career?
R: Thank you! Advice I have… be on time, communicate, be positive,
have fun, and let go! Art is about letting yourself go, I think. I’m
super good at that when it comes to a pencil and paper, but I’m going
to start working on that with my modelling as well.

Q: Before the questionnaire, I appreciate so many of your shots Rachel
and would love to own some to display. Is there anywhere people can
buy prints of your work? Or will there be in the near future?
R: I don’t have any for sale really right now except for at the GreyDUCK
Gallery in Austin, TX - there are prints from William Hundley and
Hector Hernandez’s show FUGUE STATES. I’m going to be working on an
edition soon. Although if you just message me about any you’d really
like, I can probably talk to the photographer to get a print for a
price they are comfortable with. You can also buy prints from these links:

Fox Harvard:

http://foxharvard.pixu.com/

http://foxharvard.pixu.com/photo/49891
Brian Hilson:

http://funkywhiteboy.tumblr.com/private/25325886059/tumblr_m5scy9MKWj1qczixw
Finally, could we please finish with Bernard Pivot’s questionnaire?
What is your favourite word? Carcass or banshee.
What is your least favourite word? Hussy.
What turns you on? A good sense of humour.
What turns you off? Someone trying to be dominant when they just aren’t.
What sound or noise do you love? I’m going to be cliché and say the
rain or the ocean.
What sound or noise do you hate? People grinding their teeth in their sleep.
What is your favourite curse word? Fuckhead.
What profession other than your own would you like to attempt?
Psychology and/or printmaking.
What profession would you not like to do? Nurse.
If heaven exists, what would you like to hear God say when you arrive
at the pearly gates? I really don’t know… He’d probably be speechless
that I was even there in the first place.

 

I’m sure you all took from this piece that I was humbled to feature Rachel here. There are a handful of women that I have described on this blog as “cool as fuck” and Rachel fits effortlessly into that group. I have to thank her for working tirelessly to get permission to use all of the images you see in this piece, as well as being open and willing to answer all of my questions. She’s someone I am overjoyed to have worked with and someone with which I’ll always have a desire to collaborate with again. I wish her every success in the future. For more information and examples of her stunning modelling work, head over to the link below.

http://blackeyedbonzai.tumblr.com

All images used were taken from Rachel’s blog with permission for use sought by Rachel herself. Credits follow in order of appearance:

1)      Mr.Glass

2)      Hector Hernandez

3)      Bheard

4)      Mr.Glass

I’m so very happy to be able to bring you my latest interview this evening. It’s a piece that did take quite a lot of time to get to this point, but the ride has been an honour, and working with this lady has been a joy. Not to mention a lesson in class and professionalism. The lady in question is Rachel Nicole, and for anyone that might not be acquainted with her work, I envy you this first introduction to it. I came across Rachel thanks to her friendship with Quinn Cornchip, an alternative model and budding media mogul that I had the pleasure of interviewing a few months back. Ever since I first laid eyes on Rachel’s work I knew I had to interview her and showcase her stunning imagery if I could. Since then the process has been thoroughly enjoyable, even the setbacks. It’s given me a great opportunity to immerse myself in Rachel’s work, and revel in collaborating with such an artist. And that’s the key word when describing this lady, artist. Everything she goes into is affected by her creative influence, and I know personally that she made me raise my game. I hope I did her proud and I hope you all enjoy what we talked about…

 

Q: Hi Rachel. I delight in rolling out the red carpet and welcoming you
to my blog. How are you today?
Rachel: Fantastic! Finally got a second to relax! It’s been a busy couple months!
Q: I wanted to start by saying how much I’ve enjoyed researching this
interview. You have quite a stunning body of work already to your
name, but could I ask where it all began for you? What were your first
forays into the modelling industry like?
Rachel: I actually started taking pictures before I ever
even had an inkling that I would be a model someday. My father gave me
a Nikon FM SLR from the 70’s when I was about 9 years old. In Junior High
I took a photography class and actually started taking more self
portraits than anything else. I learned how to develop my own film and
photos in the dark room. Took photography all thru High School &
Community College. Then I moved to Las Vegas Feb. of 08; I met a
really good friend who let me use his house as a studio. We shot lots
of girls who had never modelled for free because we both loved
photography. One day he told me I should get in front of the camera…
I was very hesitant at first… I ended up loving it! But didn’t start
taking it seriously until the last couple years.
Q: You’ve described yourself in the past as a part time model, but you
must think of yourself as a successful part of the industry now based
on your wonderful contribution to it. What did you think about the
industry and role of “model” before you started on the path?
Rachel: I always had my friends “pose” for me in pictures. I say that very
loosely because I was really into the candid look, and most of my
friends got used to me having a camera around all the time. They
didn’t even notice when I was taking pictures of them anymore. I never
got into the industry thinking that I would be a fashion/runway model
because, well… I’m a shorty. I don’t mind though - it’s not really my
style anyways. I’m much more comfortable without clothing
personally. I never went into this thinking that I would be famous
or even noticed at all; I just love to create art and finally got a
chance to create some of the visions that I as a photographer wanted
to. I’m still not even close to being done with those visions.

Q: You may have guessed I’m a newly converted fan of yours and I love
how you do what you do. It may be hard to define, but where and how do
you think you learnt your trade? Is it a practice makes perfect
situation, is it natural ability, or is it experience and learning as
you go?
R: Awh thanks. I learned my trade just from being myself I guess… Of
course I checked out other popular models and saw how they were posing
or looking at the camera etc. Photographers that I worked with in the
beginning helped me a lot too. Then I just sort of started doing my own
thing. I used to be in gymnastics for a long time so that’s where my
posing comes from. It’s just natural for me to be dramatic in that
way. As of recently though - I’m in the process of learning to get more
into a “natural” style of modelling instead of dramatic. Not a lot of
makeup or hair products… That’s just who I am. I don’t much care for
those things. I’m a pretty big tomboy.
Q: From the outside looking in modelling seems like a lot of fun, and I
think today’s aspiring models come into the business with some
misguided ideas of what the work entails. From your experience, what
would you say are the positives about modelling? Also conversely, what
are some of the hidden negatives that often get overlooked?
R: For me the positives are meeting so many interesting and fun people.
I LOVE meeting new people because you never know what joy they will
bring into your life. I think a lot of girls come into this
industry do two shoots and then they’re “very experienced” and want
to be paid like $250/hr… I don’t even think Hustler girls make that
much…? You have to put in the time and effort. Models are a dime a
dozen, especially nowadays. You have to show that you actually care
about your art (not to mention PUNCTUAL and a hard worker), then the
money will come. Negatives to this job are flaky people. It goes both
ways - models and photographers alike. So sometimes your time gets
wasted, but it’s nothing that you can’t get over… I’ve never had a
negative experience with a photographer to where I’d say, “I’d never
shoot with this person again”. But then again, it takes a lot to make
me angry or uncomfortable. (Go figure coming from a redhead, eh?)

Q: Versatility is a word that screams out at me when I look through your
images, and it’s an important trait for a model to possess. You’ve
worked a number of different shoots, in various styles. Where
does your heart lie when it comes to being photographed? Is there a
genre of modelling you enjoy most, or think you are better suited to?
R: I think I’m most suited for the lifestyle/art side of modelling. I
really enjoy being a sexual person as well. It’s just who I am. So I
see the body as a work of art as well as something beautiful to be
celebrated! Some people may think I’m a “floozy” or something like
that… but I don’t really care. They can think anything they like. I
know who I am and I’m comfortable with my body. I really do enjoy
modelling for Heels and Candy as well - it’s really the only “glamour”
stuff that I’ll do anymore.
Q: I love the beautiful almost ethereal quality you achieve in some of
your photographs, especially in your previous work with the likes of
Brian Hilson. You ooze serenity in certain shots, and they have a very
calming influence on me. Do you have a process when it comes to
creating different looks or moods on shoots? For instance is it
necessary for you to have a peaceful mind internally to create a
peaceful image externally?
R: The photos I shot with Brian were the result of an incredibly special
time in my life. He was definitely my best friend for a while and we
loved to create art. I finally found someone who loved shooting
strange and different things as much as I did. Sometimes we were
drunk on his amazing home-made wine, or other times we were just
incredibly laid back. I believe this is when I realized that the
modelling I wanted to do didn’t really take a ton of effort. I used to
get stressed about what to wear, makeup, blah blah blah. But with
Brian, we would just go out and shoot. And a lot of times we came back
with some awesome stuff! He also had a room mate at the time that was
learning how to take pictures so we shot quite a bit. When I have a
quiet mind and open myself up to just being me, sometimes I end up
with photos I adore.
Q: I also have to mention your incredible work with Quinn Cornchip.
You two have produced some stellar shots together, and it’s clear
you’re close away from the gaze of the lens. I particularly adore a
recent Fox Harvard shot with you and Quinn “On the Porch” in Florida.
What’s it like working with such a force of nature, and how has she
impacted your work?
R: Quinn and Mr. Glass have helped me immensely in my career. They are
fantastic, hard working people and I love hanging out with them as
well as shooting photos. Quinn has become one of my best friends over
the past year. We took a trip to Florida recently and stayed with
Coach Moon and Fox Harvard. I had such a blast being out there and
meeting them (as well as David Hilton). All such kind hearted people.
I’m so happy that Quinn introduced me to them and let me tag along with
her on that trip. I was sad it was short, but that just means I’ll
have to go back soon!

