Always wanted to write for a magazine...

My next piece is an article with an entertainer and model that I have been itching to publish for a long time. It took a while for our schedules to marry up, but I was thrilled to get the interview finished. The lady in question is one Venus Starr, a multitalented Australian native that has wowed me with her work ever since my first glimpse. A gloriously tattooed model, as well as burlesque and circus performer with a killer look and dedicated attitude. It was a great experience finding out about her passions, and it’s a joy to share those passions with you all.

There’s so much to talk about when it comes to your work Venus, what with your modelling, burlesque, circus performing, tattoo convention appearances, dancing etc… I thought we’d start with your fascination and involvement with circus performance. How did you get into that world? Were you not put off at all by the clowns?

I got into circus back in Australia. I lived with a bunch of circus girls; they were very inspiring. I have done dance, gymnastics, theatre and catwalk modelling most of my life. Circus seemed natural and I fell in love with it, it’s a little edgier and not as disciplined and boring as the world of dance. My work is modern circus contemporary, there are no clowns or bears or tigers sorry. I have never been afraid of clowns, I think that’s a strange fear; clowns are beautiful.

Your trapeze work is astounding, I love how you can contort yourself and achieve positions in the air that most people couldn’t on solid ground. Could you tell us a little about performing aerially, how long you’ve been doing it, and have you ever had any close calls while performing?

I have been performing for 10 years; I have had 2 falls and never broken a bone in my body. It’s a lifestyle and very hard work, not a hobby a lifestyle! I specialise in aerial silk. I don’t do trapeze much anymore. I used to do double swinging trapeze with another aerialist but we split, it was like a marriage to a sister, we were always arguing but fuck we were good.

Your dexterity while performing is something that I always pay attention to. May I ask if yoga plays a part in your preparations, and do you have a specific eating and exercise routine you need to stick to?

I eat healthy I am hard on myself and I run. I also like to drink party and be wild. Yes I do yoga, not religiously though.

Burlesque is an art form that has captivated me since I was first introduced to it. It’s a method of performance that is beyond theatrical, and is often misunderstood as purely erotic and sexual. What are your thoughts on Burlesque, and did you have any industry heroines before you got so involved?

Burlesque added edge to my circus skills. I combined circus and burlesque to create ‘neo burlesque’. But no, I had no one I looked up to with burlesque. Actually Miss Saturn from New York! She rocks.

When you’re performing burlesque, how much input do you have on music, choreography and costume? Is it all your own creative drive behind your shows?

All my own acts I create and choreograph, I design my costumes with my designer and they are custom made for me only. I also choose my own music and cut it with my sound guy so it can not be copied.
When I am hired for other roles or events that require a theme or for me to play a certain character then that is what I am there for, but all my Venus Starr stuff is mine. All mine.

Something I applaud you for and marvel at is your incorporation of the hula hoop in your shows. It’s a piece of apparatus that has been forgotten somewhat these days. What made you bring it into your act?

I trained hula hoop for years, I have a diploma in circus I went to circus school I incorporated hoop into my act because this is what I love and what I do. I like when a performer can incorporate a skill in a burlesque act. I get bored easy, it’s not hard to take your clothes off.

You not only utilise the hoop singularly, but also many at a time. What is your record for number of hoops if I may ask?

I can do 20-something in a bunch for a few rotations. This is a common question for me, but what will wow people is that it’s actually harder to do one hoop tricks than multiples.

I love the characters you become in your shows, weather it be a bandit in a bandana, or an exotic bird resplendent in plumage.  Where does your inspiration come from?

I am an artist I create my act, they come from somewhere in my crazy mind. I actually don’t know how I come up with them. My parents are both artists and creative so I guess I’m just gifted like that. I’m a creator.

I must move on to your modelling now Venus, even though I could talk about your performances for ages. What got you into modelling?

Modelling came out of performance art really and most of my life on the catwalk (my mum is a fashion designer). It seemed natural to follow that path, I know so many photographers so I couldn’t avoid it really. I love it, it’s so less strenuous than circus!

You’ve worked in a multitude of styles already, but can I ask what your favourite flavour of shoot is?

I like glam fetish, a little darker is more me but I am versatile. I think that’s what makes a great model, if you can be creative and flexible.

I’d love to talk about some of my favourite sets now if I may. Your circus inspired shoot with Sarah Mudle was terrific and such a unique idea for an alternative photo shoot. Where did the idea stem from?

The circus shoot with Sarah was my idea and Sarah had no experience in circus at all so I taught her those moves as we went along. She picked it up quick it was fun! What we were doing is called adagio or acro balance.

I also really enjoyed the sets you did in America with Andy Hartmark as well as AJ Photography. They were some very dramatic and atmospheric fashion/lingerie and fetish pictures. Is that a style you’d like to work with more in the future?

I love shooting with Andy Hartmark he is my fav, I have never been so in my element. We shot for 13 hours that day it seemed like 5 minutes. I will be shooting again with Andy this coming June!

In a more recent collaboration, your set with AJ Photography in that bath of pink liquid is extraordinary. What was that like to be a part of, and how was the picture created?

Again the pink bath was my idea, and it took a shit load of powdered milk and food colouring to get that bath looking like that. I shot that image for Empire Skate it is now on T shirts.

You must enjoy working with AJ Photography, and you create such splendid imagery together. What is the collaboration like?

AJ photography and I are very close friends and we create good work because I am completely myself and we just see the same vision. We are always on the same page it is really an unspoken understanding of each other and how we work. It just works.

You are also an esteemed tattoo model, and have some marvellous pieces of art on your body. I couldn’t interview without asking about them, so what was your very first tattoo?

First tattoo is now covered with a star on my hip; it was my star sign. Ew!

You’ve made some lovely choices in terms of your tattoos, I personally love your vibrant sleeves. Could you talk a little about any themes you may have for each sleeve, and how their completion is coming along?

