Always wanted to write for a magazine...

My next piece is an article with an entertainer and model that I have been itching to publish for a long time. It took a while for our schedules to marry up, but I was thrilled to get the interview finished. The lady in question is one Venus Starr, a multitalented Australian native that has wowed me with her work ever since my first glimpse. A gloriously tattooed model, as well as burlesque and circus performer with a killer look and dedicated attitude. It was a great experience finding out about her passions, and it’s a joy to share those passions with you all.

There’s so much to talk about when it comes to your work Venus, what with your modelling, burlesque, circus performing, tattoo convention appearances, dancing etc… I thought we’d start with your fascination and involvement with circus performance. How did you get into that world? Were you not put off at all by the clowns?

I got into circus back in Australia. I lived with a bunch of circus girls; they were very inspiring. I have done dance, gymnastics, theatre and catwalk modelling most of my life. Circus seemed natural and I fell in love with it, it’s a little edgier and not as disciplined and boring as the world of dance. My work is modern circus contemporary, there are no clowns or bears or tigers sorry. I have never been afraid of clowns, I think that’s a strange fear; clowns are beautiful.

Your trapeze work is astounding, I love how you can contort yourself and achieve positions in the air that most people couldn’t on solid ground. Could you tell us a little about performing aerially, how long you’ve been doing it, and have you ever had any close calls while performing?

I have been performing for 10 years; I have had 2 falls and never broken a bone in my body. It’s a lifestyle and very hard work, not a hobby a lifestyle! I specialise in aerial silk. I don’t do trapeze much anymore. I used to do double swinging trapeze with another aerialist but we split, it was like a marriage to a sister, we were always arguing but fuck we were good.

Your dexterity while performing is something that I always pay attention to. May I ask if yoga plays a part in your preparations, and do you have a specific eating and exercise routine you need to stick to?

I eat healthy I am hard on myself and I run. I also like to drink party and be wild. Yes I do yoga, not religiously though.

Burlesque is an art form that has captivated me since I was first introduced to it. It’s a method of performance that is beyond theatrical, and is often misunderstood as purely erotic and sexual. What are your thoughts on Burlesque, and did you have any industry heroines before you got so involved?

Burlesque added edge to my circus skills. I combined circus and burlesque to create ‘neo burlesque’. But no, I had no one I looked up to with burlesque. Actually Miss Saturn from New York! She rocks.

When you’re performing burlesque, how much input do you have on music, choreography and costume? Is it all your own creative drive behind your shows?

All my own acts I create and choreograph, I design my costumes with my designer and they are custom made for me only. I also choose my own music and cut it with my sound guy so it can not be copied.
When I am hired for other roles or events that require a theme or for me to play a certain character then that is what I am there for, but all my Venus Starr stuff is mine. All mine.

Something I applaud you for and marvel at is your incorporation of the hula hoop in your shows. It’s a piece of apparatus that has been forgotten somewhat these days. What made you bring it into your act?

I trained hula hoop for years, I have a diploma in circus I went to circus school I incorporated hoop into my act because this is what I love and what I do. I like when a performer can incorporate a skill in a burlesque act. I get bored easy, it’s not hard to take your clothes off.

You not only utilise the hoop singularly, but also many at a time. What is your record for number of hoops if I may ask?

I can do 20-something in a bunch for a few rotations. This is a common question for me, but what will wow people is that it’s actually harder to do one hoop tricks than multiples.

I love the characters you become in your shows, weather it be a bandit in a bandana, or an exotic bird resplendent in plumage.  Where does your inspiration come from?

I am an artist I create my act, they come from somewhere in my crazy mind. I actually don’t know how I come up with them. My parents are both artists and creative so I guess I’m just gifted like that. I’m a creator.

I must move on to your modelling now Venus, even though I could talk about your performances for ages. What got you into modelling?

Modelling came out of performance art really and most of my life on the catwalk (my mum is a fashion designer). It seemed natural to follow that path, I know so many photographers so I couldn’t avoid it really. I love it, it’s so less strenuous than circus!

You’ve worked in a multitude of styles already, but can I ask what your favourite flavour of shoot is?

I like glam fetish, a little darker is more me but I am versatile. I think that’s what makes a great model, if you can be creative and flexible.

I’d love to talk about some of my favourite sets now if I may. Your circus inspired shoot with Sarah Mudle was terrific and such a unique idea for an alternative photo shoot. Where did the idea stem from?

The circus shoot with Sarah was my idea and Sarah had no experience in circus at all so I taught her those moves as we went along. She picked it up quick it was fun! What we were doing is called adagio or acro balance.

I also really enjoyed the sets you did in America with Andy Hartmark as well as AJ Photography. They were some very dramatic and atmospheric fashion/lingerie and fetish pictures. Is that a style you’d like to work with more in the future?

I love shooting with Andy Hartmark he is my fav, I have never been so in my element. We shot for 13 hours that day it seemed like 5 minutes. I will be shooting again with Andy this coming June!

In a more recent collaboration, your set with AJ Photography in that bath of pink liquid is extraordinary. What was that like to be a part of, and how was the picture created?

Again the pink bath was my idea, and it took a shit load of powdered milk and food colouring to get that bath looking like that. I shot that image for Empire Skate it is now on T shirts.

You must enjoy working with AJ Photography, and you create such splendid imagery together. What is the collaboration like?

AJ photography and I are very close friends and we create good work because I am completely myself and we just see the same vision. We are always on the same page it is really an unspoken understanding of each other and how we work. It just works.

You are also an esteemed tattoo model, and have some marvellous pieces of art on your body. I couldn’t interview without asking about them, so what was your very first tattoo?

First tattoo is now covered with a star on my hip; it was my star sign. Ew!

You’ve made some lovely choices in terms of your tattoos, I personally love your vibrant sleeves. Could you talk a little about any themes you may have for each sleeve, and how their completion is coming along?

My left sleeve is all female villains, original drawings by my tattooist Simon Morse. My latest tattoo was my hand tattoo of a rose by Lifestyle Tattoo.

Is there a portion of your body that you wouldn’t get tattooed for any reason?

I would never tattoo my face! However I think it looks pretty on others just not my style. 

All that’s left is Bernard Pivot’s questionnaire; would you be so kind Venus?

What is your favourite word? Don’t have one.
What is your least favourite word? Chuddy (Kiwi term for chewing-gum). 
What turns you on? A yummy smell on a man. 
What turns you off? Smokers. 
What is your favourite curse word? Fuck. 
What sound or noise do you love? My son laughing.
What sound or noise do you hate? Flies or mosquitoes. 
What profession other than your own would you like to attempt? Events manager or film director.

If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates? Love your shoes.

There is no doubting Venus’ love of her craft, she’s someone that lives and breathes performance and is quick to dispel misconceptions. I’ve learnt a lot through working on this interview, and chief amongst those lessons is how much I adore the work ethic and results Venus Starr stands for. She’s a talented lady that will go on to even greater and more entertaining things down the line. Keep your eyes on her, and do so by heading to the links below:

https://www.facebook.com/pages/Venus-Starr/211053272248479?fref=ts

http://www.youtube.com/user/MsVenusstar?feature=mhee

The images used in conjunction with this piece were submitted and okayed by Venus, and are the results of collaborations with: Brett Stanley photography, Miss T Pinups photography, Photography by Sharyn, Andy Hartmark, AJ photography, Directive photography, Paradox photography.

The beguiling Venus Starr is my next guest on the Alt Girl botherer blog. I’m very excited to share with you her astounding work and passionate attitude towards everything she does. A real personality, and such a cool performer. Stay tuned, our collaboration will be posted in the coming days. You won’t want to miss it! 

It was a struggle to review the last issue of FRONT to be honest. I actually got it done and posted on the day this current issue was released. I was left very uninspired by issue 180, even though it featured Rebecca Crow and Mel Clarke, two of my favourite FRONT models. This month’s FRONT however is a joy to talk about, with a lively Alt Girl shoot and an eye-opening kill list shoot. Here’s what I thought.

I greeted the cover image of issue 181 with some trepidation. Tasmin adorns the front of the magazine this month, with a secondary cover featuring… A MAN! I believe the first man to appear on the cover of FRONT, and not personally knowing much about Oli Sykes, I think it was very unnecessary. The mag has had other “Big Interviews” before, and with stars a lot bigger than Mr Sykes. Sure he’s got nice tattoos and dreamy eyes, I just wonder if he’s big enough to warrant such acclaim. I’d honestly never herd of him before, and while that says more about me than him, is he a big deal?  

Forgetting about the unfathomable Oli Sykes cover alternative, the fact that newcomer Tasmin got the cover just one issue after making her debut seemed a little strange. I wasn’t wowed by her spread in issue 180 if I’m honest, and I was surprised to see she was elevated to cover status so quickly, especially considering the fact that Seren is also in the shoot with her, but more on that later.

My first port of call in reviewing this issue is page 12 and the “reader’s shit” section. It’s my first port of call for a good reason: I got a picture selected and printed in the mag this month! It’s a doodle I did of the irrepressible Abbie Mac, attached to which was the message “get her back in the mag pronto”. I’m chuffed they liked it enough to print, and it looked good next to the other submissions. Let’s just hope they listen to my plea for an Abbie return.

Page 16 next, and one of the best “kill list” sets ever. I really do like it that much, and hold it in the highest regard amongst the material FRONT has produced. Natalie is a model I was unaware of prior to this issue of FRONT, she’s now a model whose work I’m scouring the internet for. Her first image may be slightly obscured by the page crease, but you still get a sense of a beautiful woman with a unique sense of style. Her blonde dreadlocks grab the attention, and her pert bottom thrust in the air is a close second. I love the purse of her lips in the shot, and her ever so feline eye peering out longingly. A great introduction that had me turning the page furiously to see more.

The quality of Natalie’s work continues throughout her spread, with my two favourite shots coming on page 18. I adore the attitude in her face and body in the pictures, from her funky hair right down to her toes seems to be positively charged with sleek sensual posture. Directly opposite we get a better glimpse at her face, and gorgeous cheek bones and eyes are masterfully enhanced by Becky Rule (hair and makeup). The image on page 19 is absolutely wonderful, with Natalie nonchalantly looking down, while grasping her breasts and tousling her hair. It’s effortless quality that to me shows real nous in front of camera.

We finish up with a side by side double page spread on 20 and 21. Natalie’s feline eyes are again a wonderful feature, as well as her pouty pink lips. A bite of the finger hints at the wildness I’m sure we’ll be treated to in future FRONT shoots, and the clothing selected really champions the work of the entire team on the shoot. I don’t usually talk about the styling and makeup on a FRONT shoot, but sometimes you’re treated to a shoot that just makes you happy, and encourages you to rhapsodise about every element. A terrific introduction to Natalie’s modelling; she’s someone I hope we see back in FRONT soon! A hearty cheer must also go to Chico Willard, the photographer who captured it all.

Other notable issue 181 occurrences prior to the Alt Girl shoot:

1) I never knew Marvel comics had created so many crap super villains. 2) After reading the Oli Sykes interview, I personally concluded that he didn’t need to have his own cover. 3) LOVED the shark juicer and the zombie cookie jar in the “splash your cash” section. 4) Why is Nick Grimshaw in FRONT?