Q: Finally on your modelling Rachel, you’ve had an amazing start to 2012
in front of the camera, and are collaborating with some impressive
individuals. What have been some of your highlights thus far in your
year? Are there any people you’d love to work with in the future?
R: My highlights have easily been Fox Harvard, Coach Moon, Art T,
William and Jessa Hundley, and Hector Hernandez. Recently,
was the opening of William Hundley and Hector Hernandez’s
collaboration exhibition, FUGUE STATES in Austin, TX at GreyDUCK
Gallery. I am so incredibly thrilled to be a part of their art. I
would consider myself a HUGE art nerd. So the opening was quite
surreal when I saw myself printed in their soft cover magazine, as well
as through out the gallery! I know we’re scheduled to take more
pictures soon, so I’m still enthralled that I’ll be working with them
on the reg. I would really love to work with a handful of people this
year (I’ll cross my fingers on many of these): Rabbits, Fox Harvard
(again), Chase Lisbon, Corwin Prescott, Teknari, Nettie Harris, J.
Caldwell, Grand Bizarre, Echo, Henry Gaudier-Greene, Photominimal,
there’s more too. I just need to get serious about travelling… It’s
difficult without a reliable car though…

 

All images used were taken from Rachel’s blog with permission for use sought by Rachel herself. Credits follow in order of appearance:

1)      David King

2)      Bheard

3)      Brian Hilson

4)      Fox Harvard

Howdy followers, lurkers and friends of this blog. I post this post on behalf of a terrific lady who goes by the name Abbie Mac. Regular readers will remember me featuring Abbie a few months ago; she’s a truly exciting alternative model, that has been exceedingly busy of late. Her portfolio runneth over with stunning pictures, and the variety and quality of the work she’s producing is magnificent.

I’m here tonight to (amongst other things) ask a small favour of those reading these words… Abbie is currently involved in a Facebook competition to win a cover shoot and four page spread in issue 9 of Gorgeous Freaks magazine. It’s a fantastic prize, and an opportunity i would love to see Abbie attain. She’s a hard working and progressive model, having already shot for FRONT magazine and is currently building an enviable back-catalogue of inspiring imagery.

I’m doing what i can to support Abbie in this effort, and i’m asking those who have not voted already, to head over to the link below and place your vote. It takes literally seconds, and you can check your Facebook massages after you’ve done it :)

Seriously though, i’d appreciate it if people could spare some time to help a friend of this blog out. She provided a marvellous interview with me on here, and i’d love to see her succeed here. Thanks for reading if you did, happy clicking!

Voting link:

http://apps.facebook.com/offerpop/Contest.psp?c=155905&u=43234&a=254553244581393&p=348697045149881&v=Entry&id=443234&rest=1

Every once in a while on this blog I conduct an interview with an artists that ticks all of my personal boxes. This next interview with the fantastic Pandora Von Kit is an example of one of those instances. A tattooed alternative/fetish model, who works sublimely with my favourite material, latex, and is a devotee of burlesque. Quite simply it was a sheer joy to conduct and work on this piece with such a charismatic and intelligent lady. Her passion for her craft is undeniable, and the energy and effort she put in during this interview is there for all to see. I felt honoured to talk with Pandora about many aspects of her career and work, and we even touched on a very important topic in the performance realm. That topic is names and personas. It’s an often overlooked facet of a performer’s repertoire, and it was fascinating asking Pandora about her recent name change. We don’t think how such an event can influence a model’s career when it’s forced upon them, but if you read on you’ll understand the monumental task Pandora faced, and how she’s risen above and is continuing to delight her audience.

 

Q: What’s in a name? Well for a model there’s quite a lot actually. When modelling and performing, it is the individual that is the “brand”, so a catchy moniker is a must for any aspiring artist. You’ve had quite the issue of late with your name haven’t you Pandora, could you explain what you’ve had to deal with recently?

Pandora: I adopted the name Pandora Fox in January 2011, when I first performed burlesque.  I was originally attracted to Pandora for no specific reason and the emcee of the show I was in suggested the last name Fox.  I researched the name and didn’t come up with any results so I went ahead and put it to use.  Ever since, I have spent my time building up the name and trying my hardest to become as well known as possible on the east coast with hopes of eventually becoming known nationwide.  When you search the name on Google, tons of images/videos/sites come up with my face all over them.  Whatever I was doing, it was working. 

About a month ago two producers approached me at different times asking me about a troupe from Ohio that they had recently booked.  They believed that I was or used to be in that troupe.  There is another performer named Pandora Foxx who is travelling with said troupe and the only reasons the producers booked them is because they believed her to be me.  This was obviously unsettling for a number of reasons.  Not only is it hard to accept that someone else has the same name as you (different spelling or not) but no performer wants their reputation to be mistaken with someone else’s.  I researched Miss Foxx and found that she was not easy to locate on the internet.  I did find, however, that she had been performing since 2009 and therefore had seniority ownership over the name. 

I had a lot of discussions with performers and producers in the industry and some urged me to keep my name since I was more popular on the web.  I almost did because at that point, it would have been easier for Miss Foxx to change her name on her 3-5 websites than it would be for me to change my name on 20-30.  But out of respect for Pandora Foxx and her seniority and to keep my reputation to only myself, I decided the right thing to do would be to change my name.  I was applauded on this decision and many in the industry saw it as a noble thing to do.  It was very difficult for me but I know that in the long run I will be grateful that I took my moniker in a different direction in order to have and keep it entirely my own.

Q: The new name is quite becoming if I may say, how did you arrive at it?

Pandora: Since Pandora was the first name I was attracted to from day one, I didn’t want to change it at all.  Also, so many people call me Pandora that it would have been difficult, obnoxious and confusing to change the first name AND the last.  I played around with fox references such as Vixen, Kitsune, Renard and finally, Kit.  Pandora Kit didn’t have enough ring to it for me.  Fox was such a strong and solid sound and Kit is more cutesy and fun.  So to add a bit of sexuality and strength to the name, I stuck Von in the middle and it quickly started to grow on me.  It was a pleasant surprise being introduced with that name for the first time.  I hope that the new name will treat me well.

Q: Your outstanding work speaks for itself and I believe that only you could produce the pictures and put on the performances you have to date. There is only one of “you”, so is the name change more of a hassle logistically, changing email addresses and website info etc?

Pandora: The second I realized Pandora Foxx had adopted the name two years before I did, I was perfectly fine with the idea of changing my name.  The one and only reason I hesitated was because of the “fame” that name had built for itself.  Not only did I have to change personal things like email addresses and usernames on social media networks, but I now have to create a new YouTube channel, rename photo/video titles, request photographers change my name on their sites and on top of all that, simply wait for Google to start recognizing my new name and bringing it into search results (which it has finally started to do!)

Q: Are you taking your new title as a fresh start, and maybe an altered approach? Or are you still aiming to produce the same fantastic output that you have done these past couple of years only with a tweaked alter-ego?

P: That’s a great question.  The new name isn’t affecting my performance persona at all.  I have a pretty solid fan base that loves and support the persona I’ve had.  Plus, my persona isn’t too far off from my actual personality.  It would be a huge chore for me to adopt something entirely new.  The only thing that’s changed is the name.  My quality/style of work will always grow and change but always within the general essence of who I am, Pandora.

Q: You have a very deep well of talents at your disposal being a model and performer. If I may start with your modelling please, as it is how I was first introduced to you. How did you get into modelling? Was it a career you thought about early in your life? 
P: I never thought about modelling in the context of “I would love to do that!” but I did always have a huge appreciation for beautiful people and the ads in Vogue.  I was actually turned on to modelling when I went to photography school.  I started off on the other side of the camera and was there for about four years before I fell in love with being in front of the lens instead of behind it.  In photography school we all used each others as models.  Apparently, I was great at posing.  Along with that, my willingness to go nude and my ever-changing neon hair were also factors in my demand.  I started doing it often for friends and just couldn’t stop.  The inertia kept going of its own accord and before I knew it I was actively pursuing it. 