My left sleeve is all female villains, original drawings by my tattooist Simon Morse. My latest tattoo was my hand tattoo of a rose by Lifestyle Tattoo.

Is there a portion of your body that you wouldn’t get tattooed for any reason?

I would never tattoo my face! However I think it looks pretty on others just not my style. 

All that’s left is Bernard Pivot’s questionnaire; would you be so kind Venus?

What is your favourite word? Don’t have one.
What is your least favourite word? Chuddy (Kiwi term for chewing-gum). 
What turns you on? A yummy smell on a man. 
What turns you off? Smokers. 
What is your favourite curse word? Fuck. 
What sound or noise do you love? My son laughing.
What sound or noise do you hate? Flies or mosquitoes. 
What profession other than your own would you like to attempt? Events manager or film director.

If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates? Love your shoes.

There is no doubting Venus’ love of her craft, she’s someone that lives and breathes performance and is quick to dispel misconceptions. I’ve learnt a lot through working on this interview, and chief amongst those lessons is how much I adore the work ethic and results Venus Starr stands for. She’s a talented lady that will go on to even greater and more entertaining things down the line. Keep your eyes on her, and do so by heading to the links below:

https://www.facebook.com/pages/Venus-Starr/211053272248479?fref=ts

http://www.youtube.com/user/MsVenusstar?feature=mhee

The images used in conjunction with this piece were submitted and okayed by Venus, and are the results of collaborations with: Brett Stanley photography, Miss T Pinups photography, Photography by Sharyn, Andy Hartmark, AJ photography, Directive photography, Paradox photography.

The first ever printed edition of SKIN magazine could be yours.

Oh yeah… and i’ll be working on a Kindle picture-book with the mighty Dita von Teese… no biggy (FUCKINGAWESOMENESS!!!!).

BIANCA BEAUCHAMP!!

Being a fan of the latex realm and latex models, it was always an idea of mine to feature the great Bianca Beauchamp on my blog at some point. For various reasons (one being the doubt she’d have the time or inclination to participate) I held off contacting her with the speculative suggestion. It wasn’t until October and the release of issue 193 of Bizarre magazine that I actually decided to approach Bianca’s representatives about the possibility or working with the industry icon.

The Bizarre issue that influenced me was the umpteenth time Bianca had appeared in the publication’s pages, and showcased a variety of her finest latex clad moments from a span of a couple of months. Shot as usual by her husband and regular photographer Martin Perreault, the pictures beautifully encapsulated Bianca’s work. From stunning nudes to unsurpassed latex imagery, the feature had me coming back again and again to review the pictures and Bianca’s Q&A style content. I was so energised by the piece that I immediately went through various channels to get in touch with Bianca or her people. As it happened I was contacted shortly after by Martin Perreault, who was vital to setting up the whole interview and making Bianca’s presence on my blog a reality. The interview I conducted with Bianca is one of my proudest accomplishments, and she added so much to the experience. I was not only blown away with what we were able to achieve together, but also the attitude Bianca had towards the project, and the desire to help out this passionate writer.

I used the word legend in the title of this award, and I do so sparingly on my blog. But when you’re talking about someone like Bianca Beauchamp, the word legend can not be used enough. For her years of contribution to the adult, fetish and mainstream modelling industries alone, she deserves massive praise and more accolades than I can bestow. But more than that, for her down to earth nature and willingness to help out creative people way below her status, Bianca should also be applauded. I gladly and gleefully award Bianca Beauchamp my legendary guest Alty, and once again thank her and Martin Perreault for making a dream interview a reality.

The word legend is used all too often in many walks of life. But my next guest on the Alt Girl botherer blog is someone I describe as a latex legend for more than reasons of alliteration. Bianca Beauchamp has been leading the way in latex modelling for many years. Her work is adored all over the world, and she has been involved in some of the most innovative uses of latex ever seen. Such a dedication to one material is unheard of, and while she is also very adept at glamour modelling, it is her latex work that grabs this interviewer’s attention. A Stunning Canadian beauty, who is muse to not only her photographer husband Martin Perreault, but countless other aspiring artists and designers. I’m delighted to be able to feature her words and work on my blog, and highlight a stellar career that is going from strength to strength. Please enjoy my interview with the magnificent Bianca Beauchamp.

 

Q: Welcome to the Alt Girl botherer blog Bianca; celebrating over a year of interviewing the most incredible women from the alternative world. I am thrilled to feature you and your work, how are you doing today?

Bianca: Very good and thank you for having me here.

Q: You had a very interesting start in the modelling industry, with hard choices and decisions having to be made. With teaching and modelling both viable options, can you talk us through what pushed you into modelling, and how your magnificent career began?

Bianca: When I was 18 years old, I went to a local sex shop and bought myself a black mini latex dress with my thin budget (I was working at McDonald’s). I first wore it on Halloween night paired up with cat ears. Dressed up as a cute Catwoman, I wanted to surprise my boyfriend (Martin Perreault, the photographer) and I sure left a positive mark! After that night, Martin asked me to pose for his camera. He used to go to Art school and he was no stranger to photography, although he was not into that field professionally back then. I first didn’t enjoy modelling very much because I was too self-conscious and I had that fear of looking ridiculous. What kept me going was actually seeing how much Martin liked taking photos of me; he called me his muse. The results weren’t bad either, not great but not bad. So I kept going and worked on my fears but never ever did I think back then this would actually become a career. And I don’t think Martin thought he would become a professional photographer either.