And now on to the Alt Girl shoot. This month Portuguese model Anastacia is the focus of our attention, and what a wonderful choice she is. I actually spoke with Anastacia briefly about appearing on this blog many months ago. Sadly I didn’t get my arse in gear and make that happen, but I will certainly be doubling my efforts. This wonderfully tattooed purple haired petit picture of perfection is a great addition to FRONT’s stable of Alt Girls. The dialogue between Anastacia and photographer Gemma Edwards is clear to see, and the results are fabulous images where a sense of connection is achieved even when the model is not looking into camera. I particularly love the larger of the two images on 59 as it has so much to take in at once. First of all Anastacia’s gorgeous features, from her perfectly accented eyes, to her cute pierced nose (which I fell in love with straight away). Following down from her face we are introduced to a vibrantly colourful tattoo of a Russian doll. The story progresses through the wondrous “s” shape of her body, right past her perky bottom and down to her descending green leggings. The picture just works, and to say it speaks to me would be an understatement. I think we’re looking at a definite inclusion in the 2014 Alt Girl calendar.

Anastacia’s set finishes as strongly as it began, with the striptease culminating at the bottom of page 61. My favourite picture in the sequence is in the top left corner of 61, and sees Anastacia peering over her shoulder as her hair cascades over her face. Now over the shoulder looks are well used in FRONT for a reason, but there’s something even better about this version. Maybe it’s Anastacia’s tousled hair, perhaps the expression on her face, but it all amounts to a very alluring visage, and escalates the tease perfectly.

From the Alt Girl D.I.Y section there were a few lovely submissions. I like to gauge who might make a reappearance in future FRONT issues, and I think I’m doing okay with my predictions thus far. From issue 181 I’m not sure who we’ll see again, but I was impressed by the offerings from Ali, Frankie and K-Jey.

The featured shoot this month sees the return of Seren to FRONT pages. I was very surprised that her involvement wasn’t advertised on the cover of my issue. She appears at the top of the musical alternative cover, but it was a complete surprise to me when I saw her on page 75. Perhaps a missed step from FRONT, who surely should have cashed in on any cache Seren’s name/image may have. As a fan of her work and follower of her career, it’s always a pleasure to see her working with FRONT, the magazine that I first saw her in. However, this shoot, like a few others from FRONT recently, had a feeling of torch passing. Ever since Mel Clarke surrendered the solo cover status to newcomer Keshia, it’s seemed that FRONT are phasing out their well used models. Perhaps because they have better offers from the likes of FHM etc, but I’d like to think it’s a gesture from FRONT to bring on some new talent, and find those next flagship girls.

The initial trepidation when I saw Tasmin was back in FRONT one month after a lacklustre performance was eased slightly by her showing in this issue. I discovered previously unnoticed elements of Tasmin that I was very pleased to behold this time around, like her incredible dimples. She’s much more expressive in this shoot, and the “fuck you” vibe I got from her last effort is replaced by a very pretty smile, accompanied by awesome dimples. Another thing that I noticed for the first time during this shoot was the dandelion clock tattoo on her forearm. I’m not sure that’s what they’re called, but it’s a beautiful piece that I totally missed last month. My favourite shot of Tasmin comes on page 79, where she’s kneeling on a bed grabbing her feet and arching her back. Her hair has fallen over one eye, and her look off camera is very endearing. There’s a vulnerability that I didn’t get from her work in issue 180. It’s a slight shame she’s wearing a particularly baggy t-shirt, but the image still works wonders.

As for Seren, her best image in my opinion comes on the adjacent page 78. She’s tearing a SlipKnot t-shirt asunder, with hair flailing wildly and a lustful eye cast the viewer’s way. There’s a snarl on her lips that’s just amazing, and I think it’s a really powerful picture. With connotations of Clark Kent ripping open his suit, this super model once again shows her qualities, creating an image worthy of hanging on any wall.

This issue of FRONT has had a few highs that have really made me smile. Anastacia’s Alt Girl shoots was wonderful, and I’ll always remember issue 181 as my first introduction to Natalie’s work. The main feature again failed to live up to the other photo sets included in this month’s FRONT. I’m awaiting a featured model’s set that blows me away and stands out above everything else in the magazine. I’m hoping we haven’t got to wait until Alysha Nett’s next appearance to achieve that. A much improved issue from last month, providing reasons to be happy and enthusiastic. The one thing I will ask though is if anyone has more information about Natalie’s work, it would be very much appreciated. A second name to aid a Google search would be a start. Thanks in advance.

Positivity is a word that springs to mind when describing my next guest on the Alt Girl botherer blog. Today I’m delighted to be able to welcome the wondrous Temptation to my pages. I was first alerted to this magnificent model’s work via my facebook page; such stunning imagery, with powerful themes and emotions running throughout. To merely call Temptation a model would be a mistake, because along with superb images she also has a magnificent message. That message being everyone of us is beautiful, and we shouldn’t be shackled by anyone else’s idea of beauty. Talking with Temptation over the course of this interview has been an uplifting experience. I’ve so enjoyed researching her work, and so enjoyed putting this article together. I hope I am able to introduce some new fans to her work, and share her positive energy with all my readers.

Welcome Temptation. It’s great to be able to feature you on my blog. How are you doing today?
I’m doing great!! It has been an absolutely beautiful day today.

Model, artist, spokesperson, mentor, mother… I could go on and on about your amazing qualities Temptation. You’re a character and personality that I had to feature on my pages. I reached out to you after being introduced to your modelling, but there is so much to talk about in this piece. I’ll jump right in and ask where the “character” of Temptation comes from? Who is this positive and powerful woman in the photographs?
“Temptation” comes from a place where I used to want to be. I wanted to be desired, wanted, yet not in the way most may take that statement. I didn’t want men to drool over me or write me dirty messages, but I wanted to be wanted. I wanted people to look at my photos and be ‘Tempted’ to put themselves out there. I wanted them to be ‘Tempted’ to show off their curves, their bodies to the world. I wanted them to be ‘Tempted’ to be bold and believe in their beauty. As I started to believe in myself and my beauty, I became more confident. I started to believe in the power within myself, the power I had to convey true confidence and self worth to others that may be lacking in those areas. 
When did your modelling journey begin? What was it that made you step in front of the camera that first time, and did you have any idea what to expect or where you wanted to go in the industry?                                                                My journey started back in 2010. I was feeling down and just really low about myself. I was trying to recover from a really bad eating disorder that I had and was having a pretty hard time. My sister has always wanted to be a photographer and the day she got her own pro camera she asked to take some photos of me. At first, I was a bit standoffish but I did it. I didn’t do it for her, or for me. I did it for other women struggling with the same issues. We looked over the photos and I was in pure shock. I LOVED them!!! They were beautiful and AMAZING! I was so proud of both of us. We continued to do these random shoots to build both of our skills and portfolios; little did I know it was also building my confidence. I started submitting my photos to different places but never thought I’d be where I am now!! Featured in 5 magazines, a few runway shows and a bunch of online publications!!!

You’ve been in the industry for over two years now, what can you remember from those first few shoots? What emotions did you experience in the lead up to your first shoot and how do you think those pictures turned out?
Oh geez!! I was soooo nervous!! It was so scary and I couldn’t really believe I was even doing it. I remember just thinking “Be pretty” “Loosen up” “Suck in your stomach” “Push out your booty” lol So many different things running through my mind. The photos actually turned out alright. They were for the NOH8 movement for gay/lesbian/bisexual/transgendered rights and I had a few featured on some different websites!

How do you feel about them term plus size model? Is it a title that bothers you as you make your way in your career, or is it more a badge of honour you wear that makes you stand out from the pack?
Well, I actually get this question a lot. The answer is simple, I am proud. I love who I am. Unlike the girl I was during my first few shoots, I love ME. I love my curves, my shape, my body… everything. And the fact of the matter is, I AM plus sized. I am curvy, I am a BBW, I am ME. I don’t mind being labelled as any of these things and when people see me doing what I do, they do see me as “That plus sized model, Temptation” and it doesn’t bother me one bit!

You’re as dextrous and agile as any model, and the body positions you’re able to achieve are wonderful. Do you do a lot of work on flexibility and posing?
I was a cheerleader for about 6 years in my teens and I’ve been able to hold on to a lot of my flexibility which is highly beneficial in my shoots actually. But, I do stretch as part of my routine before getting dressed for a shoot, just in case. I guess I never really have an exact plan of what I’m going to do, or how I’m going to pose during a shoot until I’m there and in the moment. But, I love the crazy, different poses that require a lot of skill and flexibility. 

I’ve noticed that emotion is an important weapon for you when you’re working. It’s incredible to watch you convey such strong feelings in a single frame. Do you have any performance background at all, any theatre or dramatic experience that you draw on while working?
No, I actually don’t. I am a very emotional person that can connect with any other emotion, feeling or situation presented to me, which definitely benefits me in my shoots. I’ve had shoots that are happy, where I’m literally smiling from ear to ear because of how the setting makes me feel, or shoots where the tears that you see are real because the concept of the shoot is so strong, and I literally feel all of it. I just try to feed off of the photographer, concept and situation. 

Such emotion is particularly evident in your “Kiss me to Death” shoot. This set has a real narrative to it, and every shot from it tells a story. Could you tell us a little more about that shoot? Was it a difficult state of mind to get into while shooting? What was the day like for you?
That shoot is very deep and personal for me. Someone that I love very much and was very close to is highly into drugs and is an alcoholic. They have hurt me a lot over the years but have hurt themselves even more. That shoot was to show what those things can do to you. I was drowning in the water, with a bunch of alcohol around me, wilted and dead rose petals in the water, money at the bottom of the tub and white powder on a glass tray. At first I had to take a few minutes to pull myself together because it was so powerful but once I did, my main focus was to save someone. Show them exactly how they could feel if they went down that road and by me actually living through it I was able to portray my own personal story along with these photos. It was a really emotional day, but soooo worth it!

Lush Moments Photography is a company that you have worked a number of shoots with. What is your relationship like with the guys over there? Do you bounce ideas off one another, or are you more their muse?
I have an AMAZING relationship with them. The company is actually owned by my sister and they are my favourite. We have both grown so much in a professional and personal manner. She is an awesome person and her work is ridiculously amazing!!!!! We work together on concepts and she always takes my opinion into consideration when planning shoots.

You’ve spoken many times about how you use the negativity of the world around you to get into certain moods to aid a shoot. The views and opinions within the modelling industry seem to feature regularly in your work. Can I ask what you think of the business today? Do you think there is enough equality in terms of representing different shapes, sizes and people?
Today, things are actually evolving. In the industry plus size women, clothing, shapes, sizes are coming more to the front of things, and people are starting to take notice of them. With that said, society as we know it is completely different. There are definitely people that think like I do, they have the “everyone is beautiful” state of mind but there are more of those that don’t have that quality. There is more hate that has to do with size than anything as of right now and it is heartbreaking but that is the reason I do this. I put myself out there so others can see that it is okay. It’s okay to be you and to love yourself regardless of your size, race, gender, sexual orientation, anything. I don’t know if there is enough equality as of now, but I do think we’re on our way there!
 You’ve been featured in a number of publications already Temptation, most notably Very Full Figured Magazine and Curvi Magazine. Publication and celebration is a goal for models today. What is it like for you when you see yourself in print or on sites, how do you feel knowing your work has inspired so many people?                                                                                      

Wow, well first of all it feels AMAZING. It is the best feeling to open a magazine and there I am! lol But, more than just feeling great because I’m showing the world my beauty, I feel great because I’m once again showing girls that look like me that it is okay to be you regardless. 

You’re based in Vegas, and as a foreigner over here in the UK when I think Vegas I think showgirls and burlesque. Would you say you have something of the Vegas showgirl in you? Do your surroundings influence your art at all, and what is it like living and working in the neon city?
I don’t think I have the ‘showgirl’ in me that most do, but I do think that Vegas influences and more so inspires my work. It is such a huge place with tons of opportunity and different places to shoot and work. I love it! 