Q: Could you talk us through your first forays into the modelling industry? What were your first shoot experiences like, and how did you feel the first time you stood in front of a camera as a model?
P: Since I first started shooting with friends on a casual level my experiences were mostly fun and adventurous.  I didn’t feel a whole lot when I was in front of the camera for the first time.  I’ve never shied away from having my photo taken but I’ve never been a photo ham either.  It was a feeling of indifference for me starting out because I didn’t see myself as a model, I saw myself as a photographer.  Once I started getting really good feedback and seeing the photos that I was creating, I started to feel excited and anxious about modelling.  I started itching when I was behind the camera or watching my photographer friends shoot other people.  I wanted to be in front of the lens, wearing the awesome outfit or playing with the cool props. 

Q: It’s a job that I will forever be fascinated by. What are your thoughts on the skill behind the profession? Is it a set of techniques you can learn to utilise, or is it more about an appreciation of beauty and knowing what looks good/works on camera?

P: Well knowing what looks good and works on camera is, in itself, a technique.  Many non-professionals see certain images and think they are absolutely brilliant while professionals can view the same image and know that it could look a million times better if certain things in it were different.  I think that knowledge comes with experience.  After you discover a new pose and you realize it looks better than ones you’ve done before, you have improved your craft.  But if you’re not a professional, you won’t really have a need to discover new poses and therefore your standards aren’t those of a high fashion model. 
As far as learning to be a model, it’s a little like dancing.  Everyone in the world can learn how to put their feet there and their hands over here, but not everyone will look good doing it.  Everyone can model but not everyone can “be” a model (be in demand, get paid, get published, etc.)

Q: You’ve dabbled in a number of different genres of modelling, but your fetish work is some of my favourite imagery. Did you start out with an interest in fetish, or is it an avenue that opened up as your career progressed?

P: That’s a great question that no one asks these days.  They just assume that if I’m doing something fetish related it’s because I have fetishes.  I actually didn’t get turned onto fetish modelling through modelling; it was through photography when I was still shooting.  Photographers like Lithium Picnic, Viva Van Story, and RedRum Collaboration were all photographers that inspired me behind the camera.  It wasn’t until discovering my love for modelling that not only did I like the way those photographs were created, but I loved everything the models were doing and wearing.  I wanted to look like them and pose like them and didn’t even realize it until a few years later!

Q: Are there any aspects of the fetish realm that you’d like to explore in future shoots?

P: I still haven’t shot enough latex in my opinion, it’s impossible for me to get tired of it.  I’m actually beginning to work in the homemade/amateur fetish realm to supplement my income.  They aren’t the most glamorous shoots but I do enjoy creating new things I haven’t considered before.  Foot fetishes and stepping on things like cake and lasagne were never of any interest to me until I realized I could make money doing it!  So back to your question, while I continue exploring this side of fetish I hope to encounter new fetishes, especially shibari and tickling.

Q: You mentioned your work with latex and I just have to dwell on that here. It’s one of my favourite materials, and I think it really transforms the wearer. What are your thoughts on working with it, and does it have an affect on you when you wear it? Also, do you have any tips for working with latex?

P: I absolutely ADORE latex clothing.  Because there are so many people who are truly deeply affected by latex I can’t rightly call myself a latex fetishist - it would demean those who are.  But that doesn’t mean I don’t have a great appreciation and love for the material.  It’s rare that I find a piece of clothing that impacts me so much that I will search for more of the designer’s work, but that seems to happen quite often with latex clothing.  When I wear it I feel sexy and fun and if I’m wearing latex bottoms they make me want to bend over.  ;-)  While it is tight and difficult to get into, it’s so comfortable and comforting for me when I wear it.  The comfort comes from the reassurance it gives that my sex appeal can be empowered by an inanimate object and that alone is a very powerful thought.
Always, always, always be extra careful with latex!  I have been so terrified of ruining latex clothing and so careful when putting it on and yet I still managed to rip a great stocking!  So even those who are always careful, I will still warn you to be careful!  Lube is the best way to get into latex and I suggest rubbing it over your body as opposed to trying to coat the inside of a garment.  Also, don’t just cover the body parts that the garment will be worn on, also cover the body parts that the garment has to go over to get to where it needs to go.  I once wore a latex dress for Vengeance Designs and I had to step into the dress.  She covered my entire butt, hips and the front of my thighs so that the dress would easily slide up over them.  While I advocate lots of lube, don’t go too crazy with it either.  Things like underwear and even some skirts/dresses can be put on with just a little bit of wiggling and no lube at all.  Trim your fingernails if you’re going to put latex on and if you can’t trim them then either use lots of lube or have someone without long nails to help you.  Lube allows you to slide the garment on while gripping it with your palm and pads of your fingers instead of pulling it on by grabbing while your fingernails dig into it.  Long answer, but there’s a lot of advice one needs when working with latex for the first time!

 

Image credits in order of appearance:

1)      Ryan Holbrook, Christine Sawyer

2)      Lesley Arak

3)      Fruitionphotos

4)    Travis Mayhem photography

(Pandora on tumblr) http://pandoravonkit.tumblr.com

Tonight I am very happy to be able to bring you yet another interview with a very interesting model who has worked in the alternative genre with great success. This interview is with the lovely Krystal Johns, someone whose work I was introduced to thanks to my networking on Facebook. Krystal’s work belies her two years in the business, and her wonderful choices when it comes to collaborating have stood her in good stead for an eclectic and visually impressive portfolio. Having only modelled for two years, the volume and progression of her pictures is testament to her work ethic and passion. I love Krystal’s latex imagery, but am also a fan of her fashion photos, her black and white pictures, and the softer side to her output. She’s a biker chick and modelling mum, who was a wonder to work with, giving both her time and great energy to the process. I felt as though I had the freedom to best investigate her work, and had a wonderful time in doing so. I hope you will too.  

 

Q: Hello Krystal. It’s a pleasure to welcome you to the AltGirl-botherer blog. How are you today?

Krystal Johns: Hello, I am very good thank you!

Q: Modelling is your passion, and I have recently been introduced to your work through Facebook and model mayhem. Can I ask where it all began for you? How long have you been modelling, and how did you get into the work?

Krystal Johns: I was at a tattoo convention and a photographer there said I would do great modelling alternative/tattoo styles, I laughed it off but friends and family said I should give it a go, so I joined model mayhem and it all began from there. I have only been modelling two years.

Q: Do you see modelling as a career path, or is it more of a hobby that you’re enjoying right now and seeing where it goes?

Krystal Johns: I would love to see it as a career, but I have a two year old son so have to focus more on him at the moment. I see it as a hobby mainly, I love meeting new people and the amount of confidence it gives me is great, as before my son was born I had very low self esteem. 

Q: You’ve mentioned before that you “make modelling fun” and that’s evident in your pictures. You seem to always choose fun and interesting projects, is that a must for you when deciding on a shoot? Or is the photographer a factor also?

K: It has to be fun for me or I won’t perform very well. I like to be myself, be comfortable, and have a laugh with the photographers. Almost every photographer I have worked with seems to like that about me.

Q: What was your opinion of models and modelling before you got involved, and now you’ve been working in the industry for a few years, have those opinions changed?

K: I didn’t really have one to be honest, I just assumed you had to be 5”8 very slim and no tattoos at all! I really didn’t know there was a big market for alternative/tattooed models. 

Q: I always say that modelling is a very underestimated skill. How would you say you are learning that skill? Is it all down to experience and practice making perfect, or do some people just have the ability to understand what looks good in a photograph?

K: I think there is a lot to learn about modelling, especially in the posing. I am always practicing what angles are best for me, and looking at how other models pose. I was useless at first, I didn’t know what to do with my arms and legs! But as I did more shoots I got better and each picture started getting better, I am still learning though.

Q: Expression plays a very big part in your work. You have a fabulous look when working in front of camera. You can convey intense attitude and passion, but also soften it when the time is right. Is that all about looking in the mirror and seeing what works?

K: Sometimes it’s hard because I am thinking I must keep my eyes wide, and make sure I have breathed in! Be aware of my body shape etc. But yes, I’m always playing in the mirror! My son even poses now ha-ha, I think it helps to discover expressions and what would fit me best. 