Back then I was studying at college, then I completed a French grammar certificate at the University of Quebec in Montreal. Then I started my studies at another University I don’t want to name, to become a teacher of French in high school. So here I was both studying and modelling for my boyfriend, until he got this crazy idea (so I thought back then) of opening a website dedicated to me and latex photography, with a members zone. The idea was also to help me pay for my studies, and help us pay for latex outfits to continue having fun with our photos. My Latex Lair website was born in 1998 in the infancy of the internet, and since then it’s been a huge success and pleasure to me. The success was so big that the University where I was studying found out about it and they threatened to fail me if I didn’t close it. Back then, my Latex Lair had no nudity or hoods and heavier rubber outfits. It was pretty tame, so I do believe they overreacted. With my studies in direct conflict with my modelling, it became obvious I had to make a choice. On one hand, I was holding a sure stable teaching career, on the other a promisingly wild and crazy, but not so stable modelling career. Guess which hand I picked?! And here I am now still happily modelling. It’s not a career I planned as a kid. It kind of almost happened without me realising it, and I’m very glad it did. And no, if you’re wonder, I wouldn’t go back studying to become a teacher. That belongs to a past I don’t want to go back to.

Q: Whenever I ask alternative models or performers to list their inspirations, your name comes up a lot. Are you aware of the number of people your work has inspired, and how does it feel to be so loved by fans? Do you feel any pressure from it?

Bianca: It’s always very flattering hearing and reading emails and messages on how I can be a source of inspiration for someone. I truly feel very touched and honoured to hear that, and it sure puts a nice smile on my face. I don’t feel any pressure from it though. I always set my goals very high for my photo shoots. I’m my own toughest critic.

Q: As I’ve said already, you’ve influenced thousands of aspiring artists and models with your work, but can I ask who inspires you? Do you have any personal icons or people you looked up to when you started modelling?

Bianca: When I started wearing latex, the Internet was totally new and I couldn’t find much about latex fetish. If by any chance I did find photos, they would mostly be of poor quality or very porn oriented. That was another reason why I started my own website – to bring something different to the scene, something with class and sexiness and passion. One person was already on a similar path before Martin and I. His name is Peter Czernich, the creator of high quality fetish photography magazines Marquis and Heavy Rubber, and a talented photographer himself. Back then he didn’t have a website yet, and was operating his fetish magazines at full throttle. Scans of his photos would appear online here and there. His latex fetish photography has always been amongst the best, and I got so impressed by his talent that I even contacted him to go model for him and his magazine in Germany. I was 20 years old with punky fuchsia hair, flat boobies and an empty bank account. Fun times! That Euro-Trip was one of the best ever! I visited four countries in 20 days. When I got back home, I was sleepwalking thinking I was lost in a Paris subway. I was exhausted from the trip but so happy I had met Peter in Germany. Since that trip, I’ve modelled for Peter a few more times and always enjoyed the results very much. I still consider him a leader today, and definitely a pioneer of classy latex fetish photography.

Q: It’s clear that location and scenery play an important part in a Bianca Beauchamp shoot. Your work has taken you all over the world, where have been some of your favourite places to shoot and why? As fans we all have our favourite Bianca Beauchamp shoots, but could you tell us what have been some of your personal career highlights thus far?

Bianca: I admit that my tribute photo shoot in the Fiji islands to Lara Croft (the world renowned video game character from Tomb Raider) features amongst my favourites. The photo shoot was done in two parts actually. The first shoot took place at sunset on top of a hill in wild Fiji. I had to climb 177 steps dressed up with my latex top, shorts and holsters under a sizzling sun and burning hot temperatures. I thought I was gonna die of heat stroke throughout the shoot, but it didn’t show and the photo shoot turned out awesome. The second part was done in front of a blue lagoon. This time, I was dressed up with the silver wetsuit Lara wears to go swim (the one Angelina Jolie wears in the second movie, but a latex version for me). We only had 20 minutes of light left so we had to shoot so quick I almost don’t even recall doing the shoot at all! I now look at the shots and I’m like, did we really do this?! It feels so strange you know; you travel so far, days of travelling by car, plane, boat, scout the locations, spend so much time for prep, and in the end it took 20 minutes to shoot an entire shoot which means only a few seconds per photo. I think this all makes each shot even more special.

Another great location was In New Zealand at a wild waterfalls, but boy it was damn cold, this time I thought I was gonna die of hypothermia. Another fond memory I keep about my past photo shoots is the one I did on a black sand beach in Maui, Hawaii. We flew to Hawaii with the purpose of finding a black sand beach. But that beach’s location in particular was hidden from tourists in tourist books because the island’s inhabitants wanted to preserve its beauty. Thanks to a friendly local that we encountered by chance, we found the most beautiful black sand beach, and shot there. But wait! To get down there, I had to climb down a dusty, sandy, rocky, steep 50 meter cliff by holding on to a suspiciously old rope attached to a tree! I was not equipped for this, and wearing only sandals. That descent was so tough! I swear I thought I was gonna break my neck and die! But once I got on the beach, I forgot my scares. I was alone on this beautiful volcanic black sand beach with the gentle waves kissing it. A pure delight! Then, I saw this humongous wild monk seal relaxing on the beach just a few steps away from me. I was told later that only 2,000 monk seals are still living, and to me to be so close to one of them was truly a fantastic and unique experience!

Hawaii teaser trailer can be seen here: https://vimeo.com/50989870

Last but not least, recently I’ve enjoyed modelling at a naturist resort called Desire Resort & Spa, in Mexico. Over there, I can dress up as kinky as I want and nobody cares. Actually, it’s even encouraged! It makes my photo shoot go much smoother as I don’t have to hide from possible tourists. I think it’s the only location I didn’t think I was gonna die while modelling ha-ha! But there was one time that was scary though. Because it rained so much the month before, the water level of the swamps and sea next to the hotel rose significantly enough for a crocodile to escape from the swamp and go surfing in the sea near the beach! A clueless guy was doing his morning crawl two meters away from the crocodile! I saw it all happen while doing yoga on the beach! Oh, the croc didn’t attack anyone but let’s just say during that trip, I preferred to soak my cute latexed butt in the pool. I certainly didn’t wanna end up as croc food thank you very much!

Q: Your body of work with latex is astounding, and of the highest quality. After all these years modelling the stuff, could I take you back to your first piece of latex clothing? How did it feel pulling it on for the first time?