There’s a distinctive message in some of your shoots Temptation, and you’re passionate in your dedication to showcasing the beauty in the world. I love how vehemently you appose negativity about appearance and weight. Is it a hard battle to face, or does the positive response your campaign generates help keep you going?
The positivity that I generate from my work and fans is so much motivation and is such a huge push that it cancels out the negativity for sure! Don’t get me wrong, I definitely get my share of hate mail but I rarely read it and I never let it affect or get to me. I love my fans!

Cosmetology is another avenue for your creativity, is it a skill that has influenced your career? Have you ever been inspired to shoot based on a technique or style you’ve created with make-up?
Oh for sure!! At the beginning I did my own make up for every shoot and actually did make up/hair for a few other plus size models. I feel like the creative side of me that loves cosmetology has played a huge part in my success. 

Do you do your own hair and make-up for shoots now? Or is it a joy to have it done for you sometimes?
It’s awesome having it done for me for once, since I spend so much time making others beautiful, but I do like to do it myself sometimes! Guess I’m kind of picky.

Another set of yours that I adore is the work you’ve done with Jessica Nichole. Particularly involving the styling and wardrobe choices of Kelley Palmer. In the pictures there is a distinct retro feel, and the style is very vintage indeed. Was that a fun shoot to be a part of; is the vintage style something you enjoy working within?
I love it!! People tell me all of the time that I should have been born in the 50’s because I love that style so much!! It was so much fun and they are both such joys to work with!

From all of your past shoots, is there a theme or style that you haven’t yet indulged in that you would really love to?
Hmm, fetish I think. I just got a few different latex items and corsets in the mail today, so I would love to shoot in those. Besides that, maybe something completely opposite and more commercial.

Yet another thing that impresses me about you and your work Temptation, is your willingness to give back and pass on your experiences. Conducting modelling workshops and speaking about your own trials and tribulations in the industry is something you’re dedicated to. What do you get out of those sessions, and where do you see that classes going? Perhaps a road show?
I get a lot of them! I feel like, if I can pass on my knowledge to another woman and help her get started in the industry, or just help her have a day where she’s pampered and made to feel beautiful, then my job is complete. I would LOVE to take Plus Size Dreams Workshop on tour eventually. That would be so much fun!

I couldn’t interview you without talking about a set of yours I refer to as “the body graffiti set”. These are the pictures where you have words such as “ugly” and “worthless” written on your skin. They are very powerful images, with a strong message behind them. Can I ask where the idea for this shoot came from? I already know it took a lot out of you to shoot, but would you revisit those emotions and tell us about posing with those words on you?                          The shoot idea came from me, I came up with the concept after I got the worst piece of hate mail I’ve gotten yet. It was horrible and although I am confident and know none of that is true, it made me sad that there were people that ignorant out there that really thought that way. So I pitched the idea to Lush Moments and we started working on it. The day of the shoot as the make up started being caked on to show a black eye, and my hair was ratted, the emotions started. It was painful to see myself look beat and battered but then the words started to get painted on my body and the tears started to flow down my cheeks. It wasn’t because I was hurt personally but I started to feel the hurt and pain from other girls. It was horrific. I felt for them and it hurt. When the second shot came around and I was able to get those words crossed off and the word “Beautiful” painted across my chest, I felt a sense of relief. I could breathe and I looked in the mirror as I have done many many times before and said “You are beautiful and you are worth it” 

The complete antithesis of the beginning of that shoot is the tattoos you actually have on your body now. There are some truly beautiful pieces, and inspiring messages. I know you must get asked about them all the time, but could you shed some light on some of your favourite designs, and what they mean to you?
Well, I have my sons name on my back which isn’t the prettiest but means a lot to me because he is my world. I also have a rose with my Mom’s name, angel wings with my baby sisters’ names, and a crown that represents my Mom’s maiden name “Crownover”. But, my favourite is my chest tattoo that says “You may think I’ve changed but I’ve just found myself” it is accompanied by a sparrow on each side that represents freedom. 

Lastly, before I let you go. It’s clear that your fans mean a great deal to you. You celebrate them on your pages, and love their feedback and interaction. Do you have a message for all of your supporters out there?
Yes, as I always tell you guys… I love you all. You area all beautiful and I believe in every single one of you. I appreciate the love and support that you have all shown me in the past few years, and I can’t image not having all of you by my side. I love sharing my journey with you so hold on, the ride isn’t over yet!!!

What projects are you working on at the moment? Where might fans be able to see your work in the near future?
I have a lot of different concepts and ideas to pitch but nothing set in stone yet except a wet shoot and a fetish shoot. But I’m always open for fan suggestions!!!

Can we please end with Bernard Pivot’s questionnaire:
What is your favourite word? Inspire
What is your least favourite word? Failure
What turns you on? Strength, Motivation, Courage
What turns you off? Laziness, bad hygiene
What is your favourite curse word? Tehehee, I curse A LOT. Uhm, I say F**K a lot. lol 
What sound or noise do you love? My son’s laugh, and my girlfriends voice
What sound or noise do you hate? My alarm in the morning! lol
What profession other than your own would you like to attempt? Well, I’ve already accomplished Cosmetology and I’m 1 month away from graduating Medical Assisting school, so who knows!
What profession would you not like to do? Hmm… I would hate to be a chef, or maid. lol Guess I’m not the housewife type
If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates? “Welcome home, thank you for exhausting all outlets I gave you… Now enjoy your destiny, you deserve it”

It was a real treat to be able to feature Temptation and her work on my blog. I can’t thank her enough for her enthusiasm and help putting the piece together. I’m honoured to be featuring her wonderful imagery and opinions here, and urge everyone to visit the link below for more information:

http://www.facebook.com/pages/TEMPTATiON/144760672292105

http://msgrimes78.wix.com/curvifall2012#!curvi-beauty-jessica-palmer/cklj

It’s been a bit of a hiatus for me in terms of reviewing FRONT. I haven’t posted my thoughts on an issue since before Christmas. Some of that has been out of my hands, working abroad over Christmas meant I missed the first issue of 2013, but some of the reason has been down to being slightly jaded. A small portion of me looked at the start that FRONT has made to 2013 and thought “twelve months of the same thing?” Even with issue 178 in my possession (just the Rosie Jones cover) I couldn’t bring myself to really get into the magazine. This immediately gave me pause for thought. With Rosie being one of my favourite FRONT females, if I couldn’t get excited about an issue with her on the cover, when would I ever get excited? Despite another cracking Rose duet (this time with Holly), and an amazing “Kill List” offering from the destined for further greatness Rebecca Crow, issue 178 passed me by…

However, with renewed vigour, I am attacking issue 179 with trademark Alt Girl botherer spirit, and trying to revive my appreciation for FRONT magazine in 2013. It started off superbly. Not only is Arabella on the cover this month, but way up to the right, written tiny in the corner, there’s the promise of “new girls”. The end of 2012 brought with it a stellar issue of FRONT which I refer to as the Alt Girl party issue. One of the best editions of FRONT to date, and wholly focussed on new talent, with past Alt Girls (Keshia, Chelsea, Abbie Mac, etc) stealing the limelight from whomever that month’s featured model was. I took this to mean that 2013 would see a shift in power and girls like Abbie and Chelsea would have grander opportunities past page 60 (Alt Girl territory). This would leave the Alt Girl section free for fresh talent to progress the publication, and make new stars for tomorrow. While Arabella’s appearance as cover girl nixed the idea that a new face would be trusted, I was uplifted by the promise of “new girls” within.

As this is the first issue I’ve reviewed in 2013, I wanted to mention how pleased I am with the “Readers’ Shit” section. It’s great to see that FRONT has changed the mood of the arty bit of the mag, and are now featuring quality work, and leaving out all the insults. I know the insults were ingrained in FRONT’s ethos, but sometimes they were pretty harsh on some bloody talented folks. I’m glad it’s more of a celebration section now. My clear favourite is the picture of the mighty Yazz by Melissa. Awesome.

The first model feature is with Summer, a new contributor to FRONT and undoubtedly an incredible beauty. Perfect skin and an expert practitioner of the back arch, but Summer didn’t really set my world on fire. The “Full Frontal” section, as it was, usually showcased the edgier more adventurous shoots in the mag that month. Now redubbed the “Kill List” I don’t see the same ideals being upheld. Again, I must stress that Summer is a mindblowingly gorgeous lady, and her double page spread that ends the feature on pages 20 and 21 is a highlight. However, I don’t really see what made her FRONT material. It’s not enough to just always have petit white females guys. Surely there has to be some edge, or something ALTERNATIVE to the girls featured. Or is that just me?

Moving on, I love the collaboration of FRONT and Sin Star (seen on page 22/23). Some fantastic tees have been produced, and I for one will be purchasing my Seren shirt post haste… They’re unisex right?

Hannah Martin continues her appearances in the “Tested” section of the mag on page 42. Hannah has been a sort of Marmite model for FRONT over the years, with people either loving or not being fussed on her work. It’s great to see her back, the last I heard she was doing well on the phone-in girl channels, but her cameo in this and the last issue were nice reminders of FRONT’s past. I don’t know if this is a hint at a return to feature model status for Hannah, but if it is, there had better be a kick-ass premise lined up; because we’ve seen lost of Hannah’s work and it doesn’t vary majorly.

Stuff I want from the “Stuff” section: That army man bottle opener and those bullet ear buds.

Gemma Edwards made her return to the Alt Girl section photography duties this month, and while Ed Godden did a good job last month, it was a pleasure to see Gemma back. I was also excited by new girl Seany, who I thought did marvellously in her debut appearance. I got a preview of the shots on facebook before I bought my copy, and was actually inspired to part with my money based on the sneak peek at these images alone. Seany is a very welcome addition to the FRONT family, and I really hope she reappears.

In customary Alt Girl fashion, we are treated to a striptease guide around (I guess) Seany’s bedroom. I love how the shots are lit, and we’re treated to every facet of the model’s wonderful display. From the selection of imagery on pages 54 and 55, I think the display of flexibility at the top right corner of 55 is my favourite. But look quickly at these pictures and you’ll miss some very interesting details. The intricacy of Seany’s tattoos for one, and her ever so subtle nose ring for another. The photographer’s attention to detail, framing, and of course Seany’s wonderful performance are a joy. Well worth ruminating on for a while.

Pages 56 and 57 continue the strip down. The transition of disrobing tells its own story, but so too does Seany’s performance. She visibly gets more and more comfortable as the shoot goes on, and fantastic images are the result. I really enjoyed her incredible smile and body shape in the last shot of 57, but even more tantalising is the shot that precedes it on the same page. As Seany removes her last item of clothing, the indentation of her underwear accentuates her curvaceous posterior, and really adds some intrigue to what might have been an overlooked shot.

Overall there is some terrific work from both model and photographer in this series. I know I frequently wax lyrical about Gemma’s work for FRONT, but it’s with obvious reason. Such masterful staging and positioning is a talent that always elevates implied nude shoots. It’s the very reason that I find implied work that much more fascinating than topless. Great work that once again threatens the main model shoot for superiority.

The Alt Girl D.I.Y section is a big let down for me personally. Again, I’m not besmirching the girls featured at all, they are all stunning and I wish them every success. But there are at least four interchangeable models in there, taking up spaces that could surely be used by more interesting girls? I alluded to it earlier, petit, blonde, a hint of a tattoo… This shouldn’t automatically grant you a place in FRONT. There must be more suitable/interesting/different entries sent in? Or am I just out of touch with the rest of the readership?

Leaping from model set to model set, we come to Arabella’s contribution to the issue. Who doesn’t love Arabella? Out of all the FRONT females that have graced the mag’s pages, I don’t think I’ve ever heard a bad word about her work. Rightfully so I might add. Not only an incredibly attractive lady, but with a real edge and vibrancy to her. Not to mention a killer sense of humour, as witnessed in her weekly column. If there is a downside for me with this set though, it’s that I really don’t get the whole fascination with trainers. I know I’m in the minority here, and FRONT has been putting sexy women in fancy “sneakers” for years, but does it still make for a good shoot after so many versions of the same theme?