Q: How do you like to work ideally? Do you like a busy set, or a quite set with as few people as possible? Do you encourage direction from a photographer or like to work from your own ideas?

K: I can work in any situation it really doesn’t bother me, even if it’s cold, hot or wet! I did a shoot the other day on a beach; it was cold, with people watching and painful due to the stones sticking into my feet!

I like direction and my own ideas, I’m always happy to hear ideas from the photographer. I also like to challenge myself and do awkward poses.

Q: You’ve worked with a staggering amount of photographers and produced wonderful imagery. Having such an extensive back catalogue of collaborations, do you think you have learnt a lot about photography as well?

K: I think I have learnt a little, but it does look very hard! Especially with trying to get the right light etc.

Q: A personal favourite form of modelling for me is latex and fetish. You’ve worked with latex extensively with terrific results. Why did you gravitate towards latex work? What does the material do for you when you wear it?

K: A photographer at the beginning of my modelling said I would do better as a fetish model, so I tried it, didn’t enjoy it that much but I loved the fashion side and I bought my first piece of latex, tried it on and it fitted my body so well, I fell in love! I love the fact that you can turn today’s normal fashion into rubber! And its so shiny and looks fantastic in photos.

Q: Are there any distinctive challenges when modelling with latex, what do you have to do differently if anything when posing and working?

K: Its very tight fitting. It’s like another layer of skin, so you have to be very aware of body positioning and little bumps such as around your stomach!

Q: In terms of styling, you’ve worked with a lady that I really respect and admire in Alice Bizarre. She’s an extremely talented individual in many aspects of make-up. What can you remember about working with her?

K: she is a great make-up artist and such a lovely person to talk to, we got along great and she was very chatty and easy to approach! Hopefully I’ll get to work with her a lot more in the future.

Q: Impressively you’ve been named Inked magazine’s “Inked Girl of the day” twice. It’s clear from your output that you have a love of tattoos, and have some interesting artwork on your body. When did you get your first tattoo, and do you know what started your fascination with the art form?

K: Yes that made me very happy! I got my first tattoo at sixteen, my granddad took me to see one of his friends at a studio called brave heart, I had no choice but to get one! I’ve grown up around tattoos, most my family and friends are covered.

Q: You have a lovely back piece that wraps around your side Krystal, it’s such a beautiful design. Where did you get it done may I ask, and what was the thought process behind it?

K: I got it done by one of my close friends called Duane and most of it was done in his head and we got ideas from a few images on Google, I trusted him and most of it I didn’t even know he was going to do! Its still not finished yet!

Q: I have also noticed you have the beginnings of a sleeve on your left arm. Is the goal to fill it up entirely, and if so, will there be an overall theme to the sleeve?

K: Yes I am going to make sure there is no skin left to see on both my arms!! I really like old fashion style tattoos and sailor jerry style, I like weird themes that no one else would ever have, for example I have a woman with a bird coming out of her mouth, and a burlesque pig!

Q: You’ve talked about getting more work done in the future, and assuming you get your sleeve complete, what would your next piece be? Is there somewhere on your body that you would particularly like to get something?

K: My next piece is a biker theme tattoo that will go on my other thigh as that’s the only place I can put it! It’s dedicated to my family especially my granddad, uncles and friends that have bikes. 

Q: You seem to have a very diverse range of styles in your shoots, which is wonderful for a model to exhibit. But what inspires you in general? Be it fashion or modelling projects. As you’ve mentioned, you obviously love motorbikes, have they influenced you at all?

K: I love location shoots, you can do so much outside and get some great shots, even with a brick wall or a dump site! Yes I come from a biker family so have grown up with Harleys mostly, my granddad is in a group and I love going to the club and socializing with a bunch of hairy, tattooed men ha-ha. 

Q: Before I ask the questionnaire I’d love to know what’s next for you Krystal. What projects are you working on now, and where can we see your work in the future? Are there any areas of modelling you’d like to explore further?

K: I have decided to have a break from latex and focus more on my tattoos and involve shoots keeping my clothes on! I would like some softer images in my portfolio and even try breaking high fashion! I have organized my own group shoot involving some great models, photographers and designers, and if it goes well, I would love to organize more.

Q: Can we please end on Bernard Pivot’s questionnaire?

What is your favourite word? Donut.

What is your least favourite word? NO (my son says it all the time).

What turns you on? Tattoos, sense of humour.

What turns you off? Smelly armpits!

What sound or noise do you love? Rock!! heavy metal!!

What sound or noise do you hate? My son moaning.

What is your favourite curse word? Cant say it! Its very bad!! But close friends and family will know he-he.

What profession other than your own would you like to attempt? I was studying forensic pathology before modelling so would love to go back to that!

What profession would you not like to do? Work in a tanning salon

If heaven exists, what would you like to hear God say when you arrive at the pearly gates? Krystal, your roommates are Jimi Hendrix, Jim Morrison and Kurt Cobain!

 

I must thank Krystal again for all her work on this piece. I really relished the opportunity to get to know her process a little more. It seems as though Krystal has her priorities mapped out at present, and I really think she has a lot to offer the industry in the future. I wish her every success, and will be following her exciting modelling projects closely. You can do the same by checking out Krystal’s pages:

http://www.facebook.com/pages/Krystal-Johns-Model/163820327018440

http://www.modelmayhem.com/krystaljohns

http://www.purestorm.com/profile.aspx?id=krystal11

http://www.ultravixens.net/krystal

 

All images were sourced by me and used with Krystal’s consent.

Today I’ve got an interview with a distinct European flavour. It’s with Finnish alternative model Tiina, whose work first caught my eye during a visit to the modelmayhem website. I was so taken by the striking imagery on show that I delved deeper into her portfolio, and had to get in touch to request an interview. To my delight, Tiina was agreeable, and we got started. Tiina’s photographs capture a suave demeanour and an accomplished air, but she’s worked hard at her craft, and we’re all now reaping the benefits of exquisite work. It was so kind of Tiina to take time for this interview before a working trip to Italy, and getting to know the lady behind the pictures has been fantastic. I hope you’ll enjoy this introduction to a very talented woman.

 

Q: Hello Tiina. Welcome to my blog. What have you been up to recently?

Tiina: Hi and thank you very much. Pleasure to be on your blog. I’ve been up to loads! My life has been bit of a rollercoaster this year. Everything is changing and I just moved back to London from Essex.
I’m travelling to Italy this week for modelling and then touring Finland so keeping busy!

Q: Speaking of Finland, you’re a Finnish born model working in the UK and Europe. I’ve always been interested in Finland as a country. I wonder if you could share with us what is was like starting out as a model in your homeland, and what the alternative scene is like there?

Tiina: I went to a modelling school there when I was about 15. I learnt catwalk, posing, etc. I loved it and wanted to become a model and they said to go back when I’m bit older… I didn’t go back, but still wanted to be a model. The only modelling work I did in Finland was hair fashion shows and I loved it. It was the best days of my life then. Just what I wanted to do!
I don’t know how’s the alternative scene in Finland because I left to move to England when I was 18 and I didn’t go to any of those places then. I know some people online who are in the scene.

Q: On the subject of the beginning of your career, could you tell us how you got involved with modelling? What was your big break into the business, and how did your first shoots go?

Tiina: I tried a few agencies when I first arrived to London but they just wanted to take my money. I didn’t know anything about how it works so I paid loads for a portfolio. I didn’t get any work from those agencies so I was going to give up, didn’t think I looked like a model, and was too busy working so didn’t have time anyway. Then I moved to Essex and left my job as a security officer so I had time to do anything I wanted. I was going to get a ‘normal’ job but same time was looking for modelling and TV extra work. I got some TV extra work through Starnow first, but wasn’t till I joined Purestorm when it started. And I don’t think I’ve had any big break into the business. Just started to get busier and busier. I do my best and work hard. I hope I will get my big break soon :)

Q: You’ve worked with a number of different photographers, and in a number of different styles. What genre of photo shoot do you most prefer? Is it the fetish side, or the beauty and glamour side?

T: I love to do different styles. My job is very varied and I can never get bored. I do bit of almost everything, but I if have to choose favourites I would pick glamour/erotic.

Q: Your work with photographer Phil Winterbourne and KashR Photography are very distinctive indeed. The photographs are taken in close proximity, and it really generates an intimate feeling when viewing the pictures. You have a fantastic talent for emoting to camera; do you enjoy the more theatrical nature of being photographed and creating different expressions?