Bianca: Well, my very first piece was the mini-dress I mentioned earlier. That dress was in fact made by Montreal based latex designer Polymorphe. Soon after my purchase, we became pals and Polymorphe supported my latex career a lot by making me crazy custom outfits. In exchange, I always gave them a lot of exposure on the web, helping to popularise their brand. But latex was financially out of reach for a girl that was working at McDonald’s, so Martin tried to actually make me a few pieces himself. Most of them ended up just like that gorgeous purple latex gown he made me at the very beginning… ripped.

 

To be continued…

It’s no secret that I’m a fan of a lady in latex. There’s something about someone clad in that shiny stuff that speaks to me, and a certain empowerment always accompanies latex images in my view. Before setting up this blog I was aware of Rubber Monkey latex and the stellar work they were doing in the industry. After talking with numerous models that had experience working with latex outfits, I realised that Rubber Monkey was fast becoming the premier latex provider in the UK. Of course I had to get in touch and try and get an interview. To my delight I was able to snare “head monkey” Em for an interview about a company that from humble beginnings has become a latex leviathan! I know Rubber Monkey has thousands of fans and loyal customers, and I hope they appreciate this piece.

 

It’s a genuine thrill to welcome the Rubber Monkey latex ring leader to my blog, how the devil are you, and what have you been getting up to recently?

At the moment I am super busy putting my new collection together. It’s a little bit darker and more vampish than my recent costumes and fun character work.

Rubber Monkey latex was only founded in July 2011 so has been in existence for just over a year. With that in mind, it seems that the majority of people shooting with latex in the UK are using your product. How have you achieved this? It must say a lot for the quality of your product and service.

I’m not really sure; I guess I have just been lucky. I like to think I’m quite honest in my approach to my latex. I am the first to admit I make mistakes and I am still learning. I’m not sure as a designer in any genre that you ever stop learning; you need to continually evolve and make something new. I work closely with a select number of models and photographers and I have become quite firm friends with several of them. I think this allows me the luxury of shaping shoots and they also understand what it is I am looking for in a picture and model.

Rubber Monkey may have only been around since last year, but could I ask how long you personally have been involved with latex production? It’s certainly not a skill you can develop in under a year. How did you get into working with latex? 

I bought a length of latex with the intention of trying to help a friend who is a burlesque performer. I did some research online and locked myself away for a weekend. After a lot of pulling my hair out, many a cup of tea and lots of referencing to my research, I emerged with my first pair of high-waisted pants. They were far from perfect but I was proud… It also gave me the bug to want improve and do more.

No matter how many times it’s explained to me, I can never get my head around how such stunning and intricate pieces can be made from a material like latex. Is it unpredictable to work with at all, or has your experience meant you can treat it like any other fabric?

In truth, sometimes it can be an absolute pain in the arse! It curls when you add the adhesive and doesn’t always hang in the way you might expect it to. You can easily adapt a standard pattern to work with and there is a degree of trial and error to get the perfect finish, shape and product.

I love the slogan I read on one of your pages “where fashion meets fetish and fantasy meet reality”. It’s such a perfect phrase and one hell of a mission statement. Is it your opinion or goal that latex should be worn day to day, rather that being only seen as fetish clothing?

I think there is room for latex is everyday clothing though it’s practically is limited by the fact it’s not always the most comfortable thing to wear. Predominant media icons such as Gaga and Katie Perry etc have helped to push the idea of wearing latex, but only so much as in a “dress up” nature. In 2010, Topshop launched a small range made from latex which compromised leggings and skirts so it is slowly making inroads.

Until I discovered Rubber Monkey latex, I had no idea there were so many different garments that could be fashioned from latex. Bras, knickers, tops, skirts, even socks! How do you realise you can make something like a sock out of latex? Are you constantly trialling new ideas and applications of latex?

I try and treat like a ”normal” fabric, so I think you are only limited by your imagination. 

On that same theme; I was wondering if you could explain how an idea for a piece of clothing goes from your mind and into reality. Is it a long process when a new piece is being created?

It normally starts for me with an idea for a photo shoot. I then progress that to a sketch which I use as my reference for making a pattern and then the final item. The length of time it takes to make something varies depending on the detailing or how creative I am feeling at the time. Sometimes I feel entirely devoid of skill and creativity and so have to step away to regroup and refocus.

What also impresses me about Rubber Monkey is that the emphasis is on made to order clothing. I love that you tailor your work for the individual, and I think that must only add to the affect latex has on the wearer. Maybe a silly question, but do you wear latex in your personal life? Would you agree that the right piece of tailor made latex does something to the wearer and almost empowers them?

It sounds terrible… but no I don’t. I’m not really sure why… I think it’s probably because I’m not a big fan of my own self image. I get so much more out of seeing it on someone who is really enjoying wearing it. I think anyone can wear latex and it can make you feel amazing. It’s no reflection on the quality of my work that I don’t wear it… I’m just an odd one.

Are there any designs or trends in latex that are more popular at the moment? Would you say you make more garments as costume pieces, fashion pieces, or fetish pieces?

Comic book characters and cult film icons are most definitely in vogue at the moment. Costumes for this genre have made up about 80% of my order book of late.

All my admiration for latex comes from seeing women wearing the outfits. How do you feel when you see your work being displayed by some of the most sought after ladies in the modelling industry? I love seeing VioletEyes in your clothing for example, do you keep track of whose wearing your stuff in what shoot etc…?

Violet Eyes is one of my absolute favourite people to work with. She is a genuine professional and has become a really good friend. Whenever she models my clothing I know I don’t need to worry about the result as she always makes it look amazing. This is also true of Ruby True, Salleh Sparrow, Kaykay Sakura and Ruby Jewel. Sometimes it’s hard to keep note of who is wearing what as often photographers will buy an outfit for use with a specific model. It’s only when I see it pop up online somewhere, or I am tagged in something that I realise who is wearing it.