It’s a personal quibble I admit. Not being mad on trainers shouldn’t preclude me from enjoying the set, but it does a bit. Particularly when it’s Arabella in the trainers, as I’m sure she’s done something extremely similar for FRONT in the past. Am I wrong? It may not have been such a blatant sneaker showcase previously, but I really get the impression her feet and what’s on them have been the focus more than once before. But anyway…

A sultry look to camera works wonders in her first shot on page 81. I love how her lashes are accentuated, and her hair falls haphazardly across her breasts. With an arm extended we get a glimpse of her now trademark ink, but this image is all about her eyes. They drew me in, and I turned the page expectedly…

On page 83 there is a great shot with Arabella’s tilted head looking off camera and she’s bathed in hazy sunlight. I’m not sure if I’m such a fan of this shot because there’s no trainers in it (petty I know), or if it’s the slight scowl on the model’s face. I am a sucker for a scowl. On pages 84 and 85 we get a microcosm of what this shoot is all about. Firstly, blasphemously, trainers cover fifty percent of Arabella’s face. An obstruction I could do without. Along with the shoes, the second feature of the set is obvious. That being Arabella’s backside. It’s one of the best backsides in the business, and deservedly showcased, but this double page spread takes too much away from Arabella for me. It’s like a shoe advert with added ass (a theme that runs from here on in).

There’s something special about Arabella decked out in running-ish gear on 86. I’m not 100% sure what it is, but maybe the completely alien costume is part of it. We don’t regularly see Arabella being sporty, and maybe it’s a consideration for future shoots? The classic “trainers tied across the shoulders and draped over boobs shot” is seen on 87. The number of girls who took the same picture of themselves in the instagram feature on pages 26 and 27 might hint at how played out it is. But I am a fan of the lip bite that Arabella adds.

The set ends on pages 92 and 93 with a double spread. I was actually impressed with this shot as it’s something a little inventive. The semicircle of trainers with Arabella’s feet in different ones… It’s different, and kudos go to whoever though it up. The playful biting of the lace adds a nice touch from Arabella, and of course her perfect skin and figure are a constant source of happy throughout.

Last impressions and little things from the issue: What a waste of ice cream in the shower gel feature on page 116. I really liked Seain Way’s tattoo on page 121. Loved the model in the Pieute Clothing advert on page 132… I think that’s everything.

A mixed bag of an issue as is regularly the case these days. Also regularly the case is the Alt Girl section’s superiority. I would have enjoyed Arabella’s shoot more if the theme or concept was something new. But again, that’s another regular gripe I have with FRONT features (last time, Rosie Jones draped in Americana. It’s been done countless times). For my first 2013 review I feel a little deflated with the issue. But I had a blast writing it, and as always, these are just my opinions. My reviews are designed to improve a magazine I’ve read for years, not just badmouth it. So I hope my thoughts are appreciated and my views are taken as they are meant… which is constructively.

Thanks.    

Today’s interview features a model I’ve been wanting to showcase on this page for a long time. She’s produced some electrifying images already in her career, and her assault on our senses shows no sign of stopping in 2013. Jessica Kittredge is an American based model and professional cosmetologist. Her work first caught my eye in a promo for Diamond Dolls Ink, where both her exquisite tattoos and beauty grabbed my attention. Upon further research I discovered an artist with a talent for inventive, emotive pictures that tell their own unique story. Jessica is wonderful at portraying not only rampant sex appeal, but also artfully constructed poses and well thought out photographical themes. She was hard to track down in the beginning due to her hectic shooting schedule, but I’m delighted she was able to fit in an interview and share her sublime work with us all.

 

I’ve delighted in the images you’ve produced from your modelling work Jessica, may I ask how you got into the business, and what were your first few shoots like? My mom spent a short time modeling and I always admired her portfolio. You could say I started modeling as a kid with the typical mall fashion show and beauty pageant scene. I’ve always wanted to be in the entertainment industry and modeling has always been a big desire of mine. In high school I attended a couple model searches and took modeling classes from an agency where I also did my first professional photoshoots. I was soooo nervous but it was the most fun I’d ever had and I was hooked!
Did you know what to expect when you started out? Would you say the industry is welcoming to new talents? Fortunately, because of the training I did know what to expect. I think the industry is welcoming to a point. I think there are so many girls now trying to get into this industry, and because of social networking it is fairly easy to do so. However, it’s also easier to receive criticism and negativity because of it. If you don’t have the backbone, it’s easy to get discouraged.

You’re an extremely varied model, working within multiple styles and types of shoot. Is it important for an alternative model like yourself to be open and able to adapt to a changing industry? I think that’s important no matter what industry you’re in. If you want to stay popular you have to stay relevant, and that means changing with the times. For me it’s always important to push myself further and think bigger. I don’t want to look at a million of the same photos of myself and I don’t expect others to either. I think my work speaks for itself on this one. If you looked at a timeline of my photos, you’ll see that not only the modelling/photography styles vary, but also my personal style. I have a very eclectic personality which helps my modeling a lot, but I know exactly who I am inside and that never changes.
How do you go about finding these incredible working partnerships? Is there a lot of networking involved, or are you in the wonderful position of having photographers contacting you? Definitely both. Lots and lots of computer networking time goes into being a model. Reaching out to photographers in the genre that you’re interested in (and can help boost your career) is a constant. When a photographer contacts you it is definitely flattering. Once you establish a relationship/connection with a photographer, and you can continually put out work, that’s ideal.
Let’s talk in more detail about your work. There’s a lovely contrast in two shoots you’ve done with Erwin photography and Andry S photography. Your images with Erwin are wonderful, and full of attitude and passion, while shoots with Andry S are so elegant and beautifully executed. I know these shoots weren’t undertaken at the same time, but how do you change your mindset from shoot to shoot? Do you go into a job aiming for a certain outcome, or is it more improvisational? I definitely study the photographer’s work that I’m about to shoot with, learning what they do and deciding how to put my flair into it. Sometimes you have an exact directive; sometimes you see where the mood takes you. Ultimately, the feel of the photo hugely resembles the editing style of the photographer. I do prefer to go into a shoot with a purpose. I want my photos to say something or tell a story, not just to work my posing skills and look pretty.

You’re involved with the Diamond Dolls ink, and it really seems like a family over there. Is it a positive and creative place to be? What is your relationship with the other artists in the company? Diamond Dolls Ink has been an incredible group to be a part of. The girls are beautiful, strong, independent, and inspirational. We have grown so much since I joined in January 2012. I haven’t had the opportunity to meet everyone, but we constantly network and bounce ideas off each other. I enjoy working with the others girls so much and can’t wait to continue to build friendships.

As I’ve mentioned, you’ve worked in various different genres of alternative modelling, from lingerie and fetish to more fashion and glamour based work. What may I ask is your favourite style in which you have shot? Honestly I tend to lean towards a more natural style. I’m a bit of a hippie at heart and I like to portray more raw emotion than just strictly sex appeal. I do however enjoy the art of high fashion and would love to do more of that style.
You have a very artistic eye, and have expressed an interest in the work of Robert Alvarado and other very talented individuals. How would you like to add to your portfolio in the future Jessica? Is there a particular shoot idea or theme you would love to be involved with? Alvarado’s work is stunning; any model shot by him is bound to look flawless. I guess I kind of answered that in the question above. I actually really enjoy keeping my clothes on for shoots; I’m very open to concepts, anything new, different, and weird. I’m usually down for anything as long as it doesn’t compromise my values.
Speaking of artistic, you have some exquisite artwork on your body. I know you must get asked all the time, but I’d love to talk tattoos with you now Jessica. When did you get your first design, and what was it of? My first tattoo is a small heart with the word love on the front of my right hip that I drew myself. It’s simple but something I knew I’d always believe in.
You’ve described yourself as addicted to tattoos, what would you say is the most addictive aspect? Is it getting a new beautiful design, or is it the pain factor that you find addictive? Both; I kinda hate jewellery so it’s a great way to permanently accessorize! Realistically, the pain is extremely therapeutic for me, as well as the release of being able to tell my story through my artwork.
You have some very interesting images on your body, I love your wonderfully pretty right sleeve, and your left hand tattoo is very cool indeed. I would love to ask about every piece you’ve had done, but I understand that could take a long time. Could you talk a little about your left hand tattoo please Jessica, and what was behind the decision to get it? Ha that is one of the only tattoos that I got for no other reason than I liked the way it looked and thought it would be great on my hand! She’s cute with the hoops and rockabilly style. My right sleeve however has a lot more meaning and represents my family.
You’ve also got some script on your forearm, would you mind telling us what that says Jessica, and the meaning behind such a phrase? That is the first larger, more visible piece I got. It says “Dance to live, live to die.” I was a dancer for 21 years, tap, ballet, hip hop, contemporary, jazz, you name it. I also taught dance for about 10 years and even owned my own dance studio for 2. Dance and music are in my soul, they’re who I am. Ask anyone who knows me well; if I ruled the world, everyday would be a musical!

Finally on tattoos, you have quite a lot of coverage already, but I’m sure you’d like more and more. What comes first for you when getting inked; is it the design, or is it placement? What have you got planned for other parts of your body? Mostly design. I have a folder full of ideas for pretty much my whole body! I’m hoping to start my back piece finally, which is a very personal design. It’s going to include a lot of elements: trees, dancing, flying and some script. I’m very excited to start working on it.
Back to modelling if we could now Jessica. In your images I see that you can be deadly serious about your work and produce really deep imagery, but you also are able to lighten up and have fun on a set. Is modelling fun, or are there many stresses and strains that outsiders may not realise? Of course its fun! You get to dress up and be someone new with every outfit. But there is definitely more to it than people not in the industry may not realize. Constantly reinventing yourself to keep up takes a lot of work, and the act of modeling is quite straining on the body.
As well as modelling you are also a stylist and work with hair. Did you go to school to learn this talent? Is there a style or “era of hair” that you most appreciate? I am a licensed, professional cosmetologist which you absolutely have to go to school for! Legally, someone is not supposed to do hair in any form if they have not gone to school and received a license. I have studied a lot of vintage hairstyling which I love to do, anything 20s-50s inspired, love it! When it comes to my personal style, like I said before I have a very eclectic personality; constantly changing and trying new things with my hair and clothes. I go from pin up to hippie to rock… I don’t fit in any particular box.

Could you share with us what projects you have coming up in the near future Jessica? Where can fans of your work see you next, and who might you be working with in 2013? I’m hoping to be seen a lot more in 2013. I already have some big publications coming out soon, and a couple shoots planned that are also promised to publications. Bigger and better is always the goal! I’m lucky enough to have the opportunity to work with some well established and respected photographers whose work is widely seen, but I would also love to work with some new ones.

Finally Jessica, could we please end with Bernard Pivot’s questionnaire?
What is your favourite word? Obscure (it’s tattooed in Chinese characters on my back)
What is your least favourite word? Can’t
What turns you on? Someone who has the urge and drive to be better and do more; always growing, always searching
What turns you off? Neediness, dependency
What sound or noise do you love? Florence Welch’s voice
What sound or noise do you hate? Whining
What is your favourite curse word? Cunt (see the Vagina Monologues)
What profession other than your own would you like to attempt? Singing
What profession would you not like to do? Anything that keeps me from being my own boss and independent
If heaven exists, what would you like to hear God say when you arrive at the pearly gates? I forgive you

Jessica was a joy to work with on this project and I thank her most sincerely for the effort she put into the piece. I loved learning more about her beginnings in the industry, and giving her terrific work a little more background for new fans. I will continue to enjoy following her career as I have over the past many months, and I know she’s going to have wonderful treats in store for us all in 2013.