T: I love the camera! Some photographers have said I change for the camera and I do. I become someone I want to be. You need to have a way of expressing yourself. Before I used to draw, now I pose. It comes naturally and I’ve always been creative. I love being on front of camera and being photographed, it’s the best job in the world. I’m so lucky.

Q: You have very strong features, and your hair and pale skin are a very striking signature. How do you manage to produce such a varied range of photographs and reinvent yourself for every shoot naturally?

T: Yeah, got my Finnish features and I’m actually naturally brunette but blonde is so much better so I will stay blonde! I had my fringe cut like this for a Lady Gaga shoot and I’ve kept the style ever since.

And I just do it…just change my mood to each shoot. Can’t explain… I just do what is required of me. It comes from inside.

Q: I adore your fetish work, and am always interested in people that work in the fetish world. Do you enjoy the fetish scene in your own personal life? Do you think it’s important for a model to have an interest in whatever fetish she is depicting?

T: I didn’t know anything about fetish before I started modelling! I only got to know about it through my work and I’ve learnt a lot, also about myself. It’s been a big part of my modelling, I get quite a lot of fetish work, and now it’s become bit more part of my personal life too. I’m very open minded and up for doing new things in modelling. I’m not into all fetish things I do at work, I just don’t mind doing them.

Q: You’ve recently shared some work you’ve done using chocolate and food in a shoot. What was that experience like, and who came to you with the idea of working with chocolate in that way?
T: It was Easter group shoot organised by London Themed Artistic and Erotic group. I posed for them at Easter last year and asked if I could do again. Brian, the organiser got the idea. It was fun, but messy. Didn’t mind getting chocolate all over me, but tried to avoid it getting in my hair. I’ve done some other messy shoots before, involving custard, chocolate, cream, oil, paint, etc…

Q: What is it like for a model to work a shoot that involves bondage or suspension? Do you have to find different ways of expressing yourself when parts of your body are bound? Does it become more about facial expression then?
T: I like doing bondage shoots, it’s quite relaxing for me. You can still move your body a bit and can move head and change expressions. Suspension is bit harder but also fun.

Q: You’re an experienced model who has taken part in hundreds of photo shoots already. What advice would you give to women who are thinking about getting into the industry? What are some of the positives and negatives that most people don’t consider about the job?
T: I get emails from new models asking for advice sometimes. Get some good photos taken for portfolio, and you don’t have to pay loads to get portfolio like I did many years ago… Promote yourself, I’m on loads of different sites. I’m updating my facebook fan page daily and reply to all my fan mail. Work hard, don’t give up, be reliable, and learn to pose…
Positives…I like working freelance and can work the hours I want and I’m in charge of everything, I love posing and seeing the results, travelling to new places, meeting new people, and modelling gives me so much confidence, and makes me happy. I’m always happier after shooting.
Negatives…Sometimes I get weird messages, but most people are lovely. Everyone wants to be friends on facebook now, and there’s some weird people I’ve had to block.
Not many negatives come to my mind, but you have to work hard to be busy.

Q: I’m always interested in a model’s views on nudity in their shots. Did you have any difficulties when you first began posing nude? Or like me are you of the opinion that the human form is an incredible source of beauty, and it should be celebrated?
T: Right in the beginning I didn’t do nude, even turned down casting for Channel 4 because it was topless. I did my first nude shoot after about two months of starting modelling. I was nervous when I did my first nude shoot, but after that was fine. Doesn’t feel any different if I have clothes on or off now and I like shooting nude :)

Q: Are there any ideas or concepts for shoots that you haven’t engaged in but want to? Is there a type of photograph you’d love to pose for?

T: There’s loads I want to do and many photographers I would like to work with, and recently have got a chance to work with some of them. I would like to work with more fashion designers and try new looks. Also I want to get published so working on that at the moment. 

Q: Away from modelling, what would you say influences your own sense of style, in terms of fashion and make-up? How do you like to dress in her day to day life?

T: I wear more clothes when I’m not working lol… Usually short dresses, heels or boots, always have eyeliner.
I like black, pink and strong colours. I want to look good but not like everyone else. I don’t wear trainers and you don’t often see me wearing trousers. I have a diploma in fashion design and I’ve done hairdressing.

Q: What other influences do you have? What music, film, literature etc do you enjoy? Also, how much of your Finnish background do you think influences your choices in life? Is your nationality still a big part of your life, or have you integrated with UK sensibilities more now?
T: Music I like… 80s classics, Lady Gaga, Red Hot Chilli Peppers, Rihanna, Michael Jackson, Madonna, Christina Aguilera, Lily Allen, Dingo, Leevi and the Leavings (last two are Finnish bands)… At the moment I’m loving The Ting Tings. I can listen to the same album over and over again.
Films… Anything with Keanu Reeves, Marilyn Monroe and Audrey Hepburn. I like old films like Gentlemen Prefer Blondes and Gone with the Wind. TV I like: Coronation Street, Come Dine with Me, The Inbetweeners, original Charlie’s Angels, Kath and Kim (Australian version), Absolutely Fabulous, and my favourite as a teenager used to be My So Called Life, which is why my tumblr is called that.
Books… All Danielle Steel books, And I don’t Want To Live This Life, book about Nancy Spungen by her mum Deborah Spungen.
Being Finnish is not that big part of me anymore. I love going there for holidays and visiting my family, but my life is in London. All my family is still in Finland so I travel there at least once a year, but couldn’t live there anymore. I like to watch Finnish films sometimes and listen to Finnish music, I didn’t even like Finnish music when I lived there :)

Finally, could we please finish with Bernard Pivot’s questionnaire?

What is your favourite word? Kitty

What is your least favourite word?  But…

What turns you on? I won’t tell you…

What turns you off? Doctors

What sound or noise do you love? Music, I always need music on!

What sound or noise do you hate? Baby crying

What is your favourite curse word? I don’t swear :)

What profession other than your own would you like to attempt? I’ve got my dream job…If have to be something else I would be an astronaut!

What profession would you not like to do? Cleaner (though I like to clean at home) or supermarket checkout

If heaven exists, what would you like to hear God say when you arrive at the pearly gates? Welcome angel

Again, it was fantastic talking with Tiina and I really got an insight into models from abroad working here in the UK. Tiina has strived to get where she is today, and her determination will see her succeed in all her future projects I’m sure. I’m glad I was able to bring her work to those who may not have known it, and I hope her story is somewhat of an inspiration to aspiring models everywhere. Check out Tiina’s links for more information:

http://www.tiinakmodel.co.uk/

http://tiinak.tumblr.com/

http://www.facebook.com/tiinakmodel

 

All images were provided by Tiina, and used with her say so.

As always I’m thrilled to be able to bring you yet another new interview with a tantalizing and interesting alternative talent. On this occasion, it’s with extra pleasure that I bring you all something a little different. Different indeed, as the subject matter of the following discussion involves a topic of great interest to me, but is rarely featured on my blog. However, the one constant of the altgirlbotherer blog is that my interviews are always with the most innovative and imaginative individuals around. People who are truly inspiring, with an infectious passion that needs to be thrust into the limelight. Today’s interviewee is the phenomenal Alice Bizarre, a lady whose considerable talents in the field of special effects make-up demanded an interview. She’s also an incredibly beautiful woman, with a view on life work and style that is utterly incorrigible! Alice is someone who believes there’s no point in doing something you don’t love, and when that “thing” is as creative as SFX make-up, it’s a pretty good bet you’re dealing with a fascinatingly flamboyant talent. I think you’ll agree once you check out what she’s had to say…

 

Q: Hello there Alice, how are you doing today? Welcome to the interview, and I must say it’s one I’ve been looking forward to a whole lot! Do you find people are fascinated when they discover what it is you do for a living? Do you have to explain and repeat yourself often?

Alice: I’m very good but very tired!! Yeah, my job is a lot of fun, but people see it as very glamorous, and that’s not the case, which is probably what I explain most to people.

Q: Why SFX make-up artist then? It seems like one of those fantastic jobs we all want to do as kids but we never follow through with. How did you get started, and was it always a passion?

Alice: Well, I’ve loved horror ever since I can remember, and when I found out you could do SFX make up as a career I wanted in! And to me, if you don’t want or enjoy what you are doing, if you are not experiencing a variety of things then what is the point? I don’t want to waste my life doing something I don’t want to do. 

Q: Was it only SFX make-up that drew you to the profession, or was there an interest in the more traditional/beauty sides of the discipline also?

Alice: Well it was actually at GCSE during art classes that I researched body painting and had a little go at it, which prompted my initial research into the SFX ways to change appearance of the face, the application and technique rather than the beauty therapist label that is so commonly associated with make up. 