I’ve asked many latex models this question, but who better to ask than someone so attuned to the material as you undoubtedly are. Seeing as your motto is “latex is for life” can you give us some advice for; putting on, wearing, taking off and storing latex clothing?

Treat your latex with precious care and mind your talons. I recommend using talc and lube to get your latex on, washing in tepid water with mild detergent, drip drying and storing it out of direct light at a not too hot or too cold temperature. I would also recommend using something like a Vivishine treatment on it. It will keep it soft and make it slightly easier when putting on, as well as giving it a mirror shine finish.

Another astonishing thing about Rubber Monkey latex is the prices. For such quality and well represented products, the cost is extremely reasonable. Playsuits for example are normally a big expenditure for ladies, but you produce stunning wears for amazing value. Was it important when you started out that your pieces were affordable? Is it key to getting more people wearing latex?

I like to think I offer my products at a price that makes it accessible to a variety of people. Buying latex is an investment but it doesn’t need to break the bank. I cover my costs and draw a minimal profit which allows me to further research and develop my skills, patterns and ranges.

Could I ask if there are any developing trends in latex that we should keep an eye out for? Is there anything new in latex production and application that will mean the material can be used in different ways when it comes to garment manufacture?

Hand painted and printed latex has been around for a while but I think it will be making a surge forward again soon, especially due to the big love there is for animal print right now.

Finally before we end the interview, can I please ask about your recent Carebear collection? When did you get the idea for such a selection of superb outfits?

The Carebear shoot was the result of maybe one too many glasses of wine, and me scribbling down a design and deciding that it needed to be done. I love doing characters and kitsch things, but I am also conscious of the massive influx there has currently been for this type of product. I thought “If I’m going to do it, I’m going to do it big - not just 1 Carebear but 8 of them, in a rainbow of colours!” Which is what I did. I also wanted the pictures to go forward to be used in a charity calendar that would benefit MIND. The whole idea and concept of the shoot was to be light hearted and fun.  I decided to use the ever talented Twisted Pix as the quality of there photography is outstanding. Although they usually favour the more dark and fetish based themes, they totally embraced my crazy Technicolor notion. I cast the bears from a collection of models I had worked with before and who didn’t mind giving up there time in return for being in the charity calendar. In total, it took about a week to make the 8 costumes which consisted of braced knickers with tail and appliqué detailing, pasties, heart paw mitts and bob wigs with integral ears. After the shoot I sold them off and donated 20% of the proceeds to MIND.

Finally could we please conclude with Bernard Pivot’s questionnaire?

What is your favourite word? Poppet - I use it continually!

What is your least favourite word? I don’t really have one… I suppose it depends on its intent.

What turns you on? I like a well kept Mohawk on a cute chap.

What turns you off? Bad personal hygiene.

What sound or noise do you love? My little dude giggling.

What sound or noise do you hate? My little dude crying.

What is your favourite curse word? Bollox. 

What profession other than your own would you like to attempt? Architect.

What profession would you not like to do? Bin Man.

If heaven exists, what would you like to hear God say when you arrive at the pearly gates? Shine me up monkey, I’m ready to go!

 

Massive thanks to Rubber Monkey for taking the time to answer my questions. It was a real joy being able to feature the company and the incredible product it puts out. For more information please head to the links below, and keep up to date with the wonderful creations coming from the mind of a truly talented designer.

http://www.rubbermonkeylatex.co.uk

http://rubbermonkeylatex.tumblr.com

 

All images used in this piece were taken from Rubber Monkey’s websites. They feature the modelling talents of: Ruby True, KayKay Sakura, VioletEyes, Collette Von Tora, Sophie Gwyn-Smith. As well as the photography talents of: Joseph O’Brien, KayKay Sakura, and Twisted Pix. I think I covered everyone, if I’ve missed a name out, let me know and it will be gladly added.

Q: Seeing your work published must be the pinnacle for a photographer; you’ve had a few shots and some multi page features already showcased in print in your career. What does it feel like to see your pictures used in magazines and other mediums? Where would you love to see some of your images in the future?
L: It’s amazing. Every time I see a new feature it feels like all the long hours and weeks of building a good team of creative people for a shoot has really paid off. This year I was lucky enough to get a multi spread that was about me as a photographer, and that was great as I felt like people got to know a bit more about me as a person. Even some of my friends that read the piece learnt new things about me. Also this year I had a small picture published in “Haunted Magazine”, and it was really nice being able to go into WHSmiths and get my Dad to buy his own copy while I was shopping for mine. As for where I’d like to see my images in the future, I really am happy for them to be featured in any publication. I’d love to see “Bizarre Magazine” do more for alternative photographers; they do a lot to spearhead the careers of alternative models, but maybe while they run their comps for the models, they could do a separate one for a photographer to win a chance to shoot that model for a feature? I have been in Bizarre myself for my tattoos but I’d love my work featured in it. I’d also love to be involved with Skin Two.
Q: You’ve worked in a number of different genres of photography, from fetish and latex, to Steampunk and hair and make up showcases. Have you got a favourite theme of shoot at all Laura, or is there a style of photo that you would love to try your hand at capturing?
L: I really don’t have a preference. I love it all as long as it has a quirky or dark edge to it I’m happy. I would however love the chance to shoot some really bold avant-garde hairstyles. Really structured huge hair.
Q: You’ve worked with an array of talented models already in your career Laura. Is there anyone in particular that you’d like to photograph, or anyone you’ve worked with previously that you’d love to shoot again?
L: I have been lucky enough to have worked with models I have liked more than once. I love that, as they tend to come back with different hair colours or new tattoos and piercings and it feels like I’m cataloguing their personal development. I have a list as long as my arm of people that I’d love to work with, but at the top of it are Ulorin Vex, Iska and Helene Atsuko.
Q: Moving away from your work for a moment Laura; tattoos are a subject that is never far from my interviews, and you have quite the collection of ink yourself. I was wondering if you could tell us a little about your relationship with the art form, when you got your first piece, and what was it of?
L: My passion for tattoos started when I discovered rock/metal music at college. All the people in the bands I liked had tattoos and they looked so cool to me. I’ve also always been into art and a lot of the art I was looking at, at that time featured voluptuous tattooed women and I thought they were sexy as hell! I had my first tattoo done a couple of days after my 17th birthday. It’s of a sad looking sun on my right wrist. It was just something I picked off the wall; no great thought went into it. I just liked it so I got it. I paid for it using birthday money.