 

The pictures featured in this piece were provided by Jessica and are the product of collaborations with the following photographers (in order of appearance): Keith Selle, Gary Roberts, Andrey S, To Huynh, Keith Selle.

It’s been a real Cosplay Christmas thus far on the Alt Girl botherer blog, and I couldn’t be happier. Today’s interview contribution comes courtesy of a lady who is both serious and sublime when it comes to Cosplay. Her name is Freddie Nova, a cosplayer from the States who regularly thrills conventions and photo shoots with her immense creations. A recycled and repurposed costumer with a flair for taking random and household items and turning them into visually stunning representations of comic book heroes and villains. I’ve never worked with someone who has immersed themselves so much in the cosplay realm, and someone with the sheer volume of costumes and experience. I was first introduced to Miss Nova’s work via the Women of Comicbook Cosplay blog. After that initial introduction, I found myself lost in a world of creativity, dedication to craft and attention to detail. Miss Nova is a wonder to feature on this blog. She not only produces immaculate costumed pictures, but she’s also gloriously tattooed, and driven to revel in and share her passions. I hope you enjoy this piece put together over the last week or so. It was great to work on.

 

Welcome to my blog Miss Freddie Nova. I’m really looking forward to featuring you and your wonderful creations. How are you doing today?

SUPER! ;)

I’ve recently been immersing myself in your cosplay work while researching this interview. It’s been an incredible experience, and one that inspires me personally to revel more in the things I enjoy from fantasy and fiction. For you, is cosplay homage, escapism, fantasy fulfilment, a way of showcasing creativity, all or none of the above?

Certainly All the Above! I love the challenge of recreating fictional characters and bringing them to life, but I also do it to share with others that share the same passions and interests as me. I’ve made 1,000s of amazing connections and friends as a result.

Every cosplayer has his or her own formative inspirations. What was it for you growing up as a child? What characters and stories transported you away in your youth?

17 years ago I already had a large vampire novel collection and started buying the comics, then branched off in all directions of comics. I started reading Sandman, and while internet searching his lil sister Death, came across Lady Death which was my first costume I put together 15 years ago, and still my favorite to this day with 5 different versions I’ve done. I also happen to be a big Batman, Sin City, Cry for Dawn, Witchblade, Infinity Gauntlet, Red Son and Kingdom Come fan.  

From our brief interaction, I am already very well aware that you have some strong feelings on the cosplay scene today. With more and more people investing in costly materials and prosthetics for their cosplay hobby, could you share your opinions on where cosplay might be heading in the future?

With Nerd suddenly becoming the new black, cosplay has become a rapidly growing niche. And with TV series based on SPFX it’s suddenly become a major trend with the growing popularity. The upside to using pro materials; we are seeing lots more intense and elaborate costumes to drool over, and I’m all for it if you can afford it. But the downside; commissioning these VERY expensive costumes takes some of the fun out of the crafting and DIY appreciation. It also boggles my mind a little to hear new cosplayers complaining that they are broke and can’t afford to spend any money at the Cons (hurting the vendors) but have to save up to pay the $700 commission piece. It bums me out a little that they don’t apply themselves to learning how to sew or build some of it themselves, cause an immense amount of pride and accomplishment comes with that, adding more to the whole Con experience.

You’re a recycled and repurposed cosplayer yourself, using discarded materials in many of your works of costume artistry. What are the pluses and minuses in your approach to costuming? Is sourcing materials and getting the right feel in a piece a challenge you relish?

There is one hell of a MASSIVE PLUS to my method…It’s WAY affordable! I rarely build a costume over $130; so I never feel guilty over only wearing each one a couple times before moving on, or by making over 40 costumes and counting. It’s also like a fun scavenger hunt to scour the isles of Hardware stores, Craft stores, thrift stores and eBay for just the right shaped items to customize into just what you need to bring a character or prop into a reality. I frequently High Five myself for this :)  Minuses to my method: Much more time consuming, lots more trial and error, usually because my medium is always changing, and less quality/durability. 

The sense of achievement when a costume is complete must be palpable for you. How does one discover they can produce these fantastic pieces of wardrobe? What is it within you that sees a garbage can (for example) as a potential piece of armour or costume? Have you got a massive surplus of materials at your home?

The achievement is immeasurable and is what keeps me going even when I epic fail. It’s challenging and relaxing all at once and I think of nothing else while building, other than how much fun it’s gonna be to show it off at the next Con. Ok, my garbage can armor I can’t take total credit for, I saw some hand-made Stormtroopers once and inquired what material they used and behold, the garbage can armor. The rest of the time I am very lucky to have an acute photographic memory so I can imagine what items might have the dimensions I need. Like when I think con-friendly arrowheads, I know I can whack the end off a 3-dimensional nautical star. When I think perfect shaped breastplate; Plus size mannequin torso. I would prefer to think I HAD a massive surplus of supplies but have used a good chunk of them and am getting better at only picking things up as needed. At least I think I’m being more reasonable these days. Though the mannequin body parts piled up are a bit disturbing. I have an impressive amount of tools and chemical compounds mostly.

I was first introduced to your work through Derek over at the Women of Comicbook Cosplay blog. I was wondering if you could talk a little about the WoCC project, and what it’s like to be a part of it?

It’s awesome that people like Derek exist to bring together a site to showcase like-minded creative ladies. Sites like WoCC allow you to see what other Costumers can bring to the table around the globe. I love seeing what other people have made and trying to figure out how they did it and what they used.

You’re currently the cover star of WoCC’s 2013 calendar. What does it feel like to be given that role, and being featured alongside similarly inspired women in cosplay?

Umm, it’s flattering but I’d be just as excited to just be one month as I am the cover. Part of the reason I say that is cause I had an unfair advantage as the photo Derek chose was the most infamous Venom take-over shot seen by hundreds of thousands worldwide taken by a photographer with over 21,000 page likes, so I knew the Superhero Photography by Adam Jay fans would blow the competition away. When someone reported the image removing from the competition, I was fine with not being the cover but others didn’t see that as fair which I was touched by.  

I love so many of your different incarnations, but one of my absolute favourites if the series you mentioned depicting the Venom Symbiote attack. I could look at those pictures for ages, with so many things grabbing my attention; the drama in your performance, the artistry of the body paint etc. What was it like working on that set? Could you share any recollections of the day; how long was make-up, what was it like shooting in the “symbiote?”

Thank you. That set can be described in one word…HILARIOUS. 5 goofy as hell personalities were present that night at Image 1st Studios in Miami and the shoot was last minute and a just for fun thing. Adam Jay was blaring 90s hip hop music and rockin out while Carlos Blanchard applied the liquid latex, and the peanut gallery of commentary made the whole 6 hour event an absolute riot :)  A shower rod got taken out by getting the bathroom lighting just right, I got stuck to myself numerous times, and I found out the importance of body lotion when using latex. I’m not very girly so I hardly use smelly lotions even though I was warned to and the latex really stuck in my pours so when I was trying to “tear off the Symbiote”, I might as well have been covered in gorilla tape! Everyone thought it was SO FUNNY (but me), so it really aided in pulling out the twisted rage emotions of Venom ;)

The set was shot by Adam Jay, someone you’ve worked closely with on a number of stellar projects in the past. What is it like to work with Adam, are your collaborations fun experiences? Do you get much direction from him when shooting, or is it a more organic process with room to improvise?

I wasn’t sure what to expect when I spontaneously opted to fly down there for a weekend shoot, at that point I had only taken pics WITH Adam in his glorious Dr Doom costume at Wizard Philly Con. When the camera is down, he’s a singing cheeto-munchin goofball. Camera up…total professional, very directive, very particular on light angles, but still gives me the freedom to do what I want and works with it. Most importantly, he gives feedback to what you’re doing, a lot of photogs fail to see the importance in that and just shoot giving you no clue whether it looks good or not.

Some of my other favourite “Superhero Photography” projects you’ve been involved in with Adam are your cyborg Supergirl and your lady Skeletor. They truly are inspired creations, but could I ask you what some of your favourites are?

The Venom of course was most fun to shoot. I absolutely love my armored Lady Death shots as well as the Witchblade pics.

Are there any characters that you would like to dress as but haven’t yet? Are there any that have proven to have too many logistical problems to adequately create a costume?

VOLTRON & Ironwoman, I just do not have the time or patience for that much armour work, but those would be badass! I also never bother attempting Mystique, love the hell out of her but just exhausting thinking about all the work and paint involved to make a custom version of her not yet seen.

What is more important to you in terms of cosplay, is it having the right costume aesthetically, or having the right attitude while you’re wearing it?

Right aesthetic for me. Attitude, you can only get one out of me at Con…hyper jackass. 

You’ve been to some impressive conventions, I was wondering if you could comment on your favourite, as well as giving a little insight into the positives and negative of conventioning in cosplay?  

Favorite has always been Wizard Chicago, it never disappoints in fun, good people, killer costumes and great location since not in downtown.

As long as you learn to tolerate sweating out your body weight, the only real negative to larger cons is celeb line time; it can eat up a fair chunk of Con time and you have to understand that when in costume, you are getting nowhere fast, so allow yourself ample time if you need to be somewhere. It’s pretty much non-stop fun otherwise.

Are you working on any projects at the moment that you’re looking forward to debuting?

Pfffft! OF COURSE! Well the biggest I am debuting, I am not making. Adam Jay wanted to do one as a fan request and we have an Indiegogo donation account for the Making of Fem Robocop. Fantasy Armor by Davence will be sculpting and making the suit with WIP videos and pics all along the way (www.indiegogo.com/femrobocop).

I personally am excited for my 1st time at Phoenix Comic Con, where my 2nd Lady Death comic cover will be debuted as well as Fem Spawn I’m really stoked about making. And not sure which Con yet, but I have one more never done before MOTU costume to debut.

Is there anything out right now that you’re getting inspired by? What are you reading/watching right now in terms of comicbook/fantasy/sci-fi material?

I get really inspired by anything involving mythical creatures, I grew up with Lion, Witch & the Wardrobe as a fav, so huge LoTR fan. Can’t wait for Hobbit and lovin Game of Thrones. Since I meet so many creative independant artists at Cons, my nightstand currently has independent books on it, Cricket by Keith Thomas and Crown of Horns by John Cullins. As well as a Catwoman and current Lady Deaths.

As well as glorious pieces of art as costume, you also adorn your body with other forms of art. I am of course talking about your tattoos. I love talking tattoos on this blog and wonder if you might talk us through some of your designs?

OMG are you serious?!  I AM COVERED! Like probably around 70%, so where to begin! I have Lions, Vampires and Swords oh my! But I guess since this is a  comic based interview I’ll list those; Batsymbol and Hulk logo in ears, HUGE Lady Death vs Luscifer on back, Lady Death; Dragon Wars #1 cover and Batman on thighs, Calves have Boba Fett, Slave Leia, Battle Cat, Gizmo drivin Barbie’s Convertible, Ironman, American Dream…My Peter Pan Original theatrical poster adaptation tat is pretty sentimental as it never lets me forget my old comic shop of Lost Boys and that place’s exist where you never have to grow up :)

Have you got any plans to add more in the near future?

Currently getting the infamous Venom takeover pic (over half done), then adding Alf, Where’s Waldo and My Pet Monster next.

Finally, with 2013 looming, how do you look back on 2012, and what are you hoping 2013 has in store?