Q: I’ve always wondered, when studying the entire gambit of theatrical and media make-up, can the beauty/everyday make-up portions be tailored to your own particular tastes, or are there definitive ideas of what “beauty” make-up should be?

A: Beauty and everyday make up to me is doing the best with what you have. I could do beauty make up that suits my tastes on someone else, but that may not bring out their own beauty. Finding that can make the plainest person look incredible. 

Q: Where did you study, and what’s it like amongst a bunch of drunken make-up students? 

Were there any severed heads or other horror prop based pranks pulled?

A: I did a year of theatrical make up at City of Bristol College, so sadly no! Unless you count people with bald caps and half prosthetic noses hanging off waiting outside during a fire alarm…

Q: I guess you have to be a film fan doing what you do. What movies inspired/influenced you growing up? Maybe a tough question, but who is your favourite classic movie monster of all time?

A: Ahhh that’s so hard! I accidentally saw The Thing when I was little so that was the pin point change for me!  Dracula will always have a place in my heart, but I love most classic monsters… I own far too many old horror DVDs. 

Q: On that theme, do you have any favourite movie moments that have stuck with you when it comes to fantastic feats of FX? For instance people regularly mention American Werewolf in Paris and The Fly. What are your own watershed moments from watching specific examples of SFX magic?

A: Oooo that’s hard!!! I saw The Thing when I was 8 and that’s stuck with me! The different personas Gary Oldman had in Dracula I’ve always found fascinating!! 

Q: As I’ve already mentioned, yours seems to be a very sought after profession. What are some of the good points about working in make-up, but also, what are the downsides that people don’t appreciate about it.

A: The amount of people you meet, the outcome of the make up and overall collaboration can be amazing. I love travelling around and that it gives you opportunities to do things you would never traditionally associate with make up. Downside is the very low amount of money; I can’t live off what I do. The travelling is always very tedious, which also means early starts, late finishes and very long days which can be very tiring after a while! Not to mention the heavy kit you have to carry everywhere…

Q: Being freelance must have its own set of pressures. Is there a lot of networking involved in you day to day life? What’s a typical day in the office like for Alice Bizarre? If such a thing as a typical day exists for you that is.

A: Alice Bizarre’s office? Hahaha Yeah, when I’m not shooting, I spend a minimum of 2 hours networking. People don’t realise how much emailing around you have to do and the amount of rejection there is, one night I sent my CV to 40 different places and got 2 replies, both saying no!

Q: I’ve noticed in some examples of the work that you’ve shared, you exhibit a few instances of “two-faces”. Is this a conscious thing to juxtapose the normality of a person’s face with what you’ve created, a stylistic choice (as it looks very cool!), or am I reading too much into things and spending too much time on your blog?

A: I’ve been in love with half-half things for a long time, my clothes are half-half, my hair used to be half-half… I’m a tad biased towards it and I guess that shows in my work! I feel everyone has juxtaposing aspects of themselves which may not always be as obvious as a two faced character. 

Q: The prosthetics side of the work you do also fascinates me. You sculpt your own pieces, but how? Does it start with a sketch, something you’ve seen, or some other inspiration? Also, how do you get the idea out of your head and make it tangible/useable?

A: I start off with a load of inspiring images collected together, or a design of my own, combine ideas and aspects together, work out how it would work on the body and start sculpting away!

Q: We share a fascination with masks. I’ve always loved the bad guys in movies and TV because they wore the best helmets etc. For me it’s something about covering up the all too familiar human features with something… cooler (for want of a better word). What is it about masks that appeals to you?

A: Too much! I have a near obsession with masks. Everything about them, the mystery is so sexy! I think it’s a lot to do with detachment for me. Wearing a mask you are taking away the “looks” and first impression judgments, relying (in a social sense) on personality alone.

Q: You’re surrounded with many different materials, products, lotions and potions on a regular basis, but what would you say are the essentials in your make-up kit for doing the work you do?

A: Essentials? I’m not sure if I’m honest! Obviously a range of foundation tones and eye shadow colours. But things I use all the time that I would cry if I lost are my brush belt, my square grease paint palette and setting powder.  

Q: If I may ask a little more about you now Alice. Has your education and experience in the field influenced your own stylistic choices at all?

A: Not really, my style is influenced by many different aspects of my interests, not directly from the make up industry. I’m hugely interested in alternative music and the circus, and yes, I work in those fields sometimes, but I have also worked in children’s TV, but that doesn’t mean it’ll influence my style ;-)

Q: Do you have any individuals that have inspired your personal “look” over the years? Or is it all about what you like, and what feels good?

A: Yeah, if I like the way it looks on me and it’s a little obscure I’ll have it! Hmmm, people in particular would probably be Orlan, a French artist who prompted the whole half-half thing in my style, and Amanda Palmer who has a very dark cabaret feel to her style which I adore. 

Q: Your hair is regularly talked about in your blog “asks”. I love the chameleon-esque aspect of what you do with it. Is your hair yet another extension of your creativity, and do you understand the fascination with it?

A: I always say if you never try you’ll never know, and my hair is the living proof of that. I don’t understand the fascination with it but I like to be able to change it and play with it. Which is one of the reasons I like wigs so much! although after a plaster accident on shoot, most of it is gone!

Q: You have some tattoos about your person. Would you mind telling us a little about them, what inspired them, and where did you get them done?

A: I have some home done tiny hearts from my older sister. They look like red biro, they are faded and crap but I love the sentimental aspect! My main ones are both to do with hard times in my life.  The band logo is from Devin Townsend, whose music helped me through a bad time and the ‘Life is Beautiful’ thigh tattoo was a constant reminder of no matter how shit things are, there’s always something good out there.

Q: What have you been listening to and watching of late?

A: I’ve been watching a lot of old and new horror, such as the original Wolf Man, Frankenstein meets the Wolfman, House of Dracula, Zombieland, Zombie Strippers etc. 

Q: The make-up artist is for me one of the most underrated individuals on a photo shoot or set. What is it like in that environment for you personally? Are you able to experiment with how you attain the required “look” for a particular job, or are you dictated to a lot?

A: I’m not often dictated to, only if I’m doing something paid, which in that case I don’t mind too much. I’m lucky to get a lot of opportunities to play around and try my own things. People usually appreciate me if I’m doing a lot, but you are bound to get the stuck up models that see you as something there just to cover their spots.

Q: What have been some of your favourite and most exciting jobs to date? Also, what would be a dream job to get, or project to be involved in?

A: Oooo that’s very hard! I have people I love working with constantly such as Andy Watson, but have had some great shoots and new friendships such as a Sugar Skull shoot with Scott Cole and sci-fi stuff with Danielle Tunstall! Dream would be to work with Rick Baker. 

Q: Forgive my gushing, but you are a very attractive and exquisitely expressive, unique individual. You’ve done some modelling in the past, but is there any interest in doing more? Or is that side of the work more a necessity from project to project?

A: Hahaha thank you very much!! I am actually represented by dark arts modelling agency yet I’ve never seen myself as a model and I don’t think I ever could! It started off with models not showing up and me being too stubborn to cancel a shoot! I love to dress up and pretend but don’t think I would ever want to be a model professionally. I’d hate a job which relies so much on the way I look. 

Q: You’ve made-up some talented and extremely vivacious individuals to date. Do you make a lot of friends in the industry when you’re working so closely with people, or does it depend on the mindset of the individuals?

A: I think as a breed, models and photographers have to be open and confident individuals, just for the networking side let alone the shoots! I spend a lot of time up close and personal with models so I talk like there’s no tomorrow! I defiantly find that I’ve made a lot of new friends since being a make up artist! 

Q: What projects are you working on at the moment, and what are you hoping the rest of 2012 has in store for you?

A: Well I got accepted onto Cinema Make up School in LA and Hertfordshire University for Character Creation and Technical Effects. I Have some exciting fashion shows on the way, got my first wedding this year too and working Bloodstock again! 

Q: Finally could we please finish with the questionnaire made famous by Bernard Pivot?

What is your favourite word? Bizarre

What is your least favourite word? Scrape

What turns you on? Masks and dominance 

What turns you off? Rude people and arrogance 

What sound or noise do you love? Rain

What sound or noise do you hate? Scraping of my teeth at the dentist! 

What is your favourite curse word? Fuck, or bollocks (it’s so British!)

What profession other than your own would you like to attempt? Mask/Prop/puppet maker, Clown, Mime or Chocolatier! 