Q: I know you have a number of very interesting pieces. Looking at them is an experience in itself, and there’s a real sense of personality about the designs you’ve chosen. Would you be so kind to run us through the other pieces you’ve got on your body?
L: There isn’t really a great story behind them. My first 2 were just ones I picked off the wall thinking well I’m not going to get a lot of tattoo, I only want my wrists done so they are even (I have this thing about my tattoo coverage being pretty even on both sides). Then one day I was bored at home and was drawing away in my room and created this little fairy thing that I decided to have that tattooed on my leg. Then the tattooist designed a couple for me. I have a small tribal design with a female vampire portrait in the middle that I designed myself. People often ask if I regret that one as it doesn’t really fit in with anything I have had recently, but no I don’t regret it at all. It was one of the first tattoos I designed myself; it documents the style I was into at the time, and I love it just as much as my others for different reasons. The big turning point with my tattoos came when I met Gordon Kennedy. He tattooed my ex-fiancé, and I’d go and watch him get work done, soon after I started getting my tattoos done by Gordon too. I went in one day holding a piece of paper that had various images I had found on the internet and in art books. They were by different pop surrealist artists like Trevor Brown, Greg Sinkins, Bobby Chiu, Gianluca Mattia and Liz McGrath. My tattoos are a real homage to the artists that inspire me, and Gordon was really enthusiastic about tattooing them. I’ve been going to him at I87 Ink for 3 years now, and it’s a complete meeting of minds. He seems to like the challenge and he hasn’t turned his nose up once at the strangeness of some of the pictures. Now when I go he just laughs and asks “what madness am I tattooing next?”
Q: Do you have any plans for future additions to your collection of tattoos Laura? Is there anywhere you wouldn’t get tattooed do you think?
L: I have 19 tattoos at the minute, but half of those will combine to make 2 half sleeves. I’m about 3 sittings away from completing them; they just need background, outlines, and one small area on the back of my right arm, and then they’re done. I think once my arms are done the next one will be on the top of my left foot to even up my feet. Then I will move on to my thighs, which me and Gordon are in the process of planning. I have a few images I want to combine to make up a scene, but every time I visit him I have something new I want to add. I love chest pieces on women but I wouldn’t get one done. I have big boobs so I have enough people staring at my chest as it is without giving them another reason to gawp.
Q: Coming back to your work again Laura, can you talk us through the equipment you like to use most often? What camera or cameras do you have at your disposal?
L: I use a Nikon D40 and if the shoot is in Manchester then I always hire Pumpkin Studios and I just use the various lights that are already there. I also have a Holga camera but I’m really forgetful when it comes to remembering to take it to the studio.

Q: What about location work, do you like to use a studio more often, or is outside appealing (when the weather works for you of course)? Do you like the challenge of finding spaces to utilise?
L: As I have other work commitments and only do photography part time as an amateur, then I can’t really afford to take a gamble on the weather disrupting my shoot. So I do tend to use the studio as you have more control. But I do love a spontaneous location shoot; going out with a model, camera and reflector and playing around with natural light.
Q: Finally, before the questionnaire, can I ask about future projects you’re working towards or looking forward to at the moment? Where will we be able to see your work in the near future?

L: Due to my other work commitments I don’t have anything solid in the pipeline at the minute. I’m planning a make-up shoot that is a little out of the ordinary and that is allowing me to get my geek on, but it’s really in it’s early stages of planning at the minute. There’s a couple of new publications that have approached me about content for their first issues but nothing has been confirmed yet so I’m keeping tight lipped.
Q: Lastly, can we please end with Bernard Pivot’s questionnaire?
What is your favourite word? Ooze.
What is your least favourite word? OK.
What turns you on? Someone that is quite liberal in their views and quite laid back, but not to the point of having no motivation to do anything.
What turns you off? Bad manners.
What sound or noise do you love? Bubble Wrap popping.
What sound or noise do you hate? Pointless noise such as someone tapping their fingers.
What is your favourite curse word? Fuck.
What profession other than your own would you like to attempt? Museum curator; preferably relating to torture, war or science.
What profession would you not like to do? A butcher or a fishmonger, because while I eat fish and meat I am quite squeamish when it’s still raw.
If heaven exists, what would you like to hear God say when you arrive at the pearly gates? I’d like to think that god would know that I have quite a juvenile sense of humour so he would put his arm around my shoulders lead me through the gates while saying “Laura no more cider, from this point on, it’s only spirits allowed!” (Because I’m a big rum drinker).

I’ve really enjoyed working with Laura to produce this article. She is a thoroughly engaging individual who I could listen talk about her craft for hours. I can’t thank her enough for the time an effort she brought to this collaboration. I am humbled to be able to include some of her fantastic photographs with these words. I hope you’ll all go and check out the link below, and if you’re lucky enough to shoot with this lady in the future, I hope you really do appreciate that opportunity.

http://www.flickr.com/people/laurahincephotography

 

 

All images used in this piece were taken by Laura and feature the following models/MUA in order of appearance:

1)    Ana Bailey (model and MUA)

2)    Dreads (model)

3)    Sarah Jemimah and Strawberry Venom (models) Rubbery Cherry (latex)

Q: As well as your fetish work, I adore your artistic nudes. You strike such statuesque poses when working nude, it’s really a vision of female power as well as soft beauty. What are your thoughts and preparation processes when working naked? Have you ever had any hang ups about disrobing for your craft?