2012 has ranks in my top 3 most fun & adventurous years of my life! It’s been nuts & amazing, not sure how I kept up with everything. I attended 11 Cons, met some of the greatest people, ended up on Lady Death cover, a calendar, posters, t-shirts, custom art & banners…I had to buy a bigger pillow! Kidding, I am SO sick of looking at me! lol  But the new friends & memories have been priceless. And let’s not forget the Great Titty Collison of NYCC! I was workin the Superhero Photog booth, leaning over listening to what someone had to tell me, turned rapidly cause someone else called me over & BAM! Nothin but net, face planted into a glorious set of D cups! I laughed so hard (still buried in said boobies) I think I fractured a rib. You had to be there really, but I promise you it was amazing & you would have peed your pants :D

Clearly 2013 is gonna suck cause no way it’s gonna top 2012

Can we please end with Bernard Pivot’s questionnaire?

What is your favourite word? annihilation

What is your least favourite word? at the moment Gangnam comes to mind

What turns you on? Armour

What turns you off? Moguls

What is your favourite curse word? ass clown

What sound or noise do you love? Nazgul screech

What sound or noise do you hate? Twilight fan screech

What profession other than your own would you like to attempt? Zoology

What profession would you not like to do? hooker

If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?  “LOL, get the frak outta here Nova!”

This interview with Freddie Nova was thoroughly enjoyable to participate in. I am really proud to be able to share this personality on my blog, and maybe even introduce some people who may not have discovered her work yet. I love the respect she has for cosplaying, and the importance it has in her life. She can be eternally proud of the work she’s done to date, and I’m extremely excited to see what she produces next. I’ll always be grateful for her involvement with my blog, and would jump at the chance of working with her again.

All images used were provided by Freddie and used with her permission.

Cosplay is a strand of modelling and performance that has fascinated me ever since I was first introduced to it. It combines some of my favourite things; comic book and fantasy characters, portrayed by unique individuals who enjoy nothing more that showcasing their passion for an art form. Today’s interview is brought to you in collaboration with the outstanding Stacey Rebecca, an Alt model whose progression into the cosplay realm has garnered her quite the following, particularly in the USA. Looking through her work it’s obvious what all the fuss is about. Stacey is an imaginative and creative woman, whose talent for modelling has aided her characterisation no end, giving her the poise and confidence to embody such great comic book heroes and villains. It’s a joy to welcome her to the Alt Gil botherer blog, and feature her passion and craft in not only cosplay, but all her modelling endeavours.

 

Welcome Stacey, it’s delightful having you on my blog, how are you doing today?

I’m very well thank you!  I’ve just seen some preview shots from my recent Carnage shoot with Sexy Cosplay Girls, and I am super stoked!

It’s hard to know where to start with your stunning work. I was first made aware of you through your Cosplay, but what came first; Cosplay or Alt modelling? How did you get into working in front of the camera?

I was alt modelling well before I started exploring cosplay!  I had a few friends that were into photography who I loaned my face to every now and then, but I only really started taking things more seriously about a year or so ago when I started actively seeking out people to work with and trying new things.  I’m naturally quite a shy person so taking that step was quite difficult for me.  I only really started cosplay modelling because I had so many fancy dress costumes I had made for parties etc that I thought I might as well use them!

I always like to ask Cosplayers what they enjoyed most as a child in terms of geeky inspirations. Did you have particular characters/shows/comics that you were addicted to growing up?

I was a huge fan of Power Rangers when I was a kid, and I’m still mad on it now!  I was about 6 when the Mighty Morphin’ Power Rangers first came out, and I was so obsessed with it that when my cousin Kimberly was born I threw a hissy fit BECAUSE I WAS THE PINK RANGER AND HOW DARE SHE BE CALLED KIMBERLY THAT’S NOT FAIR.  I also loved Teenage Mutant Ninja Turtles - definitely a franchise I plan on drawing inspiration from in the future!

It seems it’s cool to be a geek these days, and more and more people are enjoying and indulging in Cosplay at conventions and even fancy dress parties. What do you put this shift down to Stacey? Are people just more open with showing their fandom/geekdom, or is it the lure of very attractive ladies (such as yourself) donning latex and spandex to massive appreciation? Is nerdy the new sexy?

I think that TV and film have been a big factor in this shift - it’s been a really amazing couple of years for superhero films, and shows like The Big Bang Theory and The IT Crowd have helped to bring geekdom to the masses.  I don’t know whether I’d say it’s cool yet - I still have plenty of friends that think what I do is a bit weird!  To me, intelligence and the confidence to embrace the things you love regardless of what anyone else thinks is the sexiest thing ever.

You’ve become a number of different characters to date, but which has been your favourite character to portray?

That’s got to be a toss-up between Connor Kenway (Assassin’s Creed 3) and Carnage.  Portraying Connor is awesome because I am such a huge fan of the series and the costume was perhaps my biggest and most complicated to date, I feel like such a badass wearing it.  But doing Gwen Stacy’s transformation into Carnage was something else, I really had to get into the character and act the hell out of that shoot.  So much fun!

Where do your costumes come from? Are they your own creations, or are you an avid Cosplay shopper?

I do a little bit of both, really.  A lot of the time, things are easier to buy than to make as the cost of fabric outweighs the cost of buying something pre-made.  I tend to start with basic items and add/alter things to turn it into what I’m looking for.  The Connor coat, for example, actually started life as a plain white lab coat!  I use Primark and eBay a lot for my basic items.  And then it’s usually a case of me buying some fabric, hacking the hell out of something and making it all up as I go along - I’ve never had any textiles training so I rely a lot on ‘winging it’!

What do you think is the most important when it comes to Cosplay. Is it all about the quality of the costume, or the dedication and performance of the person wearing it?

I’m totally into accuracy of the costume.  Quality not so much as I’m not that great at making things - if it falls apart after a shoot or at a convention, that’s fine, I’ll fix it!  But accuracy is important to me - I like to make things look as close to the character I have in mind as possible.  It’s all in the details.

When you’re wearing these garments, do you consciously embody the characters you’re playing? Could you give us an example of what traits you might adopt for certain heroes/heroines?

I certainly try to!  Although I guess I tend to go for similar characters in terms of traits - strong, powerful women.  I always try and lend an edge of sexiness to the character.  I suppose with Mary Jane I tried to portray more of a sweetness, a vulnerability.  She’s such a beloved character to so many people that I wanted to get her right.  At least, that particular MJ!  The costumes tend to lead really, once you put them on you kinda just know how to move, and how to hold yourself.  It’s strange.

Your Cosplay work has landed you a spot in the Women of Comicbook Cosplay calendar for 2013. Could you tell us a little about the project, which month and character you are, and what it’s like to work on Derek’s WoCC project?

Women of Comicbook Cosplay have been super supportive of me since I started, and I was SO excited to be chosen to be part of their calendar :D  I appear in January as Psylocke, which funnily enough was my first real cosplay shoot!  The calendar is awesome, so many incredible photos and beautiful women.  Stoked!

You’re featured in the calendar amongst some impressive names in the Cosplay realm, how does it feel appearing alongside those women, and have you got any personal inspirations in terms of all time Cosplay greats?

Honestly?  Totally mental.  Being so new to the scene, it was a real boost of confidence for me to be featured alongside such amazing women.  My personal aspiration is to be the biggest and best cosplayer in the UK - Jessica Nigri level!

Your notoriety within the Cosplay community has gained you many fans and followers, mainly in the US. I believe you’ve got a store set up to help fund a trip to the states to appear at some conventions etc. How is the fundraising going, and where can people find the store online?

Yes!  I’d love to visit the States and attend some of the big conventions, plus it would be a really great opportunity to meet some of my fans and give something back.  I’m currently selling limited edition signed prints at my store (staceyrebecca.storenvy.com), all of which come personalised and numbered with a lipstick kiss on the back :) Fundraising is going really well so far, I’m about half way to covering my flights!  Hopefully I will be able to announce where I’m headed soon, big plans! :D  I’m also hoping to put some other little bits on there soon like webchats and crafty things - so however much you want to donate, I can send you something awesome in return!

You’re selling some fantastic merchandise on there, and some ingenious personalised items. What are proving the most popular items right now? They are the perfect gifts for Christmas, I’d urge fans to check the page out!

The Mary Jane Amazing Spider-Man #601 cover shot sold out in a few days, it was ridiculous!  But I’m hoping to get some big posters printed of that shot for anyone that missed out on the prints.  Psylocke and the infamous Poison Ivy bum shot are also proving popular!  I’m only selling 20 of each print to make them super special, so I urge people to buy soon if they’re desperate for a particular shot.  My fans have started sending me photos of their prints in their homes, which is super cool - that anyone wants me on their wall is bizarre to me!

I mentioned at the start of this piece that you are also an accomplished Alt model, and I’d like to talk a little about your work in that field if I may. Your earlier work with the likes of Brian Harris and Alan Howden showcase a very different style from your Cosplay shots. More fashion and editorial in tone, do you enjoy that side of modelling? Would you like to do more?

I love alt modelling, but when the cosplay thing took off I ended up being offered so many cosplay shoots that I just couldn’t turn down!  I’m definitely looking into getting back into it in 2013, its good fun - and a totally different experience to shooting cosplay!

I love the work you’ve done with JemaA Photography, she really captures a fantastic side to you in her imagery. What’s it like to work with her? From the pictures, you seem to get on great.

JemaA and I have been friends for years now, so we are super comfortable around each other, and I think that shows in the photos!  She models too so she is awesome at direction and giving feedback.  My shoots with JemaA tend to involve tea, cats, gossiping… And a little bit of shooting.  We have such a laugh together!

There’s a particular set shot by JemaA that I really love from your portfolio that takes place in a bathtub. The images are a wonderful example of your Alt modelling chops. What do you remember from that shoot in particular?

My main memory of that shoot was JemaA’s gorgeous Siberian kitty trying to get in the bath with me, she wanted to splash around with me so badly - crazy cat!  And modelling in the bath?  Slippery as fuck.  I’m surprised I didn’t crack my head open that day!

The images produced at Murder Mile studio are also top notch. I love the sense of theatre to them, and I guess it’s a talent you have to employ in your Cosplay work as well. Have you got any performance background? I know you’ve been on stage performing in costume, but is acting a route you’d like to explore sometime?

I used to participate in theatre productions at school and what not, but not much other than that!  I used to dance, which I think helps - sometimes modelling feels very much like dancing.  It’s really just about throwing shapes and using your body to convey a meaning.  I’d definitely try my hand at acting if an opportunity came my way. I think I’d be alright at it! 

You’ve got a glorious figure Stacey, which must be important if you’re clad in latex and spandex from time to time. Do you make sure to keep it in good shape with gym and diet? Have you got a regime you follow in the lead up to a convention showing or shoot?

Awww thank you, that’s nice to hear!  I’m not hugely confident about my body at all.  I’m not great with exercise or diet to be entirely honest!  I walk 2-3km a day which helps keep my butt and thighs from ballooning, and I have an exercise bike at home but that’s about it.  I’m quite conscious of my arse and thighs so I tend to do some squats etc in the run up to a shoot if I think they’ve got a bit wobbly.  As for diet, I just eat little and often - I have a small tummy that wants food ALL THE TIME!

I love to talk tattoos in my interviews, and you’ve made some terrific choices in your body art. I especially love your midriff piece. I’m sure you get asked about it all the time, but could you tell us about it please?

Oh, thank you!  My torso piece is based on Ezio’s belt buckle from Assassin’s Creed Brotherhood, and it’s my biggest tattoo to date.  I’m a massive fan of the franchise and the game has some really beautiful artwork.  I like my tattoos to represent who I am, and the franchise is such a big part of my life that it made sense to me - I’m sure other people think I’m mad for getting a gaming tattoo, but I love it!  I also have the Nobody symbol from Kingdom Hearts on my ankle, and ‘Player 2’ in 8-bit font on my neck (my boyfriend is my Player 1 - the tattoos are based on a song called 2-Player Co-op by Danny Wiessner!) I’d love more but I spend too much money on costuming!