What profession would you not like to do? Something in an office that’s uncreative, or telesales 

If heaven exists, what would you like to hear God say when you arrive at the pearly gates? Hello I’m Vincent Price

 

It has been a real treat to work with Alice on this interview. She was wonderful enough to take the time out to chat with me, and with her extremely busy schedule I am eternally grateful for that. It’s a piece I was eager to get posted and share with my followers and beyond, not only due to Alice’s marvellous personality and vigour for what she does. Alice’s skills as a SFX make-up artist are in no question, but it’s been a real pleasure to shed a little light on the craft of make-up artistry in general. As I mentioned above, they are an often overlooked breed, and I think it’s important to remember everyone that contributes to the amazing visuals we see and take for granted every day. I can’t thank Alice enough, and I just hope that she enjoyed the process, and is happy with what we’ve produced.

 

I urge you all to go check out Alice’s bog, not only to sample her personality laden content, but to gaze at the incredible examples of her work. It’s all here:

http://alicebizarre.tumblr.com

 

All images used were provided by Alice. Photo credits:

1. Danielle Tunstall

2. Scott Cole Photography, Richard Kerr Hair and Nancy Harry

3. Matthew Craig

4. Marcus Jake

Q: You’ve worked with a myriad of styles and stylists, but do you have a favourite genre of modelling? Or a theme or style you wish you could work with more?

R: While I love all the styles that I have represented, I think I’m probably best known for my art-nude work though the focus has recently been shifting to fetish/latex and I have some very exciting upcoming shoots along that theme… I have also missed the challenge of bondage photoshoots and am looking forward to my next one as I am currently teaching myself contortionism. Bring on the impossibly bendy posing…

Q: I for one am a massive fan of latex modelling and photography. It’s a truly unique material, and I think it takes a special person to get the best out of it. You certainly do, and have produced countless impeccable images adorned in the shiny garments. What is it for you that attracts about latex? What do you think the material does for its wearer?

R: Why, thank you so much! I love the way latex moulds to the wearer’s figure, showing off every curve. I also am a huge fan of films like The Matrix (I aspire to be a real-life action heroine!) and so latex fits in with that image. It looks as if it is the product of a graphic artist’s imagination and for people who are unfamiliar with the material, it is a mystery as to how the wearer gets into the outfit! I like that mystery. I find it fascinating to watch how latex inspires everyone from video game designers to the mainstream fashion industry- even Salvador Dali once designed a latex mermaid outfit!

Q: I always ask models that have worked with Pirate Photography about their experience shooting with such a talented lady. Your photos with Kitty are some of my favourites from the photographer. What can you remember about shooting with her?

R: She currently lives just across town from me so it has been lovely working together on a fairly regular basis and we’ve become great friends too. I think she has a talent for showing true personality in her models, in a very flattering and beautiful way. Kitty took my first ever polaroids and captured my excitement at seeing the results develop before my eyes! It’s a shame (for me) that she’s moving away, but obviously I’m happy for her and have a suitcase ready so that I can come to visit… whether she likes it or not!! *evil laugh*

Q: You have of course also modelled nude many times. Did you ever have any hang-ups in the early stages of your career about appearing naked in front of camera, or have you always been comfortable in that situation?

R: Strangely, I don’t think I did! I posed to “implied nude” level for a few months at first (no nipples or pubic hair showing) but began full nudes soon after. Late last year, I wrote an article for Sublime Rush magazine about why I decided to do so: http://sublimerush.com/Issue008.html (page 146 onward)

Since becoming a nude model, I have become far more comfortable showing my body- I now use communal changing rooms at the gym, for example. While I don’t believe children should be exposed to explicit material like porn and I’d prefer not to see everyone naked in the street, I do feel it’s sad that English and American society as far as I have seen have a very unhealthy attitude toward the human body. I have seen people cover children’s eyes in art galleries, shielding them from paintings by Rubens! We are taught from a very young age that there is something wrong with the way we are under our clothing and it’s time we realised that we have nothing to be ashamed of!

Q: Speaking of your nudes, they are quite simply breathtaking. I love the statuesque and intriguing imagery you can create with your body. They are never gratuitous, and always stunning. Are there any inherent dangers in shooting nude? Is it a challenge to utilise the female form in new and distinctive ways?

R: Thank you so much! I suppose the only real “dangers” I can think of are when the model has not thought through the full implications of posing nude (for example if she ever wishes to work with children in any way). Many employers would not understand “implied nude”- all they see are naked photos. Modelling nude is always a challenge because the human body can only move in so many ways! I don’t want to appear samey, or inadvertently copy someone else’s signature pose (though I don’t really think you can copyright a pose!) so I try to use the background/location/any props in a way that works with my own style. As I progress with contortionism, I am developing a greater range of movement to work with and can discover new poses, which I’m liking very much!

Q: I also have to ask you about your talents with hair and make-up Roswell. Whenever I look into the credits of one of your shoots, you regularly pop up as hair and make-up artist. Where did you learn these skills, and do you enjoy that aspect of your work? Do you also provide hair and make-up services to other models?

R: It’s something I’ve taught myself over the years. I find that models often know what suits them best and unless we’ve already booked a stylist, I find it easier just to do it myself, especially as hair as long as mine is quite a challenge to style and I’ve had lots of practice! That’s not to say I don’t enjoy working with hair and make-up artists- I walked in a fashion show a few years ago and the hair stylist gave me a Mohican!! I tried to keep it intact so I could show my housemate but sadly it didn’t survive the coach journey home. As I’m unqualified, I don’t offer my services to other models. While I know my own face very well, I’m not sure I’d know what to do with someone else’s!

Q: As well as an outstanding model, you are also an avid writer. You were “discovered” while studying creative writing. Is this passion for the written word something that rivals your modelling work?

R: They’re on a par, really! I have always loved to write and saw myself becoming an author, but when I began writing articles for magazines during my years at uni, I found I enjoyed journalism too. Now, I write for several magazines and have a blog that has around 10,000 views a month. I am editing my second novel and hope very much that I will see at least one of my books hit the shelves one day. I wouldn’t say it “rivals” my modelling work- they complement each other. Having been bullied in school for a decade, it’s hugely flattering now to think that people not only think that I am physically attractive, but that they are interested in what I have to say.

Q: You write a very expressive and opinionated blog, covering issues such as body and size consciousness. You’ve also touched on a pet peeve of mine, in your castigation of the term “real woman”. Is your writing a catharsis of sorts for you?

R: I try not to whinge or rant too much- there’s nothing worse than a whingy blogger! Unless it’s very serious, I try to see the funny side of most situations and write about them from that angle. I’ve been quite overwhelmed by the following that my writing has gained and because of that following, I often write about issues that I feel need addressing and if I empower people to do something for good, then everything leading up to where I am now has been for a reason. For me, my blog is a way for fans of my work (and my friends of course) to get to know me a little better; I post modelling pictures that are not in my portfolio, behind-the-scenes shots from photoshoots, news about upcoming projects- life, the universe and everything! I also run prize draws for subscribers- now that I have reached 100, I will be sending out some limited edition prints, postcards and maybe even some accessories from my photoshoots.

Q: What goals or ambitions do you have for your writing in the future?

R: I hope to finish my second novel ASAP as I already have a third novel drafted in my head! As I’m currently on tour, my free days are spent exploring and hanging out in coffee shops with my laptop (called “Tales”)! I’m editing a short story that I wrote as part of a project with photographer David Long- we did a photoshoot for the illustrations last summer so I’m really looking forward to seeing the final results. Journalism-wise, I would love to have a regular column in a magazine. Let’s see what happens over the next six months or so… ;)

Q: If I may end with your modelling Roswell. Can you tell us what projects you’re working on at the moment? Where might we be able to see you next, what are you excited about for the future?

R: You may! While some projects are secret (I’m really superstitious and don’t want to jinx them), I can tell you I’ll be taking part in fashion shows in Berlin and Montreal this year for their respective fetish weekends, I will be visiting New York for some exciting collaborations and I have begun documenting my contortionism progress through my Twitter account “BendyMissIvory”. Depending on how well things go, I plan to have a stage show or two next year!

 

Could we please finish with Bernard Pivot’s questionnaire?

What is your favourite word? I currently have two- and they are ridiculously different. As I can’t choose, my two favourite words are:
1) Douchecanoe (a person that is such a monumental douche that six letters won’t cover it. They are a whole canoe full of douche.)
2) Bodhisattva (a Buddhist term for someone who has reached enlightenment but has chosen to stay on earth out of compassion, to aid others on their path)

What is your least favourite word? “Of”, when it is used after the words “should”, “would”, or “could”.