P: Thank you so much!  I have always been very comfortable in my own skin and because I know others enjoy it too I haven’t hesitated to disrobe for shoots.  As far as preparing for a nude shoot, I like to do a few sit ups to get my abdomen into “work mode” and doing that also warms me up a bit.  I always bring a robe with me since some photographers, MUAs, hair stylists, assistants, etc can have a modesty level that is much higher than mine.  It’s a sign of respect and professionalism when you don’t run around naked in front of strangers.  Another thing about preparing for nude shoots is the clothing I wear about 3 or 4 hours before.  Things like socks, jeans, bras and tight underwear are a no-no before a nude shoot.  All of these things leave lines on your body and can take a while to go away.  They will end up being a nuisance for your photographer when he/she is editing the photos.  Again, it’s a sign of respect and professionalism if you are aware of this issue and you choose to work around it accordingly.

Q: Yet another element I must mention about your “look” are your elegant emerald eyes, and expressive face. Where did you learn the talent of utilising expression in your shots? Does it come from experience, or do you practice in the mirror?

P: It’s funny how a lot of people think practicing in the mirror is a great thing to do and maybe it is for some people.  I personally find that I look different (or I guess I see myself differently) in the mirror than I do in photos.  Sometimes a look in a photo isn’t that great in the mirror.  Other times, a look comes off super sexy in the mirror but when I try to take a cell phone photo to send to my boyfriend, I get frustrated because it doesn’t translate as well!  So after a year or two I abandoned the mirror.  Instead, I study women like Mosh and Dita Von Teese and I try to absorb the attitude they give off with certain facial expressions.  Instead of trying to mimic what they’re doing, I try to pick up on what they’re portraying, feeling, and expressing.  Once I’ve picked up on that, I can recall it in shoots and the looks that come with that emotion just happen on their own.  I like that process much better than trying stuff in the mirror.  Once I get the photos from the photographers, then I decide if a certain expression is worth keeping or not.

Q: You’re a bit of a dream artist for me as you model fetish, work with latex and perform the art of burlesque. As an art form burlesque is so versatile and enthralling for an audience member, can I ask how you got involved?

P: You’re going to laugh when I say this, but I got started with Craigslist.  A local burlesque show wanted to book a few more performers.  The first thought that went through my head was, “Hm…  I could do that.”  So I sent them a video of a quickly choreographed piece in my living room and I was hired!  I figured nothing could go wrong and in fact, everything went completely right.  I fell in love with the art that night and now there is no turning back.

Q: I think there is definitely something of the theatrical about your personality Pandora and it’s clear from your portfolio that you love to imbibe life and vigour into everything you do. Burlesque must have been a natural outlet for this exhibitionism, but where do you think this love of performance comes from personally?

P: Well, I have been a performer since childhood.  I was always in plays in elementary and middle school and in high school I became serious about becoming a dancer.  I performed a lot in high school and had the opportunity to train, choreograph and perform on a professional level in my junior year of high school when I went to UNCSA.  I was mentally ready for a profession as a modern dancer and choreographer but my body wasn’t.  My hips were giving me the most grief but on occasion I would have ankle and foot problems as well.  But from there, I turned to photography which then turned me to modelling.  Dance found its own way back around into my life so I’m really happy with my decision to stop pursuing it.  Besides, the possibility of my getting permanently injured would have increased had I chosen to stick with it and that’s one of my biggest fears!

Q: You’re a very lithe woman and it translates to some athletic displays on stage. Do you have to work hard on your fitness and physique, or does burlesque and your extensive dance background help with keeping trim?

P: I will be completely honest and many will hate me for it but the body I have now is the body I had when I was fifteen (except maybe my hips are wider).  I have always been a long-legged, skinny, A-cup girl without ever trying.  Because this is how my body naturally is, I didn’t have any incentive to work out or eat healthy in order to stay fit.  I always worked out because I liked to dance and I’ll be honest, I wasn’t the healthiest eater either.  But in the past year or so I’ve become attracted to the idea of cardio, adding kale and spinach to my smoothies and eating more fruits and veggies for the sake of my health.  I start to feel anxious when I don’t get exercise so I jump rope or go swimming.  I hate weights and I hate running but a few laps around the mall or doing chores around the house are good enough for me to get my blood flowing.

Q: Do you have any Burlesque icons that you look up to, or people involved with the scene whose work you particularly enjoy?

 P: I look up to Dita Von Teese not because she’s a burlesque performer but because she is such a smart woman.  I am constantly reblogging/saving quotes of hers from interviews and whatnot because she sees the world in much the same way I do and I really love that about her.  As far as icons whose work I enjoy - Midnite Martini, Nikki Le Villain and Porcelain.  Midnite has choreography that will knock your socks off.  She is very inventive and that’s something I really respond to and look up to because of my own choreography background.  Nikki has this presence that could silence a room and she carries herself in such a glorious way.  And Porcelain is nothing but sex on a set of heels.  Her aura onstage is very erotic and I secretly want her hair.  Well, I guess it’s not so secret anymore.

Q: I understand you have some Burlesque festivals that you’re involved with, I’d love to know more about the scene. What’s happening in the world of tassels and tantalisation?

P: Well, I just performed at my first one in Boston, The Great Burlesque Exposition in April.  That was such an amazing experience and I am really excited to perform at a few others I have coming up.  There’s the Carolina Burlesque Festival in Charleston, SC in June and the most exciting one yet, The Toronto Burlesque Festival in July.  I’ve never been to Canada and once I perform there I can technically say I’m an international performer!  It’s not burlesque, but I will also be at Fetishcon in August with my performance troop, Succubus Sorority.  We put on shows with not only burlesque but a variety of talents including shibari, pole dancing, grinder acts, fire breathing/eating, poi, hoops and singing!

Q: Something else I had to ask you about are your wonderful tattoos. You have made some amazing choices in your art work, and they are so complimentary to your body. Can you talk a little about your pieces, and the decisions behind getting them? I especially love your lower midriff design, I’d love to know about that, and what is was like having it done.