Have you got any future plans for additions to your ink collection?

Next on my list is a big phoenix on my thigh with the sword of Gryffindor in his claws… Yep, I’m that guy.

Back to Cosplay finally if I may Stacey. I think your Poison Ivy is perfection, and your portrayal of Mary Jane from Spider-man is incredible. I was wondering what you might have planned for your next characters? Have you got any idea of who you’ll be dressing up as next?

I like to keep my new projects a secret, mainly to stop ideas getting stolen but also to keep things interesting - I like to leave clues on page, and progress photos for people to decipher. That said, I have two costumes on the way - one Marvel (from a new comic out in January) and one DC (film). That’s all I’m saying!  :)

With 2013 looming, what are your hopes and plans for the New Year?

To advance my cosplay skills and experiment with new materials, trying out some armour and new weapons. Also, AMERICAAA!

Finally, could we please finish with Bernard Pivot’s questionnaire?

What is your favourite word?

Bacon

What is your least favourite word?

SorryIateallthebacon

What turns you on?

A sexy jawline.

What turns you off?

Long fingernails.

What is your favourite curse word?

Fuck. Fuck fuck fuck.

What sound or noise do you love?

The sound effect of a Dancing Stage Euromix starting up.

What sound or noise do you hate?

The ‘battery low’ sound.

What profession other than your own would you like to attempt?

I’d love to model full time if there was any money in it! I’m working towards becoming a statistician, actually. I’m a massive maths nerd.

What profession would you not like to do?

Anything in retail. Urgh, humans!

If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?

“Holy fuck, who let you in?!”

It’s been a real joy to showcase Stacey’s efforts and opinions here today. She was a dream to work with, and one of those people you can’t help but wish the best for. I think you’ll agree that her answers made for an informative and funny interview, one I enjoyed immensely. Stacey’s online spaces are a treat for everyone that checks them out, filled with great shoot concepts, and glorious images galore. Head on over and see what I mean:

https://www.facebook.com/StaceyRebeccaAltModel

http://staceyrebecca.storenvy.com

http://www.sexycosplaygirls.com/ps/43001-Ultimate%20Carnage/Gwen%20Stacy

All images were sourced and used with Stacey’s permission.

Tonight’s feature focuses on a very talented model called Charli Elizabeth. I must give Facebook the credit on sourcing this particular interview, after being introduced to her work on the social networking site I literally spent over an hour investigating her portfolio. With such an array of fabulous work already to her name, the experience was amazing. I was quickly inspired to contact Charli in the hopes of featuring her here on the Alt Girl botherer blog. With her cheery disposition, and an extremely positive attitude, the interview was quickly discussed and the whole article was produced in record time. While writing the piece I was thrilled to not only delve deeper into the work of this rising star within the modelling realm, but also collaborate with a thoroughly professional and dedicated individual. If you’ve not yet been introduced to Charli’s work, then you’re very welcome for this showcase. Prepare yourself to be ensnared by visual delight, and motivated to find out more about a thoroughly intriguing artist.

 

Hello Charli. So excited to feature you and your work on my blog, how are things in your world?

Hi! I’m really excited about this too. It’s really fantastic that you asked to do a feature on me, thank you! Things are going well with me.

The research portion of this article has been a dream. You’ve produced masses of top quality work, and have a thoroughly enjoyable portfolio. But where did all this awesomeness start?

I’m really glad you’ve had fun looking though my portfolio! I first started modelling when I was about 17, my friend asked me to model for a photography project she was doing at her college. I turned up to shoot with her – my first shoot ever. It was great fun and I enjoyed it so much. After that I did a few more random shoots and got the confidence together to make a model mayhem portfolio – It went from there!!

Did you find the industry a welcoming one? Would you say you had many trials and tribulations in those early stages?

It’s scary if I’m going to be honest. It’s brutal and you feel like you are always under scrutiny from people. I believe you’ve got to be very strong willed to be in this industry; you try to put on a front that you are immune to bad comments or haters. Really we all know it hurts to be put down. I’ve had a few things happen that I’ve had to brush off. On the flipside it’s great to meet new people in the industry, getting together and creating some cracking work. It’s always lovely when I get good feedback, and it always outweighs the bad feedback by far!

There’s so much I want to cover about your work that I thought we’d jump right in. Sooooo many shoots I’ve enjoyed and totally fawned over from your portfolio. Can I start with your work alongside Rowan Murray, whose pictures were used for your Elite Magazine feature. They’re very elegant shots, with a touch of golden age Hollywood about them. Did you enjoy working with Rowan and creating that vamp touch in the lingerie etc?

Of course! Rowan is a great guy and I really enjoyed shooting with him. We both knew what we wanted to achieve and I must say, we work brilliantly together! We had a laugh on the shoot; it was funny as I was trying to pose in an old abandoned farm building in 6 inch heels. Nearly falling over everywhere! I’d say my shoot with Rowan really shows my personality. He took photos of me… being me! No acting required for this shoot, which I think is brilliant and really shows what a fantastic guy he is to really capture me like that.

Speaking of your Elite feature, how thrilled were you to secure that? It’s a great piece, what was the reaction like when it came out?

When we did the shoot we weren’t expecting Elite Magazine to be so interested in them. We sent them off to the magazine and I had to fill out an interview with them, I was so pleased and proud when it happened! Rowan had said to me previously he was going to get me published, but I had no idea I’d come on that quickly! The reaction when it came out was fantastic. I’ve gained a lot of fans and followers because of this feature, I’m really grateful to Rowan and Elite Magazine for launching me into upcoming stuff!

I’ve also got another feature in Elite at the end of December, I travelled up to Newcastle to shoot with Elite Magazine, it’s a biggie for me… So keep your eyes peeled for that one!

When you were first setting out on your modelling adventure, did you have ideas of where you wanted to go with your career? Did you set sights on magazine work, advertising, catwalk work, or were you happy to sample everything that came along?

When I first started I only did it as a hobby, after a few shoots I realized I could potentially make something out of it. I used to think I would only do alternative fashion or beauty shoots, did the odd lingerie set every now and then. I had a break from modelling in 2011, as I didn’t like the direction it was all going, and I felt like I could be better and improve myself. I pondered ideas about my image during my break – decided I would get into the more daring, vicious glamour side of things. I knew I had the assets to do it, it was just a matter of having the right frame of mind to do it! So here I am 5 months after returning from my break, no longer labelled an Alt Model… Now being backed by two agencies as an Alt Glamour Model. Its right where I want to be! I’m very proud of the progress I’ve made in such a short time!

Elegance and poise is a trait you exhibit expertly in certain shots Charli. A photographer who I feel highlights an ethereal quality to your work is Jennifer Marino. You’ve worked with her a few times, and the results are always so stunning. What can you tell us about working with Jennifer and the results you two achieve?

Jen is one of my favourite photographers to work with. I’ve had a couple of shoots with her now and we click perfectly each time. She’s great fun and eccentric just like myself. Jen is very talented with setting the mood in photos, one shot can have a dream like quality to it, and the next one can be sensual. She’s very good at capturing emotion and her being such a lovely woman makes my job a lot easier! We always plan our shoots well, we have a good think about what sort of themes and feel we are going for.

What’s it like working on as set with you Charli? How do you like to shoot? Is it a loud set, a funny set, do you like direction, or the freedom to improvise?

I like to think I’m easy to work with on shoots and I will always go into a shoot trying my hardest. I like to have a laugh when working with photographers – I find if I have chemistry with a photographer, the photos tend to be higher quality and more genuine. Shoots with me are always very laid back and I tend to do my own thing rather than taking direction.

I really admire the skill you have to be introverted in one picture but then exuberantly extroverted in another. Is visualising your emotions something you’ve had to work at, or have you always been a very expressive person?

It’s always about confidence I find, you tend to get more comfortable with showing emotion in front of the camera the more experienced you are.  I would always feel like a right ninny pulling expressions and trying to show emotion when I first started modelling, but now I’m used to trying my hardest to portray emotion. It’s all about the practice and experience! I’m still yet to learn how to smile without looking like I’m gurning… but that’s coming along nicely. A cheeky smile or smirk seems to be creeping into some of my most recent photos!

In contrast to the more recognisable styles of shoot seen in your work with Smokey Rose and Kevin Scullion, you’ve never been scared to work outside the box. In collaboration with artists such a PunkNPoison, you really tested your modelling chops to the limit, and came up with some innovative, drama packed visuals. There’s experimentation with expression and positioning in there also. Does it excite you when new ideas come your way, and you get to take a creative chance?

PunkNPoison – Magic. She’s one of the most creative individuals I’ve ever met. She really knows how to push boundaries! Working with her on this shoot was great fun and opened my eyes to going that step further with experimentation! New ideas always excite me, and I’m always looking to have a wacky creative time!

It may be a somewhat simplistic question, but in your opinion how have you (for want of a better word) learnt how to be a model? Where have you picked up the poses, the angles, or how to accentuate a shot with a well placed arm? Is it down to experience, or do you practice away from the camera?

It’s definitely a learning process when it comes to modelling. I’ve sifted though literally thousands of photos with poses I like and practiced them on shoots and in mirrors. I think any subtle change of angle in a hand or arm can make or break a photo. Its fun experimenting with some poses, I like to have a bit of fun if I can… and if my shoes allow me to!

I must also mention your work with KamKoon photography. The pictures created from that collaboration are what I call “icon shots” really powerful images capable of gracing any medium, from magazine to billboard. Are you ever taken aback at how much impact your shots have when you see the finished article? Is it hard believing it’s you sometimes?

I’m sometimes taken aback when I see the finished product from a shoot. It is hard to believe it’s me as well! I’d never have thought I would be getting into modelling and suchlike if you’d asked me seven years ago… when I was at school getting bullied!

We’ve talked about so much of your work already, and I’ve only just scratched the surface, but I have to also ask about your relationship with SCulley photography. The two of you have worked together many times, and always generate amazing pictures. There’s a freedom and fun to the shoots you do together, would I be right in thinking she’s a favourite artist of yours?

Ah SCulley Photography. Photographer and a great friend of mine. We always have a really great time when we are shooting; she’s a great girl and an amazing photographer! Stef is definitely one of my favourite artists. It’s been so lovely to see her talent grow and blossom into something truly beautiful over the years I’ve had the pleasure of being her friend. She’s got a great eye for all things artistic, she really is fantastic!

Speaking of art, your choices of ink are incredibly vibrant and work so well. You must get asked a lot, but can you walk us through the pieces you have? Can I also ask if you’ve got any plans for future additions?

Thank you! My first tattoo was the one on my right shoulder blade, a memorial piece to my Father who died three years ago. I had designed this one myself, before my Dad had passed when I was studying art at college. He had always liked this certain drawing of two swallows in mid flight, so I figured it was perfect when I decided to get a tattoo. It took around two hours to complete, perhaps thrown into the deep end for my first tattoo but I really love it.

After that I started on my Japanese sleeve, on my left arm. Japan and traditional Japanese culture has always fascinated me, I think it’s a beautiful culture and their style of art is incredible. This is why I chose to have a sleeve. It’s a bold statement but I really do love art! My sleeve consists of a Koi, Cherry blossoms, a Geisha, Phoenix and a Lotus flower. I love the contrast of the dark shading and the bright colours in the main parts of my sleeve.

I’m planning to have my other sleeve started on at some point, Japanese again – something feminine with lovely peacocks and birds! I’m also interested in having my back tattooed again, as part of a back piece and finally my feet!