What turns you on?Army uniforms, intelligence, people with a dark side.

What turns you off? Wilful ignorance/stupidity, ladies’ men, bad breath.

What sound or noise do you love? Birdsong.

What sound or noise do you hate? “GO COMPARE! GO COMPAAAAAARE!” If you live in the UK and have a TV, you will understand.

What is your favourite curse word? Bollocks!

What profession other than your own would you like to attempt? A stuntwoman!

What profession would you not like to do? I was going to say “midwife”, but after this morning’s events and resulting delay, I have to say I would hate to be a train driver.

If heaven exists, what would you like to hear God say when you arrive at the pearly gates? “I’m glad I got you in the end- you had me on my toes there!”

 

Once again, I have to say it’s been wonderful working with Roswell on this piece. She is amazing for giving up her time to take part, and I can only hope that she’s as happy with this as I am. I will forever strive to work with her again, but count myself insanely lucky that I got to at least once. Do go and check out Roswell’s work on her various sites and online presences. They are listed below:

 

http://www.roswellivory.co.uk

http://roswellivory.wordpress.com

http://twitter.com/#!/BendyMissIvory

 

 

All images used were provided by Roswell.

Image info:

Hair/make-up for all: Roswell Ivory
Metal/leather lingerie: The Phnarrcissist

Gold bodysuit: Pirate Photography

Short blue wig: Lawrence Jessop

Pony boots picture: Hart-Worx

It feels as though I’ve had a constant smile on my face while compiling and conducting this interview, and that’s not only due my interviewee’s extremely entertaining contribution! It’s been a pure joy to work with this much travelled alternative model. Her name is Roswell Ivory, and she is a delight! I was introduced to Roswell’s work thanks to my previous interview with the magnificent Kitty at Pirate Photography. During the course of my research for that piece, I was struck by these truly stunning images. Upon looking further into the model, and with Kitty’s hearty endorsement ringing in my ears, I delved deeper into Roswell’s portfolio. From there I was carried on a wave of extraordinary work, taking in strong and unique latex shots and sublimely moving art nudes. I absorbed the whole pallet of Roswell’s output, and was beside myself with happiness when she agreed to be interviewed for my blog. From there I haven’t stopped having fun, and would love to share the results with you all. Please do enjoy.

 

Q: Greetings Roswell and welcome. May I ask how and why you got into alternative modelling? Did you have preconceptions of what to expect, or did you just jump into it?

Roswell: I had no idea there was such a thing as “alternative modelling” until I was spotted by a talent scout at a festival, so it was an entirely new world that opened up to me that day and I had no idea what to expect!

Q: Before modelling did you take part, or were you interested in the alternative scene personally?

Roswell: I was a bit of a nonentity until I hit thirteen! I didn’t have many friends, was bullied (badly) and as a result was painfully shy, so I listened to whatever music my mum was playing and didn’t venture further than the local supermarket. It was in high school that I discovered rock music, Bizarre Magazine and the film “The Craft”. One day in town, I got talking to a group of alt teenagers and we ended up meeting and having adventures every Saturday for about three years! I made friends for life there at “The Block”. I loved that I was accepted for who I was, no questions asked. It showed me that no matter how “weird” people at school found me, there were others who saw me as interesting because of my differences.

Q: What do you think it means to be alternative? These days that term is used a lot to describe so many different genres/styles, what is your definition of alternative, in a modelling or stylistic context?

Roswell: It’s one of those things that always gets debated but I’m not sure anyone will ever come up with a dictionary definition! To me, “alternative” means not conforming to current trends just because one is told to. I spent six months working in an office and many of my colleagues would buy a dress because Cheryl Cole wore it; without asking themselves if they even liked it! They would never have visited an independent shop or tried a different bar on Friday nights out. It was scary to see!

Modelling-wise, I think it’s easier to define. Obviously, there are exceptions to every rule but if you’re modelling clothing that is not current fashion, have an unusual look (e.g. body mods or blue hair), or appear in alternative publications, the chances are you’re an alternative model.

Q: I know there are many facets to you Roswell, but may I start at the beginning, and your incredible modelling work. It’s where I was introduced to you, and why I started following your career. Can I ask about the inspiration behind your name first of all?

R: “Ivory” was my alias with a fetish/bondage company I was already modelling for. As for “Roswell”, I nearly became a paranormal investigator so it began as a very geeky joke!

Q: Can you recall your first shoot? What was it for, how do you think it went, and what were your feelings leading up to it?

R: I remember my first shoot very well- it was my 19^th birthday- the day after I met the talent scout and suddenly I was heading to my first ever photoshoot, at the festival venue. I don’t think it sunk in that I was actually modelling until about a year later!

Q: You have a very striking trademark or signature look, with your pale skin and vibrant red hair. Was it a conscious decision to promote these aspects, or were they simply picked out from your pictures by observers? I guess they’re hard to miss.

R: I’m really glad people like my pale skin, as they don’t really have a choice! If a solitary sun ray touches me, I get the “Great British Lobster Look”- I go from white to red and back again. I’ve always felt that I was meant to be a redhead- I dyed my hair about six months into modelling and had such a great response that I never looked back. I’ve invested in a few wigs though so that I can drastically change my appearance if needed.

Q: I’m always interested in models opinions on what they do. Modelling is somewhat indefinable for those of us outside the industry. Could you share a few of your opinions on the work, and any biases or misconceptions the industries participants have to deal with?

R: Any industry that considers “you’re a real poser” to be a compliment is always going to be interesting… I think that because there are so many facets to modelling, there will always be misconceptions. Many people have never heard of “internet modelling” and so I am constantly explaining to people why I’m not with an agency and that yes, at 5’7” I really am too short.

I find it fulfilling that I am usually included in the creative process and not just treated as a “doll”. I was once asked if it was draining constantly being around such vain, boring women and I laughed my head off! While I often hear about vacuous models with nothing to talk about except their hair, most of the women I have met through work are fascinating people, usually with their own creative projects and/or doing degrees in neuroscience or computer engineering!

For people better acquainted with my nude work, I think it sometimes comes as a surprise meeting me in person- I wear platform boots and my style icons are mostly characters in sci-fi/action movies. When you’ve only ever seen pictures of someone nude, it’s easy to get an image in your head of how they might dress and forget that you don’t actually know until you meet them!

Q: Having some wonderful experience under your belt already, could you shed some light on the learning curve a model has during a career. Is it a matter of learning as you go in your profession, or can you work on certain things in your down time?

R: Any model can work on poses and fashion show walking in their spare time, but I think that business skills take some time to acquire. I learned how to market myself to my best advantage through trial and error and am still learning! It also takes a while to get to know the industry- what themes have been done to death and so on. For one of my first shoots, I was so excited about the amazing idea I‘d had: to stick some vampire teeth in and go “raaaaah” in a graveyard. A few months later I realised the world, his wife and their dog had had the same idea… Talking to other models, it seems most have done something similar before beginning to interact with others in the industry. I think that is an important thing to do- everyone has something to teach, and no-one has ever learned everything.

Q: You’ve travelled extensively with your modelling work. Do you like that aspect of the job, and where have been some of your favourite locations to shoot?

R: I love it! I’m extremely independent so it gives me a bit of a high when I get on a plane and fly somewhere alone. I have fallen in love with Barcelona and Berlin (Germany in general, actually). Barcelona seems very free- if that makes any sense at all!? You can buy all your food fresh from the market in the morning, walk to the sea or the beginning of the mountains and watch street entertainers and flamenco dancers while eating ice-cream at eleven at night! I saw very few people staggering about blind drunk and I don’t think I saw (or heard) a bratty child once. The image that stays in my head is of all the balconies strung with fairy lights and vines, with everyone’s brightly-coloured towels hanging over the sides!

Berlin has so many friendly bars and bohemian places. The history (more than just the wars) is everywhere- you literally can’t miss it. I had a lot of fun in the KitKat Club (which has a fire-breathing velociraptor sculpture on Rock nights) and there were so many other unusual bars that I intend to check out. (You can even go on a bar-walking tour!) I would love to learn more German so that my German friends don’t have to spoil me by speaking English when I visit! I’m heading back to Berlin in May to walk in the Fetish Weekend fashion show and am very excited! Sweden was also beautiful though I wish I had been able to explore more of it.

(…thank you for listening to “Touring With Roswell”…)

 

to be continued…

 

All images used were provided by Roswell.

Image info:

Hair/make-up for all: Roswell Ivory

Scorpion picture: Hart-Worx

White dress: Alex Blyg

Red dress: G Haskew