P: Thank you!  My pelvic design was customized for me by Jeremy at Pygmalion’s in Greenfield, MA.  I’ve always had an affinity for steampunk and I met with him to discuss a design that would compliment my pubic bone and my hips without being “too much.”  I’m in love with the design he created.  It was hard to have it done because he had to pull the skin taut over my hip bones.  But he’s a great artist in general because he makes you feel at home and at ease even when he is working so close to private places.  :-)
As for the rest of my tattoos, I don’t want to go into each one too much but I’ll give a basic rundown:  A matching tattoo with my father (my first one), matching tattoo with my best friend, matching tattoo with my current boyfriend (don’t give me grief, it’s easy to cover), an homage to my childhood imagination, an homage to the belief and idea of soulmates and how they exist in this world, and a slightly altered design of a book cover of my number one favourite book, The Raw Shark Texts by Steven Hall.

Q: What projects have you got coming up in the near future that you can tell us about? Are you planning any photo shoots at all, or are you looking forward to a specific collaboration?

P: I JUST got back from a shoot with Viva Van Story and it was a dream come true!  I admired her work even before I was a model and I’ve been wanting to work with her for years.  As for upcoming work, I’m hoping to get together with local photographers to create images I can submit to various publications.  It’s my goal in 2012 to get published!  Also, I’m the owner and designer of MissPandorasBox, my costume line that I started this year.  It’s been on Etsy for a few months and my spike bra design has been selling very well!  I have about 8 more designs that I’m going to post hopefully next week.  My hopes and expectations for this project are very high so we’ll see how it goes…

Q: Finally can we end with Bernard Pivot’s questionnaire?

What is your favourite word? Balls, said as an expletive.  “Balls!  I can’t find my G string!”

What is your least favourite word? Panties.  Ironic, right?

What turns you on? Kisses, especially on my ears, neck, back and the backs of my thighs.

What turns you off? Bad breath and a big ego.

What sound or noise do you love? Good music, thunderstorms and the beach.

What sound or noise do you hate? Stupid people talking.  No, I take that back, that can be amusing sometimes.

What is your favourite curse word? Besides “balls”?  Fuck.

What profession other than your own would you like to attempt? Acting, which I’m starting to segue into.  Also, working with animals like lions and dolphins.

What profession would you not like to do? Janitor.

If heaven exists, what would you like to hear God say when you arrive at the pearly gates? “Your husband is waiting for you over there.  Feel free to do with him what you will.  Then, once you’re done the all-you-can-eat pasta buffet is to the left and all of Dita Von Teese’s costumes are to the right.  Enjoy.”

 

Once again, I was humbled by this interview. First of all having the opportunity to work on it with Pandora Von Kit, and secondly, at the quality of the finished piece (thanks to Pandora’s wonderful input). It’s an interview I will be eternally proud of, and I hope there are some readers that are as taken with this lady as I was that first time I witnessed her work. Please check out the links I’ll put below, and enjoy exploring Pandora’s world.

www.facebook.com/pandoravonkit 

www.succubussorority.com

http://pandoravonkit.tumblr.com

Image credits in order of appearance:

1)      Edward A Pinto

2)      Ron Tencati photography

3)      Lesley Arak

4)      Lesley Arak

The start of this month brought with it the brand spanking new second issue of SKIN. In celebration and promotion it is my distinct pleasure to offer this portal to the weird and wonderfully skewed world of a fantastic publication. Release day is always a source of immense pride for me personally; being part of the SKIN team, seeing my work next to some of the most exciting and interesting artists and commentators is an incredible privilege!

The debut issue of SKIN was a wonder to behold. In its first offering the magazine brought readers insights into amazing photography, intellectual comment and passionate musical mastery. In the second outing readers are in for even more, with a collection of quality contributions from outstanding individuals all pulling in the same delectable direction.

For my part, I have followed up my foot fetish piece from issue one, with a somewhat autobiographical exploration of Erotic Asphyxiation. It’s a piece that was a lot of fun to write, and I hope people will enjoy my thoughts and musings on the subject. Our fearless leader Carmin Conner has done fantastically well in recruiting fresh talents to this new issue of SKIN, and her interview with Photographer Herve Mudry kicks things off in epic style! The accompanying photographs to this interview are worth the price of admission alone (by the way, admission is zero as SKIN is a totally free publication), this Swiss born photographer captures form expertly, and his visionary ideas are laid out in envy educing clarity. Sheer erotic elegance to my eye and the interview gives precious insight into this man’s mind.

Also in issue two, there is a chance to delve into the realm of Drum and Base, with producer Jekyll being featured. With the added component of accompanying photographs from Sam Noble, this is a must read for fans of the genre and everyone interested in music production.

One of my favourite sections of this issue is the expose on Dark Brain Comics. It’s rare that you get such insight, and here that insight is into a remarkable company producing very interesting characters, stories and iconography. The “X-rated graphic novel” scene is new to me personally, but this surreal introduction is all I needed to delve deeper.

I won’t go into every piece within issue two of SKIN as I urge you to check it out for yourselves. Caleb Colton’s Diary of a Snuff Director is another highlight, as are the offerings from magazine creator Carmin Conner, who brings incredible writing tinged with her special brand of enthusiasm and wit. I can never speak highly enough of Carmin, a visionary and instigator of the creative process. Self motivated and a mistress of mirth and merriment with a distinctly erotic flavour. It is this ladies vision that has made SKIN a reality, and her continued endeavour that ensures the best results. I’ll always be thankful to her for bringing me along for this wild ride.

Below is a link where you can read SKIN completely free, get to know the team members and enjoy sporadic interviews and extra content. Please do enjoy and show your support.   

http://www.skin-mag.blogspot.co.uk

 

Image credits, copyright: Herve Mudry, Sam Noble, Dark Brain Comics.