I do know that you are a self confessed nerd, and a gaming nut. What got you into the nerdy side of life in the first place? Can I ask what console you’re rocking right now, and what’s been played on there most of late?

I am! I love nerdy stuff, science, NASA, Superheroes, Cosplay, Computers, Tech and finally gaming. My father was always a bit of a nerd when I was younger, He’s the man that introduced me to the gaming world actually – I always remember he used to play doom on his pc when he wasn’t working or teaching and he would let me watch him, I think he probably got told off by my Mother a few times as I was so young! As I got older we played pc games together, I always have fond memories of my Father and I being nerds! I’m currently rocking an Xbox 360. I’ve always been an Xbox girl. Assassin’s creed has been played most recently; it’s my favourite series of games. Love it!

Any titles you’re looking forward to getting for Christmas perhaps?

I really want to get the new Call of Duty – Black Ops 2, Tomb Raider, Medal of Honor: War fighter and a pile of other games. I’m not even sure I’ve got room in my games rack for any more games but I suppose I will have to find space somewhere!

Are people surprised when they find out your a nerd and a gamer Charli?

You bet. I’m a beauty therapist outside of modelling so people expect me to be composed and ladylike… not brandishing an AK47 in a gunfight or being the biggest nerd and following NASA’S Curiosity Rover on Mars!! At first glance I may look like your typical blonde. Soon as I reveal my geeky side and my tattoos, people seem to be quite shocked at first. I like to live outside of stereotypes. I like to see people’s reaction when I’m not what they expected.

Speaking of Christmas, its right around the corner… Have you done your Christmas shopping yet? What does a Charli Elizabeth Christmas consist of?

It does seem to be looming, yes! I’ve not done any at all. I’m a scrooge when it comes to Xmas. I’m more focused on making sure my Mum is ok now that my Dad isn’t around. We usually end up making far too much food (not eating it all) and drinking too much champagne!

Finally back to your work if we may. You’ve already got a stellar back catalogue of shoots under your belt, but I believe you’ve set your sights on the American market in the near future. How are you hoping to influence that marketplace? What future projects should fans look forward to?

That’s right. I’ve always felt the American market is incredible as far as alternative modelling is concerned, they seems to have such a variety of “Alt” it amazes me. I’d like to get a taste of it. I’m looking to be featured in various magazines in the states, may even be planning a little trip if it kicks off enough for me!

You’re a very ambitious woman Charli, and have lots to be proud of already in your modelling career. But what are you hoping 2013 has in store for you?

I’m looking to do a lot more work with my agencies and looking for lots more publications! Will also be breaking into the American market. Lots of good stuff coming up! Keep your eyes peeled for it!

Lastly, could you please answer Bernard Pivot’s questionnaire for me?

What is your favourite word?

Darling.

What is your least favourite word?

Minge.

What turns you on?

Talking dirty and being teased. 

What turns you off?

Smelly people.

What is your favourite curse word?

Prick.

What sound or noise do you love?

The sound of a tattoo gun.

What sound or noise do you hate?

The sound of traffic/busy roads.

What profession other than your own would you like to attempt?

Rock star/Singer or Game designer/tester/reviewer… just a few!

What profession would you not like to do?

Working in a sexual health clinic. Ew.

If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?

“ What on earth are you doing up here?!”

 

I can’t thank Charli enough for her effort and attitude throughout the interview process. She was a pleasure to work with and study during the writing of this article. I wish her every success with her future projects and efforts to conquer the states. I shall be watching her career progress closely, and would love to work with her again on absolutely anything! Head to the link below for all things Charli Elizabeth, and enjoy!

http://www.facebook.com/CharliElizabethUKModel

 

All images used were provided by Charli, or taken from her sites with her permission. 

It’s with great pleasure that I return to interview form tonight, with a piece extolling the virtues of yet another alternative female and her stunning work. This week sees a feature all about a fabulous independent model called Emma J Black. Emma is someone I’ve been wanting to collaborate for a while now, but as you might expect, her busy shooting schedule keeps her very occupied. I’m delighted to say that she was able to find time to answer a few questions for the Alt Girl botherer blog; and give a little insight into her world and work. I hope you’ll enjoy reading as much as I enjoyed asking. I envy readers their first introduction to Emma’s work, and hope I’ve opened some eyes to this fabulously creative individual.

 

Welcome Emma, it’s great to be able to feature you and your work on this blog. How are you doing today?

I’m very well thanks, It’s my day off so I’m sat in bed networking.

You’re a self employed and very self motivated model. It’s a big step getting into modelling, especially under your own steam, finding shoots etc yourself. What gave you that first push into working in front of the camera?

Well, I actually started out modelling just as a hobby. I was interested in photography and studying it at college; whenever I wanted to shoot a person I’d just shoot myself, I then started modelling for the other students and built up a small portfolio. I joined an online portfolio site when I turned 18 and it snowballed from there.

How did you find the modelling world when you first started participating in shoots? Was it a welcoming industry, or was there a certain amount of struggle involved?

When I first started doing shoots I mainly did it for myself; to build a portfolio and gain experience. I never expected to do this as a career so I didn’t pay too much attention to the industry to be honest.

For someone that is self employed and without the might of an agency behind them, you have still managed to feature in a lot of high quality shoots. How do you go about picking a project, or choosing a photographer to work with?

I am agency signed with spirit models but I haven’t actually done any work via them yet. When it comes to paid shoots I’ll shoot with anyone who has references and the brief is within my levels. When it comes to shoots for my portfolio I’m a lot more picky, I’ll only shoot with people I feel can add to my portfolio, so it varies who I choose depending on which genre I’m after. I would love to do some more work with designers and magazines.

Your work exhibits a multitude of styles, from fetish and fashion to glamour and concept photography. Did you get into modelling with a certain style in mind, for instance did you start out wanting to be a fetish model, fashion model etc? Or did you just leap into alternative modelling and investigate all aspects of it?

I started off doing more glamour work as I had less tattoos (about 4 I think) and “normal” hair, but I had quite a gothic style so got booked for quite a few fetish, gothic and alt shoots.

Before we talk about your work in greater detail Emma, I wondered if I could ask you about your own sense of style. How would you describe your clothing choices away from the lens in your personal life? Would you say you enjoy alternative fashion?

I love all sorts of aesthetics so my style changes on almost a daily basis depending on my mood. I used to be very gothic wearing new rocks, velvet, corsets and heavy black make-up; whereas nowadays I’m a bit more casual, I still love black but I think I’m more grunge and metal now. I like to look good and I’m always striving to be unique but it seems so hard to be totally individual these days.

You also experiment with your hair a lot Emma, and go for very vibrant shades. May I ask what colour your hair is at the moment, and if there are any plans for a change in the near future?

It’s currently blue; the exact tones of blue changes each time I dye it. I’m planning on adding purple and possibly pink to it in the New Year.

Alternative modelling is a vast field, with people from all walks of life getting involved and doing well on their own. Did you have a specific inspiration modelling wise?

I’ve always loved the work of Nina Kate; she’s probably my biggest inspiration.

Moving on to your work; it’s hard to know where to start with the multitude of shoots you’ve been involved in. I’ll begin with one of my favourites though, that being your set with CCB Photography with your bluey hair. In one shot you’re on a black leather sofa, a shot you’re using as your Facebook cover picture actually. What do you remember from that shoot Emma? Your cover shot in particular is awesome, well posed with the arched back and pointed toes. It’s glorious!

Thanks. That was my first shoot when I got back from travelling for three and a half weeks over the summer and my first shoot with blue hair. I always get great shots working with Chris and I love his studio.

Speaking of techniques like arching your back and pointing your toes, where would you say you learned these tricks of the trade? Is modelling a skill that you must learn as you go along, or have you studied others in the industry and picked up your craft in other ways?

I’ve always looked at others work but I’m not one of these models that practise’s in the mirror. I’ve learnt my poses and facial expression etc from doing so many shoots and working with so many great people.

You’ve worked with CCB Photography a few times in the past; you must really enjoy shooting with them. They do have a great knack for capturing you, and using floods of light in pictures to highlight your incredible features and figure.

I’ve worked with Chris 3 times now I think; He’s definitely one of the photographers on my TF list.

A feature of your work with CCB is that you do a lot of your own make-up. Is that a side of your work you enjoy? I have noticed that you do experiment with make-up styles and techniques; can you tell us about that side of your creativity please Emma?

I do my own make-up on all my shoots; I’ve actually done most of my make-up work with Quane Photography. I usually just come up with my designs on the spot, sometimes I’ll use others work as a reference. I’m a painter and drawer in my free time so I think that helps a lot.

There are also a few collaborations with the lovely Lucretia Levana in your portfolio. What are those shoots like to be a part of? Was there any awkwardness at first, or have you always been comfortable with Lucretia?

Lucretia is great to work with, we got on like a house on fire straight away. I’ve only managed to work with her twice but will hopefully work with her again in the future.

They’re pretty steamy sets, with a fair amount of drama and contact in your eyes. Would you agree that there is much more technique involved with one of those style shoots? It’s not as simple as putting two gorgeous ladies in bed together.

I think because we get on so well it’s quite natural the only difficulty with g/g shoots is how much there is to think about; You have to make sure you look good, don’t block out the other model or the light from the other model whilst making sure you’re fully lit and being aware of where the camera is.

Away from modelling for a moment Emma, may I ask what else keeps you busy? I know you’re also into photography, is that a side of yourself that you’d like to explore and maybe move behind the camera in the near or distant future?

As I’ve said further up I started out behind the camera and studied it at A level. Art is a passion of mine; I paint as much as I can in my free time and occasionally draw too. Unfortunately I don’t have much time for my hobbies currently as I’m studying a HND in business which takes up a huge chunk of my time. I’m actually going to do coursework after this interview.

Before we finish Emma, I have to ask you about your ink. You’ve got a very eclectic array of tattoos around your body. How many exactly do you have?

I have 13 currently; they are mainly based on art and fantasy. Some have personal reasons; some are just about the art. As I said before I love lots of different aesthetics so they do vary a little but I try to keep the style of tattooing similar so they don’t look odd together.

Could you tell us about some of your favourites? Also, a favourite of mine is the green devilish pin-up girl on your forearm, what inspired that design?

I think my favourite currently is my dia de los muertos side piece, it’s an adaptation of a painting by an artist called Sylvia Ji. When my back piece is finished that may take the top spot though because it’s based on the Labyrinth my all-time favourite film.

The green creature on my arm was drawn by an acquaintance of mine, it was a sketch she did that I added colour into for my tattoo design, she’s pink and green because they are colours I like together.

Lastly, before the questionnaire. What projects are you working on at the moment? Where can fans expect to see your work next?

I have a make-up and concept shoot coming up next month which I’m looking forward too. I’m also hoping to buy some wigs and latex in the New Year to shoot, so keep your eyes peeled for that.

Finally, would you be so kind as to give answer Bernard Pivot’s questionnaire please Emma?

What is your favourite word?

Adore

What is your least favourite word?

Stupid

What turns you on?

Biting and scratching

What turns you off?

Farts

What is your favourite curse word?

Fuck

What sound or noise do you love?

The engine of a great motorbike or car

What sound or noise do you hate?

Fire alarms

What profession other than your own would you like to attempt?

I want to be (and shall be) an archaeologist (and/or teacher)

What profession would you not like to do?

Police officer

If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?

You are now entitled to angel wings (I want wings when I die)

Once again I can’t thank Emma enough for all her help in putting this piece together. I wish her every success in the future, and urge everyone to head over to the link below for more info. Keep your eyes open for Emma’s exciting projects in the New Year, and more news from a real talent:

https://www.facebook.com/emmajblackuk

All images used were provided by Emma. They feature work by CCB Photography and Quane Photography.